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A genre-bending noir, and perhaps the squiddiest novel ever written, False Bodies creates a horror/thriller blend of the renowned Newfoundland culture seen in shows like Come From Away with the heart-pounding tension and creeping fear of Alien.
False Bodies follows monster hunter Eddie “The Yeti” Gesner to Newfoundland, to investigate a mass death on an offshore oil rig—which some say is the work of a kraken. A mysterious incident in Eddie’s life has made him obsessed with chasing unfathomable things, but when an antique diary plunges him into a watery world of squid cults, tentacled beasts and corporate greed, Eddie finds even his own fractured reality pushed to the brink, as he’s forced to confront an undersea power beyond human imagining.
Following in the tradition of Ghost Rider and Traveling Music, Rush drummer Neil Peart lets us ride with him along the backroads of North America, Europe, and South America, sharing his experiences in personal reflections and full-color photos. Spanning almost four years, these twenty-two stories are open letters that recount adventures both personal and universal — from the challenges and accomplishments in the professional life of an artist to the birth of a child. These popular stories, originally posted on Neil’s website, are now collected and contextualized with a new introduction and conclusion in this beautifully designed collector’s volume.
Fans will discover a more intimate side to Neil’s very private personal life, and will enjoy his observations of natural phenomena. At one point, he anxiously describes the birth of two hummingbirds in his backyard; at the same time, his wife is preparing for the birth of their daughter — a striking synchronicity tenderly related to readers.
A love of drumming, nature, art, and the open road threads through the narrative, as Neil explores new horizons, both physical and spiritual. This is the personal, introspective travelogue of rock’s foremost drummer, enthusiastic biker, and sensitive husband and father. Far and Away is a book to be enjoyed again and again, like letters from a distant friend.
Whether navigating the backroads of Louisiana or Thuringia, exploring the snowy Quebec woods, or performing onstage at Rush concerts, Neil Peart has stories to tell. His first volume in this series, Far and Away, combined words and images to form an intimate, insightful narrative that won many readers.
Now Far and Near brings together reflections from another three years of an artist’s life as he celebrates seasons, landscapes, and characters, travels roads and trails, receives honors, climbs mountains, composes and performs music. With passionate insight, wry humor, and an adventurous spirit, once again Peart offers a collection of open letters that take readers on the road, behind the scenes, and into the inner workings of an ever-inquisitive mind.
These popular stories, originally posted on Peart’s website, are now collected and contextualized with a new introduction and conclusion in this beautifully designed collector’s volume.
35 concerts. 17,000 motorcycle miles. Three months. One lifetime.
In May 2015, the veteran Canadian rock trio Rush embarked on their 40th anniversary tour, R40. For the band and their fans, R40 was a celebration and, perhaps, a farewell. But for Neil Peart, each tour is more than just a string of concerts, it’s an opportunity to explore backroads near and far on his BMW motorcycle. So if this was to be the last tour and the last great adventure, he decided it would have to be the best one, onstage and off.
This third volume in Peart’s illustrated travel series shares all-new tales that transport the reader across North America and through memories of 50 years of playing drums. From the scenic grandeur of the American West to a peaceful lake in Quebec’s Laurentian Mountains to the mean streets of Midtown Los Angeles, each story is shared in an intimate narrative voice that has won the hearts of many readers.
Richly illustrated, thoughtful, and ever-engaging, Far and Wide is an elegant scrapbook of people and places, music and laughter, from a fascinating road — and a remarkable life.
Farida, a young woman in Tunis, is passionate about reading and loves the French language. But she is compelled to marry Kamel, a brute of a man, who drinks, keeps mistresses, and beats her when she talks back. But she is defiant, and takes comfort from her secret reading. The country is a French colony and male-dominated. Finally after ten years she is granted a divorce by the courts and lives with her son Tewfiq. A smoking, independent-minded divorcee, she sees the country attain its freedom from the French and its arrival into modern times; the growth of her son into a young businessman; and her granddaughter Leila mature into an independent, educated young woman. This is a novel of modern Tunisia told through the lives of its women.
Winner of the 2019 Foreword Indies Silver Medal for Literary Fiction
“Heavy yet rewarding, Maharaj’s novel is a reminder that resilience takes many forms — and that most exceed our naming.” — Kirkus Reviews
A heartrending novel about one man’s search for meaning in a difficult life
A child ridiculed for his weight, a son overshadowed by a favored brother, a husband who falls short of his wife’s ambitions, an old man with a broken heart… As Orbits’s life passes, he doggedly pursues a simple dream — a little place in the country where a family might thrive — while wondering if he can ever shake free of the tragedies that seem to define him.
Fatboy Fall Down is the lush and heartbreaking musings of a man trying to understand his place in the world. Though shot through with sadness, Fatboy Fall Down is also full of surprising moments of wry humor, and Rabindranath Maharaj’s deft touch underscores the resilience of the human spirit.
In a near-future world ravaged by climate change, who will win in the struggle between humanity and nature?
A thick fog rolls in over Shivering Heights. The river overflows, the sky is streaked with toxic green, parasites proliferate in torrential rains and once safely classified species – humans included – are evolving and behaving in unprecedented ways. Against this poetically hostile backdrop, a biologist, Laura, fights to understand the nature and scope of the changes transforming her own body and the world around her.
Ten lush and bracing linked climate fictions depict a world gorgeous and terrifying in its likeness to our own.
Fauna, Christiane Vadnais’s first work of fiction, won the Horizons Imaginaires speculative fiction award, the City of Quebec book award, and was named one of 2018’s best books by Radio-Canada.
Winner of the 2017 Alberta Readers’ Choice Award!
<Fifty Percent of Mountaineering Is Uphill is the enthralling true story of Jasper’s Willi Pfisterer, a legend in the field of mountaineering and safety in the Rocky Mountains. For more than thirty years, Willi was an integral part of Jasper’s alpine landscape, guiding climbers up to the highest peaks, and rescuing them from perilous situations. Originally from Austria, this mountain man came to Canada in the 1950s to assail the Rockies, and stayed to become an integral part of mountain safety in Western Canada and the Yukon.
His daughter, Susanna Pfisterer, has shaped his stories and lectures as an engaging and educational adventure story that features over 100 archival photographs, including avalanches in the National Parks, highlights from climbing 1,600 peaks and participating in over 700 rescues, and guiding adventures with prime ministers. Accompanied by the humorous wisdom of the “Sidehillgouger,” readers will traverse an historical and spectacular terrain.
A horrific betrayal sets the destiny of the Alevizopoulos family, farmers who dare to choose a side, first in the Great War of 1914-1918, then in the Greco-Turkish war of 1919-1922. Theodore, the patriarch, was given a significant plot of fertile farmland in the Peloponnese for his efforts to fight the Ottomans in the Cretan revolution of 1886-1896. After he dies, it is Callidora, the matriarch, who must protect this legacy, raising her children to ensure the land is passed down from one generation to the next. But will the treacherous schemes of a neighbour ever allow this to happen? Survival might mean leaving what is most precious: home.
Finding Callidora unfolds against multiple backdrops?the unforgiving terrain of the Anatolia, the isolated Greek islands of Naxos and Crete, the bustling, chaotic streets of Cairo and later the vast expanse of Canada. Reflecting the headlines of the day, the novel follows four generations of the Alevizopoulos family, starting with Callidora?s children, Nikos, Vasilis and Katarina. Each will carry and pass on the scars of the original betrayal and their need to find the place where they belong.
Charting the porous borderlands of the self and the social through a year of cataclysm, Matt Rader conjures a vision of the present from a deep future.The follow-up to Ghosthawk, Fine is set largely in the Kelowna area of the Okanagan Valley, BC, over the period of July 2021–June 2022. The poems address the extraordinary natural, historical and social events of that period including the June 2021 heat dome and the November 2021 atmospheric river, the ongoing pandemic and resulting social anomie, the public announcement of hundreds of unmarked residential school graves across the country, and the Russian invasion of Ukraine. On a personal level, the poems grapple with questions of disability, illness, trans identity, healing and what a good future might look like. Written in a speculative mood, the poems in Fine look back on the contemporary moment with its terrors and mythopoetic digital scrim from an imagined future, so that the voice itself becomes an incantation, a summoning of a world of survivance and beauty.
A powerful story of childhood physical, emotional and sexual abuse unrolls as the author, at age 50 and living with Multiple Sclerosis, rides her 2009 Harley-Davidson — named Thelma D. — from Ottawa to Winnipeg and back, with detours to northern Ontario and a detour into Quebec. During her ride through the stunning landscape of the Canadian Shield, she shares stories of her childhood growing up in the 1970s in the Ottawa Valley with her three brothers, a violent father and an alcoholic mother. Told with a frank openness and humour, First Gear is ultimately a story of courage, survival, and recovery.
Winner of the 2019 American Book Fest Best Book Award for Women’s Fiction; Finalist for Literary Fiction
Kate, a somewhat clumsy widow of thirty-two, flees her stifling hometown on Vancouver Island to live alone on an even smaller island in the Salish Sea. In so doing, she has vague expectations of solace and sanctuary, despite past experience. Instead she meets Ivy, a woman who through their conversations transports her to the intoxicating world of 1926 Cuba. Within the context of their friendship, Ivy’s past begins to unravel from a long-held silence, just as Kate finds herself confronting her relationship with the colourful community she’s known all her life, along with an unexpected visitor who threatens to remove all peace from her chosen refuge. Told from the perspectives of three narrators: Ivy, Kate, and Kate’s mother Nora, Fishing for Birds is a novel that juxtaposes the expectations we cling to so fiercely and the unexpected and sometimes unconventional things that turn up. The novel challenges traditional constructs of time, ethnicity, and relationship. Set against the tropical beauty of 1920s Cuba and the Northwest Coast of contemporary time, both the landscape and unique character of island life underscore the experiences of three very different women.
Award recognition for Two for the Tablelands:
***THE HOWARD ENGEL AWARD FOR BEST CRIME NOVEL SET IN CANADA 2021 – SHORTLIST***
***ATLANTIC BOOKS TODAY STAFF PICK 2021 – SHORTLIST***
Award Recognition for Three for Trinity:
***THE HOWARD ENGEL AWARD FOR BEST CRIME NOVEL SET IN CANADA 2022 – SHORTLIST***
The fifth book in the Sebastian Synard mystery series takes our intrepid tour guide/private detective on a jaunt across Newfoundland and into Labrador, in pursuit of those towers of intrigue—lighthouses!
The final stop on Synard’s lighthouse tour is the one at L’Anse Amour, Labrador, the highest in all Atlantic Canada. It’s a long climb into the lantern room, and a long fall from its catwalk to the ground below. Dead is photographer Amanda Thomson. Who is the scoundrel that nudged her past the railing? The RCMP in Forteau are pointing to one of the tour groups, but Sebastian and his partner Mae have other ideas. They retrace the excursions of Amanda and her vagabond boyfriend back to a section of northern Newfoundland called the French Shore. Could the recent bizarre vandalism at its historic sites hold a clue? What is it about the French Shore that leads them back to murder at L’Anse Amour?
Translated from French by Howard Scott
A young woman arrives in Quebec from France and one day embarks on a journey along the north shore of the St Lawrence River. Beyond Tadoussac, well into Innu territory, she stops at Ekuanitshit. Here she meets two sisters, Penassin and Nuenau, and their father, Shimun, who invite her and make her one of their family. She learns of Innu folklore, their way of life, their joys, and their attachment to the north. She joins Shimun and others into the heart of the Quebec-Labrador Peninsula. “We walk, we paddle, we admire the lake, the mountains, we hunt, we cut our wood, we don’t stop for a moment,” says Nuenau. “You have to come with us to understand.”
Following Shimun paints a stirring picture of the Innu people, for whom the call of the land exerts a magnetic pull and the spirit of hospitality still dictates how they treat unexpected guests.
Foreign Homes, Joan Crate’s second book of poems, explores domesticity and dislocation, where what was thought to be home becomes alien, and where the alien is, piece by piece, made into home — often in such simple, physical acts as laying a table, or driving a highway, or reassembling a tom photograph. In Crate’s careful hands, the knife that cuts the vegetables for dinner can transform the blade-edge of a distant war. Her migratory poems slip from voice to voice, from love to landscape to language, present to past, exile to return, illuminating the boundary that is also a border crossing between one person, one place, and another:
Dowries
We have crossed borders to reach
each other and lost land
chafes our touch. I carry
snowshoes, winter wheat, raven call, winter pocked by arsenic flakes from the mines.
You bring donkey sweat and spent bullets,
voices that shriek out, tear bright.
We offer them to each other-
gift and sacrifice.
Domestic images and personal narrative surround a burning, incantatory sequence at the centre of the book, where poems circle Shawnandithit, a Beothuk who died in exile in Newfoundland in the nineteenth century, the last of her people. In giving voice to what is unknown, feared, lost, and silent, Crate’s playful language is itself powerfully involved in this act-often violent-of breaking and making anew. And whether these homes are stolen or lost or stumblingly found, Crate is unflinching even as her own homes are made and un-made, watching those “who wait on the porch steps/ eager to move into our youth,/ to reassemble our bones.”
The Four-Doored House evokes two key women in Pierre Nepveu’s life. First, his granddaughter Lily, who he imagines maturing into a complex world, haunted by her memory of him as he is haunted now by her projected self, navigating an era awash in uncertainty and unease. Imbued with both wonder and disquiet, it is an aging poet’s celebration of childhood, as well as a meditation on his own “future absence.” There follows his celebration of C, the woman with whom Nepveu shares his nights and days. These are love poems dedicated to a companion who has aided him in finding “new phrases that reformulate the impossible.” The culmination of a brilliant career, translated into fluent and thrilling English by Donald Winker, The Four-Doored House is Nepveu’s most enduring work yet.