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Showing 161–180 of 803 results
The Earth is changing fast. Polar Bear’s ice is melting. Gazelle’s savanna is turning into a desert. Sea Turtle’s waters are poisoned. How bad is it? The animals gather to talk. When they realize that humans are behind the destruction, they must act quickly. Could they send them to another planet? Maybe the humans need their help? The animals write a letter to remind humans how they were meant to live on this Earth. And how to turn things around before it’s too late.
For decades, distinct professional wrestling territories thrived across North America. Each regionally based promotion operated individually and offered a brand of localized wrestling that greatly appealed to area fans. Promoters routinely coordinated with associates in surrounding regions, and the cooperation displayed by members of the National Wrestling Alliance made it easy for wrestlers to traverse the landscape with the utmost freedom.
Dozens of territories flourished between the 1950s and late ’70s. But by the early 1980s, the growth of cable television had put new outside pressures on promoters. An enterprising third-generation entrepreneur who believed cable was his opportunity to take his promotion national soon capitalized on the situation.
A host of novel ideas and the will to take chances gave Vincent Kennedy McMahon an incredible advantage. McMahon waged war on the territories and raided the NWA and AWA of their top talent. By creating WrestleMania, jumping into the pay-per-view field, and expanding across North America, McMahon changed professional wrestling forever.
Providing never-before-revealed information, Death of the Territories is a must-read for fans yearning to understand how McMahon outlasted his rivals and established the industry’s first national promotion. At the same time, it offers a comprehensive look at the promoters who opposed McMahon, focusing on their noteworthy power plays and embarrassing mistakes.
In 1997, World Championship Wrestling was on top. It was the number-one pro wrestling company in the world, and the highest-rated show on cable television. Each week, fans tuned in to Monday Nitro, flocked to sold-out arenas, and carried home truckloads of WCW merchandise. It seemed the company could do no wrong.
But by 2001, however, everything had bottomed out. The company — having lost a whopping 95% of its audience — was sold for next to nothing to Vince McMahon and World Wrestling Entertainment. WCW was laid to rest.
What went wrong? This expanded and updated version of the bestselling Death of WCW takes readers through a detailed dissection of WCW’s downfall, including even more commentary from the men who were there and serves as an object lesson — and dire warning — as WWE and TNA hurtle toward the 15th anniversary of WCW’s demise.
A collection of letter and prayer poems in which an Indigenous speaker engages with non-Indigenous famous Canadians.
D.A. Lockhart’s stunning and subversive fourth collection gives us the words, thoughts, and experiences of an Anishinaabe guy from Central Ontario and the manner in which he interacts with central aspects and icons of settler Canadian culture. Riffing off Richard Hugo’s 31 Letters and 13 Dreams, the work utilizes contemporary Indigenous poetics to carve out space for often ignored voices in dominant Canadian discourse (and in particular for a response to this dominance through the cultural background of an Indigenous person living on land that has been fundamentally changed by settler culture).
The letter poems comprise a large portion of this collection and are each addressed to specific key public figures–from Sarah Polley to Pierre Berton, k.d. lang to Robertson Davies, Don Cherry to Emily Carr. The second portion of the pieces are prayer poems, which tenderly illustrate hybrid notions of faith that have developed in contemporary Indigenous societies in response to modern and historical realities of life in Canada. Together, these poems act as a lyric whole to push back against the dominant view of Canadian political and pop-culture history and offer a view of a decolonized nation.
Because free double-doubles…
tease us like bureaucratic promises
of medical coverage and housing
not given to black mold and torn-
off siding. Oh Lord, let us sing anew,
in this pre-dawn light, a chorus
that shall not repeat Please Play Again. (from “Roll Up the Rim Prayer”)
The Peak: a university student newspaper with a hard-hitting mix of inflammatory editorials, hastily thrown-together comics and reviews, and a news section run the only way self-taught journalists know how—sloppily.
Alex and Tracy are two of The Peak‘s editors, staring down graduation and struggling to keep the paper relevant to an increasingly indifferent student body. But trouble looms large when a big-money free daily comes to the west-coast campus, threatening to swallow what remains of their readership whole.
It’ll take the scoop of a lifetime to save their beloved campus rag. An exposé about the mysterious filmed-on-campus viral video? Some good old-fashioned libel? Or what about that fallen Hollywood star, the one who’s just announced he’s returning to Simon Fraser University to finish his degree?
With savage wit, intoxicating energy, and a fine-tuned ear for the absurd, Michael Hingston drags the campus novel, kicking and screaming, into the 21st century.
***IPPY: INDEPENDENT VOICE AWARD – WINNER***
***LONGLISTED FOR CANADA READS 2021***
***APMA BEST ATLANTIC PUBLISHED BOOK AWARD: WINNER***
***STEPHEN LEACOCK MEADAL FOR HUMOUR: SHORTLIST***
***THOMAS RADDALL ATLANTIC FICTION AWARD: SHORTLIST***
***MARGARET AND JOHN SAVAGE FIRST BOOK AWARD FOR FICTION: SHORTLIST***
***FOREWORD INDIES HUMOUR AWARD: SILVER***
***THE GLOBE AND MAIL SUMMER’S HOTTEST READS***
***2021 RELIT AWARD: LONG SHORTLIST***
In late 2008, as the world’s economy crumbles and Barack Obama ascends to the White House, the remarkably unremarkable Milton Ontario – not to be confused with Milton, Ontario – leaves his parents’ basement in Middle-of-Nowhere, Saskatchewan, and sets forth to find fame, fortune, and love in the Euro-lite electric sexuality of Montreal; to bask in the endless twenty-something Millennial adolescence of the Plateau; to escape the infinite flatness of Saskatchewan and find his messiah – Leonard Cohen. Hilariously ironic and irreverent, in Dirty Birds, Morgan Murray generates a quest novel for the twenty-first century—a coming-of-age, rom-com, crime-farce thriller—where a hero’s greatest foe is his own crippling mediocrity as he seeks purpose in art, money, power, crime, and sleeping in all day.
Translated from French by Howard Scott
Do Not Enter My Soul in Your Shoes is a poetry collection of great sensitivity. Above all it is a cry from the heart, as if empathy and poetry were dazzled by the eruption of a volcano. Natasha Kanapé Fontaine reveals herself as a poet and Innu woman. She loves. She weeps. She shouts… to come into the world, again. The book is first of all a journey deep inside the self, with joy and love, taking the body on a path to expectation and ecstasy, a quest sustained by incisive, inventive writing, which can leap from impressions of nature to references to a Dali painting. The energy of the images and the power of this luminous, concise language amaze us.
In genre-bending fiction, Keith Cadieux’s collection of dark short stories set against the backdrop of terrifying events and using a narrative “frame/scenario”, this collection pushes various boundaries within the literary form and challenges artistic norms. These propulsive, linked stories by one of Manitoba’s most exciting emerging short-story writers are gripping and taut, elevating short stories and genre fiction together.
Curiosity about his father’s homeland sends American photographer Min Lin to Burma to immerse himself in its culture and build his portfolio. But it’s 1988 and pro-democracy activists are trying to overthrow the military regime. Min gets caught up in the movement after falling in love with one of its leaders. When she’s arrested, Min flees to the jungle and, joining the rebels, comes face-to-face on the battlefield with a Burmese army captain who looks exactly like him. After an explosion kills his double, Min awakes in a hospital misidentified as a hero of the regime, causing him to pose as the dead soldier for his own survival.
Escaping in 1990, he returns to Los Angeles, where he builds a new life based on his acceptance of his homosexuality while adjusting to the shock of discovering his father’s secret history in Burma. Decades later, a new wave of religious persecution and ethno-nationalism in the country now known as Myanmar compels him to return. Still haunted by the events of ’88, and knowing his ex-girlfriend is to be released from prison, Min must come to terms with his actions while seeking the truth about the double he met on a battlefield a lifetime ago.
A compelling personal memoir and a scathing indictment of bureaucratic indifference and agenda-driven government policies.
In his thirty years in the Canadian prison system, Robert Clark rose from student volunteer to deputy warden. He worked with some of Canada’s most dangerous and notorious prisoners, including Paul Bernardo and Tyrone Conn. He dealt with escapes, lockdowns, prisoner murders, prisoner suicides, and a riot. But he also arranged ice-hockey games in a maximum-security institution, sat in a darkened gym watching movies with three hundred inmates, took parolees sightseeing, and consoled victims of violent crimes. He has managed cellblocks, been a parole officer, and investigated staff corruption.
Clark takes readers down inside a range of prisons, from the minimum-security Pittsburgh Institution to the Kingston Regional Treatment Centre for mentally ill prisoners and the notorious (and now closed) maximum-security Kingston Penitentiary. In Down Inside, he challenges head-on the popular belief that a “tough-on-crime” approach makes prisons and communities safer, arguing instead for humane treatment and rehabilitation. Wading into the controversy about long-term solitary confinement, Clark draws from his own experience managing solitary-confinement units to continue the discussion begun by the headline-making Ashley Smith case and to join the chorus of voices calling for an end to the abuse of solitary confinement in Canadian prisons.
Winner of the 2022 A.M. Klein Prize for Poetry * 2022 Griffin Poetry Prize Finalist * 2022 Governor General’s Literary Award Shortlist * 2022 Gerald Lampert Memorial Award Shortlist * 2022 Grand Prix du Livre de Montréal Jury Selection * 2022 Concordia University First Book Prize Shortlist
An expansive, hybrid, debut collection of prose poems, self-erasures, verse, and family photo cut-ups about growing up in a racially trinary, diversely troubled family.
Dream of No One but Myself is an interdisciplinary, lyrical unravelling of the trauma-memoir-as-proof-it’s-now-handled motif, illuminating what an auto-archival alternative to it might look like in motion. Through a complex juxtaposition of lyric verse and self-erasure, family keepsake and transformed photo, D.M. Bradford engages the gap between the drive toward self-understanding and the excavated, tangled narratives autobiography can’t quite reconcile. The translation of early memory into language is a set of decisions, and in Dream of No One but Myself, Bradford decides and then decides again, composing a deliberately unstable, frayed account of family inheritance, intergenerational traumas, and domestic tenderness.
More essayistic lyric than lyrical essay, this is a satisfyingly unsettling and off-kilter debut that charts, shapes, fragments, and embraces the unresolvable. These gorgeous, halting poems ultimately take the urge to make linear sense of one’s own history and diffract it into innumerable beams of light.
Talent can be discovered in the most unexpected of places! With a little inspiration and a magical cape, Drew learns to embrace his creativity with confidence and pride.
The school talent show is just around the corner, and every kid has signed up to perform—except Drew. Drew thinks he doesn’t have any talents worth sharing. He loves butterflies, his Grandma, and playing pretend—but those aren’t talents, right? Talents are juggling, singing, or magic tricks! He is discouraged until his Grandma brings him to meet a drag queen named Saturn, who gives Drew the confidence to fully embrace his true self and declare his talent proudly. With Saturn’s advice and magical cape, can Drew give an unforgettable performance at the school talent show?