Your cart is currently empty!
These award-winning titles are now available in accessible ePub format.
Showing 1–16 of 51 results
Deluxe redesign of the Gerald Lampert Award-winning classic.
On the occasion of the press’s 40th anniversary, Brick Books is proud to present the fourth of six new editions of classic books from our back catalogue. This edition of A Really Good Brown Girl features a new Introduction by Lee Maracle, a new Afterword by the author and a new cover and design by the renowned typographer Robert Bringhurst.
First published in 1996, A Really Good Brown Girl is a fierce, honest and courageous account of what it takes to grow into one’s self and one’s Métis heritage in the face of myriad institutional and cultural obstacles. It is an indispensable contribution to Canadian literature.
I am looking at a school picture, grade five, I am smiling easily … I look poised, settled, like I belong. I won an award that year for most improved student. I learned to follow really well. –from “Memoirs of a Really Good Brown Girl”
“No other book so exonerates us, elevates us and at the same time indicts Canada in language so eloquent it almost hurts to hear it.” –Lee Maracle, from the Introduction
Seeing beyond Winston’s disfiguring scars and foreseeing a future with him, Lise falls in love and the couple soon marry. Years later, having inherited Lise’s gift, two of their children, Theresa and Jerome, must struggle to find their place within the community. But for Leo, their middle child, that is just the start of his worries. As he grows older and the chasm between himself and his family grows, Leo realizes that he doesn’t belong to his family. While familial tensions mount and secrets are revealed, the Evans family come to see the monumental effect even the smallest spark can create. Based on the short story by Michael Crummey, Afterimage explores the connections built within both family and community, of finding a place to belong.
Winner of the 2014 Governor General’s Literary Award
Based on a true story, Get Yourself Home Skyler James follows the harrowing journey of a young lesbian who defects from the army when she is outed by fellow soldiers. The award-winning rihannaboi95 centres around a Toronto teen whose world comes crashing in when YouTube videos of him dancing to songs by his favourite pop heroine go viral. Finally, Peter Fechter: 59 Minutes chronicles the last hour of Peter Fechter’s life, a teenager in East Berlin shot while attempting to cross the Berlin Wall in 1962 with his companion. Together these solo plays explore the lives of three queer youth and their resilience in the face of violence and intolerance.
Agnes, Murderess is a graphic novel inspired by the bloody legend of Agnes McVee, a roadhouse owner, madam and serial killer in the Cariboo region of British Columbia in the late nineteenth century. Fascinated by this legend–which originated in a 1970s guide to buried treasure in BC, and has never been verified–Sarah Leavitt has imagined an entirely new story for the mysterious Agnes: her immigration to Canada from an isolated Scottish Island; her complex entanglement with shiny things; and her terrifying grandmother, Gormul, who haunts Agnes’s dreams and waking life.
Leavitt puts a decidedly queer twist on the story, moving from women’s passionate friendships in the gardens of St John’s Wood to female relationships in the Canadian wild. At the same time, the book grapples with the dangerous pre-conceived notions held by settlers that the country was a “new world,” free of ghosts and history. Agnes, Murderess presents a tortured, complicated woman struggling to escape her past. It is a spine-chilling tale of ghosts and murder, friendship and betrayal, love and greed, fate and choice.
Half-Asian teenager Grace (but she’d prefer it if you called her “Gray” instead) is not a perfect little supermom-in-the-making like her older sister Jessica, and would rather become a marine biologist than a mother–although she does understand how to take care of her special-needs kid brother Squid better than anyone else in her family. When her mother Belinda abruptly runs out on her family and flies across the Atlantic in order to study crop circles in the English countryside, Grace is left alone to puzzle out her life, the world, and her unique place within it.
With a warmth and a boisterous sense of humour reminiscent of Miriam Toews’ A Complicated Kindness and Peter Hedges’ What’s Eating Gilbert Grape? author Corinna Chong introduces us to two lovable and thoroughly original female characters: persnickety, precocious Grace, and her impractical, impulsive mother Belinda–very different women who nevertheless persistently circle back into each other’s hearts.
Welcome to ’90s Montreal. It’s been five years since the OKA crisis and the sex garage riots; the queers are rioting against assimilation, cocktail AIDS drugs are starting to work, and the city walls on either side of the Main are spray-painted with the words YES or NO. Revolution seems possible to eighteen-year-old Eve, who is pining to get out of her parent’s house in Dorval and find a girl who wants to kiss her back. She meets Della: ten years older, mysterious, defiantly non-monogamous, and an avid separatist. Their explosive beginning and volatile relationship paves a path for the personal and political to collide on the night of the referendum.
Since its publication in 1994, Hiromi Goto’s Chorus of Mushrooms has been recognized as a true classic of Canadian literature. One of the initial entries in NeWest Press’ long-running Nunatak First Fiction Series, Hiromi Goto’s inaugural outing was recognized at the Commonwealth Writers’ Prizes as the Best First Book in the Caribbean and Canadian regions that year, as well as becoming co-winner of the Canada-Japan book award. Goto’s acclaimed feminist novel is an examination of the Japanese Canadian immigrant experience, focusing on the lives of three generations of women in modern day Alberta to better understand themes of privilege and cultural identity. This reprinting of the landmark text includes an extensive afterword by Larissa Lai and an interview with the author, talking about the impact the book has had on the Canadian literary landscape.
Concord Floral is a one-million-square-foot abandoned greenhouse and a refuge for neighbourhood kids; a place all to themselves in which to dream, dare, and come of age. But hidden there is a secret no one wants to confront, and when two friends stumble upon it they set off an unstoppable chain of events, from shadows in parking lots to phone calls from the grave. It’s time for the teens of Concord Floral to start talking.
A collection of letter and prayer poems in which an Indigenous speaker engages with non-Indigenous famous Canadians.
D.A. Lockhart’s stunning and subversive fourth collection gives us the words, thoughts, and experiences of an Anishinaabe guy from Central Ontario and the manner in which he interacts with central aspects and icons of settler Canadian culture. Riffing off Richard Hugo’s 31 Letters and 13 Dreams, the work utilizes contemporary Indigenous poetics to carve out space for often ignored voices in dominant Canadian discourse (and in particular for a response to this dominance through the cultural background of an Indigenous person living on land that has been fundamentally changed by settler culture).
The letter poems comprise a large portion of this collection and are each addressed to specific key public figures–from Sarah Polley to Pierre Berton, k.d. lang to Robertson Davies, Don Cherry to Emily Carr. The second portion of the pieces are prayer poems, which tenderly illustrate hybrid notions of faith that have developed in contemporary Indigenous societies in response to modern and historical realities of life in Canada. Together, these poems act as a lyric whole to push back against the dominant view of Canadian political and pop-culture history and offer a view of a decolonized nation.
Because free double-doubles…
tease us like bureaucratic promises
of medical coverage and housing
not given to black mold and torn-
off siding. Oh Lord, let us sing anew,
in this pre-dawn light, a chorus
that shall not repeat Please Play Again. (from “Roll Up the Rim Prayer”)
This story of family and identity, migration and integration, culture and self-discovery is told through family history, memory, and the occasional recipe. Diamond Grill is a rich banquet where Salisbury Steak shares a menu with chicken fried rice, bird’s nest soup sets the stage for Christmas plum pudding; where racism simmers behind the shiny clean surface of the action in the cafe. An exciting new edition of Fred Wah’s best-selling bio-fiction, on the 10th anniversary of its original publication, with added text and an all new afterword by the author.
A revolutionary chemist, Dr. Fritz Haber discovered too late that when his knowledge was put in the hands of the wrong people, millions would die; his efforts to serve humanity futile against political will, nationalism, and war. This updated edition of Vern Thiessen’s Governor General’s Literary Award–winning play about the collision of power and pride still resonates with verve and vigour.