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A novel about fatherhood, grief, unanswerable questions, and the small, magical moments that make up life.
Keith has always striven to break rules as he navigates full-time parenting and supports the career of his successful photographer wife. Her unexpected illness and death leaves both him and his son Charlie in bits. When they take a road trip, a journey begins that does not end when they return home.
Keith must deal with revelations that complicate his grief, even as Charlie’s response is unsettling. Together, father and son connect with loved ones, strangers, and each other. Life’s magical and mystical moments emerge. Is it enough to heal, though?
How much grief is too much? How far should we go to avoid pain? From the author of the international bestselling novel Agatha comes a literary medical thriller about loss, empathy, science, Big Pharma, and societal norms.
A Danish university research group is finishing its study of a new medicine, Callocain: the world’s first pill for grief. But psychology professor Thorsten Gjeldsted suspects that someone has manipulated the test results to hide a disturbing side effect. When no one believes him, he teams up with two students to investigate: Anna, who has recently experienced traumatic grief herself, and Shadi, whose statistical skills might prevent her from living a quiet life in the shadows. Together, these sleuthing academics try to discover what’s really happening before the drug becomes widely available.
Blue Notes is brimming with ethical and existential ideas about the search for identity and one’s place in the world, while offering a highly original literary adventure that ultimately underscores the healing power of love.
A home harbours secrets. Father has cancer. He is dying. Not a word.
Mother tells me to take care of my little brother.
In the early 1960s, a young girl and her brother move to their grandparents’ flourmill in Dodoma in newly-independent Tanzania. Her grandfather bellows his love for East Africa, where he and other Indian merchants have thrived. But the ground is shifting. President Nyerere is calling for the widespread nationalization of property. The hum of the mill has quieted. The young girl prays at the jamatkhana (Give me back my father) and spends evenings at the cinema watching cowboy films—grief and grievances, if only momentarily, disappear.
Hush, not a word.
Years later, the girl and her family immigrate to Calgary, Alberta and she begins a love affair with the prairies. Wary that her grandfather’s passion for his country consumed him, she is unwilling to settle for geographical monogamy. She travels to Chonju, South Korea to work as a language teacher, and Delhi, India for trysts with her Kashmiri lover. Frequently, she is startled by the appearance of things that remind her of the prairies, but show up in other countries. She aches for a home that beckons her return: the Canadian West, the hero that pulls a U-turn for its beloved.
Would you come for her, all ribby hair, or slicing the air like a boomerang, hollering at God? Would you strike a wild deal with Him, do anything to get her back?
Yasmin Ladha offers readers an exquisite exploration of the ways in which one can love a country. Written in unusual, intoxicating, and poetic prose, Blue Sunflower Startle is a modern day Romance for frequent travellers and nomadic spirits.
“Blue to the Sky is a fabulous book that fills a niche of families and children living with severe allergies. … Highly Recommended.” — Canadian Review of Materials
The journey to conquering your fears starts with 1,776 steps.
Starting sixth grade after years of homeschooling, Ella is tired of being known as Allergic-to-Everything Girl. She just wants to eat pizza without breaking into hives, convince her mom to adopt a Whoodle dog, and get over her stage fright so she can perform her poem to her class.
When her best friend signs up for a CN Tower climb for charity, Ella knows she has to join. If she can climb to the top and summon the courage to recite her poem over the city, she’s convinced she’ll finally be cured of her fears.
Translated from French by Howard Scott
In this, her third volume of poetry, this Aboriginal writer from Quebec again confronts the loss of her landscape and language.
On my left hip
a face
I walk
I walk upright
like a shadow
a people on my hip
a boatload of fruit
and the dream inside
women and children first
“A cry rises in me and transfigures me. The world waits for woman to come back as she was born: woman standing, woman powerful, woman resurgent. A call rises in me and I’ve decided to say yes to my birth.”
The death of Bon Scott is the Da Vinci Code of rockIn death, AC/DC’s trailblazing frontman has become a rock icon, and the legend of the man known around the world simply as “Bon” grows with each passing year. But how much of it is myth?At the heart of Bon: The Last Highway is a special — and unlikely — friendship between an Australian rock star and an alcoholic Texan troublemaker. Jesse Fink, author of the critically acclaimed international bestseller The Youngs: The Brothers Who Built AC/DC, reveals its importance for the first time.Leaving no stone unturned in a three-year journey that begins in Austin and ends in London, Fink takes the reader back to a legendary era for music that saw the relentless AC/DC machine achieve its commercial breakthrough but also threaten to come apart. With unprecedented access to Bon’s lovers, newly unearthed documents, and a trove of never-before-seen photos, Fink divulges startling new information about Bon’s last hours to solve the mystery of how he died.Music fans around the world have been waiting for the original, forensic, unflinching, and masterful biography Bon Scott so richly deserves — and now, finally, it’s here.
Jamie is twenty-two years old and works twelve-hour shifts operating a wood processor, clear-cutting for pulp. At the end of each shift, he walks through the destruction he has created looking for injured birds and animals and rescues those he can. Jamie’s desire to escape this world is thwarted by his fear of leaving the place where he has some status.
Bone Cage examines how young people in rural communities, employed in the destruction of the environment they love, treat the people they love at the end of their shift. Bone Cage is about the difficulty in growing and hanging on to dreams in a world where dreams are seen as impractical or weak. It is funny. It is tragic. It is about different kinds of escaping. It is about a soul trapped in its own rib cage, a cage of bone, a Bone Cage.
Shortlisted for the Cover Design Award at the 2016 Alberta Book Publishing Awards!After the accidental death of a teenaged friend, the Lansing family has split along fault lines previously hidden under a patina of suburban banality. Every family has secrets, but for the Lansings those secrets end up propelling them in different directions away from their border town to foreign shores and to prison.Told in thirty-three flash fiction narratives, Border Markers is fractured like the psyches of its characters, all keen edges and tough language. It’s a slice of prairie noir that straddles the line between magical and gritty realism. Jenny Ferguson’s debut is a compelling collection of commonplace tragedies and surprising insights.
“My grandparents used to tell me Rwanda is a country unlike any other, and I knew they spoke the truth. Blessed with majestic mountains and breathtaking valleys, it is a sacred and spiritual land. And yet Rwandan men drenched the land in blood in acts of hate so horrific that the stains of those three years will not fade in one hundred lifetimes.”
At the age of eight, Alpha Nkuranga made a fateful decision. With war raging around her, she grabbed the hand of her younger brother, Elijah, and ran from her grandparents’ home. When they came to a swamp, they hid until it was safe to escape. Weeks later, they joined a group of refugees, who were fleeing to Tanzania. “If I kept walking,” Alpha remembers thinking, “I could tell my story.”
Nkuranga emigrated to Canada more than a decade later. She now works with women and children who face abuse and homelessness. In Born to Walk, she tells a remarkable story of resistance and survival.
In 1617, Lord Falkland’s colonists in Newfoundland were instructed to bring, among other things, 20 barrels of caske (ale), 90 bushels of malt, a malt mill, 4500 pounds of hops, 1 firkin of Aqua vitae, 1 firkin of canarie wine, and 1 firkin of methaglyne (mead). And so began the time-honoured tradition of countering the rugged Newfoundland environment with a nip of something stronger. Now, four hundred years later, from our famous kitchen parties to the bars and pubs of George Street, the history of our cultural traditions is intertwined with the history of liquor and beer.
Bottoms Up is the story of alcohol in Newfoundland and Labrador, and reveals how the drink helped shape so much of the province’s culture. What did Newfoundlanders drink 400 years ago? Where were the most popular drinking establishments of the past? Why does one of our streets have the most pubs per square foot in North America? Distilling four centuries of fact and anecdote, Sheilah Roberts Lukins serves up a revealing and often amusing survey of our fascination with good spirits.
When the first puck dropped in the Professional Women’s Hockey League in January 2024, it had been a long time coming. Women have been playing hockey since at least 1890 and playing professionally for decades. But until 2024, even the highest-level female players had never been compensated as professionals: some paid for their own gear and worked second jobs, earning a pittance, if anything, from their chosen profession.
In Breakaway, Karissa Donkin tells the story of the players’ efforts to create the PWHL, long before the first full season in 2024. Following the unnamed 2024 Montreal PWHL team, with some of the best players in the sport, like Marie-Philip Poulin and Erin Ambrose, Donkin takes readers through the League’s founding, the draft process, the practices, and the dramatic arc of the first season. Defying all expectations, with larger crowds and higher revenues than anticipated, this first season was a gamechanger for professional women’s sports leagues.
Every day desperate people at the mercy of smugglers flee conflict zones, crossing the Mediterranean in rickety boats in the hopes of using Greece as the conduit to a better life elsewhere. Thousands perish in the attempt. Those who survive face yet more challenges, for the Greeks themselves, in an economic crisis worse than any in living memory, have neither the resources nor the will to play host to the constant influx of refugees. In The Brink of Freedom we see how worlds collide when a young boy goes missing from a refugee camp in Athens. He is found with a Canadian woman, but the police also apprehend a Gypsy from Ukraine on suspicion of human trafficking. When everyone is desperate, none of the rules of civilized society apply.
Broke City, the final book in Wendy McGrath’s Santa Rosa trilogy, follows young Christine as she edges into self-awareness in the now-vanished Edmonton neighbourhood of Santa Rosa.
Budding with creativity that her working-class parents do not understand, Christine questions her parents’ fraught relationship, with alcoholism and implicit violence bubbling just under the surface of their marriage. Her insight turns beyond her family to her neighbourhood, nicknamed Packingtown, a community built on meat-packing plants and abattoirs, on death.
Written with tight lyricism, Broke City is a brimming working-class gothic novel that reveals Christine’s deepening knowledge of the adult world around her and of her own complicated place in that world.
Broken Fiction is a collection of short autofictional stories and poems that both offer solace and depict anguish at the collision of memory, loss, and grief. This kind of story-making negotiates a recognition and acceptance of hard truths without resorting to easy resolution.
The pieces in this volume are playful and fierce. The narrator’s willingness to give attention to where love works or goes wrong, or to the moments when suffering cannot be veiled by a positive attitudeeven as the comic or absurd overwhelms the tragic and humiliatingtakes us to places that inhabit both memory and fiction. Photographs break the fiction and pull the reader into the inevitable forces of time and loss and death.
Broken Fiction invites readers to consider a way throughand sometimes aroundillness and love, pain and joy, and gives a droplet of hope in nature’s comedy of errors and coincidence.
Today’s business leaders are always on the lookout for the information and tools to help them build high-performing teams, to lead with purpose, to remain engaged and to win the long game. Authors Sébastien Sasseville and Gabriel Renaud masterfully transform the lessons learned in the mind-blowing Race Across America into concrete, actionable and relatable business insights.
When Sébastien Sasseville, an athlete with type 1 diabetes, decided to take part in the Race Across America solo, he knew he was embarking on the most difficult ultra-cycling race in the world. What he didn’t realize was that this experience, and the work that needed to be done ahead of it, would inform his thinking around a team-building model that had application beyond sports and deep into workplaces and boardrooms.
This crossing of the United States from west to east, in a time trial of no more than 12 days, forces the riders to stay in the saddle for about 21 hours a day. The challenge is impossible to accomplish without an exceptional team that follows and supports the cyclist night and day.
Together, Sébastien and co-author Gabriel Renaud, a high-performance athlete, corporate trainer and leader of the race team, have taken the model they used to build the Race Across America team and written Building Unstoppable Teams, a tool kit for building highly engaged teams that can accomplish the exceptional.
A deeply scouring poetic account of the residential school experience, and a deeply important indictment of colonialism in Canada.
Many of the poems in Louise Halfe’s Burning in This Midnight Dream were written in response to the grim tide of emotions, memories, dreams and nightmares that arose in her as the Truth and Reconciliation process unfolded. In heart-wrenching detail, Halfe recalls the damage done to her parents, her family, herself. With fearlessly wrought verse, Halfe describes how the experience of the residential schools continues to haunt those who survive, and how the effects pass like a virus from one generation to the next. She asks us to consider the damage done to children taken from their families, to families mourning their children; damage done to entire communities and to ancient cultures.
Halfe’s poetic voice soars in this incredibly moving collection as she digs deep to discover the root of her pain. Her images, created from the natural world, reveal the spiritual strength of her culture.
Originally published in 2016 by Coteau Books, Burning in This Midnight Dream won the Indigenous Peoples’ Publishing Award, the Rasmussen, Ramussen & Charowsky Indigenous Peoples’ Writing Award, the Saskatchewan Arts Board Poetry Award, the League of Canadian Poets’ Raymond Souster Award, and the High Plains Book Award for Indigenous Writers. It was also the 2017 WILLA Literacy Award Finalist in Poetry. This new edition includes a new Afterword by Halfe.