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Rousing, bullsh*t-free advice for aspiring career changers
What is a careergasm? Does it feel as good as it sounds?
You bet your ass it does. A Careergasm happens when your work feels good. Really good. Like a groovin’ Marvin Gaye song. Like you and your work belong together, and you can’t help coming back for more.
But how do you get your mojo back when you’re in a passionless relationship with your job? In Careergasm, Sarah Vermunt leads the way. This playful, empowering book for wannabe career changers is a rally cry, a shot of courage, and a road map charting the course to meaningful work. Filled with real stories about brave people making great stuff happen, this how-to book will help you step out of your career rut and into action. It is written with love and punctuated with laughter. The snorting kind. And the occasional F-bomb. It’s a warm hug and a kick in the ass delivered by a straight-talking spitfire who walks the talk and has hundreds of thousands of people sharing her work online. It’s time to feel good again.
When Gerry Coneybear, a cheerful young artist, comes to her Aunt Maggie’s funeral, she is shocked to learn that she has inherited her aunt’s rambling 200-year-old waterfront home. Unfortunately, the house comes with a multitude of her aunt’s cats as part of the bequest. As Gerry fends off the greedy, jealous relatives and the mysterious part-time housekeeper, she gradually comes to realize that her aunt may have been murdered. Cats, teacups, horticulture and art come together to help Gerry solve the mystery.
Trying to beat the mid-winter blahs by snowshoeing and cross country skiing when she?s not teaching art history at a local college (or being driven crazy by her numerous cats, cooped up in her rambling old country home), Gerry Coneybear thinks she has her busy life under control. That is, until she rescues her neighbour?s injured cat. Then a body pops up where she?d least expect it. And she even knows the victim ? slightly. From gossiping with friends to discussing events while baking at home with her housekeeper Prudence, Gerry manages to pick up a few clues, although Prudence tries to discourage her from getting involved. And at first Gerry tries to stay clear of the murder ? for murder it is. She gets to know Jean-Louis, a handsome ski instructor, and his adorable blond husky Harriet. Her friendship with the other man in her life, Doug, seems to be floundering. And Jean-Louis lives just down the road?The discovery of a mysterious package tucked up in a tree brings the police to Gerry?s home again. But that?s not all she finds in the woods.
Catalina has an almost purrrfect life, although sometimes she is sad and sometimes she is a little bit lonely. Then one day her owners come home with not one, not two, but three puppies. Now she isn?t lonely?she?s cranky! What?s a cat to do? It takes a while, but Catalina comes to see that perhaps puppies aren?t so bad after all.
In this charming picture book, Lori Doody explores the importance of accepting change, adapting to an expanding family situation and making friends. With its playful language and retro-style illustrations, this delightful story will appeal to cat-lovers of every age.
Explore the true resilience of the heart and our raw determination to find goodness in a world fraught with adversity
One woman’s courage in the face of personal tragedy is at the heart of Heather A. Clark’s debut novel. Thirty-three-year-old Nicky Fowler thought her whole life was mapped out — a rewarding career as a third grade teacher, an adoring husband, and the perfect house in the suburbs — but complicated fertility issues lead to a devastating tragedy. Nicky’s marriage crumbles and she’s left unable to cope with her now-changed life.
When Nicky accepts a volunteer teaching position at an orphanage in Kenya, she finds that life there is unlike the world she’s known. Drought has brought famine, violence is everywhere, and the jaded orphanage director takes out her hatred on the parentless children.
But Nicky finds strength in Mama Bu, her host mother, who provides wisdom and perspective over cups of chai, Kenya’s signature drink. Nicky comes to realize that she must do much more than teach the orphans — she must save them.
Since its publication in 1994, Hiromi Goto’s Chorus of Mushrooms has been recognized as a true classic of Canadian literature. One of the initial entries in NeWest Press’ long-running Nunatak First Fiction Series, Hiromi Goto’s inaugural outing was recognized at the Commonwealth Writers’ Prizes as the Best First Book in the Caribbean and Canadian regions that year, as well as becoming co-winner of the Canada-Japan book award. Goto’s acclaimed feminist novel is an examination of the Japanese Canadian immigrant experience, focusing on the lives of three generations of women in modern day Alberta to better understand themes of privilege and cultural identity. This reprinting of the landmark text includes an extensive afterword by Larissa Lai and an interview with the author, talking about the impact the book has had on the Canadian literary landscape.
The first book in the Shanghai Quartet – City Rising – starts on the Hua Shan (the Holy Mountain) 250 years before Christ where the FIRST EMPEROR the most powerful man the world to that time had ever known bequeaths a talisman to his three trusted followers: the BodyGuard, his favorite Courtesan and his Head Confucian – a narwhal tusk with carvings depicting the growth for the next 2500 years of a city at the Bend in the River – Shanghai. The warning from the First Emperor before he commits suicide is to watch for the White Ships on Water – and so the progeny of the three who are entrusted with the Tusk do – and then – in 1841 – they arrive. British Men of War ships – and Opium.
City Rising tells the story of two destitute Baghdadi boys who become opium lords – and the battles against the powerful British Opium companies – and the boys’ eventual love of the City at the Bend in the River – Shanghai.
Alden Nowlan (1933-1983) once wrote of a desire to leave behind “one poem, one story / that will tell what it was like / to be alive.” In an abundance of memorable poems, he fulfilled this desire with candour and subtlety, emotion, and humour, sympathy and truth-telling. For many years, Nowlan has been one of Canada’s most-read and -beloved poets, but only now is the true range of his poetic achievement finally available between two covers, with the publication of Collected Poems of Alden Nowlan.
Nowlan takes us from nightmarish precincts of fear and solitude to the embrace of friendship and family. Delving into experiences of violence and gentleness, of alienation and love, his poetry reveals our shared humanity as well as our perplexing and sometimes entertaining differences. Nowlan’s childhood and adult years are colourfully reflected in his poetry. These autobiographical threads are interwoven with fantasies, an astute historical consciousness, and a keen awareness of the shiftings and transformations of selfhood.
Nowlan wrote with formal variety, visually shaping his poems with a dexterity that complicates impressions that he was primarily a “plainspoken” poet. His varied uses of the poetic line — his handling of line-lengths and -breaks, stanzas, and pauses — show him to be a writer who skilfully uses the page to suggest and embody the rhythms of speech. This long-awaited volume enables readers to experience his poetic genius in its fullness and uniqueness.
You will never know what really happened to Lech or any of us. We mean nothing by it, darling. It is a silent agreement we all have with ourselves, that nothing will ever make us prisoners again, not even memory.?
Set primarily in the neighbourhood of fictional Copernicus Avenue, Andrew Borkowski’s debut collection of short stories is a daring, modern take on life in Toronto’s Polish community in the years following World War II. Featuring a cast of young and old, artists and soldiers, visionaries and madmen, the forgotten and the unforgettable, Copernicus Avenue captures, with bold and striking prose, the spirit of a people who have travelled to a new land, not to escape old grudges and atrocities, but to conquer them.
A pitch-perfect debut and a call to act in the service of Earth through radiant attention.
Humankind, at present, has breached floodgates that have only been breached before in ancient stories of angry gods, or so far back on geologic and biological timelines as to seem more past than past. Against this catastrophic backdrop (at the end of consolations, at the high-water mark), and equipped with a periscopic eye and a sublime metaphorical reach, poet Dan MacIsaac has crowded his debut vessel with sloths and gipsy-birds, mummified remains and bumbling explorers, German expressionists and Neolithic cave-painters.
MacIsaac knows that in order to render a thing in language, description itself must be open to metamorphosis and transformation; each thing must be seen alongside, overtop of, and underneath everything else that has been seen. With the predominant “I” of so many poetic debuts almost entirely absent, Cries from the Ark is catalogue and cartography of our common mortal–and moral–lot.
“These poems are fecund as black dirt, as carnal and joyous. Each piece is an owl pellet, a concentrate of bone and tuft, of bison, auk and Beothuk. Not since Eric Ormsby’s Araby have I read a book so empathic and so glossarily rich. Fair warning, MacIsaac: I’ll be stealing words from you for years.” –Sharon McCartney
“MacIsaac sings a raven’s work, sings the guts from our myths, sings our world with the breath that ‘for a century/ of centuries / only the wild grass / remembered.’ Present but acquainted with antiquity, MacIsaac’s instrument is our own breathing as we say these poems of reverence to ourselves.” –Matt Rader
No two curries are the same. This Curry asks why the dish is supposed to represent everything brown people eat, read, and do.
Curry is a dish that doesn’t quite exist, but, as this wildly funny and sharp essay points out, a dish that doesn’t properly exist can have infinite, equally authentic variations. By grappling with novels, recipes, travelogues, pop culture, and his own upbringing, Naben Ruthnum depicts how the distinctive taste of curry has often become maladroit shorthand for brown identity. With the sardonic wit of Gita Mehta’s Karma Cola and the refined, obsessive palette of Bill Buford’s Heat, Ruthnum sinks his teeth into the story of how the beloved flavor calcified into an aesthetic genre that limits the imaginations of writers, readers, and eaters. Following in the footsteps of Salman Rushdie’s Imaginary Homelands, Curry cracks open anew the staid narrative of an authentically Indian diasporic experience.
Alex is a playwright suffering from writer’s block and harsh reviews. His best friend, Roy, is a theatre director with lung cancer and six months left to live. In pursuit of fresh air and great wine, they go on a road trip to the Okanagan Valley, where Roy rediscovers his passion for theatre. But when he decides to stage a production of A Midsummer Night’s Dream at a winery, disaster ensues: the woman cast in the lead is the winery owner’s wife and has no talent; wildfires encroach upon the surrounding forest; and Roy slips closer to death, one cigarette at a time.
Curtains for Roy is a hilarious peek into the world of theatre, where the greatest drama is offstage and the best performances take place behind the curtain.
When her house in the Jamaican countryside is damaged by a hurricane, Gertrude Samphire is sent by her estranged daughter Celia to Ellesmere Lodge, an assisted living centre. Gertrude is unimpressed with her new wealthy neighbours, and spends most of her time alone. It is only through writing that she finds her voice, and she begins to record her life in a notebook: memories of her gothic childhood, impetuous marriage, and struggles with raising a family. Gertrude slowly comes out of her shell, establishing and mending the relationships she has been missing for so long – and comes to realize that she may not be alone as she once felt.
Winner, 2021 IPPY Bronze Medal for Canada-East Best Regional Fiction.
Precocious ten-year-old Vanessa Dudley-Morris knows lots of secrets. In 1949 when she and her family are forced to move into two rooms on the second floor of 519 Jarvis Street in Toronto, a genteel but somewhat rundown rooming house owned by a reclusive pianist, she learns a lot more.
Despite the family’s drastically reduced circumstances, her parents struggle to keep up their old standards. Threatened by blindness due to an eye condition, Vanessa is kept at home, tutored by an erratic succession of eccentrics, some with questionable credentials. Consequently, she spends a lot of time alone, wandering the dim corridors of the old house, silently listening at doors and watching the odd characters who live there. She becomes fascinated by a mother and son who move into a room on the third floor. Eventually she agrees to take secret notes from the son to his mysterious friend at her church, unwittingly unleashing a chain of events that leads to tragedy.