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All Books

All Books in this Collection

  • Undercurrents

    Undercurrents

    $24.00

    Undercurrents: New Voices in Canadian Poetry is an introduction to the work of eleven poets who have not yet published full collections of their own, but whose poems have been making their way into print in Canada and abroad.


    The poems have been hand-picked by editor Robyn Sarah both for their qualities as individual poems and for the ensemble they create. Each selection has been compiled with a view to showing the poet’s range, yet each is also sequenced so that the poems work effectively as a suite.


    The contributors’ ages span five decades, bringing to bear the perspectives and concerns of different life stages. This is not the latest crop of MFAs in Creative Writing, but a foraged gathering of eleven strongly individual poets coming from different regions, different backgrounds, and different walks of life. What they have in common is their uncommon ability to explore our shared human condition in words that resonate.


    Featuring:


    E. Blagrave
    Sarah Feldman
    Hamish Guthrie
    Amanda Jernigan
    Daniel Karasik
    Michael Lithgow
    George Pakozdi
    E. Alex Pierce
    Jason Ranon Uri Rotstein
    Key Weber
    Margo Wheaton

  • Understan

    Understan

    $20.95

    Across space and time, crossing continents and decades, in this volume the poet uses memory and the minutiae of daily life to unravel the mysteries of love and death. He examines belief and superstition, on occasion prays, and delights in the sight of the familiar and the strange, the young and the old. In his journey the poet is lost but holds up the map to everywhere and everyone.

  • Understander

    Understander

    $15.00

    The second trade collection by Ottawa poet N.W. Lea, Understander continues his investigations of language, discourse, and irony through the short lyric.

  • Understories

    Understories

    $16.95

    Understories explores the meeting of the natural, suburban and inner-city experiences of Prince George. These poems look beneath the daily observations of a place jostled between stripmalls and pubs, the university and the mill, and a landscape that presses in at every corner, revealing a sometimes gritty underside. Al Rempel’s poetry kicks the snow off alleyways, tramps around a fallen-in trapper’s cabin, or sneaks onto the neighbour’s front lawn – all with a wink and a nod.

  • Understories: Poems

    Understories: Poems

    $18.95

    Understories is an exploration of things visible mostly to the inner eye and memory, things below the surface. The book began as a riff on Mark Strand’s brilliant title, “Planet of the Lost Things,” and it is an exploration of loss, but also of recovery through memory and language. The first part, “A Perfect Afternoon” follows an unfulfilled romance through significant moments and years to elegy for what never was and for the loved one himself. The romance is juxtaposed with epiphanic moments of reflection, joy and dismay, perceptive growth points. The second section, “Functional Families,” considers the theme of family, especially mothers, and moves through varying visions of family to a sort of resolution though the poet’s mothering of her own son. The third section, “Going the Distance for Poetry,” focuses on poetry and art, some of the connections that make the poetic quest possible, literary, artistic and natural (looking at mountains, listening to trees). The final section, “Lost Cities,” looks at New York, Toronto, Florence, ancient Rome, Mayan Mexico through the lens of history and memory, alternating sorrow for loss with belief in the power of poetry to preserve. Once of the themes of Understories is “where does the story end?” and the book takes the long view, writing beyond the apparent ending.

  • Underwater Carpentry

    Underwater Carpentry

    $12.95

    Bartlett takes his readers on a meditative journey in which he encapsulates the complexity of human experience. Delighting in humour and the play of words, he induces his readers to take a new look at historical events, the natural world, and a full range of emotions.

  • UNDERWORLD

    UNDERWORLD

    $24.99

    The Odyssey, woven through the streets of Winnipeg. Loosely based on Homer’s classic story, The Odyssey, this graphic novel follows Hector as he tries to regain his sanity whilst navigating his way through the criminal underworld on the streets of Winnipeg. As he puts the pieces of his life back together, Hector rediscovers his wife and children, forgotten through his madness. Hector battles to save himself so he can make amends with his family, the chance of redemption tantalizing amongst the inner war in his mind and the physical danger he finds himself part of too.

  • Undone

    Undone

    $16.00

    Undone is a cornucopia of passionate poems arranged into three sections. “Forgotten” has mostly to do with the aftermath of a heart-rending breakup; “Kindred” features poems on fellow artists in poetry, music and painting (ranging from Georgia O’Keeffe to Snoopy, beagle-novelist); in “Apprentice,” leaving is transformed into celebration, poem after poem about fierce loving of a world that we will have to leave. In these hard-hitting, highly personal poems, lamentation is a key note. Crushing loneliness weighs heavily on the spirit. But Sue Goyette has ways of sharing pain with a compensating lift: wonderful flights of metaphor, language charged with verbal energy. “Isn’t that our job,” she asks, “to coax out the light in the story?” It’s a job she takes to heart and performs brilliantly.

    The poems in Undone have the amplitude proper to “watching wide” – a discipline good for seeing shooting stars and, as this book illustrates, all other kinds of light in a darkness palpable but never enveloping, not when probed so truly and sung so beautifully.

    “If I had to do it again, I’d place a stethoscope on the heart of us
    Sooner. I’d prescribe Neruda, not the despair but the slow blossom of 20 kisses.

    Goodbye, goodbye to the slippery duvet of this bed. The cold floor
    of awake and how hope can have insomnia, spend the whole night wishing.

    Heartbreak is a geological occurrence.”

    from “A Version of Courage”

  • Unexpected Break in the Weather, An

    Unexpected Break in the Weather, An

    $19.00

    “A Rose on Corydon” is a bridal shop like no other. With a staircase spiraling around a pillar that is a floor-to-ceiling aquarium stocked with tropical fish, and an unrivalled eclectic selection, “A Rose on Corydon” has been the city’s “go-to” bridal salon for three decades. At the center of the novel are seven women: Milly and Gertrude, A Rose’s owners, Jeannette, their assistant, Perfume, who is heading to the altar for the fourth time,and her bridal party–Agnes, Dorien, Wordy–and Arlie, a thirteen-year-old cancer survivor with insight beyond her years.As they enter their seventies, Milly and Gertrude have decided it’s time to close the business. Millie is laid-up with a broken leg and there’s no-one to pass the store to, (except their very estranged daughter, Isadore). They decide to host Perfume’s wedding and make it their closing-out party and have everyone, even the men, don taffeta wedding wear. But when Wordy is diagnosed with cancer, the event begins to look less like a wedding and more like an outrageous living wake.This poetic and graceful novel grapples with the meaning of friendship, family estrangement, and how we care for the ill and the elderly.

  • Unexpected Fictions

    Unexpected Fictions

    $10.95

    These nine short stories are written by well-known authors such as W.D. Valgardson, Martha Brooks, David Arnason, Kristjana Gunnars and Betty Jane Wylie. The collection showcases the work of the prairie Icelandic community and is wide-ranging, contemporary, and highly entertaining. The fictions are sometimes comic and sometimes melancholy, in the best tradition of a “round of storytelling.” Gunnars’ introduction raises questions about the function of fiction and the issues of ethnic writing.

  • Unfuckable Lardass

    Unfuckable Lardass

    $16.95

    Unfuckable Lardass reverts the patriarchy’s gaze. It began as an attempt to refract and undercut an outrageous insult allegedly lobbed at German Chancellor Angela Merkel – an egregious demonstration of the framing of women in reductive and sexualized terms ignoring their existence as subjects of their own complex histories. As such, Unfuckable Lardass is fuelled by the energy of grief and rage, counterpoised by moments of love and hope. Drawing on language from a wide range of sources – including European witch trials, Marx, Darwin, Renaissance and popular music, and common profanity, as well as from the author’s experience of post-reproductivity and of carrying out caring labour during declines, deaths, and the COVID-19 lockdown – Strang’s sixth book of poetry not only refuses the objectifying gaze but, more importantly, turns towards the great and expanding richness of alternate possibilities.

  • Unfurled

    Unfurled

    $22.95

    Ambulance lights flash as a baby is born on a busy city street, pine beetles paint forests a palette of new colours, a young boy faces a watery death under the ice of a frozen lake, and a mother stands in a bathtub at midnight wearing only her gumboots. In this anthology of new writing, women poets from Northern BC share their refreshing, intriguing, mystical and sometimes mythical insights into rural and urban life. Unfurled is a unique blend of emerging and familiar voices and includes work from Gillian Wigmore, Jacqueline Baldwin, Sarah de Leeuw, Donna Kane, Laisha Rosnau, Leanne Boschman and Jamella Hagen–truly a celebration of the women of the North.

  • Unholy

    Unholy

    $17.95

    Should women abandon religion?

    Four female panellists face off in a wild, whip-smart televised debate about the intersection of religion and misogyny. On one side, there’s Maryam, a progressive Muslim lawyer, and Yehudit, an Orthodox Jewish spiritual leader. The other has Liz, a lesbian antitheist pundit, and Margaret, an excommunicated nun. The debaters wrestle with themselves and with each other: Can you be a feminist and believe in religion? What can or can’t be forgiven? Why do we have faith to begin with? Between the arguments, each of the debaters return to a seminal and secret moment in their past that represents a crisis of faith, leading the debate to become more and more personally charged, until it climaxes in an epic battle.

    Unholy delves into the biblical struggles that tear us apart and make us who we are. It’s about having the courage to take the leap in life and into love. What is more holy than that?

  • Unicorn in the Woods

    Unicorn in the Woods

    $29.95

    A Globe and Mail Top 100 Selection
    Longlisted, National Business Book Award
    A CBC New Brunswick Book List Selection

    As tech investors the world over search for elusive unicorns (start-ups valued at over $1 billion), acclaimed business journalist Gordon Pitts asks whether there can be a place for high-tech innovation and unicorn-like value creation outside of major urban centres, whether in Atlantic Canada, rust-belt New York, or Northern Ontario.

    Journeying back to the origins of Radian6 and Q1 Labs — two New Brunswick companies that sold for a combined $1 billion — in the basements and offices of a group of geeks and dreamers, Pitts tells a story of two remarkable companies and the legacies that continue to this day. But theirs was not a simple tale of overnight success; there were sellouts and firings, comebacks and vindication, and still unfulfilled promise.

    This is a story of high-tech value creation far from Silicon Valley, a story of the mythical unicorn in the woods. Are the stories of Radian6 and Q1 Labs outliers, rogue datapoints that should be discarded, or the foundation for a new knowledge economy outside of the mainstream?

  • Unisex Love Poems

    Unisex Love Poems

    $16.95

    What is this book made of? Think of it as a verse-novel in parts, complete with characters who are solving mysteries and seeking love. Slug wakes up with an h-shaped rash and becomes obsessed with tracking down the source. Spitz & Spatz–a pair of three-and-a-half inch high lawyers–work to get Slug a better divorce settlement than the one he agreed to years prior. They end up losing Slug’s accent to the ex-wife, who had thought it the only tolerable thing about him. Butterfingers is a tightrope walker and Slug’s neighbor, identifiable by her tangible, siren-like voice. The lives of these characters are inter-cut with the texts of two etiquette manual writers, and concrete diagram poems of human organs. All told, this is an anatomy of poetry and slapstick, a lyrical pastiche of how we conduct ourselves in the urgent situations of love and duress, with a constant stress upon the visceral quality of the word.

  • Unity (1918)

    Unity (1918)

    $17.95

    In the fall of 1918, a world ravaged by four years of war was suddenly hit by a mysterious and deadly plague—the “spanish Flu.” The illness struck not only the young and the elderly, but also people in the prime of their lives, advancing rapidly toward mortality in its victims. This phenomenon in effect brought the terror, the panic, the horror and the sense of helplessness of the Great War home with the returning soldiers—more people died of this epidemic than had been killed in battle throughout the armed conflict.

    As fear of the dreaded flu begins to fill the town of Unity with paranoia, drastic measures are taken. The town is quarantined in an attempt to keep the illness out. Trains are forbidden to stop, no one can enter, and the borders are sealed. Mail from overseas, feared to be carrying the deadly virus, is gathered and then burned. But when the disease descends upon the town despite their precautions, the citizens begin to turn on each other as they attempt to find a scapegoat for the crisis.

    Very little has been written about this worldwide calamity which, more than the war itself, destroyed forever the genteel and naive presumptions of European colonial society at the beginning of the twentieth century. Kevin Kerr offers audiences not only an epic chronicle of this forgotten chapter of Canadian history, but a chilling preview of the beginnings of our own new century.

    The play is a gothic romance, filled with dark comedy and the desperate embrace of life at the edge of death.