A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
Showing 8673–8688 of 9481 results
In this final installation of the Overhead Series, Lucy Hemphill once again transports the reader with intimate revelations on identity by exploring both her personal and ancestral relationship to the forest and the quiet sentinels that root together everything. Hemphillbs prose is extraordinary in its combination of self awareness yet unselfconscious honesty and skillful restraint, creating a sense of connection under the tangle of foliage and limb that ever-reach skyward. Masterfully illustrated by artist Michael Joyal, his evocative dendrological drawings contribute to the overall sensory and transcendent experience.
Avec des images vivantes et une utilisation attrayante des mesures et des rimes arabes, les poèmes explorent la nature, la famille, l’école, le jeu et le monde illimité de l’imagination. Les thèmes variés du livre cultivent les sens cognitifs et contemplatifs des enfants, tout comme la mise en page et les dessins uniques du livre. Les 30 poèmes de ce livre promeuvent un message éducatif important à travers un langage simple, mais captivant, et encouragent la réflexion créative des enfants par les sens et l’imagination.
In a world where the corporate iron fist clad in the velvet glove of the state has appropriated all that is authentic and authoritative in language, there seems little left for us to say to each other. Yet against the determination of borders, capital, criminalization and violence, stigmatized bodies also remember patterns, history, possibility and solidarity. Triage attempts an ordered, critical response to the surges of overlapping manufactured crises that perpetuate the conditions and symptoms of our public and private disentitlements.
Drawing on the increasingly marginalized and criminalized language of protest and resistance, these poems present a polyvocal narrative of human communities struggling at the brutal margins of the neoliberalized state. Triage acknowledges and legitimizes dialogical practices of organizing for food, shelter, mobility, access and voice grounded in a global network of specific communities and movements. It addresses the resilience of people refusing disposability in these highly contested zones; articulates their commonalities in their struggle to take back the garish interventions of commercial language and enterprise in their lives.
The routes to the urban centre from rural, suburban and reserve communities are shared experiences articulated by many of the poems’ characters. Their displacement has concentrated and “naturalized” their entrenchment at the physical margins of cities and turned habit and need into specific areas of surveillance, where low income means risk, focusing primarily on the particular conditions of women caught in the everyday grind at the mercy of the propertied.
Accustomed to framing that which simultaneously victimizes as it offers assistance, Triage acknowledges a powerful legacy of women’s creative resistance to everyday physical and systemic violence. It understands the costs and remembers the losses as it sorts through the rubble of language to salvage a redefinition of beauty and reify a meaningful aesthetic. After loss, hurt, survival and recovery, more is warranted, and more is coming.
cIn a world where the corporate iron fist clad in the velvet glove of the state has appropriated all that is authentic and authoritative in language, there seems little left for us to say to each other. Yet against the determination of borders, capital, criminalization and violence, stigmatized bodies also remember patterns, history, possibility and solidarity. Triage attempts an ordered, critical response to the surges of overlapping manufactured crises that perpetuate the conditions and symptoms of our public and private disentitlements.
Drawing on the increasingly marginalized and criminalized language of protest and resistance, these poems present a polyvocal narrative of human communities struggling at the brutal margins of the neoliberalized state. Triage acknowledges and legitimizes dialogical practices of organizing for food, shelter, mobility, access and voice grounded in a global network of specific communities and movements. It addresses the resilience of people refusing disposability in these highly contested zones; articulates their commonalities in their struggle to take back the garish interventions of commercial language and enterprise in their lives.
The routes to the urban centre from rural, suburban and reserve communities are shared experiences articulated by many of the poems’ characters. Their displacement has concentrated and “naturalized” their entrenchment at the physical margins of cities and turned habit and need into specific areas of surveillance, where low income means risk, focusing primarily on the particular conditions of women caught in the everyday grind at the mercy of the propertied.
Accustomed to framing that which simultaneously victimizes as it offers assistance, Triage acknowledges a powerful legacy of women’s creative resistance to everyday physical and systemic violence. It understands the costs and remembers the losses as it sorts through the rubble of language to salvage a redefinition of beauty and reify a meaningful aesthetic. After loss, hurt, survival and recovery, more is warranted, and more is coming.
Winner of the Arthur Ellis Award for Best Mystery Novel, 1998Winner of the Dashiell Hammett Award, 1998 Arthur Beauchamp, one of Vancouver’s most heralded criminal lawyers, has moved to a quiet island off the British Columbia coast. He’s trying to recover from a marriage gone sour, but his retirement is interrupted by his former law partners — they want Arthur to take charge of the defence trial of Jonathan O’Donnell, the acting dean of the law school. O’Donnell has been accused of rape by one of his students, Kimberley Martin, a smart but arrogant woman who is engaged to a rich businessman. If convicted, O’Donnell understands that his career will implode; he believes that only Arthur Beauchamp can save his professional life.
After much pleading, Beauchamp agrees to handle the case. He is drawn into a complex legal situation dealing with gender and sex, while his personal life takes a provocative turn as well. A courtroom drama ensues, with unpredictable twists and bizarre events.When published in Canada, Trial of Passion won the 1998 Arthur Ellis Award for Best Mystery Novel. And even though it hadn’t yet been released in the U.S., the book was nevertheless winner of the 1998 Dashiell Hammett Award “for a work of literary excellence in the field of crime writing” as chosen by the North American branch of the International Association of Crime Writers.
Vic and Kat were the stars of iconic 90s punk band, Trigger. A decade or so after both the band and their friendship imploded on stage, they meet again to make an appearance at a fundraiserÑprovided, of course, that they can stand being near each other again. In a single night, they crash through their past, their respective addictions, their fears, and their remaining aspirations, each longing in a way for Òwhen we were pureÉwhen we were perfectÓ while knowing all the while that there isnÕt a chance in hell of getting that feeling backÉ
Trigger is a fiercely personal and philosophical clash between two women, a battle between ideologies, lifestylesÑand between memories and the present.
Scirocco Drama is proud to launch its entry into screenplay publishing with the filmscript of this acclaimed movie, directed by Bruce McDonald and starring Molly Parker and Tracy Wright.
You know you’re in deep water when you can’t tell cop from criminal
Rene Beckman is a dishonoured ex-cop with only two things on his mind: his new boat, the Triggerfish, and his hot date, an environmentalist named Vicki. When the two unknowingly dock the boat in the same secluded cove as a Mexican cartel’s drug submarine, the date ends with a bang.
With the cartel’s coke-for-guns deal with local bikers torched by Beckman, he’s forced to go on the run with half the underworld chasing him through the streets of Vancouver and the waters surrounding it. While he tries to stay alive, a woman from Beckman’s past — currently on the run from CSIS and the anti-terror squad — comes back to settle an old score.
When the gangs start to go after his friends, the ex-cop stops running and turns the tables. With a ragtag crew of his own, Beckman faces the cartel and bikers head on. Fast, vicious, and thrilling, Triggerfish delivers a story where all the criminals are in conflict and no one is certain who will come out on top.
The word “pirate” conjures up many Hollywood images, but Trimming Yankee Sails by Faye Kert paints a very different picture. Covering the Atlantic coast from Cape Breton Island, Halifax, and Saint John to the east coast of the United States down to the Virginias, this insightful book offers a glimpse of northeastern North America’s naval history and the pirates and privateers who scourged the Atlantic coast throughout the 19th century.
In Trimming Yankee Sails, Faye Kert recounts a thrilling but little known story. Pirates and privateers sailed from New Brunswick ports throughout the 19th century, but their exploits began in earnest during the War of 1812. Amid tales of battles at sea and fortunes lost and won, Kert’s exposure of the murky context in which these semi-legal marauders operated reveals surprising truths about Confederation and its promoters.
Trimming Yankee Sails: Pirates and Privateers of New Brunswick is Volume 6 in the New Brunswick Military Heritage Series.
Jenny’s House of JoyJenny runs the best little house of ill repute in her corner of the old Wild West. But when a tireless young runaway comes begging for a job, the girls at Jenny’s house might just have to leave their lingerie behind. A delightful comedy about the oldest profession.OutlawA young Canadian homesteader finds himself accused of murder in Kansas in 1871. With only his wits to defend himself, he turns the law of the land upside down. This authentic Western is a unique take on the days when guns were the law.Bedtime StoriesIn a series of scenes connected by time, place, and a most unusual radio broadcast, we follow interweaving characters in their comic struggle to find the meaning of love.
The smash hit of Centaur Theatre’s 2014-15 season, Triplex Nervosa is a rollicking comedy set in Montreal?s legendary music hub, Mile End. Tass Nazor has given up her cello to buy a three-story stone apartment building. Her friends/tenants, a clingy seller and semi-reliable handyman drive her to the brink. The sequel, Rooftop Eden, finds Tass hosting a memorial dinner for one who has died, meanwhile juggling motherhood and a musical career. A few months later, Famously delivers the ultimate clash of ambition versus domestic bliss. Seven actors play 17 characters. Features music by the incomparable Mile End composer/performer Patrick Watson.
Combining her novel, The Sun and the Moon, with twelve short stories and a collection of brief linked narratives, Triptych: Selected Fiction of P. K. Page presents an assortment of poet-artist P. K. Page’s most insightful and provocative fiction.
Twenty-first century metalheads; twelfth century troubadours and their female counterparts, the trobairitz- what could they possibly have in common? The creation of an often misunderstood and at times reviled genre for one; for another, a kin preoccupation with the questioning of structures set up by class, gender, and religion.
“Describing metal fans as “raw birds, eyes banged out of their heads,” Owen’s loving scorn allows her to walk a fine line between paying homage to the subculture and dissecting its darkness.” – Winnipeg Free Press
“Logan Macnair’s Troll showcases a bravura writing performance.” ~ Vancouver Sun
When aspiring actor Peter Riley is given the assignment in his drama class to perform in a YouTube-style video, he creates the character of ‘Petrol Riley,’ a satire of a politically extreme right-wing conspiracy theorist. Peter is soon surprised to learn that the video he has uploaded has gone unexpectedly viral, with thousands of viewers misinterpreting his satirical performance as genuine. Seeing this as his path toward fame, Peter commits to portraying the hatemongering character of Petrol full-time, building a devout and rabid fanbase of online supporters that only grow more loyal and extreme the more hateful Petrol’s rhetoric becomes. As his reach grows, Peter must reconcile with his notoriety and decide whether this newfound fame is worth the influence he is having on his legions of impressionable online admirers. Striking and timely, Troll offers a meditation and authentic critique on the unique conditions and occasional ugliness of modern online communication.
Can Chief Inspector Aliette Nouvelle learn to love her gun? She’d better. Her career depends on a drastic about-face. Tropeano’s Gun, the 6th instalment in the series, revolves around a veteran cop’s struggle to change her approach to fighting crime in an increasingly gun-infested world. At the same time, a series of street murders shakes Beziers, the Midi city 40 kilometres from Aliette’s home base at the wine town of Saint-Brin, where she heads a small Police Judiciaire brigade responsible for a sprawling rural territory. The killings in the city are not her business. But Aliette is drawn into the mystery by a need to defend her beleaguered colleague and counterpart, Chief Inspector Nabi Zabine, head of the city-based PJ force.
?Trouble in the Camera Club features over 300 photographs by Don Pyle and another 200 images of related ephemera from the earliest days of Toronto’s punk music scene, featuring early gigs by Toronto bands like The Viletones, Teenage Head, The Curse, The Diodes, and The Ugly, and visiting punks the Ramones, Iggy Pop, Patti Smith, The Clash, Vibrators, The Stranglers, and other artists influential to the punk movement including Bryan Ferry, David Bowie, and Cheap Trick.
Starting in 1976, at age 14, Don Pyle witnessed and photographed some of the earliest gigs of Toronto punk acts and many of the artists whose sensibilities aligned with this new, festering subculture. According to Steven Leckie of The Viletones, Pyle’s photographs “made everyone look heroic, as good as Annie Leibovitz and Linda McCartney.”
In 1977, Pyle bought a 35mm camera and joined his high school’s camera club to learn how to develop and print, and to get free chemicals for processing. His trial-and-error education in photography resulted in a collection of images that, 30-something years later, are as much historic document as they are pictures of an underrepresented and significant period in Toronto’s musical cultural development. Scratched, watermarked, and dusty negatives were restored to reveal his hidden history of the revolution. Numerous artists that have since passed away are captured in this book in their creative prime, frozen in youthful self-absorbed beauty. These are photos taken by a kid in awe of what he was seeing and who was pressed against the stage at every gig, not by a “professional” who observed from the sidelines.
Trouble in the Camera Club is a one-of-a-kind photo-documentary of this golden moment — the birth of punk.