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The fascinating story of the Red River Settlement, now Winnipeg, in the years 1813 to 1816, told with archival journals, reports, and lettersUnsettled tells the story of two hundred Highlanders who flee the Scottish Clearances in 1813 to establish a settlement on the Red River in what eventually became Winnipeg. They are sponsored by the Earl of Selkirk, a man who has never been west of Montreal. Families who have never left their Highland crofts take an epic journey over ocean, up wild rivers, and through boundless wilderness, surviving disease and brutal winter only to face the determined opposition of fur barons who want no sodbusters threatening their trade and are prepared to stop at nothing to destroy their dream.The “empty” land they’ve been promised is also anything but, already occupied by First Nations bands and the beginnings of that proud nation soon to be called Métis, whom they must befriend or fight.Unsettled takes you inside the experience, relying on journals, reports, and letters to bring these days of soaring hope, crushing despair, and heroic determination to life — to bring their present into ours.
Drawing on interviews with 51 anti-authoritarian organizers to investigates what it means to struggle for “the commons” within a settler colonial context, Unsettling the Commons interrogates a very important debatethat took place within Occupy camps and is taking place in a multitude of movements in North America around what it means to claim “the commons” on stolen land. Travelling back in history to show the ways in which radical left movements have often either erased or come into clear conflict with Indigenous practices of sovereignty and self-determination–all in the name of the “struggle for the commons”, the book argues that there are multiple commons or conceptualizations of how land, relationships, and resources are shared, produced, consumed, and distributed in any given society. As opposed to the liberal politics of recognition, a political practice of unsettling and a recognition of the incommensurability of political goals that claim access to space/territory on stolen land is put forward as a more desirable way forward.
A tour de force of comic ingenuity, Unsnarling String features the infamous Everett Coogler poem series.
In his fifth poetry volume, American poet Andrew Zawacki expands his inquiry into the possibilities and dangers of a ‘global pastoral,’ exploring geographies alternately enhanced and flattened out by digital networks, international transit, the uneven and invisible movements of capital, and the unrelenting feedback loops of data surveillance, weather disaster, war. Wheeling interference patterns of systems of meaning, from radio signals and runway signage to foreign phrases and babytalk, interact with the ‘langscape’ of English, while punctuation is retrofitted as coding. In creating a politically committed lyric form that opens all the dimensions of language – sonic and semantic, syntactic and graphic – Unsun sustains an oblique conversation with Paul Celan’s Fadensonnen, Chris Marker’s Sans soleil, and Michael Palmer’s Sun. Loosely structured by the settings of analog photography, the book features a suite of the author’s black-and-white, large format images alongside an adaptation of Tang Dynasty poet Wang Wei and a series of fractured sonnets for – and from – his young daughter.
Petal Wolffe has something to celebrate: she’s successfully completed her PhD. But her celebrations are interrupted by a crisis involving her twin sister, Rose. Petal rushes home to Toronto, part concerned about her sister’s well-being, and part annoyed: Rose always did have a way of stealing the spotlight.
Untethered tells the story of Rose and Petal’s lives, from their childhood and a teenage adventure abroad, to their diverging paths as free-spirited Rose becomes enraptured with the ultra-Orthodox Jewish community while Petal, burdened by responsibility, plunges into clinical depression that manifests itself in self-destructive behaviour.
Petal finds refuge on a kibbutz, turns her life around, and returns to her schooling. Rose marries a man Petal deems unworthy.
Untethered provides context and insights into orthodoxy, post-war experience, mental illness, generational trauma, and grief while laying the foundations for understanding and a path toward healing.
The Unthinkable has devastated the west coast, turning thriving towns into debris-filled wastelands. Lorry Martens, a former special operations medic struggling with PTSD and living in a reclusive barge community, has long repressed her lethal combat and interrogation skills. All she wants is a simple, peaceful life, but after Neil is murdered, she uncovers his role in an ancient conspiracy. Lorry is pursued into the shattered landscape by the deadly shadows of his secret life, and is forced to rediscover—and confront—the darkest parts of herself.
Frona is convinced she’s the most sinful person in her Greek mountain village. When her parents arrange her marriage with a distant stranger, she is determined to suppress her impulses and become a dutiful wife and mother. But things don’t go as planned: A furious fetus, a friend’s secret wish, a man finding new life in an empty well, a lecherous priest, an unorthodox wandering daughter, invading soldiers, and a wayward ghost attempting reparations all erode the stories Frona has been telling herself about what it means to be a good person. A darkly comedic fairy tale with a magical feminist bent, Until They Sleep confronts the horrors of a world that tries to narrowly define womanhood and sexuality.
These essays emerge from years of reading, writing, and teaching through the exemplary controversies, commitments, and atmosphere of the crises of modernism that accompany the author’s reading of European literature as a world literature. The author imagines the collection through the image of the Colporteur, who appears along the streets and waysides, walking the arcades of cities with books. One reads books, teaches them, speaks them, and they speak through us, then we write about them, and, if we are fortunate, we read them not just once but again and again. As a teacher of literature, the author is one of the fortunate ones. Untimely Passages is organized into “Dossiers,” which are the imaginary bridges over the literary river crossings. The collection shows a life in writing by crossing rivers to the “other shores.” While it is true, according to Heraclitus, that we can’t “step into the same river twice,” we can cross to the other shores and watch the rivers flowing, and even cross back again and again by rereading and writing by often posing the question of literacy: “Why Write?” The bridges become the authors we read, and we learn to listen to the noises coming from our bookcases.
Brought together for the first time, the remarkable and mostly unacknowledged contributions, experiences, and remembrances of warfare by the people of Northeastern Ontario.
In this second volume of Untold: Northeastern Ontario’s Military Past, authors Dieter K. Buse and Graeme S. Mount detail the contributions and experiences of men and women from northeastern Ontario who participated in military conflicts. They present, among many topics, the Spanish Civil War, internment of enemy aliens, prisoner of war camps in northeastern Ontario, and participating in World War II. They show the participation, contributions and sacrifice of men and women in all the services (army, navy and airforce) as Northeasterners fought in all the major conflicts. The Cold War struggles, Korean and Afghanistan wars as well as peace-keeping helped shape Northeastern Ontario. Through archival research, military documents, newspapers, diaries and personal letters, the stories reveal the sacrifices and challenges, how military activities and service impacted families and communities in northeastern Ontario.
Mothers of the 1950s were wasp-waisted, dutiful, serene, and tied to the kitchen with apron strings. Or so we thought. This collection of searing and startling poetry and prose unties the stereotype and reveals women who were strong, wild, talented, wise, mad, creative, desperate, angry, courageous, bitter, tenacious, reckless and beautiful, sometimes all at once. The contributors include multi-award-winning poets, novelists, and essayists, as well as compelling new literary voices.
Author Statement:
Five years ago I began working on a collection of poems titled Unus Mundus, derived from Marie Louise Von Frantzs description of human union with the one cosmos. In her book, Creation Myths, she writes: This unus mundus is not the cosmos as it exists now, but an idea in Gods psyche. When I began this manuscript, I was interested in exploring how we as a species have moved beyond searching for a union with the cosmos in the spiritual senseand understanding ourplace within itto the desire to conquer its mysteries and exploit its resources.
As a science writer who has come to be known as an eco-poet, I am acutely aware of the danger, as Heidegger states, of becoming enframed by technologyor not only being reliant upon it, but subservient to it. Yet I am also captivated by how the language of science and technology has seeped into mainstream use, mutating and multiplying vocabulary. How the concepts and discoveries of science fuel our hopes and fears. And how poetry can explore, challenge and celebrate science.
As a writer who has returned to the prairies, I am also enthralled with the colours, scents, textures, light, space, and sky of this place. It is a landscape that has inspired my work creatively and thematically. Like artists and writers Marian Penner Bancroft, Sharon Butala and Simon Schama, I am interested in how landscape shapes our personal histories in memory and physical experience. And how this sense of place informs onesdaily life and creative work.
Frida wasn’t expecting to find much while digging through relics at her late grandmother’s house. But when she comes across a mysterious painting, family secrets, and a nosy auctioneer, she knows the real digging has just begun.
Frida and her brother, Zac, have lived in seven countries in ten years. In fact, they’ve been traveling for so long that Frida has never considered herself from anywhere — until they inherit their grandmother’s house in Victoria, British Columbia. Now they’re up to their ears in family heirlooms, paintings of dead relatives, vintage paper clips, and ceramic animals.
Then a nosy antique dealer takes an interest in her grandmother’s stuff. A big, sneaking-around-trying-to-break-in-to-the-house kind of interest. Is this strange neighbor looking for something specific? And will Frida and Hazeem figure it out before it’s too late?
Suspense and corruption light up the third Dr. Zol Szabo offering
Epidemic investigator Dr. Zol Szabo and his team are called to a panic-stricken high school in the heart of Ontario’s tobacco country, where teens are dying from liver failure. The team suspects a link with contaminated, cut-price cigarettes manufactured on nearby Grand Basin Indian Reserve. When Zol confronts The Badger, the multi-millionaire kingpin of the illicit Native tobacco trade, he is ordered to shut down his investigation when rebuffed by high-level government authorities. The Badger’s contaminated tobacco spreads across the country, and key witnesses and Zol’s family are put in the crosshairs of a ruthless criminal. Can Zol dig deep enough to find a creative solution before it’s too late?
Suspense and corruption light up the third Dr. Zol Szabo offering
Epidemic investigator Dr. Zol Szabo and his team are called to a panic’stricken high school in the heart of Ontario’s tobacco country, where teens are dying from liver failure. The team suspects a link with contaminated, cut-price cigarettes manufactured on nearby Grand Basin Indian Reserve. When Zol confronts The Badger, the multi-millionaire kingpin of the illicit Native tobacco trade, he is ordered to shut down his investigation when rebuffed by high-level government authorities. The Badger’s contaminated tobacco spreads across the country, and key witnesses and Zol’s family are put in the crosshairs of a ruthless criminal. Can Zol dig deep enough to find a creative solution before it’s too late?