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You know you’re in deep water when you can’t tell cop from criminal
Rene Beckman is a dishonoured ex-cop with only two things on his mind: his new boat, the Triggerfish, and his hot date, an environmentalist named Vicki. When the two unknowingly dock the boat in the same secluded cove as a Mexican cartel’s drug submarine, the date ends with a bang.
With the cartel’s coke-for-guns deal with local bikers torched by Beckman, he’s forced to go on the run with half the underworld chasing him through the streets of Vancouver and the waters surrounding it. While he tries to stay alive, a woman from Beckman’s past — currently on the run from CSIS and the anti-terror squad — comes back to settle an old score.
When the gangs start to go after his friends, the ex-cop stops running and turns the tables. With a ragtag crew of his own, Beckman faces the cartel and bikers head on. Fast, vicious, and thrilling, Triggerfish delivers a story where all the criminals are in conflict and no one is certain who will come out on top.
The word “pirate” conjures up many Hollywood images, but Trimming Yankee Sails by Faye Kert paints a very different picture. Covering the Atlantic coast from Cape Breton Island, Halifax, and Saint John to the east coast of the United States down to the Virginias, this insightful book offers a glimpse of northeastern North America’s naval history and the pirates and privateers who scourged the Atlantic coast throughout the 19th century.
In Trimming Yankee Sails, Faye Kert recounts a thrilling but little known story. Pirates and privateers sailed from New Brunswick ports throughout the 19th century, but their exploits began in earnest during the War of 1812. Amid tales of battles at sea and fortunes lost and won, Kert’s exposure of the murky context in which these semi-legal marauders operated reveals surprising truths about Confederation and its promoters.
Trimming Yankee Sails: Pirates and Privateers of New Brunswick is Volume 6 in the New Brunswick Military Heritage Series.
Jenny’s House of JoyJenny runs the best little house of ill repute in her corner of the old Wild West. But when a tireless young runaway comes begging for a job, the girls at Jenny’s house might just have to leave their lingerie behind. A delightful comedy about the oldest profession.OutlawA young Canadian homesteader finds himself accused of murder in Kansas in 1871. With only his wits to defend himself, he turns the law of the land upside down. This authentic Western is a unique take on the days when guns were the law.Bedtime StoriesIn a series of scenes connected by time, place, and a most unusual radio broadcast, we follow interweaving characters in their comic struggle to find the meaning of love.
The smash hit of Centaur Theatre’s 2014-15 season, Triplex Nervosa is a rollicking comedy set in Montreal?s legendary music hub, Mile End. Tass Nazor has given up her cello to buy a three-story stone apartment building. Her friends/tenants, a clingy seller and semi-reliable handyman drive her to the brink. The sequel, Rooftop Eden, finds Tass hosting a memorial dinner for one who has died, meanwhile juggling motherhood and a musical career. A few months later, Famously delivers the ultimate clash of ambition versus domestic bliss. Seven actors play 17 characters. Features music by the incomparable Mile End composer/performer Patrick Watson.
Combining her novel, The Sun and the Moon, with twelve short stories and a collection of brief linked narratives, Triptych: Selected Fiction of P. K. Page presents an assortment of poet-artist P. K. Page’s most insightful and provocative fiction.
Twenty-first century metalheads; twelfth century troubadours and their female counterparts, the trobairitz- what could they possibly have in common? The creation of an often misunderstood and at times reviled genre for one; for another, a kin preoccupation with the questioning of structures set up by class, gender, and religion.
“Describing metal fans as “raw birds, eyes banged out of their heads,” Owen’s loving scorn allows her to walk a fine line between paying homage to the subculture and dissecting its darkness.” – Winnipeg Free Press
“Logan Macnair’s Troll showcases a bravura writing performance.” ~ Vancouver Sun
When aspiring actor Peter Riley is given the assignment in his drama class to perform in a YouTube-style video, he creates the character of ‘Petrol Riley,’ a satire of a politically extreme right-wing conspiracy theorist. Peter is soon surprised to learn that the video he has uploaded has gone unexpectedly viral, with thousands of viewers misinterpreting his satirical performance as genuine. Seeing this as his path toward fame, Peter commits to portraying the hatemongering character of Petrol full-time, building a devout and rabid fanbase of online supporters that only grow more loyal and extreme the more hateful Petrol’s rhetoric becomes. As his reach grows, Peter must reconcile with his notoriety and decide whether this newfound fame is worth the influence he is having on his legions of impressionable online admirers. Striking and timely, Troll offers a meditation and authentic critique on the unique conditions and occasional ugliness of modern online communication.
Can Chief Inspector Aliette Nouvelle learn to love her gun? She’d better. Her career depends on a drastic about-face. Tropeano’s Gun, the 6th instalment in the series, revolves around a veteran cop’s struggle to change her approach to fighting crime in an increasingly gun-infested world. At the same time, a series of street murders shakes Beziers, the Midi city 40 kilometres from Aliette’s home base at the wine town of Saint-Brin, where she heads a small Police Judiciaire brigade responsible for a sprawling rural territory. The killings in the city are not her business. But Aliette is drawn into the mystery by a need to defend her beleaguered colleague and counterpart, Chief Inspector Nabi Zabine, head of the city-based PJ force.
?Trouble in the Camera Club features over 300 photographs by Don Pyle and another 200 images of related ephemera from the earliest days of Toronto’s punk music scene, featuring early gigs by Toronto bands like The Viletones, Teenage Head, The Curse, The Diodes, and The Ugly, and visiting punks the Ramones, Iggy Pop, Patti Smith, The Clash, Vibrators, The Stranglers, and other artists influential to the punk movement including Bryan Ferry, David Bowie, and Cheap Trick.
Starting in 1976, at age 14, Don Pyle witnessed and photographed some of the earliest gigs of Toronto punk acts and many of the artists whose sensibilities aligned with this new, festering subculture. According to Steven Leckie of The Viletones, Pyle’s photographs “made everyone look heroic, as good as Annie Leibovitz and Linda McCartney.”
In 1977, Pyle bought a 35mm camera and joined his high school’s camera club to learn how to develop and print, and to get free chemicals for processing. His trial-and-error education in photography resulted in a collection of images that, 30-something years later, are as much historic document as they are pictures of an underrepresented and significant period in Toronto’s musical cultural development. Scratched, watermarked, and dusty negatives were restored to reveal his hidden history of the revolution. Numerous artists that have since passed away are captured in this book in their creative prime, frozen in youthful self-absorbed beauty. These are photos taken by a kid in awe of what he was seeing and who was pressed against the stage at every gig, not by a “professional” who observed from the sidelines.
Trouble in the Camera Club is a one-of-a-kind photo-documentary of this golden moment — the birth of punk.
Starting in the 1840s, the Grand Trunk Railway became one of the most important railway lines in Canada and the New England states. It linked Montreal, Canada’s metropolis, with the nearest ice-free port, in Portland, Maine, and provided rail transportation onward to Toronto. The first through train between Montreal and Portland rumbled across the border at Norton, Vermont on July 1st 1853. The line was heavily travelled and constantly upgraded, truly a first-class railway. However, even on first-class railways, events occur that everyone wishes had not. With the public nature of any rail system, its sheer size and dominant effect a busy rail line has on its surrounding community, means there are very few things about railways that are truly ‘behind the scenes.’ But when accidents and significant destruction occur, no enterprise goes out of the way to publicize such events, with their resultant damage to the corporate reputation.This book brings out some details of the most harrowing of events that can occur to any railroader: what happens to the train involved… to the rail line itself… to the vehicles, animals and trespassers who decide to duel with a fully-loaded train… and, most important, to the people who ride the rails, either as passengers or for their livelihood, who are aboard the ill-fated train when there’s Trouble on the Tracks!
The Trouble with Mr. Adams is a monster story about love’s poisoned arrow. On the night volleyball coach Gary Adams leaves his wife, allegations of sexual misconduct surface regarding his sixteen-year old student. Gary defends his innocence – to his slighted wife, his reluctant union lawyer, and finally to the hesitant victim herself: his star volleyball player. But as the details of their relationship are revealed, troubling ambiguities become dangerous grey areas and Gary is forced to make an impossible choice. Finally, a changed, punished man, he makes one last bid to redeem himself. Grappling with such themes as abuse of power, intergenerational love, and the stagnation of marriage, The Trouble with Mr. Adams exposes the crippling disaster of the male mid-life crisis.
People fall in love with their therapists all the time. It’s called transference.
Troubled is brutally honest and erotically frank, a no-holds-barred confession of a patient/psychiatrist relationship gone horribly wrong. With his signature mix of scathing self-analysis and volatile wordplay, RM Vaughan brazenly documents how an innocent flirtation with his therapist escalated into a dangerous sexual misadventure. When the clandestine relationship goes awry, the consequences are heart-rending and career-ending.
Based on circumstances that really happened to Vaughan and ended in legal proceedings and the suspension of the doctor’s license, Troubled also includes documents from the investigation and legal cases interspersed amongst the poems. The therapist in question is currently practicing medicine again in British Columbia.
‘Troubled is at once a disturbing Elizabeth Smart–like memoir charting the turns and culs-de-sac of an infatuation and an artful literary revenge. It’s risky as Baked Alaska. What would it be like if all abused patients were endowed with such talent and courage?’ – Don McKay
‘A book by RM Vaughan is worth two by, say, most anyone else.’
– Eye Weekly
Born in Lahore in present-day Pakistan, Balwant Bhaneja grew up in the exiled Sindhi Hindu community of Delhi, before emigrating to Canada. Troubled Pilgrimage is his account of a journey to his ancestral Sindh in Pakistan. Struggling against the preconceptions nurtured in post-1947 India, and his own recent fears of the country he’s about to visit, Bhaneja finds in Sindh the familiar and the strange, a homeland whose experience is as warm as it is wrenching, dispelling misunderstandings while raising profound questions about himself. This account is at once a meditation on exile, home, and identity, and on being a modern Canadian, as it is a journey into the enchanting, mystical land that was lost to his people at the Partition.
Described by Variety as ‘Yukon Gothic,’ Claudia Dey’s acclaimed Trout Stanley is set in northern British Columbia, on the outskirts of a mining town between Misery Junction and Grizzly Alley. In this inhospitable setting live a pair of sisters, twins who are not identical in any way: Sugar, a complicated, insecure waif who still wears the tracksuit her mother died in ten years prior, and Grace, a rough-and-tumble hellcat who owns the local dump. At the play’s opening, it is their thirtieth birthday, and the TV news has announced the disappearance of a local Scrabble-champ stripper. While Grace is at the dump, housebound Sugar is surprised by a mysterious drifter, one Trout Stanley, foot fetishist and fake cop, who is searching for the lake where his parents drowned – a fishy story if there ever was one. He quickly becomes mired in a surreal love triangle with the two sisters.
Trout Stanley is about three people who confuse codependence for co-operation and afliction for affection. An eccentric, captivating story in which the biggest catch of all is love.
Lavishly illustrated by Jason Logan.
‘Trout Stanley stands out from the crowd … Dey, whose language has always been striking and whose dramaturgy has sharpened with every play she’s written, here delivers a masterwork.’ – The National Post
George Elliott Clarke’s newest dramatic poem, Trudeau, makes an irreverent, jubilant portrait of the life and politics of one of Canada’s most controversial political heroes, Pierre Elliott Trudeau. Clarke’s poem provides a whimsical and informative look at the balance of world powers in the 1960s and 70s, infused with the spirit of the many revolutions taking place throughout the world during these years. The poem opens on a hillside in Nanjing, China, April 1949, in the midst of the country’s civil war. Our hero exchanges political stances with Mao and falls for a beautiful young flautist. From China the drama moves to Fredericton, NB, where Trudeau chats with Massachusetts Senator and future American president John F. Kennedy, who has just received an honorary doctorate from the university. The two men cavalierly discuss the perks of political power, each on the cusp of leading their countries. Then, in Havana, on the eve of the Bay of Pigs invasion, Fidel Castro treats Trudeau to rum and cigars and offers his take on revolutions, Cuban and otherwise. When the focus moves to the Quiet Revolution and Trudeau’s response to this crisis in his leadership, Clarke presents a leader at once loved and loathed at home, who perseveres through both political and personal upheaval.
Originally composed as the libretto for a new opera by D.D. Jackson to be presented at Toronto’s Harbourfront Festival in April 2007, Trudeau is a political caper, an extravagant portrait and a dramatic study of influence, power, revolution and liberation. Clarke injects the life of one of this country’s most intriguing personalities with the exuberance and grimy frankness his readers have come to love and expect.
According to the author: “As a teenage poet in the 1970s, seven artist-intellectualsor poet-politicoshelped me to conceive my voice. They were jazz trumpeter Miles Davis, troubadour-bard Bob Dylan, libertine lyricist Irving Layton, guerilla leader and poet Mao Zedong, reactionary modernist Ezra Pound, Black Power orator Malcolm X and the Right Honourable Pierre Elliott Trudeau. These ‘idols’ inspired me to sculpt an individualist poetic scored with implicit social commentary. Yes, this ‘Gang of Seven’ is flawed. But, taken as a whole, I find their blunt talk, suave styles, acerbic independence, raunchy macho, feisty lyricism, singing heroics and scarf-and-beret chivalry quite, well, liberating.
“For me, no Canadian stood more for liberation than Trudeau, that aloof populist, rights-trampling democrat and tax-and-spend millionaire. An operatic figure in life (19192000), he now merits dramatic treatment. My dramatic poem imagines the politician as ‘player’: Plato meets Chaplin.”