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Kathryn Willcock and her sisters grew up in logging camps on the coast of B.C. in the 1960s when children were set loose to play in the wilderness, women kept rifles next to the wood stove, and loggers risked their lives every single day. The author’s tales of grizzly bears, American tourists, and a couple of terrified gangsters, along with the wisdom of Indigenous elders, pour off the page like warm syrup on a stack of cookhouse hotcakes.
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Already well known to Montreal audiences as an accomplished actor, director and playwright, Harry Standjofski makes his print debut with Urban Myths: Anton & No Cycle.
“I should have punched her in the face.” With these words, Hazel’s back. Having survived a stint as a werewolf’s accomplice on a mission of vengeance and redemption, Amiskwaciy’s notoriously unknown detective and self-professed asshole Hazel LeSage returns. The aftermath of violence has left Hazel with questions, wounds and unexpected friends including Shanaya Bhattacharya, a most unusual lawyer whose thirst for wrongs to right leads her and Hazel into the claws of a conspiracy. Hazel and Shanaya set out to find Hazel’s ex-husband and renegotiate the terms of their divorce, in which Hazel unjustly lost her land. They stumble into a deadly conspiracy entangling the rural lands surrounding their home city of Amiskwaciy. Taking it on will force Hazel to come to terms with her past; surviving will mean accepting some most unexpected allies.Meanwhile in Amiskwaciy, Hazel’s nephew Devin, shaken to the core by the violent death of his childhood friend, has gone to ground in an unlikely lair. To emerge whole, he must get to grips with the primal wildness of his soul and begin to become a man of worth on his own terms. Welcome back to Amiskwaciy, where the mythic has its feet up on your coffee table, and what you see might not be all you get. Urbane is the sequel to Humane, Anna Marie Sewell’s best-selling 2020 first novel from Stonehouse Publishing.
People used to haggle in crowded outdoor bazaars. Now we buy collectibles on eBay. Tracing the evolution of shopping from marketplaces to malls, mail order to the Internet, The Urge to Splurge is a chatty, intriguing look at the history and the psychology of one of humankind’s oldest pursuits. With examples from literature and other sources, The Urge to Splurge explores the variety of reasons (and excuses) that have driven the impulse to buy throughout the ages. It uncovers how fashionistas have fought to obtain the most fashionable hemlines and trendiest hats for more than 2000 years, and discusses the age-old phenomenon of compulsive shoppers who shop beyond their means. The Urge to Splurge also looks at the long history of our conflicted attitudes about shopping. Shopping, it seems, has never mixed well with our higher ideals. It has mixed with just about everything else, though. For instance: tourism. These days, every museum has a gift store and every cruise ship offers shopping seminars. But people have been carting home souvenirs from foreign lands since long before Hannibal crossed the Alps. As one bumper sticker puts it: “Veni, vidi, VISA: I came, I saw, I shopped.” The drive to spend has been with us ever since we’ve lived in villages and minted coins. The goods may be different now, but has the urge to splurge changed?
A new-edition reprint of Robert Bringhurst’s polyphonic masque. Shortlisted for the Dorothy Livesay Poetry Prize in 2004, the National Post calls Ursa Major “a typically majestic and dedicated piece of work.”
Described by the author as “a poem that marries Cree, Roman and Greek traditions in a form that is a cross between a five-act play and a string quartet,” Ursa Major sounds out variations on the story of the great bear constellation in four languages, using parallel voices to enhance the fascinating discovery of a central myth in multiple cultures.
Ursa Major was first performed by the Regina dance company New Dance Horizons in 2002. This volume attempts to express that performance on the page, with a reading version and a multi-coloured “Voice Map” representing the poem’s polyphonic characteristics typographically. The cover and title page feature a wood engraving by Wesley Bates.
From the big bang to the emergence of Homo sapiens to Kushim and the first recorded use of writing in 3200 BCE to the moon landing in 1969, Us From Nothing is a sprawling history of humanity. Striving to answer the big questions – Who are we? Where did we come from? How did we get here? – Geoff Bouvier has created a sweeping collection of poetry that gracefully captures the arc of our universe. Fifteen billion years ago, there was nothing, not even light. Now, we live in a universe that plays host to trillions of galaxies with uncountable stars, worlds and maybe even other life. Us From Nothing recounts this epic tale in richly imagined, yet crisp, prose poems that are carefully grounded in historical fact. The result is a remarkable poetic retelling of history that challenges us to think deeply not only about where we’ve come from, but also about where we’re going.
Us, Now roves from Indonesia to the Middle East, Taiwan, Mexico, China, Africa, Jamaica, Barbados, India, Pakistan, and points in between, converging in Newfoundland. These stories by racialized Newfoundlanders are by turns joyous, tender, hilarious, and heart-wrenching. They confront racism and celebrate the act of enduring. They are about settling and getting unsettled, about parents and their children, about language, about facing down the horrors of homophobia, about the joy of love, about lifelong relationships or the glee of a magnificent crush. Here social and domestic violence are countered with tenderness and the penetrating power of narrative. This is a book about distance and coming together, about what it means to be seen and understood, or—devastatingly—to be seen and judged, or to be invisible and misunderstood. What it means to belong. These are new writers and new visions of an in-the-present-moment Newfoundland, stories shaped by powerful voices, stories urgent, radical, and sparking with beauty.
The compelling memoir of former British Columbia cabinet minister Bob Williams weaves his political and economic insights with the story of his unconventional life.In Using Power Well, former provincial politician Bob Williams tells his atypical life story. Beginning with his childhood in the working-class east end of Vancouver, Williams goes on to describe his early years as a planner in Delta, BC, his political life on Vancouver City Council and in the BC Legislature—including a major impact on the first NDP government in the 1970s—and his more recent contributions in the world of business and co-operative economics. Williams’s legacy is dotted across the physical and political landscape of BC—from the Whistler Town Centre and Robson Square to the Agricultural Land Reserve, the Insurance Corporation of BC and many projects in between. A straight shooter who refuses to mince words, Williams advocates in this highly readable and colourful book for a bottom-up approach to politics and public policy, bypassing bureaucracy in order to use power well.
Russian arms company Kornukopia is in flames, and the one-woman war machine, Jen Blaylock, is having second thoughts about letting CIA Deputy Director of Operations Joe Chapel live. From his hospital bed in northern Europe, Chapel, self-proclaimed saviour of the USA, plots to kill Blaylock and his former ally, Sam Reed, the president of the United States. To do his all-American duty, he enlists the help of South American dictator General Jorge Quintero. To stop him, Blaylock will have to raise her own army and wage war right to the steps of the Capitol Building.The third episode in the Jen Blaylock series, following Crownfire (Ravenstone 2002) and Kornukopia (Ravenstone 2004), The Valedictorians finds Blaylock torn between her need for retribution and her responsibility to Flanagan, her lover, and the men following her into the breach. Will Blaylock drown in her unquenchable thirst for revenge, or find redemption with all debts paid? As the body count rises and the action explodes off the page, David Annandale’s epic action-thriller will have you glued to your seat until the dust finally settles.
Being the greatest zombie fighter of all time is a lot for one animal, but Emmy’s the perfect hamster for the job. Fire, rage, and fury are her weapons of choice and woe to the undead human who crosses her path. That is, until the mammals she lives with invite a weasel, of all creatures, to join their camp. This unthinkable betrayal reminds Emmy that letting friends into your heart is always a mistake.A lone warrior at her core, Emmy takes this opportunity to leave on a solo mission to rid the world of zombies once and for all. But, to her dismay, she seems to attract every helpless animal possible — humans, rabbits, dogs, bears, you name it. When Emmy finally shakes her companions, she discovers that being alone and unloved is a fate worse than death. Maybe loving those animals is what gave her the courage to fight zombies in the first place.
Being the greatest zombie fighter of all time is a lot for one animal, but Emmy?s the perfect hamster for the job. Fire, rage, and fury are her weapons of choice and woe to the undead human who crosses her path. That is, until the mammals she lives with invite a weasel, of all creatures, to join their camp. This unthinkable betrayal reminds Emmy that letting friends into your heart is always a mistake.
A lone warrior at her core, Emmy takes this opportunity to leave on a solo mission to rid the world of zombies once and for all. But, to her dismay, she seems to attract every helpless animal possible ? humans, rabbits, dogs, bears, you name it. When Emmy finally shakes her companions, she discovers that being alone and unloved is a fate worse than death. Maybe loving those animals is what gave her the courage to fight zombies in the first place.
Memorials and the yearning to re-create the past permeate Valley Sutra, award-winning poet Kuldip Gill’s new collection. The voices of East Indian communities and families speak up, reminding us that history is not just what is recorded in documents and ledgers, but is a mixture of smells, tastes and textures: the steam of hot rotis rising from metal lunchboxes at a mid-day break at a mill, the lush flesh of a mango offered by a gentle grandfather, the silvered bark of a log waiting to be processed, and the soft touch of sari silk and green grass. In the last section of the book, Gill invokes the ghost of Bill Miner–Canada’s first train robber–to speak from beyond the grave, reworking memories and documents and revealing history from his point of view.
A naive young girl visits her moody, mysterious, garlic-fearing cousin only to discover, a little too late, that she has become a vampire. Vampire Cousins is a funny, reverent tribute to old school horror films. Nominated for a Joe Shuster Award, as well as a Bédélys Award.