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In a Jewish ghetto at the height of the Second World War, a group of youths organize what will become known as the Warsaw Ghetto Uprising. Izzy, Eden, Joshua and Christian are young socialist revolutionaries from different backgrounds who are trapped in a room under hopeless circumstances. Their task is clear: they must form a new military organization against the Nazis and convince their elders that the Ghetto must fight. The cadre of brilliant, brave and often hilarious characters express their passions and desires as fiercely as they fight for their right to exist in the face of annihilation. This story of youth, revolution, and betrayal in Poland, 1943, is written for today, with a clear message about how to fight for the changes we need.
This second revised edition of Forever Yours, Marie-Lou, which played at the 1990 Stratford Festival, is John Van Burek and Bill Glassco’s new translation of Michel Tremblay’s original French text.
Excessive. Melancholic. Absurd. Joyful. The experiments in this collection fuse conceptual, concrete, and lyric poetries to produce lines that prove counterfeit and precious, cynical and sanguine, real and realer.
This new collection from Jan Zwicky is a set of variations that employs a restricted, echoic vocabulary to explore themes of spiritual catastrophe, transformation and erotic love. Zwicky is a philosopher, musician and award-winning poet who lives on Quadra Island, British Columbia. Her most recent collection of poetry is Thirty-seven Small Songs & Thirteen Silences. Her critically acclaimed books of philosophy, Lyric Philosophy and Wisdom & Metaphor, have recently been reissued in hardcover by Gaspereau Press.
Finalist for the 2012 Griffin Poetry Prize.
Welcome to the New Now, a time in which written language has been forbidden and forgotten. Those who desire to have their love letters written and read must make a dangerous journey to the secret and illegal camp of She, the Keeper of the Lost Hand. Aided by the mysterious showman Me, She recounts how her past led her to be one of the last people able to read and write in cursive. The tandem tale of Zako Budaydos and His Dancing Bear illuminates the time of the Before, when the carnival performer had to rely on wit, love, and a secret coded language in order to survive.
Internationally renowned playwright and puppeteer Ronnie Burkett has once again created a fascinating and provocative world as a love letter for increasingly uncivilized times.
The sixth collection of poetry from the award-winning poet; Antony Di Nardo takes the reader on a journey into and through mortality, nostalgia, memories of home, lost love, forgetting, the cycle of loss and unexpected yet welcome discovery, with the resilient daylily as an ever present companion; the collection is told with Di Nardos customary grace, modesty, rhythm and precision; poems to learn from, be moved by, surprised by and encouraged by. COMP. TITLES: Skylight, Antony Di Nardo (2018, Ronsdale Press); It Doesnt Matter What We Meant, Rob Winger (2021, Penguin Random House); As Far as You Know, A.F. Mortiz (2020, House of Anansi)
Antony Di Nardo delves into mortality, memory, and the cycles of loss and discovery with a sublime precision that relies on the sonic and visual play of language. His poetry surprises as much as it illuminates.
The title for Di Nardo’s sixth collection comes from the Chinese ideogram for daylily, that tawny orange blossom, which bursts its borders in the summer and, in this book, finds its way into poetry that blurs the line between mysticism and lyricism.
Ask pro wrestling fans about Vince Russo and you’re sure to get a heated reaction: either the guy’s a genius, or he single-handedly ruined the sport. What’s weird about being “the most hated man” in an industry where public ire is money in the bank? Vince Russo wasn’t even a wrestler — he just wrote the stuff.
Forgiven is the book that every wrestling fan has been waiting for. As lead writer, he took WWF’s flagship show Monday Night Raw to unimaginable heights, making it the highest rated cable program in television history. The stories of Bret Hart, Shawn Michaels, “Stone Cold” Steve Austin, The Rock, and the tragic death of Owen Hart are offered from Vince Russo’s perspective: he was part of it all, writing it all.
Here, Russo finally comes clean — to the fans, and more importantly, with himself. Russo offers his life, work, and very soul as a modern day parable about the price of success. In heartbreaking detail, he shows how a “godforsaken business” and the desire for acclaim led him, unwittingly, into a spiritual wasteland. Ultimately, Russo’s story is one of redemption as he finds guidance and forgiveness in God.
Mitsue Sakamoto and Ralph MacLean both suffered tremendous loss during WWII: Mitsue as a survivor of a Japanese Canadian internment camp, and Ralph as a prisoner in a Japanese POW camp. In order to rebuild their lives and their families after the war, Ralph and Mitsue must find the grace and generosity necessary to forgive those who have wronged them. Their paths eventually cross in 1968 when Mitsue’s son and Ralph’s daughter begin dating, and Ralph is invited to Mitsue’s home for dinner.
This soaring adaptation of Mark Sakamoto’s award-winning memoir affirms the power of forgiveness and shows us that in our challenging times characterized by political divisiveness, xenophobia, and race hatred, the story of Mitsue and Ralph’s personal triumphs over hatred, injustice, violence, and bigotry remains vitally relevant and urgently necessary.
Traversing the historic trails of the Rockies today is done in much the same manner as it was two centuries ago—primarily on foot with heavy packs, with little better defence against mosquitoes or the elements. Although accurate maps are available, and modern technology such as global positioning systems stand as a bulwark to a complete wilderness experience, in many cases it is as difficult and challenging to cross these mountain passes, or even more so, than it was two centuries ago. Routes such as Athabasca Pass are far less travelled today than they were in the golden era of the fur trade. If our society has become so rich that we continually seek out physical and mental challenges in the wilderness—adventure and eco-travel—perhaps it would be a sign of respect to follow at least for a while in the footsteps of those who in many ways paved the way for gernerations to come. We began to form the idea of hiking all the significant historical trails to see what we could learn from the early pathfinders, about the difficulty of wilderness life and travel. What window would be opened to times past in a land where the terrain has remained essentially unchanged?
A New York Times New & Noteworthy Book • “Strange and affectionate, like Almost Famous penned by Shakespeare. A love letter to music in all its myriad iterations.”—Kirkus Reviews • “This book has no business being as good as it is.”—Christian Wiman
In the year 2063, on the edge of the Crater formerly known as Montréal, a middle-aged man and his ex’s daughter search for a cult hero: the leader of a short-lived band named after a forgotten work of poetry and known to fans through a forgotten work of music criticism. In this exuberantly plotted verse novel, Guriel follows an obsessive cult-following through the twenty-first century. Some things change (there’s metamorphic smart print for music mags; the Web is called the “Zuck”). Some things don’t (poetry readings are still, mostly, terrible). But the characters, including a robot butler who stands with Ishiguro’s Stevens as one of the great literary domestics, are unforgettable.
Splicing William Gibson with Roberto Bolaño, Pale Fire with Thomas Pynchon, Forgotten Work is a time-tripping work of speculative fiction. It’s a love story about fandom, an ode to music snobs, a satire on the human need to value the possible over the actual—and a verse novel of Nabokovian virtuosity.
Form 100 is a tragic, multi-faceted detective novel. It follows the story of Zaza Zandukeli, an unemployed writer with an elderly grandmother. One day, a film studio offers Zaza the chance to compose a script that allows him to write the story that has troubled him for years: the suicide of Martha, a former lover.
Martha and Zaza were childhood friends, but her family had always been plagued by severe moral and existential problems. Following the arrest of Martha’s brother, her mother leaves abroad for work. Left to her own devices, Martha encounters an investigator who promises her welfare and her brother’s release in exchange for engaging in sexual contact with five boys of her age. Experiencing severe psychological pressure and being spied on daily, she willingly agrees to the deal. Shortly after, she feels broken physically and spiritually and hangs herself in her room. These events do not go unforgotten. As the five boys grow up and go their separate ways in life, they remain haunted by the evil deed they committed during their youth for the rest of their lives.
The subject of the long poem that makes up Form of Forms is, to paraphrase poet Betsy Warland: Motherloss. It deals with the emotional and bureaucratic nature of adoption from the often bewildered and fractured point of view of someone who was, as an infant, given up for adoption. Now, as an adult, Goldstein is seeking “information” on the self through the layers and fields of forms one must look through to gain access to that information. These layers and forms are what make up the framework of the poem, and the reader is brought face-to-face with the slippery nature of identity as seen throught the lens of adoption.
Starting with lyric statement as a point of interrogation, Fortified Castles asks what might cause retreat into the comforting walls of the self. Moving from a tickertape tableau of economic and environmental crisis to the difficulty of finding one another in the streets, these poems locate the Western subject between the ramparts it walks and the barricades it throws up.
Composed in three sections, Fortified Castles constructs a complex web of interpersonal disconnection from the anonymous detritus of our self-obsessed neoliberal moment. Written contemporaneously with the 2008 economic crisis, the first section, “21st Century Monsters,” imagines a number of world-ending scenarios from the collapse of the environment to the collapse of capitalism to the collapse of culture, forming a questioning and questionable primer on the things that terrify us. The second section, “Fortified Castles,” heavily recombines found material in a lengthy serial collage composed of multiplied and impersonal personal statements that add up in unanticipated ways, cascading in knee-jerk patterns of anxious hand-wringing and stubborn unreasonableness.
Written during the 2011 Occupy protests, the final section, “Friendship Is Magic,” positions the hopeful connections of that moment beside the privilege rippling through it, interrogating the very real tension between working collectively and living comfortably.
Nominated for the Mary Scorer Award for Best Book by a Manitoba Publisher (Manitoba Writing and Publishing Awards).”Tanis MacDonald probes the miracles, accidents, dumb luck, and rogue chromosomes that swirl beneath the surface of who we think we are. MacDonald weaves folklore, history and myth while keeping her cowboy boots firmly planted on Canadian soil.”–Jeanette Lynes, author of The Aging Cheerleaders Alphabet
What would it feel like if the world emptied out?
Lowell Garrish has lost everything—his parents, his grandma, the music the waves make on the shore in Nova Scotia. Desperate to hold on to real sound, Lowell sets off on a road trip across Canada with a tape recorder, capturing something from every person he meets and his observations along the way. But as he drives, strange occurrences and mass disappearances imply that something terrible is happening, and Lowell begins to realize that time for humanity may be running out.
Written as transcriptions of now-disintegrated cassette tapes, and meant to be read in random sequence, this engrossing apocalyptic adventure is a self-guided tour into the belly of a deafening silence.