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Through a protracted series of vignettes, Krukoff transforms Flyways into an interconnected, psychologically intense novel. Exploring the concept of Six Degrees of Separation, the work dramatizes people’s unseen connections to others while they encounter their own problems awaiting an impending snowstorm.
Each vignette opens with a sometimes poetic, sometimes scientific description of a specific bird carefully chosen to help establish details of the characters’ situations, providing a “bird’s eye view” of the human world.
With scenarios ranging from teenage pregnancy and skydiving psychotherapy, to S&M lust, Catholicism, and goose hunting, Flyways delves into the intricacies and implications of the Human Web, and proves that, whether we know it or not, we are all linked, and the results of our actions reach far beyond our limited perception, often impact upon one another’s lives.
The poems in Folklore of Lunenburg County are rooted in the ethnography of Helen Creighton and the otherworldly stories of supernatural encounters that she collected on the south shore of Nova Scotia in the mid-twentieth century. For Goodfellow, these accounts evoke much more than quaint records of a primitive time and place. Ghost stories become a lens on human relationships; supernatural experiences become analogs for loss, longing, and disappearance, and for the way in which these experiences are mediated by landscape, nature, and community ritual.
The forests around Dockerty, Newry County, hide many secrets.
Some were never meant to be unearthed, one is still waiting to be buried. At the edge of the woods near the Warren farm, a man hangs in a tree. Two arrows pin him to the trunk.
“Hunting accident?” Orwell wondered.
The sergeant shook his head. “One in the belly, maybe. Two in the belly, that’s pretty good shooting.”
Orwell Brennan, Dockerty’s chief of police, is partial to classic Motown, autumn sunrises, and most kinds of pie. He dislikes ceremony, squabbling with the Mayor, and being told to stay clear of matters that don’t concern him.
It doesn’t matter if it’s murder or a hunting accident, the dead man in the tree is the responsibility of Metro Homicide. Orwell has been ordered off the case. He would be happy to do just that if the pat solution he’s been handed made sense. But there are far too many unanswered questions to suit him. No matter whose toes get stepped on, he can’t and won’t let it go until he knows what really happened.
Following Nimishoomis provides a detailed history of the Namegosibiing Trout Lake community in northwestern Ontario through the life story of Dedibaayaanimanook Sarah Keesick Olsen as told by her daughter. Namegosibiing was Dedibaayaanimanook’s ancestral homeland where she was born in 1922 and where she gained firsthand knowledge about traditional teachings and ways of life. The story reveals, the many challenges faced by her community in that critical period of change in the early part of the 20th century. Dedibaayaanimanook grew up in a way that was hardly touched by Europeans, witnessed at a young age their increasing encroachment, and lived her adult life coping with the challenging changes by drawing on the worldviews instilled in her by her parents and grandparents. She raised a family of her own in a society dominated by European values and with a European partner, but she never forgot about the values of her own people.
Spanning almost two hundred years, Following Sea finds anchor in the submerged regions of the heart. With great care, Lauren Carter wades into family histories and geography, all the while charting her own territories. Carried by the ebb and flow of language, Carter’s second collection explores issues of infertility, identity, and settler migration, offering a tender examination of home. Urgent and intimate, Following Sea leads us along the shoreline of Carter’s Manitoulin memories to show us what she has carried up from the depths.
What hidden evasions and exclusions lie behind the subtle perfection of the BLT? What is the etymology of the croissant? Why did we drink all that Bud Lite Lime? What did you do to my face? This collection of writing by Jonah Campbell-metalhead, misanthrope, unrepentant good eater-explores both the finest and most furtive of culinary pleasures. Food & Trembling approaches eating not with a four-figure expense account, but a rare insight and fierce appetite for the pleasures of the table. Also chips. Too many chips.
“Jonah Campbell’s Food & Trembling is a love song of food and language written by a lover of gravy and a hater of brunches.”—The Coast
What do Jamie Oliver, Pope Saint John Paul II, Sammy Hagar, and *NSYNC have in common? They all play a role in Food Fight Inc., a colourful collection of Bruno Codispoti’s sweet successes and sour lemons in his two-decade-long efforts to bring unique retail food products to the marketplace. Bruno’s advice, laced with humour and down-to-earth honesty, can be applied to any aspiring entrepreneur’s crusade– particularly those with modest means–looking to share a product idea with the world.
In this inspiring memoir rich with the flavours of other cultures, the author journeys by bike, on foot, by bus, plane, and train in her quest to understand the lives of the people she meets.
You know you’re not on a typical turista tour when you read, “We stopped for a mid-day lunch of piranha and hiked to a lagoon.” This writer’s explorations are unpredictable, sometimes perilous, often amusing, and always fascinating. While Elizabeth J. Haynes is an outsider — in the Philippines as a volunteer working with disabled children, at a pig killing in a remote Indonesian village, or even at a family wedding in rural North Carolina — she offers a compassionate view of those around her.
Insights and revelations emerge from stories Haynes tells about the vagaries of the human heart. Cycling with her sister in Cuba, she hopes her sister will find the strength to leave a difficult relationship. On a working trip in Armenia, she recalls a lost love; in Cambodia, in an encounter with a little girl, she faces the tragedy of the Khmer Rouge regime. Like many first-world travellers, she is pained by the want and suffering she witnesses and is moved by the generosity she receives.
As Elizabeth Haynes writes, “No one travels alone. No one journeys without help.” And sometimes help comes in the form of food — Southern grits with pancakes, Armenian eggplant stuffed with walnuts and pomegranate, grilled guinea pig in Peru — nourishment for the soul of the traveller. This travel memoir is a sumptuous meal with many courses, savoury and sweet.
How can a god-fearing Catholic, immigrant mother and her godless, bohemian daughter possibly find common ground? Food Was Her Country is the story of a mother, her queer daughter and their tempestuous culinary relationship. From accounts of 1970s’ macrobiotic potlucks to a dangerous mother-daughter road trip in search of lunch, this book is funny, dark and tender in turn.
Bociurkiw’s Ukraine-born mother is a devotee of the Food Channel and a consummate cook. When she gets cancer of the larynx, she must learn how to eat and speak all over again. Her daughter learns how to feed her mother, but, more crucially, how to let her mother feed her. Food Was Her Country explores a daughter’s journey of grieving and reconciliation, uncovering the truth of her relationship with her mother only after her death.
Marusya Bociurkiw’s Comfort Food for Breakups: The Memoir of a Hungry Girl was a food writing phenomenon: the world’s first LGBTQ food memoir. With this long-awaited follow-up, Food Was Her Country draws upon a queer archive of art and activism, stories from her popular food blog, Recipes for Trouble, as well as social histories of food, evoking new beginnings and fresh ways of tasting the world.
Fool’s Gold: The Life and Legacy of Vancouver’s Official Town Fool is the second release in Jesse Donaldson’s 49.2: Tales from the Off Beat, an ongoing series dedicated to celebrating the eccentric and unusual aspects of Vancouver.
In Fool’s Gold, Donaldson explores the legacy of Joachim Foikis. On April 1, 1968, a tall, bespectacled, 35-year-old former social worker named Joachim Foikis received $3,500 from the Canada Council for the Arts in order to finance a unique, self-imposed mission unseen since Elizabethan England: reinvent the vanished tradition of “Town Fool.”
The 35-year-old Foikis, who held two university degrees (one in economics from the University of Berlin, and the other in literature from the University of British Columbia), was already well known throughout the city for his off-kilter antics. His aim, according to interviews with The Sun and The Province, was “to spread joy and confusion” while at the same time “mock the four pillars of society: money, status, respectability, and conformity.”
Praise for Donaldson’s previous book, This Day in Vancouver: “Donaldson combed through archives all around the city and consulted with experts of all stripes to put together the book. The result is a fascinating read – it’s everything you never knew about Vancouver and didn’t think to ask. Once you flip through this book, you’ll never look at the city the same way again.” (The Province)
‘Foozlers’ is a 24-hour “Odyssey” that runs a juggernaut through the high- and lowlands of Vancouver. Jerry Lowe is the reluctant driver of a getaway car for two sketchy junkies on the make. A pair of cops spend a shift wobbling on the cusp of total breakdown. The groom-to-be in an Indian arranged marriage seeks an escape of the carnal variety. Soon, they will all intersect paths with a gas station attendant and a very “special” car wash operator. And somebody’s got to do something about that noisy, bad-tempered cockatoo. ‘Foozlers’ chronicles that thin line between sane and insane behaviour, and the mayhem and unpredictability fuelled by the “Butterfly Effect”-strangers’ paths crossing for only an instant but having explosive effects. By story’s end, lives, or at least attitudes, will change. Sort of.
“Like Blaise Cendrars’ ‘To the End of the World’, John Kennedy Toole’s ‘A Confederacy of Dunces’ and the whacked-out works of J.P. Donleavy, Terry Southern and William Burroughs, Foozlers is a madcap tour de force.” -The Vancouver Sun
“Irreverent, break-neck pace, and rollercoaster prose that’s a lot of fun to ride” -Quill & Quire
“It’s a caper story with every element slightly off-kilter. And that’s the charm of [ ‘Foozlers’] . . . . Read it and laugh.” – RainReview.com
Shortlisted, Next Generation Indie Book Award
Heart-corroding sex with a tin woodman. A foundering marriage like a cat on the brink of death that still manages to purr. Sharon McCartney’s visceral exploration of relationships — how they begin and end, the tenuous threads that hold people together, and the events that can tear them apart — is unstinting, eyes-wide-open aware. Beginnings, endings, transitions: none elude the sometimes sardonic but always sinuous language of these finely wrought poems.
Two lovers elope to an isolated cabin for a romantic weekend together, knowing they’ll soon have to go back to their respective lives away from each other. An atmospheric, introspective look at modern relationships, For As Long As It Rains was awarded a Joe Shuster Award and a Bédéis Causa.