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Showing 2689–2704 of 9481 results
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Following the River
$22.00Lorri Neilsen Glenn first discovered her great-grandmother’s tragic death in a passing comment from an aunt. Startled, she began to search out the history of her family, to understand the life of this woman she knew nothing about. Along the way Neilsen Glenn works to unravel the issues of racism, sexism and colonial nation building that haunt us still. In elegant prose and poetry she has created a story of pieces, bringing to life what she could find in newspaper reports and museums. Through these fragments and portraits she gives the reader a glimpse of the lives lived by her ancestors and by women like them. Following the River is a lyric reflection on women that have been erased from our history and what that means for today.
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Food & Trembling
$16.95What hidden evasions and exclusions lie behind the subtle perfection of the BLT? What is the etymology of the croissant? Why did we drink all that Bud Lite Lime? What did you do to my face? This collection of writing by Jonah Campbell-metalhead, misanthrope, unrepentant good eater-explores both the finest and most furtive of culinary pleasures. Food & Trembling approaches eating not with a four-figure expense account, but a rare insight and fierce appetite for the pleasures of the table. Also chips. Too many chips.
“Jonah Campbell’s Food & Trembling is a love song of food and language written by a lover of gravy and a hater of brunches.”—The Coast
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Food Fight Inc.
$25.00What do Jamie Oliver, Pope Saint John Paul II, Sammy Hagar, and *NSYNC have in common? They all play a role in Food Fight Inc., a colourful collection of Bruno Codispoti’s sweet successes and sour lemons in his two-decade-long efforts to bring unique retail food products to the marketplace. Bruno’s advice, laced with humour and down-to-earth honesty, can be applied to any aspiring entrepreneur’s crusade– particularly those with modest means–looking to share a product idea with the world.
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Food for the Journey
$24.95In this inspiring memoir rich with the flavours of other cultures, the author journeys by bike, on foot, by bus, plane, and train in her quest to understand the lives of the people she meets.
You know you’re not on a typical turista tour when you read, “We stopped for a mid-day lunch of piranha and hiked to a lagoon.” This writer’s explorations are unpredictable, sometimes perilous, often amusing, and always fascinating. While Elizabeth J. Haynes is an outsider — in the Philippines as a volunteer working with disabled children, at a pig killing in a remote Indonesian village, or even at a family wedding in rural North Carolina — she offers a compassionate view of those around her.
Insights and revelations emerge from stories Haynes tells about the vagaries of the human heart. Cycling with her sister in Cuba, she hopes her sister will find the strength to leave a difficult relationship. On a working trip in Armenia, she recalls a lost love; in Cambodia, in an encounter with a little girl, she faces the tragedy of the Khmer Rouge regime. Like many first-world travellers, she is pained by the want and suffering she witnesses and is moved by the generosity she receives.
As Elizabeth Haynes writes, “No one travels alone. No one journeys without help.” And sometimes help comes in the form of food — Southern grits with pancakes, Armenian eggplant stuffed with walnuts and pomegranate, grilled guinea pig in Peru — nourishment for the soul of the traveller. This travel memoir is a sumptuous meal with many courses, savoury and sweet.
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Food Was Her Country
$22.95How can a god-fearing Catholic, immigrant mother and her godless, bohemian daughter possibly find common ground? Food Was Her Country is the story of a mother, her queer daughter and their tempestuous culinary relationship. From accounts of 1970s’ macrobiotic potlucks to a dangerous mother-daughter road trip in search of lunch, this book is funny, dark and tender in turn.
Bociurkiw’s Ukraine-born mother is a devotee of the Food Channel and a consummate cook. When she gets cancer of the larynx, she must learn how to eat and speak all over again. Her daughter learns how to feed her mother, but, more crucially, how to let her mother feed her. Food Was Her Country explores a daughter’s journey of grieving and reconciliation, uncovering the truth of her relationship with her mother only after her death.
Marusya Bociurkiw’s Comfort Food for Breakups: The Memoir of a Hungry Girl was a food writing phenomenon: the world’s first LGBTQ food memoir. With this long-awaited follow-up, Food Was Her Country draws upon a queer archive of art and activism, stories from her popular food blog, Recipes for Trouble, as well as social histories of food, evoking new beginnings and fresh ways of tasting the world.
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Fool’s Gold
$20.00Fool’s Gold: The Life and Legacy of Vancouver’s Official Town Fool is the second release in Jesse Donaldson’s 49.2: Tales from the Off Beat, an ongoing series dedicated to celebrating the eccentric and unusual aspects of Vancouver.
In Fool’s Gold, Donaldson explores the legacy of Joachim Foikis. On April 1, 1968, a tall, bespectacled, 35-year-old former social worker named Joachim Foikis received $3,500 from the Canada Council for the Arts in order to finance a unique, self-imposed mission unseen since Elizabethan England: reinvent the vanished tradition of “Town Fool.”
The 35-year-old Foikis, who held two university degrees (one in economics from the University of Berlin, and the other in literature from the University of British Columbia), was already well known throughout the city for his off-kilter antics. His aim, according to interviews with The Sun and The Province, was “to spread joy and confusion” while at the same time “mock the four pillars of society: money, status, respectability, and conformity.”
Praise for Donaldson’s previous book, This Day in Vancouver: “Donaldson combed through archives all around the city and consulted with experts of all stripes to put together the book. The result is a fascinating read – it’s everything you never knew about Vancouver and didn’t think to ask. Once you flip through this book, you’ll never look at the city the same way again.” (The Province)
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footlights
$20.00Inside the phobic and the crushing we trudge through the wreckage, the slippage, and the comic, in our search for joy. The beauty in these poems is an amalgam, like a gathering storm, of the meteorological and political, the mundane and the distressing.
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Footsteps in Bay de Verde
$19.95Bridie and her brother and sister love to sit up late, listening to the adults trade stories. One stormy night the talk is not only about the price of fish, ghosts and pirates, but also about Poor Keye, a neighbor in hospital who had always loved these storied nights. A loud bang and the sound of his familiar shuffling footsteps suggests that perhaps he is home after all, and has come to join the gathering. But when Bridie?s mother goes to welcome him, Poor Keye is nowhere to be found. The next morning a telegram arrives with shocking news.
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Foozlers
$18.00‘Foozlers’ is a 24-hour “Odyssey” that runs a juggernaut through the high- and lowlands of Vancouver. Jerry Lowe is the reluctant driver of a getaway car for two sketchy junkies on the make. A pair of cops spend a shift wobbling on the cusp of total breakdown. The groom-to-be in an Indian arranged marriage seeks an escape of the carnal variety. Soon, they will all intersect paths with a gas station attendant and a very “special” car wash operator. And somebody’s got to do something about that noisy, bad-tempered cockatoo. ‘Foozlers’ chronicles that thin line between sane and insane behaviour, and the mayhem and unpredictability fuelled by the “Butterfly Effect”-strangers’ paths crossing for only an instant but having explosive effects. By story’s end, lives, or at least attitudes, will change. Sort of.
“Like Blaise Cendrars’ ‘To the End of the World’, John Kennedy Toole’s ‘A Confederacy of Dunces’ and the whacked-out works of J.P. Donleavy, Terry Southern and William Burroughs, Foozlers is a madcap tour de force.” -The Vancouver Sun
“Irreverent, break-neck pace, and rollercoaster prose that’s a lot of fun to ride” -Quill & Quire
“It’s a caper story with every element slightly off-kilter. And that’s the charm of [ ‘Foozlers’] . . . . Read it and laugh.” – RainReview.com
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For and Against
$17.95Shortlisted, Next Generation Indie Book Award
Heart-corroding sex with a tin woodman. A foundering marriage like a cat on the brink of death that still manages to purr. Sharon McCartney’s visceral exploration of relationships — how they begin and end, the tenuous threads that hold people together, and the events that can tear them apart — is unstinting, eyes-wide-open aware. Beginnings, endings, transitions: none elude the sometimes sardonic but always sinuous language of these finely wrought poems.
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For as Long as It Rains
$22.95Two lovers elope to an isolated cabin for a romantic weekend together, knowing they’ll soon have to go back to their respective lives away from each other. An atmospheric, introspective look at modern relationships, For As Long As It Rains was awarded a Joe Shuster Award and a Bédéis Causa.
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For Better or For Worse
$24.95For thirty years, cartoonist Lynn Johnston made daily additions to what would become a monumental body of work: her newspaper comic strip, For Better or For Worse. Chronicling the daily lives of the middle-class suburbanite Patterson family — Elly and John and their children, Michael, Elizabeth, and April — Johnston’s strip was ground-breaking in its adherence to narrative and emotional realism, and its refusal to engage in melodrama, superpowers, or anthropomorphic animals. As the syndicated strips appeared in daily newspapers throughout the 1980s, 1990s, and the first decade of the 2000s, these characters aged with their readers, and their trials and tribulations were the same as those of their readers: the daily struggles of work, family, school, and bureaucracy.
Wildly funny and formally innovative, For Better or For Worse: The Comic Art of Lynn Johnston was published to coincide with an international touring exhibition of Lynn Johnston’s work, organized by the Art Gallery of Sudbury. The book features some of Johnston’s most popular narratives, interspersed with an essay that chronicles the development of her drawing, her life, influences both personal and artistic, and the history of her wildly successful comic strip. This book also gathers together a generous selection of Lynn Johnston’s daily comic strips and Sunday pages, spanning the lives of the Patterson family.
Whether readers are new to Johnston’s work or old fans returning once again, they’ll find this book to be a rich treasury of For Better or For Worse.
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For Both Resting and Breeding
$15.95It is 2150 in M-City, a society without gender where everyone uses the pronoun ish. When two historians discover an abandoned millennium-era house, they hatch a plan to turn the building into a museum that re-enacts life in the year 2000. The historians gather a group of locals, including a student, an engineer, and a community elder, to restore the building and animate the site for local visitors. Together, the volunteers explore the fashion, furnishing, and family roles of their millennial forebears, all through the lens of binary gender roles. But the project turns risky when one of the historians and the youngest volunteer start to explore illegal sexual acts in secret. When the others discover what they’ve been up to, they must decide if the project can go ahead or if it threatens to upend the values of their society.
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For Display Purposes Only
$17.95These poems pause for the spectacle: cloning technologies, super-slo-mo photography, narcotic cab rides. Making fun of consciousness, they describe a system of tripwires, pitfalls and decoys that this notion of daily viewership entails. These poems are paeans to our facility for duplicity and self-deception, where the act of living becomes more and more like watching a film in which we play no role.
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For Home and Country
$16.95Founded in Stoney Creek, Ontario in 1897, the Women’s Institute played three key roles which helped lay the foundations of the feminist movement. It provided a means for the continuing education of rural women, often not schooled beyond the elementary level, at first in practical areas of homemaking, home nursing and food preparation and preservation, then later in professional areas, providing much needed information such as how a woman could establish and protect her legal rights to property. Very early on, Women’s Institute members also began to use their local branches as a forum to lobby for social change, including public health reforms, medical and dental inspections in rural schools, and in some cases even to further the cause of female suffrage. Finally, the Women’s Institute also created an avenue for an evolving female sociability and a context for the evolution of a gender-based identity politics. From their humble beginnings, Women’s Institutes spread widely throughout Ontario, across Canada and around the world. At their height of popularity, Ontario could boast 1,449 branches with more than 47,000 members; Canadian membership climbed to 87,000 by 1953.
For Home and Country dramatizes the generational conflict created by the rise of an urban and radicalized feminist agenda in the latter part of the 20th century and its head-on collision with its much more conservative, rural roots in the Women’s Institute. It is also Leanna Brodie’s homage to the techniques of Canadian populist theatre—grounded in the work of Theatre Passe Muraille—and its ability to tell stories about the power and dignity of ordinary lives that had not previously been considered capable or worthy of being told.
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For It Is a Pleasure and a Surprise to Breathe
$25.00For thirty-five years, award-winning poet Gary Barwin has been opening up new ways of being in poetry. In this long-awaited new and selected volume, For It Is a Pleasure and a Surprise to Breathe, Barwin and his editor, Alessandro Porco, have drawn from his extensive writings in previously published books, chapbooks, small press works, magazine and journal publications, as well from unpublished and uncollected works, to create a category-defying collection. With audacity and the occasional wisecrack and pun, too, his work uses a variety of forms and styles to investigate aesthetics, identity, culture, ecopoetics and questions of language. Throughout, Barwin stretches language to its fullest extent, whether he’s exploring alternative translations or working with visual poems that explore and exploit the borderblur between poetry and art. This collection will surprise, delight and move readers, and it establishes Barwin as one of Canada’s most accomplished and important poets.