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James Yékú’s second collection lingers on a poetics of elsewhere, as seen through poems that evoke various memories. In A Phial of Passing Memories, the poems offer shifting sceneries that record the everyday and chronicle vagrant seasons. This collection presents the vivid imagination of a keen mind documenting the passing rhythms of the abiding and the mundane, unfurling in a dance of elegance and lyrical beauty. The poems meander but remain anchored in particular geographies, from where they engage the varied cadences of the human condition. They blend the strange and the familiar into a meditation on the power of unforgetting, the enjambments and stoppages of journeys, and the nature of things themselves.
LONGLISTED FOR THE 2016 SCOTIABANK GILLER PRIZE
SHORTLISTED FOR THE 2016 KOBO EMERGING WRITER PRIZE
Most of the things Pillow really liked to do were obviously morally wrong. He wasn’t an idiot; clearly it was wrong to punch people in the face for money. But there had been an art to it, and it had been thrilling and thoughtful for him. The zoo was also evil, a jail for animals who’d committed no crimes, but he just loved it. The way Pillow figured it, love wasn’t about goodness, it wasn’t about being right, loving the very best person, having the most ethical fun. Love was about being alone and making some decisions.
Pillow loves animals. Especially the exotic ones. Which is why he chooses the zoo for the drug runs he does as a low-level enforcer for a crime syndicate run by André Breton. He doesn’t love his life of crime, but he isn’t cut out for much else, what with all the punches to the head he took as a professional boxer. And now that he’s accidentally but sort of happily knocked up his neighbor, he wants to get out and go straight. But first there’s the matter of some stolen coins, possibly in the possession of George Bataille, which leads Pillow on a bizarre caper that involves kidnapping a morphine-addled Antonin Artaud, some corrupt cops, a heavy dose of Surrealism, and a quest to see some giraffes.
Dive into the powerful narrative of Poetry Marching for Sindy as Virginia Pésémapéo Bordeleau examines the haunting disappearance of Sindy Ruperhouse in 2014, a woman from the Abitibiwinni First Nation. In this poignant seventh literary work, Bordeleau navigates the raw emotions of anger, sadness, and compassion that echo across the continent due to the vanishing of too many Indigenous women.
Through this evocative longform poem, Bordeleau delves into the depths of societal contempt and hatred towards Indigenous women, igniting crucial reflections on the root causes of violence against them. With a blend of spirituality and profound sensitivity, she crafts a compelling narrative that urges readers to join in her quest for justice and understanding.
Poetry Marching for Sindy serves as both a lament for Sindy?s absence and a celebration of women?s voices and the resilience of communities in the face of tragedy. Join Bordeleau on a journey of grief, longing, and hope as she honors Sindy’s memory and amplifies the voices of those who demand justice and closure. Poetry Marching for Sindy is a testament to the enduring strength of the human spirit and the unwavering power of collective action.
Home and Garden reporter, Robin MacFarland finds herself in the middle of yet another murder mystery. This time, aiming to prove that the death of the premier of Ontario at her family cottage had been murder and no mere accident.
For Larry David, success was no sure thing. A frustrated New York comic who was known to walk off the stage in disgust, David was barely making a living. At least until his friend Jerry Seinfeld asked him to create a new kind of television sitcom for NBC. The result — Seinfeld — started slowly but became a gigantic hit. But most people didn’t know that the real genius behind the show was Larry David.
Rich beyond his wildest dreams, David still had something to prove — and some television boundaries to push. And so he created Curb Your Enthusiasm, the improvised comedy that cast aside political correctness and made for hilarious, cringeworthy TV, a show that dared to relive the disastrous Seinfeld finale and turn it into a triumph.
This second, fully updated edition of Pretty, Pretty, Pretty Good recounts David’s early years in Brooklyn, his first attempts at stand-up comedy, the struggle to succeed in television and movies, the creation and development of his hit sitcoms, and his later success with the HBO film Clear History and the Broadway hit Fish in the Dark. Written with candor and humor, it also explores Larry’s on- and offscreen relationship with famous pals like Richard Lewis, Ted Danson, and Jerry, Jason, Julia, and Michael. Also included is an insightful episode-by-episode guide to the complete series of Curb your Enthusiasm.
The village of Supino looks as sleepy as the opening shot of an old black and white Fellini film. At the newspaper office, Bianca stumbles into a job meant for someone else and a new advice column, Ask Minerva, is born. Soon everyone is engaged in trying to discover the mystery columnist’s identity as well as the identity of her correspondents.
Seven years have passed since Rosa’s husband’s disappearance and now he’s been declared legally dead. And her secret lover (that all the villagers know about) wants to marry her. Bravo! Except Rosa is uncertain and when she’s uncertain she tends to run away. That’s why she’s taken her son Carlito to Venice for a week. As Rosa’s relationship unravels, Carlito does some unraveling of his own and inches closer to uncovering the mystery of his father’s identity. Back in the village, Rosa’s best friend Assunta is lonely. Perhaps that?s why Assunta falls so quickly and naively for Enzo, the smooth-talking bottle cap salesman.
Every villager, from the hairdresser to the barman and each one in between, has an opinion on Bianca’s column, Ask Minerva! The young hairdresser’s assistant has trouble with her marriage to a man with a wandering eye, not to mention other body parts, and at the Kennedy Bar, the men gather to laugh over the columnist, Ask Minerva’s advice until they begin to realize that it’s their wives who are requesting the advice.
Set in southern Ontario during the 1980s, acclaimed poet Catherine Graham’s debut novel is as layered as the open-pit mine for which it is named. Only child Caitlin Maharg lives with her parents beside a water-filled limestone quarry, but her idyllic upbringing collapses when she learns her mother is dying. After a series of family secrets emerges, she must confront the past and face her uncertain future. Lyrically charged, jewelled with images, and at times darkly comic, Graham’s prose weaves a mysterious, hypnotic tale of loss, deception, and the courage to swim the depths of life alone.
The erotic awakening and mental disintegration of an intense young man who leaves home and enters the phantasm of Israel.
It’s just another boring summer for our teenaged narrator – until Barbra arrives. An Ethiopian Jew, Barbra was brought to Israel at age five, a part of Operation Solomon, and now our narrator’s well-intentioned father has brought her, as a teen, to their home for the summer. But Barbra isn’t the docile and grateful orphan they expect, and soon our narrator, terrified of her and drawn to her in equal measure, finds himself immersed in compulsive psychosexual games with her, as she binge-drinks and lies to his family. Things go terribly wrong, and Barbra flees. But seven years later, as our narrator is getting his life back on track, with a new girlfriend and a master’s degree in Holocaust Studies underway, Barbra shows up at our narrator’s house once again, her “spiritual teacher” in tow, and our narrator finds his politics, and his sanity, back in question.
Winner, Melva J. Dwyer Award
Honourable Mention, Canadian Museums Association Award for Outstanding Achievement (Research)
Qummut Qukiria! celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating book, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a Sámi woman’s headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond.
Qummut Qukiria! showcases the thriving art and culture of the Indigenous Circumpolar peoples in the present and demonstrates its importance for the revitalization of language, social wellbeing, and cultural identity.
The inside track on an under-told story about the intersection of race and sports in Canada.
In the 1960s, Harry Jerome set 7 world records, including the 100-yard dash, earning him the title of the world’s fastest man. His grandfather, John “Army” Howard, was Canada’s first Black Olympian, running in Stockholm in 1912 against nearly impossible odds. Harry’s sister, Valerie, competed for Canada at the 1960 Rome Olympics. With Races, Valerie Jerome sets the record straight on her heroic family’s history, and the racism they fought along the way — from their community, the press, their country, and even inside their family home.
Races tracks Harry’s life through his inimitable athletic career and into his work as an advocate for youth sport and education. Bringing readers inside the Jerome household, Races reveals the hurdles they faced during the heavily segregated ’60s and the long reach of racism that plagued their family history.
A tale of courage and conviction, Races is the difficult, yet inspiring story of the Jerome family: what propelled them in life and on the track.