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Withered

By: A.G.A. Wilmot

A queer paranormal horror novel in the style of showrunner Mike Flannagan, showing the complex real-life terror inherent in grief and mental illnessAfter the tragic death of their father and surviving a life-threatening eating disorder, 18-year-old Ellis moves with their mother to the small town of Black Stone, seeking a simpler life and some space to recover. But Black Stone feels off; it’s a disquieting place surrounded by towns with some of the highest death rates in the country. It doesn’t help that everyone says Ellis’s new house is haunted — everyone including Quinn, a local girl who has quickly captured Ellis’s attention. And Ellis has started to believe what people are saying: they see pulsing veins in their bedroom walls and specters in dark corners of the cellar. Together, Ellis and Quinn dig deep into Black Stone’s past and soon discover that their town, and Ellis’s house in particular, is the battleground in a decades-long spectral war, one that will claim their family — and the town — if it’s allowed to continue.Withered is queer psychological horror, a compelling tale of heartache, loss, and revenge that tackles important issues of mental health in the way that only horror can: by delving deep into them, cracking them open, and exposing their gruesome entrails.
Wittgenstein Elegies

By: Jan Zwicky

$20.00

New and revised edition of an early work by the Governor General’s Award-winning poet.

On the occasion of the press’s 40th anniversary, Brick Books is proud to present the last of our six new editions of classic books from our back catalogue. This edition of Wittgenstein Elegies features an expansive Introduction by Sue Sinclair, a new Afterword by the author and a new cover and design by the renowned typographer Robert Bringhurst.

First published in 1986, Wittgenstein Elegies is a polyphonic poem in five parts. It establishes the parameters of a long conversation between logic and the lyre that has continued over multiple books and in multiple genres. Long out of print, this revised edition is both a must-have for Zwicky’s readers and a perfect introduction to her work.

“Here was the one guy in recent history who appeared to have got it right and he was being taught all wrong. I wroteWittgenstein Elegies in an attempt to respond to this state of affairs. I wanted to draw attention to the unity of Wittgenstein’s life and work. I hoped to show how profoundly he experienced the moral dimensions of language’s relation to the world.” –Jan Zwicky, from the Afterword

“Zwicky shows us that there is a way of speaking that leaves room for what cannot be spoken.” –Sue Sinclair, from the Introduction
Yellow Crane

By: Susan Gillis

$20.00

Inviting, human, capacious poems that grapple with ideas while also lightly grieving our capacity for ruin.

Yellow Crane, Susan Gillis’s fourth collection of poetry, is a book of many views, many voices. A long look at the changing landscape of a Montreal neighbourhood becomes at once a lament and a love poem. A sequence of poems inspired by Japanese tanka take on the cultural weather, core-drilling into the contradictions and uncertainties of the everyday. Writers, artists, thinkers, cooks, and others congregate in a hammock on the edge of a hayfield to compare notes on what we value. A bear turns up on a path near a quarry. The poems of Yellow Crane study, with a lover’s tender yet critical eye, the world we occupy and the way we occupy it: art, industry, environments both built and natural; the simultaneous flux and agelessness of our daily habits; the long human story of appropriation of wilderness; the fragility, resilience, and questionable worth of what we make, especially under political, economic, and social pressures; concern about our changing times; grief over what we leave behind. This is a book that argues with itself, then rests. At once precise and loose, wise and nimble, it will make you both feel and think–and care about the world along with it. We know the tree stands for promise
and for the desire, which comes much later, for atonement.
We stand at the west-facing window
and let the buildings opposite turn gold, then back to brick.
(from “Morning Light”)/
You Only Live Twice

By: Chase Joynt, Mike Hoolboom

$14.95

YOLT explores two artists’ lives before and after transitions: from female to male, and from near-dead to alive.

The unspoken promise was that in our second life we would become the question to every answer, jumping across borders until they finally dissolve. Man and woman. Queer and straight.

What if it’s not true that you only live once? In this genre-transcending book, trans writer and media artist Chase Joynt and HIV-positive movie artist Mike Hoolboom come together over the films of Chris Marker to exchange transition tales, confessional missives that map out the particularities of occupying what they call ‘second lives’: Chase’s transition from female to male and Mike’s near-death from AIDS.

Weaving cultural theory with memoir and media analysis, YOLT asks intimate questions about what it might meanto find love and hope through conversation across generations.

‘Chase Joynt and Mike Hoolboom here give each other the gift so many people only dream of: ample, unhurried space to unspool crucial stories of one’s life, and an attentive, impassioned, invested, intelligent receiver on the other side. The gift to the reader is both the example of their exchange, and the nuanced, idiosyncratic, finely rendered examination it offers of biopolitical experiences which, in many ways, define our times. I’m so glad they have each other, and that we have this.’

– Maggie Nelson

‘Despite its complexity, the book is refreshingly clear, direct, and elegant, and pleasingly consistent in tone despite its shared authorship … This is an ode to friendship that is as beautiful as it is revelatory.’

– Shawn Syms, Quill & Quire

‘You Only Live Twice is an intelligent ode to enchantment, to the possibilities that arise in ‘second lives’ when all past expectations have been foreclosed.’

– Chris Kraus

‘The writing is out of the park – strong and surprising, a relay race of brilliant twirling, tossing thoughts back and forth like balletic rugby bros. Joynt and Hoolboom’s dances of disclosure are so courageous and generative, gifts to us all.’

– John Greyson
Youth of God, The

By: Hassan Ghedi Santur

$22.95

Longlisted for Canada Reads, 2020
Finalist for the Pius Adesanmi Memorial Award for Excellence in African Writing, 2019

The Youth of God tells the story of Nuur, a sensitive and academically gifted seventeen-year-old boy growing up in Toronto’s Somali neighbourhood, as he negotiates perilously between the calling of his faith and his intellectual ambitions. Trying to influence him are a radical Muslim imam and a book-loving, dedicated teacher who shares his background. In its telling, this novel reveals the alienated lives of Somali youth in an environment riddled with crime and unemployment, while still in the grip of bitter memories of a home left behind. This intensely moving novel is also a powerful allegory of the struggle for the soul of Islam in modern times.
Yukonstyle

By: Sarah Berthiaume

$16.95

Garin was two years old when his mother disappeared from a rundown East Vancouver neighbourhood. Now that the Robert Pickton trials are gaining national attention, Garin wonders if his mother, a First Nations woman, could be one of the unidentified victims. His ailing father isn’t forthcoming with answers, and Garin’s suspicions are at an all-time high. In the midst of all this, his roommate Yuko has taken in Kate, a young pregnant hitchhiker who unintentionally wreaks havoc on their friendship. But when Garin’s father is hospitalized, nothing else matters but finally determining the truth about his mother. In this deftly written play, the characters grapple with the harsh Yukon winter within a world of racism, addiction, and loneliness.
ZOM-FAM

By: Kama La Mackerel

$16.00

In their debut poetry collection, Kama La Mackerel mythologizes a queer/trans narrative of and for their home island, Mauritius. Composed of expansive lyric poems, ZOM-FAM (meaning “man-woman” or “transgender” in Mauritian Kreol) is a voyage into the coming of age of a gender-creative child growing up in the 80s and 90s on the plantation island, as they seek vocabularies for loving and honouring their queer/trans self amidst the legacy of colonial silences. Multiply voiced and imbued with complex storytelling, ZOM-FAM showcases a fluid narrative that summons ancestral voices, femme tongues, broken colonial languages, and a tender queer subjectivity, all of which grapple with the legacy of plantation servitude.

Emerging from a creative process in spoken word and live performance, these poems transform the page into a stage where the queer femme body is written and mapped onto the colonial space of the home/island. Interwoven with Kreol, ZOM-FAM showcases a unique lyrical sensibility, a musicality influenced by the both unforgiving and soothing rhythms of the ocean, where the poet enunciates the complexity of their displaced Indo-African roots, “the lineage of silence / that we weave in-between our intimacies.”