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On a very Random Island
in the North Atlantic Sea,
some very Random animals
are hiding in the trees?
So begins Ashley Fayth?s delightful nonsense poem in which readers meet a range of ?wild and wondrous? beasts?like the sniger, the floose, the squiffin, and the butterflabbit. With its playful rhymes and rollicking rhythm, this book is a perfect read-aloud. Yet even in its silliest moments, The Sniger and the Floose is a gentle reminder to respect and preserve the beauty of the natural world around us, and a joyous celebration of imagination.
Amateur sleuth Joanne Shreve finds herself caught in the middle when her friend Vera Wang, the owner of a discreet escort service, The Right Woman, calls in a favor. Howard Dowhanuik, another long-time friend of Joanne’s and the former premier of Saskatchewan, has been a loyal client for years. That is until he started badgering Vera’s employees, trying to discourage them from performing their “meaningless” work. Given his recent verbal attacks against any and all opponents on his podcast, Joanne knows his erratic behavior must be part of a larger issue. Can Joanne talk Howard down and make him see sense before he goes too far?
To complicate matters, the release of scandalous photos with threatening demands targets both Howard and Calista Wallace. Having quit the escort service, Calista is now engaged to Noah Wainberg, a close member of Joanne’s inner circle, but the past could put their future together in jeopardy. Is this hate mail from a heartbroken ex-client or a disgruntled listener of Howard’s podcast? Or worse, could the culprit be someone closer to home? With her loved ones’ happiness — and their very lives — at stake, Joanne races to find the source of the mysterious messages before they make good on their menacing ultimatum.
“An extremely satisfying reading experience.” — Toronto Star
Just before World War II, Violet and her parents visit the legendary Sulphur Springs Hotel. Famed for its curative waters, the spa attracts a diverse crowd. Some desperate for a cure, others for more intangible things.
During her time at the hotel, curious young Violet begins to suspect something devious is going on behind the luxury façade. It’s not until she unwittingly becomes party to a murder that she realizes how desperate people really are.
But it is never too late to make peace with your ghosts. At eighty-four years old, Violet travels back to the hotel, now in ruins, to recover clues to the forgotten murder. Her return brings back memories of her family, a much-missed girlhood friend, and of her own sexual awakening. But what happens when the past brings hurtful truths with it?
A motley crew of characters deftly woven into a brilliant mashup of the spy novel and the art-world parody.
We know how Simone met the man who will become, for a time, her fourth husband. We know what she does (artist), her friends (a veritable menagerie), her habits (frustrated homebody). What remains to learn are the things she still doesn’t fully understand herself, like her role in the affair of the Port Merveille diamond. The Supreme Orchestra is many things at once: a geopolitical thriller, an art-world exposé, a digressive social study, a mischievous parody.
Cosmopolitan and curious seventeen-year-old Chrysler Wong suffers from a debilitating fear brought on by belief in a family curse. Three of her siblings have died after turning eighteen and venturing beyond the borders of their tiny rural Alberta town, and the fourth, her favourite, has recently left and is incommunicado. Is she destined to share their fate – or worse, doomed to live a circumscribed life?
Winner of the 2020 IPPY Silver Medal for Literary Fiction; Winner, 2020 The Miramichi Reader’s “Very Best” Book Awards for Fiction
Matthew Reilly is a busy academic, a lonely priest haunted by secrets. Young Alison is the shy and devoted keeper of Daisy, a falcon which suffered an accident and can no longer fly. The three of them meet in a Boston parish, but Matt has forgotten a momentary but disturbing meetup with Alison, homeless eight years earlier in Toronto. Close to exhaustion, he’s forced to reflect on what’s become of his life, including the loss of a son that no one knew he’d fathered. Alison and Matt had a fateful encounter during her homeless period, but Matt doesn’t connect that frail teenager with the healthy young woman she’d become. It’s left to Alison to uncover Matt’s past and for Matt to come to terms with it.
After uncovering long forgotten secrets hidden deep beneath the earth, Silversong now finds himself in the middle of a battle for the soul of the Four Territories. On one side is the Heretic, the leader of the exiles intent on destroying the Wolven Code and conquering all wolfkind by force. On the other side is the Warden, who aims to impose her dogmatic and oppressive interpretation of the Wolven Code on all the packs.
Silversong understands that the Four Territories cannot truly thrive when confined to the Warden’s narrow vision, but he also can’t let the Heretic bring devastation to all who resist him. By using his newfound powers, Silversong takes it upon himself to break the boundaries between the Four Territories and unite them as one, undermining the Warden’s authority in the process. Only by standing together as true allies can they hope to defeat the enemy.
Middle-aged Jane Barken discovers a lump in her left breast. Five years after treatment she is depressed, her marriage is falling apart, and her singing career is faltering. Recuperating at her Willow Island cottage, Jane decides to embark on a canoe trip around the island. She uncovers a section of the island no one has ever visited and what she finds there is horrifying. Fraught with desperation and only a modicum of resources available to her she must face her darkest fears in order to reclaim her life.
Part modern fable, part detective novel, a journey through grief in the imaginary world of Metaphoria.
One cold winter night, Charlie shares a cab with a stranger in a purple hat. As they talk, a cloud of purple smoke overwhelms him and he wakes up to find himself behind the only desk in the Epiphany Detective Agency. Charlie, as it turns out, is trapped in Metaphoria, an otherworldly place that reality has forgotten, a place where everything means something else. His first client is Shirley Miller, who insists on hiring Charlie to find her husband’s missing heart. In fact, she’s so insistent that she replaces Charlie’s heart with a bomb. He has twenty-four hours to find Twiggy Miller’s heart – and its meaning – or his own will explode.
Tender and brutal, optimistic and despairing, this modern fable by the author of the cult hit All My Friends Are Superheroes takes a fresh look at what it means to fall into, and out of, love.
Freedom, truth, and justice are taken for granted in some countries. In others, they are aspirational. And yet in others, they are deemed justification for persecution, punishment, and silence.
Through first-person essays and short stories, the contributors to The Uncaged Voice share their brutal yet heart-rending tales of fleeing the oppressive regimes of their homelands, where freedom of expression and the press is an ideal, not a reality, and where totalitarian forces attempt to subjugate, if not annihilate, all forms of dissention.
From war correspondents reporting across dangerous “no-go zones,” to female journalists escaping conservative and patriarchal tyranny, to independent newspaper editors risking imprisonment or worse to criticize authoritarian states — these fifteen writers-in-exile continue to write, sharing both the suppressed truths of their past and the hopes they have for the future in Canada, their chosen place of asylum.
With introductions by editor Keith Ross Leckie and Mary Jo Leddy, The Uncaged Voice tells often-silenced stories, not only of censorship and persecution, but also of the strength and resilience of those unwavering in their fight for the freedom of expression.
Contributors include: Aaron Berhane, Gezahegn Mekonnen Demissie, Alexander Duarte, Ava Homa, Abdulrahman Matar, Ilamaran Nagarasa, Luis Horacio Nájera, Kiran Nazish, Pedro A. Restrepo, Maria Saba, Kaziwa Salih, Mahdi Saremifar, Bilal Sarwary, Savithri, and Arzu Yildiz.
A memoir, told through illustrations and text, of one family’s journey through mental illness, dementia, caregiving, and the health care system.
Olivier Martini and his mother, Catherine, have lived together since he was diagnosed with schizophrenia thirty-six years ago. It hasn’t always been a perfect living situation, but it’s worked — Catherine has been able to help Olivier through the ups and downs of living with a mental illness, and Olivier has been able to care for his aging mother as her mobility becomes limited, and Olivier’s brothers Clem and Nic have been able to provide support to both as well. But then Olivier experiences a health crisis at the exact same time that his mother starts slipping into dementia.
The Martini family’s lifelong struggle with mental illness is suddenly complicated immeasurably as they begin to navigate the convoluted world of assisted living and long-term care. With anger, dry humour, and hope, The Unravelling tells the story of one family’s journey with mental illness, dementia, and caregiving, through a poignant graphic narrative from Olivier accompanied by text from his brother, award-winning playwright and novelist Clem Martini.
Defiance, faith, and triumph in a heartrending novel about daughters and mothers
On a miserable November day in 1967, two women disappear from a working-class town on the Fraser River. The community is thrown into panic, with talk of drifters and murderous husbands. But no one can find a trace of Bette Parsons or Alice McFee. Even the egg seller, Doris Tenpenny, a woman to whom everyone tells their secrets, hears nothing.
Ten-year-old Lulu Parsons discovers something, though: a milk-stained note her mother, Bette, left for her father on the kitchen table. Wally, it says, I will not live in a tarpaper shack for the rest of my life . . .
Lulu tells no one, and months later she buries the note in the woods. At the age of ten, she starts running — and forgetting — lurching through her unraveled life, using the safety of solitude and detachment until, at fifty, she learns that she is not the only one who carries a secret.
Hopeful, lyrical, comedic, and intriguingly and lovingly told, The Very Marrow of Our Bones explores the isolated landscapes and thorny attachments bred by childhood loss and buried secrets.
Fifteen-year-old Bess has no idea when she heads to London to see her Uncle Ted that she is about to find herself at the heart of a scandal involving sexual impropriety; her stepfather, Thom; and an attempted overthrow of the government. What does all this have to do with her? How adroitly can Bess manoeuvre through a series of interviews to avoid being swept up in the peril that might ensue? And will she be able to spin the facts to create a myth based on her own innocence?
In this gripping follow-up to The Last Wife, Kate Hennig continues her Tudor Queens Trilogy by cleverly exploring victim shaming, sexual consent, and the extraordinary ability of girls becoming women as she reimagines the scandalous and little-known story of Elizabeth the First before she was Queen.