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Showing 9233–9248 of 9492 results
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Who’s 50
$22.95An enthusiastic guided tour through 50 years of Doctor Who
Doctor Who has been a television phenomenon since it began over five decades ago on November 23, 1963. But of all the hundreds of televised stories, which are the ones you must watch? Featuring 50 stories from all eleven Doctors, Who’s 50 is full of behind-the-scenes details, exhilarating moments, connections to Who lore, goofs, interesting trivia, and much, much more. Enthusiastically curated for newcomers and fans alike by Doctor Who experts Graeme Burk and Robert Smith? and released on the fiftieth anniversary of the series premiere, Who’s 50 tells the story of this global sensation: its successes, its tribulations, and its triumphant return.
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Why Am I Taller?
$22.95What happens in space that causes the body to change? Learn about life in space from astronauts
Is the human body built for Mars? NASA’s studies on the International Space Station show we need to fix a few things before sending people to the Red Planet. Astronauts go into space with good vision and come back needing eyeglasses. Cognition and DNA expression could be affected for years. And then there’s the discomfort of living in a tight space with crewmates, depression, and separation from the people you love.
Space doctors are on the case. You’ll meet the first twin to spend a year in space, the woman who racked up three physically challenging spacewalks in between 320 days of confinement, and the cosmonaut who was temporarily stranded on space station Mir while the Soviet Union broke up underneath him. What are we learning about the human body?
As astronauts target moon missions and eventual landings on Mars, one of the major questions is how the human body will behave in “partial gravity.” How does the human body change on another world, as opposed to floating freely in microgravity? What can studies on Earth and in space tell us about planetary exploration? These questions will be important to the future of space exploration and to related studies of seniors and people with reduced mobility on Earth.
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Why Cats Hate Birds
$18.95The title of Why Cats Hates Birds very much reflects the collection’s themes. Are we trapped by our nature? And what is our understanding of nature? What is black and white, straight and gay, reality and fantasy, Canadian and Barbadian? The stories in Why Cats Hate Birds are Armstrong’s way of saying that such distinctions are not natural but of our own construction. The work spans the length of Armstrong’s writing career. The earliest, ‘Flying in God’s Face,’ which inspired his novel Of Water and Rock, is set in the 1960’s, though the majority take place in a today familiar to us all. Three stories in particular are linked by the character Charles Blackette: ‘Kingdom of Fools,’ ‘Invention’ and ‘Blood is Thick.’ They explore Blackette’s life as a black man who battles his notion of self. But, at heart, all the stories in Why Cats Hate Birds, perceptive, resonant, emotionally honest, are an attempt to break those silos that separate us, and make us realize that other people’s stories are our stories.
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Why Cats Hate Birds HC
$34.95The title of Why Cats Hates Birds very much reflects the collection’s themes. Are we trapped by our nature? And what is our understanding of nature? What is black and white, straight and gay, reality and fantasy, Canadian and Barbadian? The stories in Why Cats Hate Birds are Armstrong’s way of saying that such distinctions are not natural but of our own construction. The work spans the length of Armstrong’s writing career. The earliest, ‘Flying in God’s Face,’ which inspired his novel Of Water and Rock, is set in the 1960’s, though the majority take place in a today familiar to us all. Three stories in particular are linked by the character Charles Blackette: ‘Kingdom of Fools,’ ‘Invention’ and ‘Blood is Thick.’ They explore Blackette’s life as a black man who battles his notion of self. But, at heart, all the stories in Why Cats Hate Birds, perceptive, resonant, emotionally honest, are an attempt to break those silos that separate us, and make us realize that other people’s stories are our stories.
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Why Do You Look at Me and See a Girl?
$20.00Making coal patties. Selling liquid soap. Shopping at a glittering shoe mecca. She’s done them all living half her life in deprived-post-war-communist-Vietnam-turned-free-market. It’s life in a vacuum when strange types of brainwashing happened. Part memoir and part social criticism, Why Do You Look at Me and See a Girl? is a provocative read about a full-fledged bilingual who fights to get free from the dead past and her ancestors’ sins.
The story starts with her grandmother’s prison visit and moves to a journey through the jungle carried out for family reunion. Drawing strength from her, Hoàng completes her transformation in America from an international student to a free naturalized being. As she sheds her adoration for the impeccable American logic, oscillates between languages, and crosses oceans, she confronts the power play and biases, cultural inhibitors and prejudices that condition human behaviors, be it in Vietnam, America or Thailand. All along, she claims justice for her under-appreciated grandma, straightens male and white patronization, tears down tradition and brainwashing, uncovers the Asian submission to western iconography, and resists the attraction of a white guy. In lucid prose and with a hint of quiet humor, Why Do You Look at Me and See a Girl? is an unflinching pursuit of questions about family, finding one’s voice, home, and freedom.
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Why I Was Late
$20.00Winner of the 2022 ReLit Award for Poetry
With kitchen-table candour and empathy, Charlie Petch’s debut collection of poems offers witness to a decades-long trans/personal coming of age, finding heroes in unexpected places.
Why I Was Late fuses text with performance, brings a transmasculine wisdom, humour, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance. No subject—grief, disability, kink, sexuality, gender politics, violence—is off limits.
A poet so good at drag they had everyone convinced that they were a woman for the first forty years of their life, Petch has somehow brought the stage and its attendant thrills into the book. Better late than. And better.
“Charlie Petch’s Why I Was Late is a poetic debut with the wisdom of a sage and the emotional range of an expert comedian. Do yourself a favor and read this book. This is a master at work.” — Kai Cheng Thom, author of I Hope We Choose Love: A Trans Girl’s Notes from the End of the World
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Why I’m Here
$21.95Fifteen-year-old Gale is desperate to get out of Whitehorse, a fact that is immediately clear to counsellor Helen Cotillard when Gale walks into her office with her reluctant stepmother. It’s 1995, and one counselling agency for kids and families serves all of the Yukon. Gale has been having anxiety attacks, the last one so severe it landed her in the hospital.
Helen soon begins to realize that Gale’s distress at being separated from her little sister Buddie too closely parallels a calamity from her own past. This tragic similarity leaves Helen uneasy about her profession and her ability to help her clients. When Gale does escape back to her home in Cobalt, Ontario, to protect Buddie from their brutal mother, she risks her own future.
Through arresting, compelling images, Jill Frayne shows both the fierce beauty of the Yukon, and the damaged, enduring landscapes of two human hearts.
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Why Isn’t Everybody Dancing
$8.95This renowned story-teller writes of a mystical pilgrimage in search of her daughter, and of the ensuing barrier of grief which becomes a confrontation with the myriad forms of human bondage: love, hate, power-lust, and slavery. In breaking down this wall of grief, Haas finds rare and precious insight waiting at the core of inconsolable loss.
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Why Not?
$19.95Why Not?
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Why We Write
$24.95In this volume, African Canadian novelists and poets discuss the complexities of the writing experience. Most of the writers interviewed here are humanists; i.e., they see their work as serious depictions of the human condition, admit that their works are informed by an African Canadian ontology, and adhere to the notion that their books must delight and instruct. These interviews, therefore, are valuable additions to the creative process of the individual writers. Apart from identifying how the writers’ geographical and social origins have influenced their work, the questions deliberately avoid autobiography. Instead, these writers respond to the exigencies of craft, the manipulations of publishers, the criticism of readers, and the absence of a clearly identifiable market for their works.
Interviewed in this volume: Ayanna Black, Austin Clarke, George Elliott Clarke, Wayde Compton, Afua Cooper, Bernadette Dyer, Cecil Foster, Claire Harris, Lawrence Hill, Nalo Hopkinson, Suzette Mayr, Pamela Mordecai, M NourbeSe Philip, Althea Prince, Robert Sandiford
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Whylah Falls
$21.95Whylah Falls is a mythic community in the heart of Black Nova Scotia, populated with larger-than-life characters: lovers, murderers and muses. George Elliott Clarke’s sensuous narrative sings with the rhythm of blues and gospel, spinning a complex, absorbing tale of unrequited love, earthy wisdom, devouring corruption and racial injustice. This is a rare and beautiful collection of poetry, as much in demand twenty years after its publication as it was when first released. It has inspired an acclaimed CBC-Radio drama, a popular stage play, and a feature film, One Heart Broken Into Song.
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Wide Slumber for Lepidopterists
$16.95Book, or laboratory? Reader, or specimen?
Wide slumber for lepidopterists is a poetic fantasia, a disorienting yet compelling dreamscape of butterflies and caterpillars and killing jars, where the waking mind’s prose transforms into the sleeper’s poetry. Each poem unfolds with precision, tracking the stages of sleep and pairing them with the life cycle of Lepidopterae. Insomnia is mirrored in the birth of the egg, narcolepsy in larval hatching. And when the caterpillar starts its final moult, dreams begin, weaving around us as tightly as a cocoon until we are somnambulant, a chrysalis ready to emerge as a moth.
Reading the act of sleep through pupae and moths seems incongruous, but from this unlikely premise comes a darkly erotic text that takes cues from the scientific fascination of Christopher Dewdney, the linguistic experimentation of Gertrude Stein and the aural environments of Björk toexplore science, sexuality and language in equal parts.
Wide slumber for lepidopterists contains luminous illustrations by artist and bookmaker Matt Ceolin, who has managed to capture the spirit of the poems with his beautiful and disturbing treated photographs of butterflies, moths and dessication.
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Widow’s Fire, The
$22.95The Widow’s Fire explores the shadow side of Jane Austen’s final novel Persuasion, disrupting its happy ending and throwing moral certainties off balance. We join the action close to the moment when Austen draws away for the last time and discretely gives an overview of the oncoming marriage between heroine Anne Elliot and Captain Wentworth. This, it transpires in The Widow’s Fire, is merely the beginning of a journey. Soon dark undercurrents disturb the order and symmetry of Austen’s world. The gothic flavor of the period, usually satirized by Austen, begins to assert itself. Characters far below the notice of Anne, a baronet’s daughter, have agendas of their own. Before long, we enter into the realm of scandal and blackmail. Anne Elliot must come to recognize the subversive power of those who have been hitherto invisible to her — servants, maids and attendants — before she can defend her fiancé from an accusation too dreadful to be named. Captain Wentworth himself must learn the skills of living on land; the code of honour and secrecy which has protected him on deck no longer applies on the streets of Bath.
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Widows, The
$16.95Daring to defy a world that believes old women should not be seen or heard, three women steal a barrel from a travelling show and plan to go over Niagara Falls.
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Wigford Rememberies
$19.95“a great writer” -Daniel Lanois
“one of the finest songwriters on the planet… his lyrics [are] every bit as powerful as the best Dylan, Cohen and Lennon combined.” -Ron Sexsmith
“a national treasure” -Michael Barclay, Exclaim
“he’s a stone genius” -CBC
“Kyp Harness scrapes at the backdrop of reality to reveal the tired, the broken, the lost and desolate, imbuing their agony with a fine and desperate dignity and allowing the reader to be swept along as well.”
-Mike Blouin, award-winning author of Chase and Haven“Kyp Harness’ prose has a unique flow: word and action, thought and thing are all contiguous and combined in lovely braided sentences. There’s some Joyce splashed around Wigford, a satisfying read. This is a fantastic book, please just read it.” -Tony Burgess, author of Idaho Winter, finalist for the Trillium Award and author of Pontypool Changes Everything
Wigford is a small town in rural Southwestern Ontario, home to a cast of recurring characters: Buzz, a drunk-driving father of two; his wife, who should have married Bert Walmsley instead; Happy Henry, a devout, socially inept apostle who loves to play the organ; Elmer, a stroke survivor.
Wigford Rememberies tells this community’s stories through an impressionistic series of vignettes. The language is inventive, innovative and exciting, and whether describing mucking out the pig barn—”there in the dust and the sweet smells of grain and straw and the heavy brown odour of shit so strong it makes you sneeze”—or helping a drunk articulate how to manipulate God’s forgiveness—”‘if I gave my heart to Jesus—right there on my deathbed the minute before I died—he’d forgive everything an I’d go up into Heaven and be saved just as much as the other guy who never did nothin’ wrong at all with no difference?’”—Harness wields words with an eye for detail, musicality and style.
Visceral, reflective and lyrical, Wigford Rememberies is a poetic evocation of mood and epiphanic realizations, and will resonate with anyone who has ever confronted suffering, love or the unknowable.
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Wigrum
$14.95It’s October 1944. During a brief respite from the aerial bombardment of London, Sebastian Wigrum absconds from his small flat and disappears into the fog for a walk in the Unreal City. This is our first and only encounter with the enigmatic man we come to discover decades later through more than one hundred everyday objects he has left behind. Wigrum’s bequest is a meticulously catalogued collection of the profoundly ordinary: a camera, some loose teeth, candies and keys, soap, bits of string, hazelnuts, and a handkerchief. Moving through the inventory artifact to artifact, story to story, we become immersed in a dreamlike narrative bricolage determined as much by the objects’ museological presentation as by the tender and idiosyncratic mania of Wigrum’s impulse to collect them.
With its traces of Jorge Luis Borges, Italo Calvino, and Georges Perec, Daniel Canty’s graphically arresting Wigrum explores the limits of the postmodern novel. Having absorbed the logic of lists and the principles of classification systems, the Wigrumian narrative teeters on the boundary between fact and fiction, on the uncertain edge of the real and the unreal.
Readers venturing into Sebastian Wigrum’s cabinet of curiosities must abide only the following maxim: If I can believe all the stories I am told, so can you.