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Jennifer Still_s lyric poetry investigates the ancestral forces and early family memories needed to form the speciation of self. Saltations suggests how we evolve into the complex spirits and personalities of our adulthood, and “where am I now” becomes a reflective mantra in living.
With textual dexterity and verbal intelligence, Still moves through prairie landscapes, flora and fauna, in intricate metaphors shrewdly worked for their resonance and harmony, and balances their weight with earthy, familiar universals of the human condition. These are poems of unmistakable quality and consistency, poems that herald a significant new poet.

-Based on the inheritance of a salt doll figurine from the poet’s late great-great grandmother, these poems are leaps of the heart, palpitations of memory that attempt to reconcile the inheritances and the losses that flow through a bloodline of generations of women . . . ” – Steven Ross Smith

Same Diff by Donato Mancini meets at the intersection of contemporary poetry, art, and current politics. Influenced by documentary cinema such as the films of Frederic Wiseman, Dada poets, montage techniques, and a range of modern poets, Same Diff explores the way social and economic histories become imprinted within language itself.

The political and poetic melancholy of our moment is revealed in a long poem on climate change, particularly the disappearance of snow, while the real-life effects of fiscal austerity and poverty are voiced in fragments conveying social neuroses that stem from amplified, unfair competition for basic necessities.

The nonce forms of Same Diff draw attention to their construction and history using monotype fonts, speaking to the surfaces of words and paper, and diverging from a sole focus on meaning.

Each poem introduces a dominant motif that develops through repetition and incremental variations, sourcing language from news-papers, online sources, and overheard conversations to create an emotive effect, as felt in music.