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Moishe Yukle Bernstein was a poor pedlar who bought land near Pontypool, Ontario, a tiny Protestant town outside Toronto. The spot became a summer getaway for Jewish garment workers from Kensington Market — and for six decades, families made their way to the small village, where they shared dreams, memories, and a pathetic waterfront. With a vast array of characters, songs, and a healthy dose of humour, The Right Road to Pontypool is a unique and moving depiction of the Jewish experience in Canada.
From the Aurora Award-winning author of Marseguro (DAW Books) comes a fast-paced space opera about first contact – with a difference.
When Art Stoddard, the civilian information officer for the generation starship Mayflower II, is kidnapped by a secret military organization determined to overthrow the Captain and Crew, he becomes embroiled in a conflict that tests everything he believed to be true, forced to choose between preserving social order and restoring the people’s right to know.
His problems escalate when he’s ripped from the safety of his ship by the mysterious residents of the unknown planet that is the ship’s destination and becomes a pawn in a game that will determine the fate of ship and planet alike. As he and his newfound friends rush to save both, he faces questions of courage, loyalty, and moral responsibility.
The late poetry of Rainer Maria Rilke (1875-1926) is one of the summits of European poetry in the twentieth century. Completed in 1922, as were T.S. Eliot’s The Waste Land and James Joyce’s Ulysses, Duino Elegies ranks with them as a classic of literary Modernism and as an inquiry into the spiritual crisis of modernity. The ten long poems grapple with the issue of how the human condition and the role of art have altered in the modern era, with the decline of religion and the acceleration of technology.
1922 also saw the unexpected birth and completion of a new work, The Sonnets to Orpheus, a cycle of 55 sonnets giving lyrical expression to the philosophical insights gained in the Elegies. This is dedicated to Orpheus, the mythic singer and lyre player, who becomes a symbol for Rilke of the acceptance of transience in life and transformation in art. The third part of the late poetry consists of the less known brief lyrics Rilke wrote in the five years prior to his death in December 1926. These last poems constitute a kind of third testament, along with the Elegies and Sonnets.
Graham Good’s edition is the first to combine translations of all three into a single volume. His versions represent the meanings and echo the sound patterns of the original within fluid and readable English verse, while the introduction and detailed commentary elucidate the contexts, themes and allusions to help make Rilke’s late poetry accessible to contemporary poetry lovers and spiritual seekers.
A valuable discovery under the world’s second-largest temperate wetland and in the traditional lands of the Cree and Ojibway casts light on the growing conflict among resource development, environmental stewardship, and Indigenous rights
When prospectors discovered a gigantic crescent of metal deposits under the James Bay Lowlands of northern Canada in 2007, the find touched off a mining rush, lured a major American company to spend fortunes in the remote swamp, and forced politicians to confront their legal duty to consult Indigenous Peoples about development on their traditional territories. But the multibillion-dollar Ring of Fire was all but abandoned when stakeholders failed to reach a consensus on how to develop the cache despite years of negotiations and hundreds of millions of dollars in spending. Now plans for an all-weather road to connect the region to the highway network are reigniting the fireworks.
In this colorful tale, Virginia Heffernan draws on her bush and newsroom experiences to illustrate the complexities of resource development at a time when Indigenous rights are becoming enshrined globally. Ultimately, Heffernan strikes a hopeful note: the Ring of Fire presents an opportunity for Canada to leave behind centuries of plunder and set the global standard for responsible development of minerals critical to the green energy revolution.
Dashiell Hammett’s Red Harvest and Mark Haddon’s The Curious Incident of the Dog in the Night-Time meet The Big Lebowski in this literary mystery that asks us to examine what stories, real or fiction, become the metaphors we use for working through our own challenges and uncertainties.
Twentysomething Austin lives alone in a crumbling office-turned-studio apartment of a former mops, brushes and brooms factory in Toronto. After a deformed and lice-ridden cat turns up at his door, then abruptly dies three weeks later, Austin begins to find frightening coincidences connecting him to a squatter living in his local Walmart, a botanical garden in Missouri, a shipping route from Greece, a muralist in Japan, the world of an online dystopia and more. As the obsession with piecing together the mystery surrounding his dead pet, and the reward the cat is potentially worth, takes over, Austin confronts his financial and family issues, his self-imposed isolation and his abandoned sense of direction. He discovers what purpose this mystery might actually serve in helping him cope with, and potentially recover, all that he’s really lost.
In the end, RIP Scoot is as much a story about an anomalous dead cat as it is a rich, conscientious depiction of grief, complicated relationships and the choices that occur when fighting change is no longer an option.
As Canada heads towards a pivotal election, bestselling author Mark Bourrie charts the rise of Opposition leader Pierre Poilievre and considers the history and potential cost of the politics of division.
Six weeks into the Covid pandemic, New York Times columnist David Brooks identified two types of Western politicians: rippers and weavers. Rippers, whether on the right or the left, see politics as war. They don’t care about the destruction that’s caused as they fight for power. Weavers are their opposite: people who try to fix things, who want to bring people together and try to build consensus. At the beginning of the pandemic, weavers seemed to be winning. Five years later, as Canada heads towards a pivotal election, that’s no longer the case. Across the border, a ripper is remaking the American government. And for the first time in its history, Canada has its own ripper poised to assume power.
Pierre Poilievre has enjoyed most of the advantages of the mainstream Canadian middle class. Yet he’s long been the angriest man on the political stage. In Ripper: The Making of Pierre Poilievre, bestselling author Mark Bourrie, winner of the Charles Taylor Prize, charts Poilievre’s rise through the political system, from teenage volunteer to outspoken Opposition leader known for cutting soundbites and theatrics. Bourrie shows how we arrived at this divisive moment in our history, one in which rippers are poised to capitalize on conflict. He shows how Poilievre and this new style of politics have gained so much ground—and warns of what it will cost us if they succeed.
Riptide is the raw and revealing account of the author’s journey during the ten years her oldest daughter struggled with anorexia and bulimia, a battle that ended with her death at age 23 in February 2000.
Motherhood is about nurturing and protecting your child, yet with eating disorders, as with any addiction complicated by mental illness, parents can feel frustrated with powerlessness and filled with guilt and fear as they watch their beloved child consumed by a condition that has life-threatening power.
Eating disorders are rampant, with emaciated stars on the covers of tabloids and the modeling industry being challenged about unhealthy, unrealistic images of what is desirable. In the face of these ubiquitous images, obesity is at an all-time high among children and teens, driving more and younger children to “experiment” with anorectic and bulimic behaviors. That means more parents and caregivers need to understand how to cope and not only try to help these children, but also take care of themselves.
Using her unique perspective as a mother and psychotherapist, Barbara Hale-Seubert vividly chronicles her rollercoaster of grief, fear, and powerlessness. Here, Hale-Seubert holds onto the hope that her daughter could salvage some form of a life not fully eclipsed by the disorder, while at the same time learning to surrender what was out of her control and embracing, once again, the grace and value in her own life.
Riptide offers other parents the redemptive solace that comes with knowing that they aren’t alone in their struggles.
In Sam’s world there are two rules. Rule #1: Nobody dies. Protect the living at all costs. Rule #2: Everybody dies. At least once.The Waking was a global event in which a force called the Lifeblood invaded all humans who died. The few strong enough to control it came back as powerful immortals. The rest let the bloodlust take over and awoke with one goal – to kill.Newly appointed Watch Guard Samantha Shields has a legacy to uphold. Her father died a hero defending their city and now she wants to follow in his footsteps. Except for the dying part, of course. Unfortunately, fate has other plans as she discovers deep dark secrets that make her choose between her loyalties and the lives of everyone in her city. Both rules are in play as Sam is forced to make hard decisions that could cost her everything – including the person she cares about most./
“The map of the land is in our blood.”
A woman trawls the bottom of a riverbed with a makeshift plough, hoping to dislodge something—anything. The world has drastically changed: rivers run dry, rampant bushfires leave little left to burn. Still she persists searching for the stories of her loved ones, maybe even her own. She is not alone—an ancestor watches nearby. This desolate landscape is about to unearth its long-held secrets.
Inspired by the grassroots organization Drag the Red, which searches for evidence of missing Indigenous and settler women, girls, 2 Spirit, and people of all genders in the Red River of Treaty One Territory, this ethereal and engrossing drama is a profound offering to those who persevere in spite of sorrow. Told in Anishinaabemowin, English, and French, Tara Beagan’s prophetic play draws a direct connection between the treatment of Indigenous peoples and the abuse inflicted on the land. Fluid and majestic like the river itself, Rise, Red River is an invocation, a revelation, and a call to action.
Critically acclaimed Rita Letendre is one of the most eminent living abstract artists. Her painting career began in Montreal in the 1950s, when she associated with Quebec’s Automatistes and Plasticiens. Often the sole female artist in their group shows, she broke away from their approach to painting. Seeking to express the full energy of life and harness in her powerful gestures an intense spiritual force, Letendre worked with oils, pastels, and acrylics, using her hands, palette knife, brushes and uniquely the airbrush.
Born of Abenaki and Quebecois parents, Letendre lived in Quebec until 1969, when she moved to Toronto. She has received the Order of Canada, completed commissions across Canada and the United States, and participated in national and international exhibitions. Rita Letendre: Fire & Light features thirty large-scale paintings and an essay by Wanda Nanibush, curator of Canadian and Indigenous Art at the AGO.
The Rev’d. James Biddle loves good books and traditional values, fearing the brave new digital world and the interweb. He’s thirty-six. He fights modernization. Fights and fails to stop his own St. Matthew’s Anglican Church from holding a U2charist (a very real, very awkward phenomenon) to attract younger parishioners.
At the crossroads at the end of childhood, Nana faces the hectic passing of her adolescence and the arrival of new responsibilities as her grandmother Joséphine approaches her last hours. To calm the storm, Nana reads the enthralling tales of Josaphat-the-Violin – a returning character in Tremblay’s Plateau-Mont-Royal Chronicles. Three of Josaphat’s fantastical stories contain revelations whose full influence in her own existence Nana cannot yet measure. In parallel, Nina’s rebellious mother Maria languishes back in Montréal. She is torn between her desire to gather her young family around her and her deep uncertainty about being able to care for them properly. Always in search of what’s “best” and what’s “elsewhere,” will Maria seize the opportunity “which only hits the door of life once”? However, the most difficult passage in the lives of Tremblay’s characters is that of time, inexorable, irrevocable, altering and often breaking everything in its path: the feelings and souls it binds and unbinds, sometimes for the better, and too often for the worse. Rites of Passage is the awaited fourth instalment in Michel Tremblay’s enthralling and intensely moving Desrosiers Diaspora series of novels, translated from French by the critically acclaimed and long-time Tremblay specialist Linda Gaboriau. Novels Crossing the Continent (2008 Prix du grand public Salon du livre de Montréal / La Presse), Crossing the City (2009 Prix du grand public Salon du livre de Montréal / La Presse), and A Crossing of Hearts, instalments one, two, and three in Tremblay’s saga, were all published by Talonbooks.
Longlisted, Gerald Lampert Memorial Award
On “A Girl Like This Might Have Loved Glenn Gould”:
“The poem sits up at its greasy-spoon counter and recounts its tale, a kind of cryptic plain-speech, an inverted code, all the more puzzling for what it plainly says: ‘Under a spell so the wrong ones can’t find it, / So can’t get saved,’ as Robert Frost said.” — Jeffery Donaldson
Absorbed in the small, everyday rituals of existence, this remarkable collection of poems tears open the fruit of life and scoops out beauty and joy, pain and suffering, in equal measure. Ritual Lights takes the reader on a journey through an underworld that is both familiar and uncanny, a space between death and life where one nourishes the other. Shadowed by the aftermath of sexual assault, Joelle Barron places candles in the darkest alcoves, illuminates mysteries, and rises again to an abundant Earth where the darkness is transformed into rich loam.
These poems follow the speaker through grieving and loss, heartbreak, repression, and discovery, seeking, never finding an answer, but finding meaning in the work of continuing. A meditation on trauma and identity, deeply vulnerable and reserved, funny and full of rage, Ritual Lights explores the sometimes messy and ugly, but always necessary, nature of survival.