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Winner of the Stephan G. Stephansson Award for Poetry
In 2010, Catherine Owen’s 29-year-old spouse died of a drug addiction. A year later, she relocated to an apartment by the Fraser River in Vancouver, B.C. As she moved beyond the initial shock, the river became her focus: a natural, damaged space that both intensifies emotion and symbolizes healing. In a sequence of aubades, or dawn poems, Owen records the practice of walking by or watching the river every morning, a routine that helps her engage in the tough work of mourning. Riven (a word that echoes river and means rift) is an homage to both a man and an ecosystem threatened by the presence of toxins and neglect. Yet, it is also a song to the beauty of nature and memory, concluding in a tribute to Louise Cotnoir’s long poem The Islands with a piece on imagined rivers. While Designated Mourner honors grief, Riven focuses on modes of survival and transformation through looking outward, and beyond.
What are the histories, constraints, and possibilities of language in relation to bodies, origins, land, colonialism, gender, war, displacement, desire, and migration?
Moving across genres, memories, belongings, and borders, these luminous texts by poets, writers, and translators invite us to consider translation as a form of ethical and political love – one that requires attentive regard of an other – and a making and unmaking of self.
River of Dreams celebrates the unique ways that Impressionism was practised by artists in Quebec, offering a close look at the work of such luminaries as Clarence Gagnon, Henrietta Mabel May, James Wilson Morrice, and Marc-Aurèle de Foy Suzor-Coté. These artists documented the shoreline of the St. Lawrence and its surrounding regions, from Montréal downriver to Mont-Saint-Hilaire, Arthabaska, Québec, Beaupré, and Charlevoix.
The Quebec Impressionists were painting at a time of considerable industrial and social change in Quebec, and their choices about what to paint proved pivotal in cementing an image of the province as a site of both industry and leisure — whether in scenes of the industrial port of Montréal, or others capturing the traditional rural way of life in small villages.
Featuring a lead essay by curator Anne-Marie Bouchard; reflections on individual painters by leading artists, curators, and scholars; and more than 175 full-colour images (including reproductions of more than 100 paintings; examples of textiles, pottery, and Indigenous trade goods of the period; and archival photographs), River of Dreams is a magnificent tribute to a movement that shaped Canadian art.
New York’s Men’s Journal Magazine hired a studio photographer from Brooklyn, a post-master/writer from Thermond West Virginia and two Canadian river guides to paddle one of the country’s most dangerous whitewater rivers – the Seal in northern Manitoba, for the purpose of publishing the quintessential Canadian adventure story. Add to this unlikely melange of characters, the possibility of capsizing in freezing water, the threat of polar bears, a midnight sail down Hudson Bay and Manitoba’s worst boreal wild fire, this chronicle will carry the reader to the extreme edge of exploration.
In this sequel to the best-selling novel When Eagles Call, two Hawaiian labourers – Kimo Kanui and his friend Moku – end their contract with the Hudson’s Bay Company in For Langley and trek north to join the great Cariboo gold rush of the early 1860s. Along with a black man from the Carolinas and a native Sto:lo woman won and freed in a card game, they face dangers and challenges along the trail as winter sets in.
Gun-toting Californians, drunken miners, hostile natives as well as characters from British Columbia’s history – James Douglas, Judge Begbie, Ovid Allard and Cataline – stride through the novel. River of Gold takes the reader on a journey through B.C.’s tumultuous history as the Hudson’s Bay rule over New Caledonia ends and the province of British Columbia begins. It’s a story of war and peace, of greed, of friendship and hatred, and of a man and a woman of different cultures learning to love again.
It is a story of the Cariboo, that great leveller, where a person’s mettle counted more than purse or pedigree, where strong men and women from all corners of the globe came together to forge a new and different society for British Columbians.
In River of Mists, best-selling author and award-winning historian Geoff Mynett returns to the Skeena River community of Hazelton to shed new light on the wide spectrum of characters who left their mark on the area. Delving as far back in time as the early 1820s, Mynett covers over a century of change in the small community which, due to its location at the forks of the Skeena and Bulkley rivers and proximity to mountain ranges, seems destined to be a hub of activity–always industrious, often prosperous, and occasionally scandalous–while maintaining the charming nature of small town.
The characters in River of Mists may not be those traditionally associated with the written history of the region now known as Hazelton, BC. Here are the stories of those whose lives left some mark on the community–visitors like Hudson’s Bay Company trader Simon McGillivray, Western Union Telegraph medical officer George Chismore, and famed painter Emily Carr; and the lesser known pioneers, prospectors, and longtime residents like HBC agent turned local business owner Thomas Hankin, and Bishop William Ridley and Jane Ridley, founders of the Hazelton Queek, named after the whistling mountain marmot.
Combining folksy, small-town charm and meticulous research, Mynett’s River of Mists: People of the Upper Skeena, 1833-1930 is a whimsical and informative chronicle of a century in the heart of Northern BC.
An expression of the people, culture, ceremony and songs along the Fraser,?River of Salmon Peoples captures what the Fraser River, and its most valuable resource, the salmon, means to First Nations communities along its basin. The result of nine community engagements, extensive research over two years, and illuminating photographs and artwork, this book includes the oral narratives of each community along the river. While capturing timeless Indigenous stories and legends about the salmon and the river, this book is also an exploration of the future of the salmon and waters of the Fraser River.
In his highly anticipated, breathtakingly intimate debut, Loch Baillie pens an unfiltered queer bildungsroman that traces both a geographical and emotional journey from his birthplace in New England to where he comes to settle in Quebec.
Raw and confessional, River Running dives gracefully into the intangible concept of home, be it person or place. “No more metaphors tonight,” writes Baillie, “I come to tell you nothing / but the truth.” This collection probes at memory and love, identity and grief, with achingly gentle hands, sifting through the fragments one both leaves behind and becomes.
The book shouldn?t exist ? yet here it is
.River Black found cult success writing slasher flicks but has grown increasingly disillusioned and unhappy. When a mysterious book appears in her mailbox, her life is turned upside down. River returns to Nagano, Japan, where the book originated, hoping to pay respects to old friends and revisit her past. Instead, she finds her memory is duplicitous, her reality is porous, and the mysterious book is more alive than she could have believed. River, Diverted is a dark fairy tale that explores the trickery of memory, the delicacy of friendship, the nature of creativity and the deliverance of hope. Filled with pop culture references and a deep love of monster movies, River, Diverted is both a light-hearted and subtly serious read that will captivate readers.
River, The
Infighting, power struggles, membership firings and resignations, lawsuits, settlements, non-disclosure agreements, oddball behavior, and, most importantly, fabulous rock music. Welcome to Weezer’s weird world, steered by brainchild Rivers Cuomo — perhaps the world’s most unlikely rock star. Exhaustively researched, Rivers’’Edge documents the rise of the band from Cuomo’s beginnings as a failure on Hollywood’s hair metal scene to his reinvention of himself as the undeniable ruler of Weezer. Luerssen uncovers what really happened during Weezer’s strange hiatus and subsequent re-emergence in 2000, which was one of the most successful comebacks in music history. Through key interviews with friends, associates, members of Weezer, and bandmates in their solo projects, Rivers’ Edge is a must-own for any Weezer fan.
A lost river, a lost aunt, a found literary life: from the cult-favourite poet and author of The Baudelaire Fractal comes a glittering and erudite new novel of Paris.
Some ruins are invisible.
Under the pavements of Paris there lies buried an ancient river, the Bièvre. For years, Lucy Frost has walked along these streets, unaware of the water and history under her feet, on her way to clean the apartments of Paris’s academic class. As she begins to study and transcribe the inherited notebooks and papers of her great-aunt, a teacher and researcher who disappeared years earlier, she commits to continuing her aunt’s youthful research on the Bièvre, mining the river’s documentary traces in the works of Rousseau, Rabelais, Hugo, Chateaubriand, and the like. She uncovers a history of industry: paper mills, dyeing workshops, tanneries, and textile manufacturers – and laundries.
She finds resonances of her own labour in the history of the river’s laundresses. On stolen time at work, and in her insomniac hours of nightwriting, she fills notebooks with these woven stories and descriptions of obsolete sites, textiles, cosmologies, and voices, constructing her own forms of relation with the lost.
Riverwork unearths not just an urban river but also a philosophy of research and the archive, a politics of hydrology, an ontology of ageing and belatedness, and a consideration of the unrepresented labour of women, past and present. Along the way it brings to life, in pyrotechnic prose, a long-gone Paris and both its domestic workers and its writers.
Following the coast on their summer vacation, the Henrys stop at the beach to break up the monotony of their road trip. Matty and Nat build castles in the sand as Anne and David take turns minding the children. A moment of distraction, a blink of the eye, and the life they know is swept away forever.
Like shipwrecks lost at sea, each member of the family sinks under the weight of their shared tragedy. All seems lost but life is long. There are many ways to heal a wound, there are many ways to form a family, and as the Henrys discover, there are many roads to Atlantis.
Over the years Trish and Ray have forged a stable family life, despite a rocky beginning almost twenty years earlier — living with their friends on a communal farm that ended badly. Now they are all coming to terms with life in their forties, but Trish has become angry and insecure. She suddenly finds herself faced with an ailing marriage, a teenaged daughter who would prefer to live with her alcoholic grandmother than at home, and an annoying half-sister, Olive, whom Trish has been taught to believe is no blood relation. This cheery take-charge half-sister, now living in Trish’s childhood summer home, seems bent on destroying the last shreds of Trish’s sense of self.When a freak April snow storm hits Thunder Hill and the power goes out, Trish finds herself in a compromising situation with her hermit/hippie friend, Bear James, who also happens to be her husband’s closest friend. Later, when forced to seek refuge at her half-sister’s home, Trish feels she’s living a nightmare, one which drives her to face her past. Will the future hold anything for Trish other than that of becoming “a bitter old woman” and “immature freak,” accusations her daughter Gayl has flung at her recently?
Abby Faria returns from an extended vacation/work holiday in BC to discover that her friend, Maria is having marital problems, problems that are affecting her children as well. As Abby resumes her job as a bike courier, it becomes clear that Maria’s troubles are bigger than she first presented and they are soon compounded with the disappearance of her son. She turns to Abby for help. As usual, as Abby tries to piece together the clues, and to help keep Maria’s fish shop running, she makes new friends who help out. Alex, the woman who took over the Community Centre Bike work program for youth in Abby’s absence, becomes a close friend as they work together. Handsome Dave, a fellow bicycle and coffee enthusiast, and an RCMP officer on loan to the Toronto police Force, becomes an unlikely ally as well, in the hunt for Thomas, Maria’s son. As she continues to work on the case, Abby finds time to go for two or three thrilling rides through the city, develop a relationship with Dave, enjoy some excellent meals in Little Italy and Kensington Market, and learn some little known facts about pedophiles. But, the longer time passes, the more desperate the situation becomes. Ultimately Abby ends up trapped in Alex’s house in Little Italy, in danger and frustrated at being unable to help Maria. This leads to an unexpected twist, a hidden room, the rescue of young Thomas, and the tragic death of a new friend, all of which bring relief, and grief, to Abby’s community.