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All Books

All Books in this Collection

  • Sabotage

    Sabotage

    $17.00

    Sabotage is a collection of poems that explores private and public acts of destruction, disruption, and vandalism in the 21st century. In Sabotage, several vital sites are under attack or at risk: the human body (including the brain and biological systems); structures of community (including family, nation, and institutional supports); and cultural legacies (including language, artistic works, and historical legacies). The sections of Sabotage frame this investigation of violations through recognizable legal and literary frameworks: Accusations, Discussions, Adaptations, Riddles, Arguments, and Defenses. The poet also acts as saboteur, attempting political action and breaking down barriers through the manipulation of language, in order to disrupt the production of goods which have left us with a tampered and soiled legacy. Poetry provides imaginative space for experimentation, dissention, and creative problem-solving. Readers of Sabotage will have the potential to assume the role of saboteurÑthe crux is, to what end? The project is intended to promote discussions of private and public health, cultural inheritance and legacy, and consumer society, while stimulating the imagination through poetic discourse to forge new connections and approach issues of cultural importance in new ways.

  • Sack Exchange

    Sack Exchange

    $22.95

    Comprised of all-new, exclusive interviews with Jets players, head coaches, and those closest to the organization, Sack Exchange is not only an eye-opening account of the Jets from this time, but also of the National Football League as a whole.

    The New York Sack Exchange was the nickname given to the New York Jets defensive line of the early 1980s, consisting of Mark Gastineau, Joe Klecko, Marty Lyons, and Abdul Salaam.

    Examined are such topics as the beginning of the Jets-Dolphons rivalry, the controversial firing of head coach Walt Michaels and hiring of Joe Walton, the team’s relationships behind the scenes, the emergence of Joe Klecko, the rise and fall of Mark Gastineau, steroid use among the Jets and in the NFL, the legendary Shea Stadium as well as never-before-heard stories and insight into the legacy of Joe Namath.

  • Sacred Heart Motel, The

    Sacred Heart Motel, The

    $18.95

    The Sacred Heart Motel is a map for lapses in time, for the air between the dust. Poems in a multiverse narrative bring the reader on a tour of the motel, from amenities to rooms to back alleys, through the generations of ghosts and queer love stories, until they are left alone with the heart at the centre of the narrative. Music forms the rungs of this manuscript, from nighttime quiet to an orchestral intermission to a crescendo of exposed interiors. New poet Grace Kwan is ruthless and nimble, guiding us through the recesses of body and roadside space.

  • Sacred Rage

    Sacred Rage

    $24.95

    “A writer only feels like a writer when in the act. And the will, I said, is never enough . . . Where does inspiration, that sacred rage, originate? Maybe it’s just a matter of stubbornly starting something new and writing your way into the slot.”—Steven Heighton

    In the years before his unexpected death, returning to short fiction after a long absence, Steven Heighton wrote to his longtime editor John Metcalf to say that he understood that the short story marked his most important contribution to literature, and that “after the novels, rereading and writing short stories again felt like returning home.” In the fifteen stories taken from across his four collections, Sacred Rage offers us Heighton as the moral explorer of the global suburbs, as chronicler of our innermost stories of love and fear, sleeping and waking, of a rebel “unabashedly devoted to the old pursuit,” as he once called it, “of truth and beauty.” These are stories of grace and the lack of it; of elegy and requiem; of hope and care in a world where these seem increasingly alien, stories by one of our most sharp-eyed and generous writers, whether you’re discovering them for the first time, or once again.

  • Sacrifice of the Sisters Lot

    Sacrifice of the Sisters Lot

    $21.95

    In 1988, 12-year-old Emery is looking forward to spending the summer cooling off in the sprinkler, escaping the boredom of church, and begging her parents for a kitten. Instead, she discovers a powerful entity lurking within the walls of the family’s home. The eerie vibrations in the wall grant Emery and her three sisters whatever they desire; from fresh lipstick and new boyfriends, to revenge against a local predator. All the while, her parents impose an increasingly bizarre set of rules and rituals intended to keep the sisters safe. After the disappearance of their parents, the sisters’s uncle, a disgraced TV faith healer, and domineering grandmother move in, forcing the girls to create “real miracles,” unaware of the apocalyptic threat posed to the entire town. An exploration of the powerful bonds of sisterhood, The Sacrifice of the Sisters Lot is a riveting tale of love, betrayal and sacrifice.

  • Sad Old Faggot

    Sad Old Faggot

    $19.95

    A daring foray into the groundbreaking genre of autobiographical fiction

    Sad Old Faggot is the absorbing, sometimes embarrassing, always entertaining story of a lonely, self-obsessed, selfish, deluded, impotent 62-year-old gay man named Sky Gilbert who — despite his best intentions — cannot help but become a stereotype.

    Sky’s main claim to fame is founding Buddies in Bad Times Theatre in 1979. But since leaving Buddies, he’s fallen on hard times. Sky Gilbert is no longer even remotely famous. He has to fight off his own bitterness as audiences for his plays steadily dwindle. Theatre people dismiss his work as old news and point to the fact that he teaches at the University of Guelph as proof: his descent into academia clearly signals his failure as an artist.

    All along the way, the book questions our truths and celebrates their mutability. What is really true about each of us? What do we actually know about ourselves? And how much, it asks, of our own personal truth is based on fact — and how much is rooted in fiction?

  • Sadie X

    Sadie X

    $23.00

    Having followed the brilliant virologist Régnier from Montreal to Marseille many years ago, Sadie now works as a researcher in a lab, spending most of her time among microscopic creatures who teach her about life as a parasite. By day, she pushes the limits of her understanding alongside Régnier, who taught her that to study viruses, she must think infectiously, allow herself to be contaminated by dangerous ideas. By night, Sadie loses herself in bars, music, drugs, sensuality. Until she gets a call from the past that lures her back across the Atlantic.

    When her estranged father tells her that a bizarre virus has been found in his hospital, Sadie returns to Montreal and her family, and all the unexpected changes time has wrought, to solve this new puzzle. Soon she realizes that the person she thought she was—someone who can leave everything behind—no longer exists. What is left for her instead is sinking into the unknown to find out what happens when ideas come to life.

    This is a deeply inventive and singular novel about the power of metamorphosis and symbiosis. Combining the cerebral and the sensual, Sadie X explores humanity’s relationship to the rest of the world, and the role of rationale—and its limits in our multilayered, regenerative existences.

  • Safe and Sound

    Safe and Sound

    $9.95

    Safe and Sound has two purposes: to help people avoid getting lost in the woods in the first place and to enable those who are lost to emerge unscathed. The book tells what to take in a ready pack and why, how to read a map and compass, how hunters can separate yet keep in touch, and how not to be disabled by a change in the weather or a minor accident. It also tells how to remain safe and sound until help arrives.

  • Safe as Houses

    Safe as Houses

    $20.00

    Liz Ryerson believes that Hillcrest Village, her Toronto neighbourhood, is quaint and quiet, but stumbling over a corpse while walking her dog dissolves that illusion for good. When she realizes that she actually knew the dead man, a real estate broker who appraised the building she coowns with her philandering ex-husband, she becomes obsessed with solving the crime. The more instability is revealed in her life, the more she needs to find out who killed James Scott — and why.


    Retired Classics professor Maxime Bertrand is delighted to play Watson to her Holmes. For Liz, the investigation is a way of asserting control in a world she no longer recognizes. It is also a means of proving to herself and her children she is not in retreat from life but can grow and change. For Maxime, it’s a way of becoming re-engaged in life after his wife’s death. Neither of them anticipates the possibility of real danger, despite police warning them to stop meddling in criminal matters.


    In Safe as Houses, novelist Susan Glickman explores her own Toronto neighbourhood, imagining how a confrontation with murder might peel away its veneer of security and civility. She also shows, through her warm, witty, and wise depiction of everyday life, what is worth saving.

  • Safely Home Pacific Western

    Safely Home Pacific Western

    $19.95

    In his second collection of poems, Jeff Latosik looks to those provisional moments of arrival and anchoring in what Canadian poet Don Coles has called “the catastrophe of time.”

    Safely Home Pacific Western is a combination of words common to travel-package tour buses, and, as the title implies, there will be journeys to be had: into ruined stretches of the rural US and Ontario mine country, across the English Channel in a hot air balloon, into the flight paths of fish hurled across Northern Territory Australia by a water spout, and even the far blinking orbit of a Navstar satellite. But unlike that modern promise of a brief, comfortable excursion, these poems often end up in strange, uncomfortable places that shore up the always prevalent chaotic impulses of civilization, finding not reconciliation but charged moments of witness, of coming to terms with the very act of looking. Moving through alternate histories, cutting edge and antiquated technology, and the wily language of patent and invention, Safely Home Pacific Western peers deep into the notion of personal and communal progress to reckon with the only seeming certainty: that in a poem, as in our lives, we are done and undone by the emergent element we cannot control.

  • Safety in Bear Country

    Safety in Bear Country

    $19.95

    By turns funny, savage, poetic and heartbreaking, Safety in Bear Country follows Serena, a recent graduate from art school who thought she’d have it all figured out and be making a comfortable living as an artist, but instead finds herself dumped by her boyfriend and back in her parents’ basement in the backwater town she couldn’t wait to leave. The year is 1994: miserable and lost in the dark forest of her early twenties, Serena takes a job with her small town’s main employer, an institution for people with developmental disabilities. When one of the residents dies in her care, Serena flees the trauma, ultimately embarking on a journey that pushes and pulls her between constraint and freedom, despair and hope. Set in small-town Ontario, Australia, northern British Columbia and Miami, Safety in Bear Country pulls the reader with gorgeous and inventive prose though a world of inequity, spirituality, activism and psychedelics as Serena labours to make sense of her place in the world.

  • Safety of War

    Safety of War

    $22.95

    David spends his days as an underworked copy writer for an ad agency and his nights lost in old war movies, fantasizing about his strange teenage cousin and revisiting his father’s suicide.

    His dreary life is upended when he finds himself at the mysterious Chaos Farm, a lavish wilderness retreat populated by those seeking to right their lives’ imbalances through New Age games and rites of necromancy. In a paranormal experiment gone awry, they inadvertently raise a mysterious bloodthirsty creature that may be a) the Devil, b) David’s deceased father, c) George C. Scott as General George S. Patton in the movie Patton, or d) all, or any, of the aforementioned. Carnage ensues, leading David through a woozy landscape of churning highways, deserted shopping malls and small towns, lured backward through the chasms of memory and nostalgia by the monster’s coaxing squeals and forward toward an uncertain, hallucinatory future.

    Here, Lolita meets Maldoror meets 50s pulp horror comics. Safety of War is a hellride of exploded symbolism and beery misadventures, murders and tragedies, laughs, puzzles and meditations on valour and sacrifice in a world short on true heroes.

  • Safety Razor

    Safety Razor

    $20.00

    Safety Razor combines personal lyrics with translations from Old Norse, its taut poems running like high-wires between the poles of terror and joy, danger and safety, erudition and naivety. Mingling subjects as diverse as dinosaur bones and diacritical markers, Vikings and mothering, Safety Razor pits cultural and historical flotsam against the intimate and the academic. Be prepared for a voice that is both vulnerable and scientific as it explores the exploitation of Jumbo the Elephant, how a baby experiences a tornado, or a Viking demonstration of poetic prowess through vomit and blood. Every line in Osborne’s sharp verse is like a “pin dipped in tobacco spit,” something inked with precision and grit.

  • Saga of the Wet Hens

    Saga of the Wet Hens

    $17.95

    One night in the Promised Land of the North of the Americas, at the centre of a fabulous vortex, four women—Laure Conan, Germaine Guèvremont, Gabrielle Roy and Anne Hèbert—meet, and perform six tableaux. Onstage, the women talk and gallop, they sit and rock; they descend from the heavens like angels, they menstruate, they sing; they bake bread, they eat, they say Mass; they trade secrets, recite poetry, share their hopes and fears, their dreams and private terrors; they look into history, decide to collaborate, they write; they become hens, they support and give birth to each other—and to all women everywhere. Saga of the Wet Hens is Jovette Marchessault’s first full-length play and a major poetic dramatic literary work.

  • Sage Island

    Sage Island

    $19.95

    It’s the mid-1920s and New York is shimmering with the hope and vigour of a younger generation in headlong pursuit of greater freedoms and pleasures. Watching from the sidelines, nineteen-year-old Savanna Mason struggles with the gravity of her perceived failures, finding release and security in the water. Savi believes that her swimming has the power to change her world. Just as it seems this notion has been shattered for good, she embarks on a journey to the Wrigley Ocean Marathon-a twenty-two-mile race from Catalina Island to Los Angeles. Inspired by true events, with vivid glimpses of Prohibition, class antagonism and the evolving attitudes of the flapper era, Sage Island is a poignant novel about a young woman diving and surfacing.

  • Said Like Reeds or Things

    Said Like Reeds or Things

    $14.95

    Warning: this book may encourage a series of ungrammatical thoughts!

    Welcome to the poetic landscape of Mark Truscott, where less is more than you bargained for. Said Like Reeds or Things is a book of micropoetic and linguistic koans. With a quirky, off-centre sense of humour, these poems uncover a language that has malfunctioned only to find itself in the form of a gesture.

    Minimalist in form, these small gatherings of words, a.k.a. ‘poems’, seek strangeness in familiar language; their effect is harmonic dissonance within the mind – like an overturned toy box in your path to the television set, these poems are a fresh and amusing diversion from the everyday from which they are derived. Mysteriously entertaining and precise, these succinct, visual lyrics say as much about the world as they do about their own status as objects for reading, and they persist in the hilarity and contemplation of their own enigmatic possibilities.

    ‘Mark Truscott’s Said Like Reeds or Things is the work of a mischievous conservationist with a shadow of Basho in the mix. It’s sometimes snappy, sometimes calm, and always an exhilarating tease. This is the place where little pieces of perfection ride along a sublime horizon line.’

    – Lisa Jarnot