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To celebrate the career of one of Canada’s most respected singer-songwriters, Relics & Tunesmakes Juno Award-winning Amelia Curran’s lyrics available in print for the first time. With all of her chords and lyrics published in an elegant and easy-to-use format, this collection will delight everyone from the novice to the well-travelled professional musician. Covering her first five albums (including the remarkable new release, Watershed) Relics & Tunes stands as an indispensable addition to your Amelia Curran library.
In the astrological tradition, Chiron represents our deepest wound, and our lifelong efforts to heal it. Remedies for Chiron is a collection of poems that journey through the days of a young, queer, Black, and newly disabled poet trying to find a place to root and exist in the entirety of those intersections. Moving between cycles of grief and self-discovery, Remedies tells the story of a prismatic existence while also offering a balm for the hurts we all experience and the humility that comes with healing.
It has been some time since Luc, a 32-year-old actor and Jean-Marc, a 38-year-old French teacher, have seen each other, but the wounds from their seven year love affair are only partially healed. Each of them has current worries as well: Jean-Marc, apparently secure and well off, is tired of the endless procession of insensitive and seductive students; he has also realized that he will never be the great novelist he had hoped to become. He feels, in a word, mediocre. Luc, after years as an obscure stage actor, has found popular success playing “a nut case with a lisp” on a TV sitcom, but along with fame has come an unexpected and unwelcome loss of privacy and a struggle for self-respect. To make matters worse, Luc’s father is dying.
During this evening at Jean-Marc’s house, the two men dredge up the good and the bad memories; they confront each other about past injustices; they examine each other’s grey hairs; finally, they confess their fears and disillusionments and they comfort each other.
Part planner, part art book, Rememberer is full of inspiration and useful to boot! Packed with tools for the creative/disorganized, and featuring micro-fictions exploring themes of (dis)organization, information overload, and general confusion, this book is fun, beautiful, and practical- something to keep on you at all times.
In Remnants: Reveries of a Mountain Dweller, writer and educator Natalie Virginia Lang offers a vision of Sumas Mountain throughout the seasons to expose the impact of toxic progress on Place. Through poetic prose, Lang meditates on the social, historical, cultural, and environmental losses suffered at the hands of infringement upon natural areas. Remnants ventures into the natural spaces on Sumas Mountain, illuminating the errors of the modern colonial approach to progress and posing philosophical queries for alternate pathways into the future.
With whimsical descriptions and close encounters with creatures, forests, and climate change, Lang brings us an embodied experience of nature and bridges the gap between science, philosophy, academic theories, and the social sphere. Remnantsoffers a shift in the way environment is perceived and celebrates the value of interconnected relationships with and within ecosystems. The result is a fresh lens through which to see our relationship with that natural world, one that inspires us to join an ever-growing conversation about finding balance with our environment, even in the midst of growth.
Governor General’s Literary Award finalist
Searing, intimate poems that render a history of trauma, addiction, and recovery through dreams and waking experience.
Render (v.tr.): to submit, as for consideration; to give or make available; to give what is due or owed; to give in return, or retribution; to surrender; to yield. To represent; to perform an interpretation of; to arrange. To express in another language or form; to translate. To deliver or pronounce formally; to cause to become; to reduce, convert, or melt down, by heating.
Journey through dreamscapes in Sachiko Murakami’s intimate and unflinching poetic memoir as she travels the non-linear path of addiction to recovery, how it shifts over time, and what happens when it is translated through poetry. Looking beyond the straightforward, happily-ever-after narrative, Murakami wades through the aftermath of her addiction and questions what happens to trauma when it is put down on the page – and all the ways in which it can be rendered. Recovery is a jagged line, but hope lives and crystallizes in every moment we can mark ourselves “#stillhere.”
Render inhabits the intersection of dreams, memory, and consciousness in a searing exploration of addiction, recovery, and trauma. Open these pages and surrender yourself to Murakami’s tender and ferocious verse.
Burnham’s poetry works at the edges of meaning, propriety, and the commodification of language. Combining elements of found text-the overheard, the over-read-he recasts his findings in various combinations that are unique to their presentation on the page. The essentials of language, how people use it-and how it uses them-is Burnham’s main concern. Whether inspiration arises from a 1920s newspaper clipping (poems formulated in the structure of newspaper columns that can be read either horizontally or vertically), as in “98Ruskin”, or grows out of interactions with street youth in poetry workshops in Vancouver’s Downtown Eastside, “Poverty Pimp”, or is diffused from snippets of conversation on a bus, the nuances of speech-rhythm, inflection, insinuation, the multiplicity of meaning-get filtered down and assimilated with the daily hum and buzz of the immediate world around him. “Chicken Fallujah” and “Rental Van” grew out of a trip to San Francisco during the spring of 2004, when the US Marine assault on Fallujah in Iraq was in full swing. In a text replete with cultural references and riffs on the morphing of language, Burnham shows us how words are powerful implements that are invariably wrenched to accommodate the needs of the user. From gang lingo signifiers to urban iconography, ‘Rental Van’ demonstrates that language is indeed the “nurse and oxygen tent of epistemology.”
“For its part, Clint Burnham’s ‘Rental Van’ largely eschews a stable subject position. Inthis restlessly experimental book, language itself is a rented van, of which we only have temporary use. While this collection offers poems in various formats, including columns, blocks, and giant fonts, it steadily treats language as a kind of mechanism: a set of grammatical rules and lexical options that function quite apart from their content. Bits of narrative and snippets of voices briefly surface before being lost to new contexts: “he drives the suv in the family the blank look of a progressive house dj cd cover next to others just like him nine opposing biceps …” In this sense perhaps Rental Van is more like a bus which, regardless of who is aboard, pushes on to the next stop.” – Canadian Literature
SHORTLISTED FOR THE 2013 GERALD LAMPERT MEMORIAL AWARD
repeater is a poetic investigation into the coding, function, language, and structure of computer programming. Using the ASCII 8-bit binary code as an acrostic, each lower-case letter of the alphabet is arranged alongside the lines of the title poem. As a result, this poem “programs” an investigation of layered and digitalized language that is coded into the heart of the code itself. Appendixes to this code form supplementary studies, and deviate into additional problems and concepts at the convergence of poetry and computer programming. Ultimately, repeater reveals what happens when the creative variability of poetry is “inputted” into the rigid binaric structure of computer language.
Repose, the striking new work by award-winning poet Adam Getty, is technically flawless, philosophically refreshing and naturally phrased.Repose is an exploration of the definition of cultural freedom; it is a pointed look at an obsession with production, and a comparison of the natural and urban environments that shape our lives. Getty argues that our lives are so tightly controlled by non-negotiable experiences of employment that for the majority of people, employment is anything but a democratic process.Getty’s attempt to find spontaneity and a modern idiom by writing in traditional poetic styles mirrors a cultural attempt to find freedom and vitality. By meticulously studying the poetic techniques of the past, Adam Getty has put new wine into old wineskins: he has found a voice that is erudite, disciplined and, ultimately, free.
Unlikely love story of Rosie and Charlie
Janey doesn’t want to spend the summer away from her friends in Toronto–and certainly not in Edmonton with the grandmother she hardly knows. But her parents will be away–her mother in Turkey designing housing for earthquake victims, her dad on business trips. Her first surprise is her feisty grandma, who meets her at the airport in her vintage Cadillac, Marilyn. The second comes when she visits the Fort Edmonton historic park and time travels to 1907. The third is learning the real reason she’s in Edmonton. Her grandma is going through cancer treatment and needs someone to be with her.
Janey makes four trips, each to a different period of Fort Edmonton’s history. What draws her into the past? Only on the last trip does she discover the meaning of her adventures–and their crucial connection to her own family. Rita Feutl’s first novel features a deftly handled plot and a wealth of fascinating characters from prairie history.
Can 14-year-old Janey disentangle her time-hopping dilemma and save not just her own life, but the past lives of others, before it’s too late?
Rescue in the Rockies follows Janey as she is forced to spend the holidays with her grandma – and her grandma’s new beau, Charlie, who has invited along his German grandson, Max – in Banff, Alberta. Janey can’t believe her parents might potentially miss one of the most important holidays of the year and resigns herself to spending her time away from home wandering around the hotel with, of all people, Max, who she bickers with constantly. Getting frustrated with their constant fighting, Janey turns to run away and finds herself, all of a sudden, standing in snow drifts; the hotel has disappeared, and in its place is, well… nothing.
As Janey travels back and forth in time – first to 1883, then, with an unwitting Max along, to an internment camp during World War I and finally the Banff area after the war – she struggles to not only escape the chaotic situations she finds herself in, but to try and figure out what is causing her mysterious disappearances. What do the three places have in common, and can she solve the mystery before the enemy she’s made in the past captures her and Max for good?
Rescue Me takes you behind the scenes of some of North America’s riskiest search and rescue operations. Author Cathalynn Labonté-Smith shares real-life stories as told by volunteer members of Search and Rescue teams, who find the lost and rescue the injured in the most extreme conditions and situations the wilds of North America throw at them. From rescuing avalanche victims in blinding snowstorms, to climbing into vehicles teetering on cliff edges to free passengers from mangled metal or crossing wafer-thin ice to save an injured cross-country skier, these thrilling first-hand accounts will forever change how you prepare for your next outdoor adventure. Labonté-Smith uncovers everyday dangers, from the unexpected risks of familiar urban settings to the extreme conditions in North America’s wilderness. Deserving of a place both on your bookshelf and in your backpack, Rescue Me is a must-read book that could save your life.