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Bunny Best has met her unfortunate end after a mishap at a Gay Days parade. Now her two sons, Kyle and Hamilton, have the task of arranging her funeral and caring for her most beloved companion, a troublesome Italian greyhound named Enzo. In the bustle of obituary-writing, eulogy-giving, and dog-sitting, sibling rivalry quickly reaches its peak and years of buried contentions surface.
The Best Brothers is a bittersweet comedy that explores the many ways in which we grieve and the love we find in unexpected places.
The Bigamist tells the story of a woman torn between her husband and her lover—and about her transition to a new life in a city teeming with multiple identities. Tension mounts as she risks offending everyone in her conservative immigrant community if she chooses to leave her husband.
The comings and goings between these two men reveal couples torn not only by conflicting loves and loyalties, but also by the chasm separating their present in Montreal from the past they’ve left behind.
***2022 PRINCE EDWARD ISLAND BOOK AWARD: FICTION – WINNER***
***2022 BMO WINTERSET AWARD – LONGLIST***
A haunting and evocative exploration of the meaning of family and home.
Ingrid and Norah have an unconventional upbringing—growing up in a motel, raised by their mother and her female partner. The girls’ grandmother, Ada, who owns the Blue Moth, has always kept them at a distance. But when she buys a piano for the motel, that all changes. Years later in England, training to be a soloist, Ingrid loses her voice and must decide what to do. She hears from Norah, who’s reviving a party that began during their childhood to celebrate the arrival of mysterious and elusive blue moths. The Blue Moth Motel deals with family dynamics, grief, and the concept of home.
Following an unprecedented explosion of literary talent in Newfoundland over the past twenty years, The Breakwater Book of Contemporary Newfoundland Short Fiction assembles the very best work by the island’s most accomplished fiction writers. Featuring selections by Michael Crummey, Jessica Grant, Lisa Moore, and Michael Winter, among others, this stellar anthology, expertly edited by Larry Mathews, stands as the quintessential introduction to Newfoundland fiction. These are the best stories written by our most talented writers during the most exciting time in the island’s literary history.
When a gay teenager is mercilessly stabbed in a high school bathroom in West Nowhere, Nova Scotia, the surrounding community is sent into a tailspin. While Colton fights for his life in a hospital room at West Nowhere General, everyone from a school janitor to the boy’s abusive stepfather overflows with emotion in the form of verse monologues, unburdening themselves of their feelings.
The Bright Afters is a poetic container for the pain endured by the town and surrounding area — and sometimes, their confessions. The voices we hear from include the sympathetic (a favorite teacher) and the arresting (the kid who stabbed Colton). As Colton recovers, his powder keg sister Christine and his escapist best friend, Annie, have the most to lose from the act that almost killed him — and the most to gain from coming to a new understanding about the senseless violence.
Told from a variety of perspectives, The Bright Afters seeks to interrogate collective and individual trauma, queer belonging, and the ways in which a place sculpts the people it produces. Its individual poems take their names from Broadway shows, containing all of the community’s fraught hope for a positive “big finish” to the story.
Reeling from the Fourth Elken War, Katja throws herself into a grueling medical apprenticeship. Her fragile peace shatters when a rift tears open the world. In stumbles another version of herself: K, bloody and bruised, hunting the rogue wind spirit Suriel to reclaim her soul.
Their plans go awry when they realize the rift is killing their worlds. Wildfires and drought devastate the coastal rainforest. Sky-rivers and rusty creeks defy logic. The girls’ only hope of saving their homeland is waking ancient, powerful nature spirits — the exact thing Katja fought a war to prevent.
The Kateikos forge a grudging alliance, but after nine years of their worlds diverging, they’re each other’s worst enemy. K is everything Katja’s scared to be — cold, callous, and conniving. Katja has everything K lost — a home, family, and the affection of Tiernan, the fire mage they both loved.
Friends take sides. Enemies take notice. Danger creeps closer — people Katja thought she escaped, people K killed in her world, people with grudges old and new. The Kateikos must find a way to calm the storm, because if their friction lights a fuse, nothing will survive the apocalypse.
Gerry Coneybear is back from vacation and settling in for the last three months of her pregnancy — or trying to settle. She’s busy with her work as a cartoonist and children’s book author; looking after the twenty cats her aunt bequeathed her along with the big old house on the Ottawa River; and trying to blend her solitary life with her cats with that of her boyfriend Doug and his three almost adult sons.
Gerry is nervous about navigating motherhood for the first time without her mom but finds support from her new friends at her prenatal yoga class. Baby showers, candy-making, and prepping the nursery fill her free time — but things take a dark turn when Gerry stumbles upon a body at a local archeological dig site, soon followed by news of the suspicious suicide of her new friend’s husband.
As a massive winter storm brews, Gerry — now almost nine months pregnant — finds herself snowed in, with a missing cat and a couple of ghosts. With danger lurking close to home, can Gerry piece together the clues before her due date?
It’s April 1st and young artist Gerry Coneybear, inheritor of her Aunt Maggie’s big old house The Maples (and her aunt’s twenty cats!), wishes her mountain of bills was a joke. She’s just self-published her children’s book The Cake-Jumping Cats of Dibble, and that cost money. Plus the valuable painting she was hoping to sell is missing from the auctioneers’. And on top of everything else, her kitten Jay is acting weird, keeping her up at night. It’s almost as if the cat’s possessed.
At least Gerry’s personal relationships are going well: with her boyfriend Doug, part-time house keeper Prudence, and the odd assortment of friends she’s made over the year since she moved to Lovering, a tiny village by the Ottawa River. All seems well as Gerry bakes treats for the art class she teaches at home, cleans out the woodshed and plans a surprise birthday party. But then one of her students begins sketching ghosts, someone eggs Gerry’s home, and she feels she’s being stalked. There’s trouble with Prudence’s long lost husband too.
Things come to a head when Gerry’s house is tagged while she’s in it, her house is rammed by a car, and one of her relatives attacks another. Add in a suspicious death and you have another cozy Maples Mystery.
It is June 1940 and fifteen-year-old Olivia Baldini’s idyllic English life is shattered as Britain declares war on Italy. With hyperthymesia, Olivia possesses an extraordinary ability to recall information with vivid detail, a gift that makes her invaluable to Churchill’s secret sabotage army, the Special Operations Executive (SOE). Trained in nursing, coding, and espionage, Olivia is dispatched behind enemy lines in Italy, aiding partisans and resistance fighters.
Nino Fabris, dreaming of world travel with the merchant marines, is thrust into the war when his ship is conscripted. Captured in North Africa and sent to a POW camp in Kenya, Nino seizes a chance for freedom by joining the SOE.
In the chaos of war, Olivia and Nino’s paths intertwine. The Cipher is a gripping tale of love, resilience, and the power of the truth — and who you trust with it.
Longlisted for the 2023 Scotiabank Giller Prize
Globe and Mail 100 Best Book of 2023
CBC Books, Best Canadian Fiction 2023
Apple Books, Best Canadian Debut 2023 and Best Book of the Month for September 2023
“We all lined up for our whipping by the shouting beauty and tender traumas of life. All of us so sensitive, and now this beautiful girl, with soft brown hair that was shot with gold in the sun. Another one of us starting to stumble.”
Peter plays the trumpet and works in a kitchen, partying; Stasi tries to climb the corporate ladder and lands in therapy. These sensitive siblings struggle to find their place in the world, seeking intimacy and belonging – or trying to escape it.
A promising audition, a lost promotion, intriguing strangers, a silent lover, and a grieving neighbour—in rich, sensual scenes and moody brilliance, The Clarion explores rituals of connection and belonging, themes of intimacy and performance, and how far we wander to find, or lose, our sense of self.
Alternating between five days in Peter’s life and several months of Stasi’s, Dunic’s debut novel captures the vague if hopeful melancholy of any generation that believes it was never “called” to something great.
“It is the voice of the characters, the kindness of strangers, and the ingenuity and determination of our protagonist against terrible forces that make this story sing.” — San Francisco Chronicle
“[An] unbelievably accomplished first novel.” — NOW Magazine
American Booksellers Association Indie Next List pick
Shortlisted for the 2017 Kobo Emerging Writer Prize
Shortlisted for the 2017 Atlantic Book Awards
Publishers Weekly, starred review
A deeply compassionate novel about a gentle child who radiates goodness and the way that light refracts — even in the harshest of circumstances.
For the Appleton sisters, life has unravelled many times before. But with a sudden gunshot, it finally explodes.
In the aftermath of chaos and tragedy, eight-year-old Hariet Appleton, known to all as Ari, is shipped off to Cape Breton and her Aunt Mary, who is purported to eat little girls. But Mary and her partner, Nia, offer an unexpected refuge to Ari and her steadfast companion, Jasper, an imaginary seahorse. Yet the respite does not last, and Ari is forced to return to her addiction-addled mother and broken sisters.
Through the sexual revolution and drug culture of the 1960s, Ari struggles with her father’s legacy and her mother’s addictions, testing limits with substances that numb and men who show her kindness. Through it all, her epic imagination colors her grim reality. Ari spins through a chaotic decade of loss and love with wit, tenacity, and the astonishing balance unique to seahorses.
The Clay Girl is a beautiful tour de force with the voice of an unforgetting child, sculpted by kindness, cruelty, and the extraordinary power of imagination.
“A strong, accessible, and relevant story about modern families.” — Kirkus Reviews
Jax has big plans for grade eight: seeing if his maybe-girlfriend, Samantha, will become his actual girlfriend, and being first trumpet in the school band.
Enter Liv, the new girl Jax meets at band auditions. Liv’s a star on the trumpet too. In fact, she might be better than Jax.
When Jax and Liv start rehearsing together, they go from duet partners to fast friends. Soon, they learn that they share something more than a love of music — something that will change their whole world and make them rethink what it means to be “family.”
Spanning two decades, Smallwood’s story is anchored and propelled by one of Johnston’s most memorable creations: the fictitious Sheilagh Fielding, a caustic newspaper columnist whose own battles with the past and alcohol addiction find full vent and expression in her tireless dogging of Smallwood’s climb to power. At its heart, The Colony of Unrequited Dreams is the story of a man whose career is buoyed and sometimes sunk by his unresolved feelings for a woman he never allowed himself to love. It is also the story of Newfoundland’s final years as a country, the end of one cultural and political trajectory, and the beginning of another.
Based on the classic novel by Wayne Johnston, The Colony of Unrequited Dreams is a fictionalized portrait of Joseph R. Smallwood, the controversial political figure who ambitiously led Newfoundland into Confederation with Canada, and became its first premier.
“The book is worth reading because it does something rather special: it celebrates Canadian arts and offers ideas to promote their continued cultivation. Wyman’s … enthusiasm for the variety and calibre of projects is infectious.” — The Literary Review of Canada
A radical reimagining of the role of art and culture in contemporary democracy, The Compassionate Imagination proposes a new Canadian Cultural Contract that re-humanizes our way of living together by tapping into the instincts for generosity and compassion that find their expression in art.
Over the last forty years, the arts have been increasingly deemed unimportant to the creation of an educated workforce. Reflecting a broadly held political view that in a market-based economy the arts were “a frill,” they were deemed “unnecessary” courses compared to sciences, technology, engineering, and mathematics.
But what kind of Canada might we make if we were to place art and culture at the heart of our mutual decision-making, and return the arts to a central position in our education, shifting to steam rather than stem?
What might be possible if we integrate the creative imagination into our responses to the great social challenges we face? What impact would it have on the future shape of our democracy?
It’s time to find where the Compassionate Imagination can take us.
Longlisted for the 2018 International Dublin Literary Award
A masterful and gripping novel from “an undeniably talented writer” — Globe and Mail
On a sunny May morning, social worker Jessica Campbell sorts through her mother’s belongings after her recent funeral. In the basement, she makes a shocking discovery — two dead girls curled into the bottom of her mother’s chest freezers. She remembers a pair of foster children who lived with the family in 1988: Casey and Jamie Cheng — troubled, beautiful, and wild teenaged sisters from Vancouver’s Chinatown. After six weeks, they disappeared; social workers, police officers, and Jessica herself assumed they had run away.
As Jessica learns more about Casey, Jamie, and their troubled immigrant Chinese parents, she also unearths dark stories about Donna, whom she had always thought of as the perfect mother. The complicated truths she uncovers force her to take stock of own life.
Moving between present and past, this riveting novel unflinchingly examines the myth of social heroism and traces the often-hidden fractures that divide our diverse cities.
Toronto, 1968. Herbie Weingarten, a teenager in his last year of high school, finds that his uncle Jeffrey, a holocaust survivor, has been taken in by a new religious movement called, “Exalted Consciousness”. The young man tries to extricate his uncle from the group even while his uncle tries to pull him into it. Visit Toronto’s downtown core when Yorkville was a hippy haven, Rochdale College was a centre of the illicit drug trade and bands had names like Intercontinental Ballistic Grapefruit. Watch as personalities are broken down and moulded in the pursuit of power and money by the mysterious Baron Gerhard Von Albrecht. Take a walk along “cult row” from Davenport and Avenue Road through to Yorkville, as pernicious gurus create ugly alternatives within the Age of Aquarius. This propulsive plot is matched by Kasman’s meticulous and lavish illustrations capturing a bygone era of Canada’s largest city and the seedy characters within.
ONE OF BOOK RIOT‘S “20 MUST-READ HORROR BOOKS YOU’VE NEVER HEARD OF”
Simon and Marie can’t seem to have a baby. And so they flee the city for an idyllic village, where things will certainly be better. But the town is gloomy, even hostile — things haven’t been the same since the factory closed down and a broadcast antenna was erected. Now there are no birds singing, and people have started disappearing.