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Ela Tahoe, a runaway turned deputy sheriff, is forced to contend with a Confederate invasion of her New Mexican town three months after the conclusion of the Civil War. Ela will need to confront her heritage and past with the Apache in order to get their aid to combat this Confederate threat, leading her to look at the world from the Native American perspective once again. Conceived as a tightly paced, gut wrenching western thriller, Ela fights tooth and nail to save the lives of her townspeople and most importantly, her son.
The American Western Frontier is arguably one of the most widely misrepresented histories, rife with inaccuracies and stereotypes. Black Mi?kmaq and Anishinaabe author Tristan Jones powerfully and critically reimagines and reclaims a historical retelling of the Frontier with a focus on the historically missing Indigenous narrative. Illustrated by master sequential artist Alexander Bumbulut, The Forgotten Frontier should be on everyone?s reading list.
The Girl Who Was Born That Way is the story of the Berk family, not exactly an ordinary Jewish family, trying to bury its Holocaust past while starting over in post-war USA. The novel centers on the dynamics between the family’s four daughters, the two oldest girls who grew up in the Lodz Ghetto and he two youngest who came of age in an idyllic American suburb. The story is told from the perspective of the youngest child in the family, whose sisterly love and compassion drive the novel’s action. Can her curiosity bring the family’s dark Holocaust history into the open? Can she save her anorexic third sister whose short stature and physical anomalies are a source of family embarrassment and shame? The Girl Who Was Born That Way considers the life of immigrants living in the diaspora, the miracle of their survival and their helplessness when faced with the disabling condition of their third daughter.
When Sean McFall encounters golden-haired David Goldberg and his larger-than-life father, Saul, he is dazzled by the family’s riches, power, and ease in social situations. The bright lives of the Goldbergs are profoundly different from those of Sean’s working-class parents.
But as Sean grows up and is pulled closer to the centre of the Goldberg family by the gravitational force of their wealth and position, he discovers a tyrannical and abusive patriarch, an estranged relative bent on revenge, and dark family secrets.
As he struggles to reconcile his first impressions with the realities he later confronts, Sean must determine who he is, what he will stand for, and whether he can resist the attraction that has dominated his life.
Rich in understanding of the relationships between parents and children, the loyalty we show our friends, and how a family’s past haunts its present, The Great Goldbergs is about the compromises we make in pursuit of wealth and acceptance, and for love.
Wanda Jaynes is about to lose her job amidst a mountain of bills, and she suspects her musician boyfriend might be romantically interested in his friend, Trish. But Wanda’s life changes radically on a routine trip to the grocery store when a gunman enters the supermarket and opens fire.
The Greatest Hits of Wanda Jaynes is the highly anticipated debut novel by Bridget Canning, one of the most promising new writers from Newfoundland, and is an energetic page-turner about the power of selflessness in a contemporary culture of fear and suspicion.
Deluxe redesign of a seminal book by Canada’s former Parliamentary Poet Laureate. Includes new material.
On the occasion of the press’s 40th anniversary, Brick Books is proud to present the second of six new editions of classic books from our back catalogue. This new edition of The Grey Islands features a foreword by scholar Adrian Fowler and a detailed and insightful look back at the book and the time of its inception by Steffler himself. Featuring a new cover and design by the renowned typographer Robert Bringhurst.
The Grey Islands is the story of one man’s pilgrimage to a remote island of Newfoundland’s northern peninsula. Using a broad range of styles, The Grey Islands delivers the bite of raw experience and embraces existence at the edge in all its terror and beauty.
Bent, I circle the building grubbing and rooting. Every shingle and stick I lift yields bait. Things Carm ate and didn’t eat, turned to worms. A kind of organic shadow of the man.
–from “The Grey Islands”
Praise for The Grey Islands: “[The book] illustrates… how the outsider becomes an insider by becoming a supplicant, renouncing the role of saviour and honouring the culture of the people among whom he has decided to make his home.” –Adrian Fowler, from the Introduction.
A lively recounting of the tough men and heroic but overworked packhorses who broke open B.C. to the big business of the 19th-century fur trade.
Facing a gruelling thousand-mile trail, the brigades of the Hudson Bay Company (HBC) pushed onward over mountains and through ferocious river crossings to reach the isolated fur-trading posts. But it wasn’t just the landscape the brigades faced, as First Nations people struggled with the desire to resist, or assist, the fur company’s attempts to build their brigade trails over the Aboriginal trails that led between Indigenous communities, which surrounded the trading posts. Nancy Marguerite Anderson reveals how the devastating Cayuse War of 1847 forced the HBC men over a newly-explored overland trail to Fort Langley. The journey was a disaster-in-waiting.
SHORTLISTED FOR THE 2017 TRILLIUM BOOK AWARD
NATIONAL POST 99 BEST BOOKS OF 2016
Giller Prize winner André Alexis’s contemporary take on the quest narrative is an instant classic.
Parkdale’s Green Dolphin is a bar of ill repute, and it is there that Tancred Palmieri, a thief with elegant and erudite tastes, meets Willow Azarian, an aging heroin addict. She reveals to Tancred that her very wealthy father has recently passed away, leaving each of his five children a mysterious object that provides one clue to the whereabouts of a large inheritance. Willow enlists Tancred to steal these objects from her siblings and help her solve the puzzle.
A Japanese screen, a painting that plays music, a bottle of aquavit, a framed poem and a model of Frank Lloyd Wright’s Fallingwater: Tancred is lured in to this beguiling quest, and even though Willow dies before the puzzle is solved, he presses on.
As he tracks down the treasure, he must enlist the help of Alexander von Würfel, conceptual artist and taxidermist to the wealthy, and fend off Willow’s heroin dealers, a young albino named ‘Nigger’ Colby and his sidekick, Sigismund ‘Freud’ Luxemburg, a clubfooted psychopath, both of whom are eager to get their hands on this supposed pot of gold. And he must mislead Detective Daniel Mandelshtam, his most adored friend.
Inspired by a reading of Robert Louis Stevenson’s Treasure Island, The Hidden Keys questions what it means to be honourable, what it means to be faithful and what it means to sin.
Denise has spent the last five years dedicated to uncovering the truth behind her sister Michelle’s disappearance. Haunted by loose ends, she begins seeing visions of Michelle, who gradually guides her in the right direction. As Denise’s marriage and sanity crumble around her, she remains committed to unearthing an unfathomable truth, and coming to terms with a painfully crucial realization—one she has been desperately avoiding.
***49TH SHELF UTTERLY FANTASTIC BOOK FOR FALL***
***NEXT GENERATION INDIE BOOK AWARDS WINNER, SUSPENSE***
***NEXT GENERATION INDIE BOOK AWARDS FINALIST, PARANORMAL***
Sissy and Ava Hush are estranged, middle-aged sisters with little in common beyond their upbringing in a peculiar manor in downtown St. John’s. With both parents now dead, the siblings must decide what to do with the old house they’ve inherited. Despite their individual loneliness, neither is willing to change or cede to the other’s intentions. As the sisters discover the house’s dark secrets, the spirits of the past awaken, and strange events envelop them. The Hush sisters must either face these sinister forces together or be forever ripped apart.
In The Hush Sisters, Gerard Collins weaves psychological suspense with elements of the fantastic to craft a contemporary urban gothic that will keep readers spellbound until the novel whispers its startling secrets.
Longlisted for the 2022 DUBLIN Literary Award
A woman must emerge from the virtual world she’s created to confront her flesh-and-blood past and family.
Growing up with a menacing drunk for a father and a grief-stricken mother, a girl spends her 1980s childhood staring at the television to escape the tension, depression, and looming violence that fill her suburban home. After winning a modelling competition, she dedicates herself to becoming a placid image onto which anything can be projected, a blank slate with a blank stare. Earning enough in Paris to retire in her twenties, she buys a studio in Montreal and retreats from the world and its perceived threats, cultivating her existence as an image through her virtual reality avatar. But when her mother develops cancer and nears the end of her life, she is forced to leave her cocoon – surrounded by her posse of augmented reality superheroes – and interact with the world and her parents without the mask of her perfect, virtual self.
Georges offers up an alienated childhood with shifting pop culture obsessions, a woman’s awakening to the role of the image in culture, and her eventual isolation in her apartment and the world online. It is a catalogue of the anxieties of an age, from nuclear war to terrorism, climate change to biological warfare. Set in the past and not-too-distant future of Montreal, The Imago Stage is an ominous tale of oppression, suppression, and disembodiment.
During the tumultuous and often violent election riots of 1861, members of the Royal Newfoundland Companies opened fire on a crowd of rioters, killing three and wounding several others. In the sobering aftermath, a compromise evolved that would shape Newfoundland politics and society into the twentieth century.
In The Invisibles, James E. Candow provides the fascinating backstory of the Royal Newfoundland Companies while enhancing our understanding of the role they played in Newfoundland history and the lives of our communities. This is an important, often overlooked, chapter in the British Military’s involvement in the colony at a time when Newfoundlanders fervently sought to become masters of their own fate—expertly told in Candow’s engaging and vivid prose.
An island off the coast of another island is home to a small community; life is rich with joy and challenges, and the people who live there love their island home. One day they learn that the government will move them off the island, to new homes with modern conveniences like electricity. Life will be simpler, but will it be better?
In gentle and spare prose, and with her unique folk-art illustrations, Lori Doody tells the story of resettlement in Newfoundland?it is a deeply personal tale, but it is also the story of anyone who must leave a loved home to start anew and who carries their old home still in their heart.
A rich portrait of the beauty of words – painted by a 15th-century illiterate scribe.
A 15th-century portrait painter, grieving the sudden death of his lover, takes refuge at the monastery at Mont Saint-Michel, an island off the coast of France. He haunts the halls until a monk assigns him the task of copying a manuscript – though he is illiterate. His work slowly heals him and continues the tradition that had, centuries earlier, grown the monastery’s library into a beautiful city of books, all under the shadow of the invention of the printing press.
‘Dominique Fortier has a gift for making insightful connections between seemingly distant ideas, creating patterns that, at the end of the novel, leave you with the impression that everything is connected, both logically and supernaturally.
Set in an improbable fortress in the middle of the sea, her fourth novel explores the to and fro of love and creation. With writing that is both graceful and honed, The Island of Books gives love, maternity and particularly books the mystery that is their due.’—Jean-Marc ValleÌ�*e
‘Throughout these emotional rescues in the high seas, Dominique Fortier’s writing is carried on a rich, beautiful and evocative language. The recurrent use of words from old French adds a patina that is appropriate for this journey filled with touching, illuminating moments … Dominique Fortier plunges into the depths of human paradox and emerges with a love of books that she shares with grace and generosity.’
– La Presse (translated from the French)
‘Dominique Fortier’s writing is at once sensitive and interesting, moving and spare. It reveals a man blinded by pain who tells us his story of love, his distress and the light of the smile of a young woman. A book written in quiet emotionthat makes for good reading as the wind makes the autumn leaves rustle.’
– Au fil des pages (translated from the French)