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Winner of the 2018 American Bookfest Best Book Award for Historical Fiction; Shortlisted for the 2018 GOETHE Book Awards for Post-1750s Historic Fiction; Shortlisted for the 2018 Eric Hoffer Award Grand Prize; Finalist for the 2018 International Book Awardfor Historical Fiction
Prior to 1857, the year it was engulfed by tragic historical conflict, the cosmopolitan city of Lucknow thrived on open-mindedness, great prosperity and pride, the city a magnet for musicians, poets, painters and chefs, drawing the finest cultural talent from other parts of India and the wider world. It proved too tempting a prize for the English East India Company not to attempt a takeover of the Kingdom of Awadh with its capital city, Lucknow. The devastation and disaster that came to be known as “the Red Year” was a turning point in the history of Indian colonialism. It gave birth to the self-conscious, anti-colonial nationalism that would define the next ninety years, eventually leading to Gandhi’s nonviolent measures to oust the British from India once and for all.
Synthesizing a wealth of meticulous historical research, Amah and the Silk-Winged Pigeons plunges the reader into the complex drama and historical dilemmas faced by both ordinary and extraordinary Lakhnavis (people of Lucknow) at the time. The story is centered on a group of strong, independent women who take action to defend their world and way of life. The novel’s protagonist, Amah, is a member of the Rose Platoon, an elite corps of female military guards of African descent who have protected Lucknow’s royalty for generations. Appalled by the mounting affronts and threats to her absent ex-husband’s kingdom, Begam Hazrat Mahal, one of Lucknow’s former queens and also of African descent, enlists Amah to be her eyes and ears and help coordinate resistance to the British takeover.
When the women decide to take on the English colonists who declare rule, what will be the ultimate price of the women’s loyalty to the royal family and to the place they’ve grown to love?
Ruth grew too fast.
A young girl over seven feet tall, she struggles to conceal the physical and mental symptoms of her rapid growth, to connect with other children, and to appease her parents, Elspeth, an English seamstress who lost her family to the war, and James, a mailman rethinking his devotion to his wife. Not knowing how to help Ruth, Elspeth and James turn inward, away from one another. As their marriage falters, Ruth finds herself increasingly drawn to Suzy, the dangerous girl next door.
Ruth is not precocious, nor a prodigy, but her extraordinary size affords her extraordinary vision: a bird’s-eye perspective that allows her not just to remember but to watch her past play out. Possessing an uncanny ability to intuit the emotional secrets of her family’s past and present, Ruth gently surfaces Elspeth and James’s vulnerabilities, their regrets, and their deepest longings.
A CBC Canada Reads 2015 Selection
Finalist for the 2013 Governor General’s Literary Award for French-to-English Translation
Deep in a Northern Ontario forest live Tom and Charlie, two octogenarians determined to live out the rest of their lives on their own terms: free of all ties and responsibilities, their only connection to civilization two pot farmers who bring them whatever they can’t eke out for themselves. But their solitude is disrupted by the arrival of two women. The first is a photographer searching for survivors of a series of catastrophic fires nearly a century earlier; the second is an elderly escapee from a psychiatric institution. The little hideaway in the woods will never be the same. Originally published in French, And the Birds Rained Down, the recipient of several prestigious prizes, including the Prix de Cinq Continents de la Francophonie, is a haunting meditation on aging and self-determination.
In Euphoria, a small, fictional town that feels displaced in time and space, an affluent but isolated couple have vanished from their suburban home. Their estranged friend, Fir, a local video store employee, is the only person who notices their disappearance. When the police refuse to help, Fir recruits Fain, who moonlights as a security guard, and they set off on a seemingly hopeless search for the lost lovers. Their chance at an answer, if they can ever find it, lies on the wooded edge of Euphoria, where Slip, an elderly trailer park resident, finds a scattering of bones that cannot be identified. Distrusting everyone, Slip undertakes a would-be solitary quest to discover the bones’ identity. Yet secretly, Limn and Mal, two bored, true crime-loving teenagers from the trailer park, are dogging Slip. Determined to bring justice to the dead, Limn and Mal will instead bring the lives of all seven characters into fraught and tangled confrontation.
Beneath the familiar surface of this missing-persons novel lies an unparalleled experiment: the creation of a folkloric alternate reality where sex and gender have been forgotten. Expanding on the work of Anne Garréta’s Sphinx and Jeannette Winterson’s Written on the Body, and joining gender-confronting contemporaries like Joshua Whitehead’s Jonny Appleseed and Akwaeke Emezi’sThe Death of Vivek Oji, Anomia is an atmospheric exploration of a possible world, and a possible language, existing without reference to sex or gender.
While Canadian history professor Andrew Stanhope is doing research in Paris on the German invasion of France, he stumbles upon an odd and long-lost exchange between Colonel Marius Michel, principal deputy in France’s counter-intelligence agency, the Deuxième Bureau, and the Directeur-Général of the Val de Grâce military hospital. The Colonel wants the Directeur to warn the incoming Prime Minister, Philippe Pétain, that there is an active spy in the French war ministry and that the Marshal’s own ring of advisors includes at least one Nazi sympathizer. By means of alternating flashbacks between 1940 and the 1970s, the author uncovers Michel’s attempts to track down the traitor and other collaborators whose espionage may have led to the sudden and ignominious defeat of France. Working undercover, and with his life definitely at risk, Michel follows a trail that stretches from the heart of the war ministry on the Left Bank of Paris to the bustlng high fashion industry on the Right. It is there, within the Maison d’Ariège that he encounters its treasonous owner, Louis Loriot, two beautiful German-born spies, two cases of cold-blooded murder, as well as his own would-be killer. All this, Stanhope pieces together decades later, before making the most startling discovery of them all.
Shortlisted, 2018 Taste Canada Awards and 2018 Writers’ Federation of New Brunswick Book Award for Non-Fiction
Longlisted, 2018 RBC Taylor Prize
Jan Wong knows food is better when shared, so when she set out to write a book about home cooking in France, Italy, and China, she asked her 22-year-old son, Sam, to join her. While he wasn’t keen on spending excessive time with his mom, he dreamed of becoming a chef. Ultimately, it was an opportunity he couldn’t pass up.
On their journey, Jan and Sam live and cook with locals, seeing first-hand how globalization is changing food, families, and cultures. In southeast France, they move in with a family sheltering undocumented migrants. From Bernadette, the housekeeper, they learn classic French family fare such as blanquette de veau. In a hamlet in the heart of Italy’s Slow Food country, the villagers teach them without fuss or fanfare how to make authentic spaghetti alle vongole and a proper risotto with leeks. In Shanghai, they home-cook firecracker chicken and scallion pancakes with the nouveaux riches and their migrant maids, who comprise one of the biggest demographic shift in world history. Along the way, mother and son explore their sometimes-fraught relationship, uniting — and occasionally clashing — over their mutual love of cooking.
A memoir about family, an exploration of the globalization of food cultures, and a meditation on the complicated relationships between mothers and sons, Apron Strings is complex, unpredictable, and unexpectedly hilarious.
Are You Ready to Be Lucky? If so, meet Roslyn, a spirited divorcée eager for new beginnings. Meet Duncan, a British conman with a penchant for collecting ex-wives. Meet Floyd, a hard-living contractor who can fix anyone’s house but his own. Irritating, vulnerable, hopeful, they ricochet off one another, trailing a mess of family and friends, all of them trying to beat the odds and find happiness. With razor-sharp wit, Rosemary Nixon takes on the chaos and absurdity of friendship, marriage, divorce, and betrayal—and the heart-pounding, breathtaking, always astonishing complexities of luck and love.
Translated from French by Howard Scott
Assi Manifesto is a celebration of the Innu land in the tradition of Joséphine Bacon. This telluric power is reminiscent of Paul Chamberland’s Terre Québec. Natasha Kanapé’s challenge is to name her land, but also to reconcile opposites.
In this collection of poetry, the author engages with the environment, colonialism, anxiety, anger, healing, solitude, and love. “Assi” in Innu means Land. Assi Manifesto is primarily a land of women. If the manifesto is a public space, Assi is a forum of life, a song for those who open their spirit to its mystery.
The definitive survey of an essential feminist poet.
In June 2019, Nicole Brossard was awarded the Lifetime Recognition Award from the Griffin Poetry Trust. Rarely has a prize been so richly deserved. For five decades she has been writing ground-breaking poetry, fiction, and criticism in French that has always been steadfastly and unashamedly feminist and lesbian.
Avant Desire moves through Brossard’s body of work with a playful attentiveness to its ongoing lines of inquiry. Like her work, this reader moves beyond conventional textual material to include ephemera, interviews, marginalia, lectures, and more. Just as Brossard foregrounds collaboration, this book includes new translations alongside canonical ones and intertextual and responsive work from a variety of artist translators at various stages of their careers.
Through their selections, the editors trace Brossard’s fusion of lesbian feminist desire with innovation, experimentation, and activism, emphasizing the more overtly political nature of her early work and its transition into performative thinking.
Devotees of Brossard will be invigorated by the range of previously unavailable materials included here, while new readings will find a thread of inquiry that is more than a mere introduction to her complex body of work. Avant Desire situates Brossard’s thinking across her oeuvre as that of a writer whose sights are always cast toward the horizon.
Longlisted, Scotiabank Giller Prize
Violence is the domain of both the rich and poor. Or so it seems in early 20th-century Ukraine during the tumult of the Russian Revolution.
As anarchists, Bolsheviks, and the White Army all come and go, each claiming freedom and justice, David Bergen embeds his readers into the lives of characters connected through love, family, and loyalty. Lehn, a bookseller south of Kiev, deserts the army and writes poetry to his love back home; Sablin, an adopted Mennonite-Ukrainian stableboy, runs with the anarchists only to discover that love and the planting of crops is preferable to killing; Inna, a beautiful young peasant, tries to stop a Mennonite landowner from stealing her child. In a world of violence, Sablin, Lehn, and Inna learn to love and hate and love again, hoping, against all odds, that one can turn away from the dead.
In this beautifully crafted novel, David Bergen takes us to a place where chaos reigns, where answers come from everywhere and nowhere, and where both the beauty and horror of humanity are on full display.
The perfect antidote to the toxicity of the current productivity narrative, this collection of essays on creativity features 21 Canadian and international writers, providing warmth, support, camaraderie, and empathy.
In a world that worships productivity, creating for art’s sake is seen as romantic and nearly indefensible. For anyone who has ever struggled to honour their artistic impulses, Bad Artist offers an antidote to this toxic productivity narrative. This collection of essays features 21 Canadian and international writers from a breadth of backgrounds and experiences whose lives are not always proscribed by predictable work schedules or reliable support systems. They fit creating into the cracks of their lives, and through their stories show us all how to keep creating—not producing.
As artists, many of whom have faced systemic barriers, the collection’s contributors offer pragmatic reflections on resisting the culture of productivity, reminding us that creativity can take many forms. Taken together, the essays present a comprehensive rumination on creativity in late capitalism, providing warmth, support, comradery, and empathy. It’s The Paris Review meets the Billfold’s “Doing Money” with a generous dash of the friend who knows you’re an artist even on the days when you’re not so sure.
Helen is a fine hand with a slingshot, and more than at home in the woods. After all, she was raised by bears. When she stumbles upon three evil giants, she hatches the perfect plan to rid the land of them. Well, almost perfect…
Bulleybummus, the fiercest giant, catches her and insists she help kidnap the princess Antoinette. Instead, Helen manages to save the sleeping princess and finish off the giant before heading quietly back home. No one knows who the giant killer is, but Antoinette is determined to find out and comes up with a plan of her own.