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She loves life in spite of everything. Conceived as the result of a rape, she herself was raped at the age of 14. Her name is Hilaria Supa Huaman. She is 47 years old and self-educated. She has lived in Lima, the capital of Peru. She now lives in Huallaccocha, in Cuzco. She campaigns for agriculture and for the women of the countryside. For more than 20 years, she has been dedicated to organizing women and preserving the ancient wisdom and culture of the Andes. For the last six years, she has also been working in search of justice for women who were forcibly sterilized. – 1000 Women for the Nobel Peace Prize
***THE HOWARD ENGEL AWARD FOR BEST CRIME NOVEL SET IN CANADA – SHORTLIST***
When Sebastian goes undercover in the theatre to find a killer, things get… dramatic.
In Three for Trinity, the third book in the Sebastian Synard Mystery series, offbeat humour meets suspense as a nefarious crime unfolds. Trying to run a tour business in COVID times is tough, especially when you’re home- schooling a teenager. But with the creation of the Atlantic bubble, Sebastian can offer a tour of the scenic, historic Bonavista peninsula to a small group. On the last night of the tour, an actor collapses at a socially distanced theatre performance. Sebastian rushes to help, but Lyle Mercer has been poisoned. When Sebastian goes undercover as an actor to try to discover the killer, he’s taking a risk in more ways than one. Will it upend his romantic relationship with police inspector Ailsa Bowmore?
Included are: Curtsy by Brian Drader, In the Yichud Room by Joel Fishbane, Suicide Notes by Kenneth T. Williams, Canada House by J. Karol Korczynski, Starter Home by Katherine Koller, Three Dogs Barking by Frank Barry, and Purity Test by Scott Sharplin. In plays for three actors, everyone is fighting their own battle in a sharp-cornered ring, which flings them together and then apart. These seven plays from writers across the country paint a dark and mainly urban picture of Canada in the first decade of this new millennium. Love is variously celebrated and thrown away; as is tolerance, as is hope. Many of the characters are running as hard as they can away from themselves. At the same time, they are endearing, caustic, funny, and very human.
Three Pieces of Sea is a portrait in verse of the artist Rebecca Lilley. Ekphrastic and elegiac, Three Pieces of Sea reflects a life lived and remembered through art. In a progression from life to loss, Lilley explores the relationship between visual art, grief and the process of healing.
110 years after its Moscow premiere, Bruce McManus weaves a praireie story from the threads of the originalÑfaithful to the tragic comedy of ChekhovÕs characters in an environment often hostile to dreams. He gives us a play about the Canadian prairie experience at a time when the nation and our place in the world were on the brink of great change.
THRESH: to beat mechanically, to drub to whip. Thresh is a sensual linguistic trip through the daily violence of affluence. Voyeuristic and punishing the language in this collection addresses the unlikely mechanistic rumblings of the sex doll factory floor; the progress of the Stations of the Cross; and the intricacies and polarities of female purification. Each poem lovingly hammers, pounds, teases and scratches at the fallacies of control and ownership. “ready? flail.”
Like Frank O’Hara in New York or Carl Sandburg in Chicago, some poets draw their creative energy from the city around them; Chris Chambers is such a poet. But he is also a nature poet. Revealed through his poetry, Toronto is a city of equal parts nightlife and wildlife, a crucible and a chrysalis, a vessel in which things smolder and transform. What would Toronto look like through the lens of a visionary Polish filmmaker? How does a city dream? These poems are generous with imagery and verve. They speak lovingly about a connection with a place, and in their whimsy and good nature, ascend to the universal.
In 1934, Gertrude Stein asked ‘What is poetry and if you know what poetry is what is prose.’ Throaty Wipes answers this question and many more! How does broadband work? Does ‘chuffed’ mean pleased or displeased? What if the generations of Adam had mothers? Through her signature fusion of formal innovation and lyricism, Holbrook delivers what we’ve been waiting for.
‘Here is language that has a joyous physicality, reminding usthat language and, therefore, poetry is first and foremost a physical act involving the muscles of the lips, tongue and jaw; here is language that, for all its playfulness and humour, is honed against the hard edges of a post-postmodern, globalized world. Formally adventurous, Throaty Wipes refracts a mash-up of consumer society replete with Disney Princesses; Barbie dolls; Biblical myth; romantically adapted fishing instructions; the hard, hard work of birthing; surgery; thebody in all its vulnerabilities; medical procedures; running; and PIN numbers for starters. Holding it all together is an overarching intelligence shot through with a lambent compassion for the ultimately fragile human condition. Throaty Wipes shows us how poetry is always about risk-taking inside and outside of language.’ – M. NourbeSe Philip
The weight of history lies on the spine of memory. That heft and delicate balance are palpable in these rich poems that echo with grief, longing, and observed beauty. From the silence and complexity of the northern wilderness to the vast prairie landscapes stretching across the province, Through Disassembled Houses of Perfect Stones explores self, ancestry, and community through poems which dwell on the page with a satisfying density of imagery. Combining careful observation with sensitive reflection, this work examines the poet’s memory and experience as a father, son, husband, and descendent of European settlers married into an Indigenous family living in Northern Manitoba.
Twelve-year-old Philly is literally pulled into an action-packed adventure while mourning the loss of her lola when she opens an old book and finds herself tossed into the fantastical land of Uwi.
In Uwi, memories are stories, and all stories are forbidden since the datu’s storytelling-loving wife died and his youngest daughter Nale disappeared. Now his remaining daughters, the Sisters, rule with darkness in their hearts. So when Philly appears, the duwende believe that she is Nale and the key to saving Uwi. Can Philly save them all while searching for her lola to bring her back home?
Similar to The Wizard of Oz, the Chronicles of Narnia, and Alice in Wonderland, this unique Filipinx-Canadian tale inspired by Philippine mythology shows the value of keeping memories alive and explores how families deal with loss.
Through the Eyes is award-winning playwright Don Druickís acclaimed tour de force for a solo actor. Set in the Versailles of the Sun King, this play is the story of the great Italian artist, Gianlorenzo Berniniís visit to France in 1665. The Italian finds himself in an opulent and dangerous world, bristling with cruelty and intrigue, tyrannized by passion and violence. Bernini is commissioned to carve a bust of the king; the resultant clash between these two great egos is fearsome to behold. Survival itself becomes a compelling issue.
Critical Comment
ìThe script reveals Druickís verbal artistry: the evocation of the various characters and episodes is vivid; each interpolated character has its own rhythm; and the two-act piece is carefully constructed as a coherent whole through variations in pace and tone that are inscribed in the text.î
ó U of T Quarterly, Winter 2006
ìDruickís play…. is a series of miniature scenes crackling with emotion and politics, created with tiny, subtle brush strokes…. Music and a sense of rhythm infuse his work.î
ó Jon Kaplan, Now
ì…. one of Canadaís finest playwrights….î
ó Robert Crew, Toronto Star
ìYou can…. almost smell the danger of the place.î
ó Kate Taylor, Globe and Mail
ìFrom its very first moments, Druick conjures up the poisonous atmosphere of a world ruled by fear and rumour where truth is merely the whim of an absolute monarch.î
ó Christopher Hoile, Eye
ìDruickís script is vivid and delicate, a sensitive and sensuous piece of writing alive with colour and texture, its images polished like marble until they gleam.î
ó Jill Lawless, Now
ìThe magic of Through The Eyes is that it captures the obscene opulence and the intricate, repressed relationships of the Court of Louis XIV… using only one actor and a bare stage.î
ó Elisa Kukla, Eye
Through the Eyes of Asunder is a poetic journey through the life of one once broken, in heart, spirit, and mind. It starts and it ends with hope, and takes the reader through despair, grief, sorrow and sadness, with moments of introspective happiness and love.
Marrying the precise yet nuanced language of his earlier work with new, invented vocabularies and usages, Nicola Vulpe draws deep into the origins of language to confront what it means to write poetry or attempt any artistic endeavour, or, indeed, continue in a world where so many of us struggle, literally, not to drown. Written to be read aloud, to be heard like a poem in the most ancient oral traditions, Through the Waspmouth is a synesthetic work that arouses our senses and our intellect. We come to this poem as to a new language, a language whose details and mechanics are opaque, but which, like a child turning to innate linguistic resources, we nonetheless somehow understand, and into which we are drawn and held in thrall.