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Described by Variety as ‘Yukon Gothic,’ Claudia Dey’s acclaimed Trout Stanley is set in northern British Columbia, on the outskirts of a mining town between Misery Junction and Grizzly Alley. In this inhospitable setting live a pair of sisters, twins who are not identical in any way: Sugar, a complicated, insecure waif who still wears the tracksuit her mother died in ten years prior, and Grace, a rough-and-tumble hellcat who owns the local dump. At the play’s opening, it is their thirtieth birthday, and the TV news has announced the disappearance of a local Scrabble-champ stripper. While Grace is at the dump, housebound Sugar is surprised by a mysterious drifter, one Trout Stanley, foot fetishist and fake cop, who is searching for the lake where his parents drowned – a fishy story if there ever was one. He quickly becomes mired in a surreal love triangle with the two sisters.
Trout Stanley is about three people who confuse codependence for co-operation and afliction for affection. An eccentric, captivating story in which the biggest catch of all is love.
Lavishly illustrated by Jason Logan.
‘Trout Stanley stands out from the crowd … Dey, whose language has always been striking and whose dramaturgy has sharpened with every play she’s written, here delivers a masterwork.’ – The National Post
George Elliott Clarke’s newest dramatic poem, Trudeau, makes an irreverent, jubilant portrait of the life and politics of one of Canada’s most controversial political heroes, Pierre Elliott Trudeau. Clarke’s poem provides a whimsical and informative look at the balance of world powers in the 1960s and 70s, infused with the spirit of the many revolutions taking place throughout the world during these years. The poem opens on a hillside in Nanjing, China, April 1949, in the midst of the country’s civil war. Our hero exchanges political stances with Mao and falls for a beautiful young flautist. From China the drama moves to Fredericton, NB, where Trudeau chats with Massachusetts Senator and future American president John F. Kennedy, who has just received an honorary doctorate from the university. The two men cavalierly discuss the perks of political power, each on the cusp of leading their countries. Then, in Havana, on the eve of the Bay of Pigs invasion, Fidel Castro treats Trudeau to rum and cigars and offers his take on revolutions, Cuban and otherwise. When the focus moves to the Quiet Revolution and Trudeau’s response to this crisis in his leadership, Clarke presents a leader at once loved and loathed at home, who perseveres through both political and personal upheaval.
Originally composed as the libretto for a new opera by D.D. Jackson to be presented at Toronto’s Harbourfront Festival in April 2007, Trudeau is a political caper, an extravagant portrait and a dramatic study of influence, power, revolution and liberation. Clarke injects the life of one of this country’s most intriguing personalities with the exuberance and grimy frankness his readers have come to love and expect.
According to the author: “As a teenage poet in the 1970s, seven artist-intellectualsor poet-politicoshelped me to conceive my voice. They were jazz trumpeter Miles Davis, troubadour-bard Bob Dylan, libertine lyricist Irving Layton, guerilla leader and poet Mao Zedong, reactionary modernist Ezra Pound, Black Power orator Malcolm X and the Right Honourable Pierre Elliott Trudeau. These ‘idols’ inspired me to sculpt an individualist poetic scored with implicit social commentary. Yes, this ‘Gang of Seven’ is flawed. But, taken as a whole, I find their blunt talk, suave styles, acerbic independence, raunchy macho, feisty lyricism, singing heroics and scarf-and-beret chivalry quite, well, liberating.
“For me, no Canadian stood more for liberation than Trudeau, that aloof populist, rights-trampling democrat and tax-and-spend millionaire. An operatic figure in life (19192000), he now merits dramatic treatment. My dramatic poem imagines the politician as ‘player’: Plato meets Chaplin.”
“When we got to the rooftop and sat down, he ordered a half bottle of white wine, dug into the plastic bag and pulled out a tiny book of Shakespeare’s sonnets. Inside was written Pierre Elliott, 1968. ‘Somebody gave it to me on my first Christmas as Prime Minister. I wrote an inscription in it, so no one would think you’d stolen it…’For Brooke, for her birthday–And the best of memories, Pierre E.T. 1987”
In 1985, while a student at the National Theatre School of Canada, Brooke Johnson became friends with Pierre Elliott Trudeau. In her solo play, Brooke brings to life the story of this surprising friendship. At once vital and charming, poignant and very funny, Trudeau Stories is about friendship and loss and about who the heck we think we are.
Master engraver George A. Walker presents Trudeau: La Vie en Rose, a compendium of engravings celebrating the life of one of Canada’s most well-known politicians: Pierre Elliott Trudeau.
Sisters Marie, Cece, and Anita run a small coffee-and-clothes shop on Toronto’s trendy Queen Street West. One evening their estranged father, Roy, wanders in, in his pyjamas. He is clutching a note explaining that he has Alzheimer’s and admonishing his daughters for abandoning their parent in his time of need. But it quickly becomes clear that Roy was a drunk and a philanderer — and perhaps worse. The women must decide whether his parental sins should be forgiven just because he has now forgotten them.
Abdallah’s encounter with the military governor on the eve of his departure for America opens this collection of stories, and Khalil al-Ibrahami’s moving search for his lost fiancée in Jerusalem closes the collection. In between, Issa J. Boullata’s stories show what it’s like to be an Arab from Syria, Lebanon, Palestine, or Egypt making a new life as an immigrant in Canada or the United States. This is what it is, to be displaced. This is what it is to leave your home and start over in a new country.
Business is slow for Burlington, Vermont, private investigator John “Hack” Loomis, so when Loomis’s assistant Connie Noble asks him to look into the disappearance of her friend Belle Ryerson, Loomis agrees. Belle went missing after attending a meeting of a local UFO group run by a charismatic psychiatrist who treats people who believe they’ve been abducted by aliens, and also by a disarmingly beautiful woman who claims to be in contact with an alien mother ship. As Loomis’s investigation takes him and Connie to the edge of the lunatic fringe and beyond, they find themselves in danger from people far more frightening than true believers.
Winner, Archibald Lampman Poetry Award and Ottawa Book Award
These poems chart moments where the beauty of life is glimpsed like a carnival through a crack in a fence. The verse is full of living toys, dressing up, and daylight ghosts. His world is peopled with gods and heroes and inventories the luminous, devastating details of everyday lives. Poile discerns that love is an odd mix of a fairy princess and the monster under the bed. Tracing a firm entry into middle age, Poile favours the expression of a shared experience of the world as opposed to the youthful desire to be unique. He vaults between two worlds: an outer, urban landscape where people raise families, make a living, and get on in the world and an inner terrain of thought and emotion. Metre and rhyme both underscore and undercut Poile’s subject matter, and he captivates with texture and sound.
Although his work is informed by tradition, his language is grounded in the quotidian, setting up a fruitful dialog between past and present. There are no rules when it comes to making a poem that sings and shimmers.
Culled from the pages of Canada’s feminist quarterly journal, Canadian Woman Studies Journal/les cahiers de la femme, The Missing Line includes recent and varied work by twelve Canadian poets whose work is in turn both poignant and playful. The poets included in this important collection are: Carol A. Adams, Joan Bond, Rosita Georgieva, Kristjana Gunners, Anne Duke Judd, Marlene Kadar, Lea Littlewolfe, Rhoma Spencer, Renee Norman, Susan Swan, Joanna A. Weston and Patience Wheatley.
Winner of the 1990 Grand Prix du Livre de Montréal, True Copies is an evocative tale of love, loss and deception. Claire, a young Québecoise, has been asked to retrieve a computer disk containing essential details of a potentially lucrative translation program her husband has been developing. When she discovers that the disk is missing from the research lab, she begins a quest that involves her in complicated intrigues, leading her through the Silicon Valley and into the streets of Dashiell Hammett’s San Francisco.
Sparking a series of further revelations, the sudden reappearance of David exposes suppressed emotions and desires in everyone and the family must renegotiate their relationships with each other and, ultimately, redefine their family. In sharp, non-stop dialogue, Brad Fraser brings each of his characters to life with a depth, humour, and emotion that tears open the nuclear family and finds the heart that is often lost and forgotten.
‘True Mummy’ is a compelling drama, which presents provocative ideas and poses difficult questions connected to issues of life and death, morality and art, ritual versus utilitarianism, and the “opposing concepts of creation and desecration.” ‘True Mummy’ refers to a black, luminous, clear glaze, the “best shellac in the history of art,” that was made from the ash of cremated mummies. What is sacred today-anything? Is any degree of desecration justified in the pursuit of truth and thecreation of art? These are only a few of the questions posed in this provocative drama.
“Cone’s plays present a remarkable talent for layering history, visual art, philosophy and contemporary social issues to produce works that must be consumed with care, given the complexity of their ingredients.”- The Rain Review Of Books
True Story is an illustrated collection of short memoirs. A compendium of stories submitted by everyday people, edited, illustrated-and occasionally exaggerated-by comic artist Mike Holmes. Holmes presents more than 100 comics in his familiar style, bringing middle school embarrassments, near-death experiences, bad dates, and first kisses to life on the page. With behind-the-scenes details, comments and followups from past contributors, and special guest storytellers from the world of comics and comedy, True Story is engaging, funny, and proof that everyone’s got a story to tell.
Truly, Madly, Deadly: The Unofficial True Blood Companion is at once an introductory guide to the first two seasons of HBO’s immensely popular vampire series True Blood, and an all-in-one treasure tomb for the “truest” of fans. Created by Alan Ball, the Oscar-winning writer of American Beauty and creator of HBO’s cult ensemble sensation Six Feet Under, in 2009 True Blood surpassed The Sopranos as the largest ever audience for a cable show at over 12.4 million viewers a week, relaunching the career of Oscar winner Anna Paquin, and introducing international audiences to Stephen Moyer, Alexander Skarsgård, and Ryan Kwanten, to name only a few of the award-winning cast.
This book offers in-depth biographies of each major cast member, along with pictures and fan quotes; guides to each episode along with a host of fun facts and behind-the-scenes anecdotes; sidebars providing additional cast or character info; full chapters, which tackle some of the greater underlying themes of True Blood such as the paranormal and the politics of race, sexuality, and gender; an overview of literary and cinematic vampires; an in-depth look at how social media has contributed to the success of the show, including interviews with the Twitter True Blood players; tributes to the supporting cast, including an interview with Kristin Bauer (Pam Ravenscroft); and an exclusive interview with, and introduction to, Charlaine Harris, author of the bestselling Sookie Stackhouse novels, on which the series is loosely based.
In the thirteen stories that comprise Truth and Other Fictions, women take centre stage as they experience the slippery relationship between art and truth, not merely as an aesthetic concept but a reality in their lives. Art here is present in many forms and brought closely into the personal realm of the people involved with it: the paintings of Picasso, the photographs of Brassaï, the songs of Billie Holiday, the emotional impact of opera, the literature of Hemingway and Durrell, the intellect of Sontag. With each story we move closer to our own time, and into contemporary “twists” involving gourmet cooking and fine wine, the Internet, cosmetic surgery, and finally the Body Worlds exhibit where death itself is turned into a form of art. This is a book of engagement, emotional and intellectual at the same time–just as art should be.