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Showing 8465–8480 of 9311 results
A novel in linked episodes, told in unaffected direct prose, about the life of an Indian man called Sharad, who becomes a Canadian–of sorts. The story begins in childhood with the suicide of Sharad’s father, who killed himself by cutting his throat. Sharad, brought up by his grandmother, grows up to become a nonconforming open-minded journalist involved in Bombay’s union and communal (Hindu-Muslim) politics. He marries an Indo-Canadian woman, Gunjun, from Toronto whom he meets via a photo and emails. The story of his struggles with jobs, marriage, identity, and weather comes alive through the vivid experiences of this uncomfortable uncompromising new Canadian.
Passionate critic, principled citizen, attentive reader and editor, and energizing teacher – Roy Miki is all these and more, a poet whose writing articulates a moving body of work. The two main areas of his passionate research and writing – social critique and poetics – inform each other in these essays, poems, and artwork compiled to mark a milestone in the life of an important public intellectual.
Contributors from across North America take Miki’s literary and artistic achievements as a starting point for analytical and creative reflections on key artistic, social, and political movements of the second half of the 20th century. Essays on poetics by Daphne Marlatt and George Bowering combine with original poems by Fred Wah and Michael Barnholden, among others, to explore topics ranging from voice, to love, to translation. Mona Oikawa, Dave Gaertner, Phinder Dulai, and Cindy Mochizuki write or create artwork on social justice, placing Miki’s redress work in relation to the politics and art of other historical reparations. Ashok Mathur, Ayaka Yoshimizu, Mark Nakada, David Fujino, and Hiromi Goto present various views of biotext. Jerry Zaslove, Susan Crean, Alessandra Capperdoni, and Smaro Kamboureli discuss the public intellectual’s relationship to institutions. The collection ends with an interview with Miki on interrelations between his photographic and poetic practices.
Miki’s history reflects that of the West Coast’s literary world. Not only did he found the influential literary journal West Coast Line, but he has researched and written works on poets Roy Kiyooka, George Bowering, and bp Nichol. Miki taught many of the poets and academics now working and writing on the West Coast.
bpNichol’s The Martyrology is one of the most outrageous, challenging, intriguing and accomplished long poems written in Canada. No other poem of its length has raised the major concerns of our time with such urgency and brilliance. Initially recognized by only a few, this luminous continuing work has attracted more and more readers with the appearance of each successive volume—Book 6 the most recent, with more books in process.
Tracing the Paths gathers contributions by a wide spectrum of readers who approach The Martyrology from both diverse and complementary critical paths. Interleaving the collection are comments by bpNichol, and the collection ends with a rich sampling of the next three books of this amazing unfolding work. There is also an introduction by editor Roy Miki, a bibliography of The Martyrology, reproductions of some manuscripts and text by bpNichol, and a chronology of personal and compositional events relevant to The Martyrology.
Tracing the Paths brings together the poet bpNichol and his readers in a collaborate form that is rare—if not unique—in Canadian criticism.
The poems in Zachariah Wells’s second collection range from childhood to dimly foreseen events in the future; they idle on all three of Canada’s coasts, travel the open road, take walks in the city and pause on the banks of country streams and ponds.
Tracking Dr. Lonecloud: Showman to Legend Keeper, by Ruth Whitehead, Nova Scotia Museum ethnologist, is a book that includes the memoir of Jerry Lonecloud, a Mi’kmaw hunter, healer, and showman. Co-published by Goose Lane Editions and the Nova Scotia Museum, the book offers to readers, for the first time, the earliest known Mi’kmaw memoir.
Jerry Lonecloud was born Germain Laksi, on 4 July 1852 in Belfast, Maine, to Mi’kmaw parents from Nova Scotia. As a youth, he lived in Vermont. Orphaned at the age of fourteen, he set out on a two-year adventure to bring his two brothers and one sister back to Nova Scotia. Trained in the use of herbal medicine by his parents, Laski fell easily into the role of Doctor Lonecloud in the American medicine shows of the 1880s, including Healey and Bigelow’s Kickapoo Indian Medicine Company, Buffalo Bill’s Wild West Show, and his own company, the Kiowa Medicine Show, for which he made the medicines. During the rest of his remarkable life, he sold tonics in South America, prospected for gold, and guided sportsmen into the woods of Maritime Canada as they searched for moose and caribou. Hunter, healer, and showman, Lonecloud valued, studied, preserved, and passed on many of the traditional ways, stories, and natural medicines of his people.
“During Doctor Lonecloud’s travels, he gained a great amount of personal knowledge of different cultures, and in return he shared his vast knowledge of the Mi’kmaw people,” notes Donald Julien, executive Director of the Confederacy of Mainland Mi’kmaq, in the book’s preface. A researcher himself, Julien has found Lonecloud’s name on hundreds of government documents in the provincial and national archives. “The story of his many trips from childhood, to when he left this world to join our ancestors, is very intriguing,” said Julien. After Lonecloud met Harry Piers, curator of the Provincial Museum of Nova Scotia, in 1910, the two developed a friendship that continued until Lonecloud’s death in 1930. Lonecloud’s great knowledge of natural and social history is reflected in the specimens and artifacts he brought to the museum, and in Piers’s meticulous notes on the information Lonecloud provided about the items.
Near the end of his life, Lonecloud told journalist Clara Dennis his own story and a wealth of Mi’kmaw tales, oral histories, jokes and social customs, many previously undocumented. Unpublished until now, this treasure of information, recorded between 1923 and 1929, forms the basis of this book.
In this challenging memoir about her formative years in Yellowknife in the ’60s and ’70s, author Margaret Macpherson lays bare her own white privilege, her multitude of unexamined microaggressions, and how her childhood was shaped by the colonialism and systemic racism that continues today. Macpherson’s father, first a principal and later a federal government administrator, oversaw education in the NWT, including the high school Margaret attended with its attached hostel: a residential facility mostly housing Indigenous children.
Ringing with damning and painful truths, this bittersweet telling invites white readers to examine their own personal histories in order to begin to right relations with the Indigenous Peoples on whose land they live. Tracking the Caribou Queen is beautifully crafted to a purpose: poetic language and narrative threads dissect the trope that persisted through her girlhood, that of the Caribou Queen, a woman who seemed to embody extreme and contradictory stereotypes of Indigeneity. Here, Macpherson is not striving for a tidy ideal of “reconciliation”; what she is working towards is much messier, more complex and ambivalent and, ultimately, more equitable.
Tracks is a compilation of personal travel essays that range across three continents, from Italy, where Genni Gunn was born and spent her early years, to Canada and Mexico, and through Asia, where she has travelled many times, both reconnecting with her sister and witnessing the emergence of new political realities in Myanmar. While these are journeys into the new and unknown, they also trigger the inner journey to the realm of memory. These pieces dig deep into personal territory, exploring the family ties of an unusually peripatetic family.
In the 1950s, Gunn’s parents travelled within Italy, settling wherever Gunn’s father’s work took him. Their two young daughters were sent to live with relatives, Genni in southern Italy, her sister Ileana in northern Italy. The family was eventually reunited in Canada. Gunn’s father was a mysterious presence — much later she learned he was working with British Intelligence, but during her childhood all she knew was that he would disappear as suddenly as he had appeared. Indelibly marked by their unusual childhood, the sisters became wanderers themselves. While in some ways, their world shrank with the departure of their parents, in other ways, their imaginations were opened to new possibilities. Gunn explores some of those possibilities in this collection. An inveterate traveller, she questions the impulse behind the need to stay in motion, to always be the “other” in the world, while always seeking the home that never was.
Traditions is a collection of poems that combine humour and sensitivity from a feminist perspective.
traffick is an intelligent exploration of the long poem in which the pieces struggle with the order and disorder of language, body, and place amongst other things.”Budde has managed to transport to us an explosive text of acrobatic and infinitely intriguing poems.”–Matrix
The setting for The Tragedy Queen is beautiful Pointe Claire, Québec, voted the most desirable city in Canada to live in. But Wincenty Cunningham, a.k.a. Vince Carlson, a.k.a. Vince Ybl, a.k.a. A.S. Windle, a.k.a. Ted Wilde, has just breezed into this bedroom community on his Harley-Davidson to install himself in a rented house like a fox among the chickens. A disbarred lawyer and professional fraud artist, Vince is already known to the police, but the ladies of Pointe Claire are about to meet a man quite, quite different from their husbands who return home every weekday on the 5:16 commuter train.
But Vince has begun to tire of the steady stream of middle-aged women who have provided his livelihood, tired of the ease with which they can be seduced, and tired of their suspicious children. His life feels empty. With an unexpected inheritance in hand, he’s ready for a change. Old habits die hard, however, and he can’t quite resist dallying with the local ladies. He also can’t quite resist taking advantage of a situation that finds him alone in a rented house, while Sal the owner is away for a year. Methodically he strips the house of all its valuables and sells them. In the process of ferreting out Sal’s belongings, which she has naively stored in the attic, a flimsily padlocked area in the garage, and filing cabinets with nothing but standard key locks, he comes across her most private papers, including family photos, documents, and the journal she kept during the year of her divorce.
As Vince comes to know Sal through her journal, gradually he becomes intrigued—and eventually, infatuated—with her. Despite the fact that Sal has instituted legal proceedings to have him evicted for non-payment of rent, Vince is sure he’ll be able to sweep her off her feet, as he has done with so many women before her. It’ll be a challenge, but when Sal turns up, he’s convinced he’ll be able to win her over. She will be his salvation; she will be the one. When Sal finally arrives, Vince discovers that he has really gone too far this time. This Sal is some she-devil, and she is bent on revenge.
Tragic Links is award-winning author Cathy Beveridge’s fourth young adult novel focusing on Canadian historic disasters. This time Jolene and her family find themselves in Quebec where her father is conducting research for his Museum of Disasters. From the first, Jolene finds herself caught up in an old family feud and a new romantic friendship with Stephan, a Mohawk descendant who is also her grandmother’s neighbour.
When Jolene finds a time crease, she discovers Montreal in the 1920s and her own personal look-alike. Despite Stephan’s warnings, Jolene is determined to get to know her double, a decision that ultimately situates her in the midst of the devastating fire at a 1927 children’s matinee in the Laurier Palace Theatre. After a narrow escape, Jolene travels to Quebec City with Stephan and her family where she witnesses the Quebec Bridge collapse of 1907 and the tragic death of 75 steelworkers, many from the Mohawk nation.
This novel explores several contemporary young adult issues, from generational problems to the nature of friendship to the difficulties of young romance. Through it all, Jolene grows in her understanding of her family, her insight into her own past, and her ability to comprehend her emotions.
Nenaboozhoo, the creator spirit-being of Ojibway legend, gave the people many gifts. This collection of oral stories presents legends of Nenaboozhoo along with other creation stories that tell of the adventures of numerous beloved animal spirits. The Trail of Nenaboozhoo is a book of art and storytelling that preserve the legends of the Anishinaabe people. Each story is accompanied by strikingly beautiful illustrations by revered Indigenous artists Isaac Murdoch and Christi Belcourt.
In this new collection of stories, Dene Elder George Blondin defines medicine power, a gift from the Creator for the Dene way of life. Although medicine power has existed since before time began, here Blondin focuses on the past two hundred years, to show how it has shaped the Dene culture.
Some are lucky enough to be born with, and the medicine power that some receive after birth or are taught by other medicine power people. This collection of stories and examples of Dene individuals who lived throughout history shows that there is a danger of losing the longstanding tradition of medicine power. Although this power can be used for both creation and destruction, it must be preserved as a vital element of the Dene way of life.
In The Mysteries of Medicine Power Revealed, Blondin is our storyteller—bringing medicine power to life with true stories from Dene history. Blondin explains medicine power clearly, and brings a better understanding of this extraordinary phenomenon into the world. Includes a foreword by Richard Van Camp.
The poems in Trailer Park Shakes are direct and vernacular, rooted in community–a working-class Métis voice rarely heard from.
These poems, while dreamlike and playful, bear unflinching witness to the workings of injustice–how violence is channeled through institutions and refracted intimately between people, becoming intertwined with the full range of human experience, including care and love. Trailer Park Shakes is a book that seems to want to hold everything–an entire cross-section of lived experience–written by a poet whose courage, attention, and capacity to trace contradiction inspire trust in her words’ embrace. Dion-Glowa’s poems are quietly philosophical, with a heartfelt, self-possessed politic.
“Dion-Glowa’s voice crackles with frank, startling insight.”–Sachiko Murakami, author of Render
“A collection that should and will rattle your cage and shine a light where it is needed.”–John Brady McDonald, author of Kitotam
The beautiful little city of Fredericton has always welcomed walkers, but now that it’s crisscrossed with abandoned railway lines turned into groomed trails, it’s a paradise for the self-propelled. As well as being a guide to these paths, Trails of Fredericton conveys the essence of the city in historical vignettes, anecdotes, and photographs.
Moncton, Dieppe, and Riverview are some of the fittest areas in New Brunswick. And, no wonder, these cities have one of the best-developed trail systems in the province and people in these cities are keeping fit, without even noticing.
Trails of Greater Moncton, a book by Riverview resident and freelance writer Kate Merlin orients residents and visitors alike in this hiker’s paradise. Many of the trails are easy, suitable for anyone with a couple of hours to spare. A few will challenge the adventurous.
A 2001 survey indicated that 98% of Dieppe respondents knew about their community’s TransCanada Trail, and of the 80% who had used it, more than half enjoyed its benefits at least once a week. Throughout the three cities, people use the trails vigorously, enjoying nature, keeping fit, and chatting with friends they know and friends they’ve just met. The TransCanada Trails links all three cities, winding along the banks of the Petitcodiac. It offers a ringside view of the famous Tidal Bore and, at low tide, the river’s hauntingly beautiful red mudflats.
All of the trails described in Trails of Greater Moncton are on public land. They include a mixture of groomed trails, wood roads, and rugged footpaths that allow hikers to move instantly from city streets to wild nature, giving hikers the opportunity to view old-growth trees, rare bog plants, and wildlife, ranging from raccoons to coyotes and sometimes a black bear.
Trails of Greater Moncton includes 25 carefully described walks and helpful hints for enjoying a Moncton walkabout. Each trail is accompanied by synoptic information, a map, and photographs, and sidebars on plants, animals, historic sites, and other landmarks. With a Trails-at-a-Glance chart and helpful hints for enjoying a Moncton walkabout, Trails of Greater Moncton is the indispensable companion for walkers, cyclists, and cross-country skiers of all ages and abilities.