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This Great Escape
When Melony Barnett’s mother commits a violent murder, Mel is left struggling with the loss of her parents and her future. For more than two years, she drifts around the continent, trying to carve out a life that has nothing to do with her past, before returning to her Northern Ontario home and adopting a rescue dog—a mastiff with a tragic history. As she struggles to help the dog heal and repair her relationship with her brother, Matt, she begins to uncover layers of secrets about her family —secrets that were the fuel for her mother’s actions.
This Has Nothing to Do With You is a compulsively readable novel that follows a dynamic cast of characters, revealing the complexity of the bonds that are formed through trauma and grief—with siblings, lovers, friends, and dogs.
This Hidden Thing is a lyrical and moving novel that offers one woman’s compelling, ordinary, and surprising life. Set in Winnipeg in the early 20th century, an immigrant woman learns what it means to keep a simple but painful secret.
After a hunting trip one fall, a family in the far reaches of so-called Canada’s north return to nothing but an empty space where their home once stood. Finding themselves suddenly homeless, they have no choice but to assimilate into settler-colonial society in a mining town that has encroached on their freedom.
An intergenerational coming-of-age novel, This House Is Not a Home follows Kǫ̀, a Dene man who grew up entirely on the land before being taken to residential school. When he finally returns home, he struggles to connect with his family: his younger brother whom he has never met, his mother because he has lost his language, and an absent father whose disappearance he is too afraid to question.
The third book from acclaimed Dene, Cree and Metis writer Katłįà, This House Is Not a Home is a fictional story based on true events. Visceral and embodied, heartbreaking and spirited, this book presents a clear trajectory of how settlers dispossessed Indigenous Peoples of their land — and how Indigenous communities, with dignity and resilience, continue to live and honour their culture, values, inherent knowledge systems, and Indigenous rights towards re-establishing sovereignty. Fierce and unflinching, this story is a call for land back.
The first book to explore their history, legacy, and influence
This is a book about the Kids in the Hall — the legendary Canadian sketch comedy troupe formed in Toronto in 1984 and best known for the innovative, hilarious, zeitgeist-capturing sketch show The Kids in the Hall — told by the people who were there, namely the Kids themselves. John Semley’s thoroughly researched book is rich with interviews with Dave Foley, Mark McKinney, Bruce McCulloch, Kevin McDonald, and Scott Thompson, as well as Lorne Michaels and comedians speaking to the Kids’ legacy: Janeane Garofalo, Tim Heidecker, Nathan Fielder, and others. It also turns a critic’s eye on that legacy, making a strong case for the massive influence the Kids have exerted, both on alternative comedy and on pop culture more broadly.
The Kids in the Hall were like a band: a group of weirdoes brought together, united by a common sensibility. And, much like a band, they’re always better when they’re together. This is a book about friendship, collaboration, and comedy — and about clashing egos, lost opportunities, and one-upmanship. This is a book about the head-crushing, cross-dressing, inimitable Kids in the Hall.
In this rapid moment of expansion in queer theatre, when everything is exposed, interrogated, and investigated, This is Beyond is a time capsule of where we are now and a map for where we might go next. Co-editors Evan Tsitsias and Bilal Baig strike out to capture the magnitude of this seismic shift, asking: How far have we come? What’s changed? What’s stayed the same? What do we need to do to continue to change things? An anthology that moves like a satellite in the sky, This is Beyond confronts and expands our current perceptions so that we may continue to explore the new and unknown.
Monologues, essays, and opinion pieces speak to the transformation of queer theatre through a myriad of diverse experiences, using stories, myths, and magic to unveil the intersections of queerness and cultures. Each piece gives voice to what it means to be a member of the queer community in an ever-evolving society, offering actors of every culture and generation empowered queer stories to play with, ponder over, learn from, and embody within our current cultural moment.
***THE MIRAMICHI READER‘S VERY BEST BOOK AWARDS, POETRY: LONGLIST***
Illuminating, poised, and wholly original, the poems of Sharon King-Campbell’s This Is How It Is range across the planet from New Zealand to Thailand to Newfoundland, gathering along the way voices both historical and mythological in a compelling display of dramatic empathy and poetic imagination. Subverting history and fable while always returning to vividly depicted images of our landscapes within the specter of environmental crisis, King-Campbell spans the far corners of the earth and the previously silent voices of our collective pasts to arrive here at our contemporary moment with poems of formal dexterity as prescient as they are captivating.
Budding writer Giovanni Zappacosta-O’Hara suspects that there’s more to his family’s legacy than he’s been told. His parents recount the history in devastating, scandalous and rollicking stories, while Gio and his boyfriend joke that there must be lies woven into the details. When his boyfriend is struck with cancer, the laughter stops. Gio can’t bear watching the disease eat away his life, his sanity and the person he loves.
Full of shame, Gio flees to New York, using his family history as a feeble excuse – he’s going to get to the bottom of it. What happens next forces Gio to confront his cowardice and find a different motivation for his book: redemption. As he retells the stories, he discovers family secrets that make him question his identity. The hilarious and heartfelt characters he finds along the way give him surprising chances to get over himself – but will he take them?
Alexandra Leggat, the author of Moondogging and numerous book and music reviews, puts on the page the remarkable texts that she is renowned for performing at spoken word events all over Toronto.
This Is My Own: Letters to Wes and Other Writings on Japanese Canadians, 1941–1948 is a collection of letters written by Muriel Kitagawa during this period, as well as statements, essays and manuscripts which arose from Kitagawa’s commitment to write about the injustices of the government’s policies and to educate the Canadian public on the history and perceptions of Japanese Canadians.
While feminist writers may have transformed the thinking on women_s traditional role in domesticity, Tracy Hamon_s poetry arcs into its own territory, forged through a street-smart savvy and a composed grace. This Is Not Eden is imbued with a hunger for natural landscape and an instinctual grasp of reality that allow Hamon_s distinctive voice to belie her first book status.
This is the Cat is a deeply darkly humorous tale as shared by one Bridie Savage. Bridie is struggling to recover from a toothache of the heart “…always a Bridie, never a Bride…” when she loses her job. At a time when many of her friends are thinking about retiring Bridie finds herself trying to convince Walmart that they need a Playwright-in-Residence. Then her beloved Uncle Beeswax passes away and instead of finding money in the walls of his old homestead she finds she’s carted away a pack of ghosts, both figurative and literal. One of her cats needs expensive allergy shots from the vet “…the cat creeps in on little fog feet the little frigger, cats are the original false advertising…” and the normally docile neighborhood is suddenly very popular with the local hookers. A series of mysterious and disruptive e-mails begin to turn up and Bridie begins to wonder about her state of mind. This intricate story weaves by turns comedic, heart-warming and sometimes heart-breaking voices, telling the intriguing saga of one life gone askew and asks if being askew isn’t perhaps all right in the end. It examines the foibles and failures of memory and memories, throws comedic caution to the winds and makes the case that playing on-line Scrabble every morning helps to save the world.With “This is the Cat” Berni Stapleton embraces an intimate, humorous and provocative style evocative of the work that won her accolades for “They Let Down Baskets.” Creative Book Publishing released this award-winning book in 1998. It combined the photographs of Jamie Lewis, a CD of a radio documentary from Chris Brookes, and the revealing journals of Berni. This intricate story weaves by turns comedic, heart-warming and sometimes heart-breaking voices, telling the intriguing saga of one life gone askew and asks if being askew isn’t perhaps all right in the end.
Poems about modern romance by a modern romantic
Moving through a human landscape that exists both in the past and present, the speaker/speakers in This is the Emergency Present attempt to unearth an understanding about love, romanticism, and connection. Using chemistry and physics, the early works of Pablo Neruda, and the abstract broken language around him, Vincent Pagé attempts to define something tangible about presence and absence. By asking “at what point in a transition/ does one thing become the other thing?” he challenges us to consider what it means to be here, and at what point are we finally there?
Shortlisted, Thomas Raddall Atlantic Fiction Award
Luke Tremblett is one of five fishermen lost at sea off the coast of Newfoundland. Rose is left to pick up the pieces and learn to live with his sudden absence. And then there are three children, including two-month-old Emily, struggling to face an unbearable loss that has engulfed them.
This sharp, hard-edged novel begins two years after Luke’s disappearance, at the moment that Rose takes her first step through the wall of the house Luke was building when he died. Her body vibrating, she enters a space where Luke waits for her.
Part novel, part fable, part essay on grief, with interlocking scenes that move between past and present and visuals that punctuate the narrative like signposts, This Is the House That Luke Built deftly explores existential questions about what it means to be alive.
A strikingly original debut that combines compassion and bravura to dazzling effect, this new novel by Violet Browne heralds the arrival of a significant new voice.