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Alexandra Leggat, the author of Moondogging and numerous book and music reviews, puts on the page the remarkable texts that she is renowned for performing at spoken word events all over Toronto.
This Is My Own: Letters to Wes and Other Writings on Japanese Canadians, 1941–1948 is a collection of letters written by Muriel Kitagawa during this period, as well as statements, essays and manuscripts which arose from Kitagawa’s commitment to write about the injustices of the government’s policies and to educate the Canadian public on the history and perceptions of Japanese Canadians.
While feminist writers may have transformed the thinking on women_s traditional role in domesticity, Tracy Hamon_s poetry arcs into its own territory, forged through a street-smart savvy and a composed grace. This Is Not Eden is imbued with a hunger for natural landscape and an instinctual grasp of reality that allow Hamon_s distinctive voice to belie her first book status.
This is the Cat is a deeply darkly humorous tale as shared by one Bridie Savage. Bridie is struggling to recover from a toothache of the heart “…always a Bridie, never a Bride…” when she loses her job. At a time when many of her friends are thinking about retiring Bridie finds herself trying to convince Walmart that they need a Playwright-in-Residence. Then her beloved Uncle Beeswax passes away and instead of finding money in the walls of his old homestead she finds she’s carted away a pack of ghosts, both figurative and literal. One of her cats needs expensive allergy shots from the vet “…the cat creeps in on little fog feet the little frigger, cats are the original false advertising…” and the normally docile neighborhood is suddenly very popular with the local hookers. A series of mysterious and disruptive e-mails begin to turn up and Bridie begins to wonder about her state of mind. This intricate story weaves by turns comedic, heart-warming and sometimes heart-breaking voices, telling the intriguing saga of one life gone askew and asks if being askew isn’t perhaps all right in the end. It examines the foibles and failures of memory and memories, throws comedic caution to the winds and makes the case that playing on-line Scrabble every morning helps to save the world.With “This is the Cat” Berni Stapleton embraces an intimate, humorous and provocative style evocative of the work that won her accolades for “They Let Down Baskets.” Creative Book Publishing released this award-winning book in 1998. It combined the photographs of Jamie Lewis, a CD of a radio documentary from Chris Brookes, and the revealing journals of Berni. This intricate story weaves by turns comedic, heart-warming and sometimes heart-breaking voices, telling the intriguing saga of one life gone askew and asks if being askew isn’t perhaps all right in the end.
Poems about modern romance by a modern romantic
Moving through a human landscape that exists both in the past and present, the speaker/speakers in This is the Emergency Present attempt to unearth an understanding about love, romanticism, and connection. Using chemistry and physics, the early works of Pablo Neruda, and the abstract broken language around him, Vincent Pagé attempts to define something tangible about presence and absence. By asking “at what point in a transition/ does one thing become the other thing?” he challenges us to consider what it means to be here, and at what point are we finally there?
Shortlisted, Thomas Raddall Atlantic Fiction Award
Luke Tremblett is one of five fishermen lost at sea off the coast of Newfoundland. Rose is left to pick up the pieces and learn to live with his sudden absence. And then there are three children, including two-month-old Emily, struggling to face an unbearable loss that has engulfed them.
This sharp, hard-edged novel begins two years after Luke’s disappearance, at the moment that Rose takes her first step through the wall of the house Luke was building when he died. Her body vibrating, she enters a space where Luke waits for her.
Part novel, part fable, part essay on grief, with interlocking scenes that move between past and present and visuals that punctuate the narrative like signposts, This Is the House That Luke Built deftly explores existential questions about what it means to be alive.
A strikingly original debut that combines compassion and bravura to dazzling effect, this new novel by Violet Browne heralds the arrival of a significant new voice.
David has written a play for himself and a gathering of friends and strangers to read together out loud. It tells the story of the rise and fall of an imaginary civilization in an imaginary land. Some of it is fact, some fiction. But at any point you may be part of a Greek chorus, playing a main character, or collectively confronting your fears about a world on the verge of collapse. Are you ready to take a leap of faith? It’s okay if you feel nervous. David is nervous too. With so much to be fearful of these days, it’s best to brave this thing together.
An ingenious exercise in interactive storytelling, This Is the Story of the Child Ruled by Fear is a poetic and participatory fable about how to live with the slowly unfolding emergencies of our time. Playwright David Gagnon Walker guides us through an enchanting performance ritual that provides a communal, cathartic release for those prone to anxiety, fear, and depression. It’s an invitation to share the joys of creating a story together so that maybe we can all feel less alone.
For everyone from frequent fliers to aviation geeks, travel buffs to nervous travelers, Captain Doug Morris tells you everything you want (and need!) to know about flight
Captain Doug Morris has been writing for his airline’s in-flight magazine for 24 years and has answered a gamut of questions. This Is Your Captain Speaking will draw from his extensive experience and explain everything you ever wanted to know about airline travel: whether airliners have keys, why the bumps, what aircrew get up to on layovers, what’s the deal with “mile-high memberships,” and how to become a pilot. It also provides entertaining anecdotes from air travel’s unsung heroes — flight attendants. It’s the A to Z of airline travel with a twist of humor. The flight deck door will always be closed, but Doug exposes the unique inner world of aviation to the public.
How do we navigate a world of fast-food joints, big-box stores and traffic jams, where people grandstand in the deli and homeless men announce the end of the world through “slats in the sky”? Where the cumulative result of our lifestyle is a gyre of garbage and plastic in the North Pacific? Al Rempel’s This Isn’t the Apocalypse We Hoped For addresses this concern with humility and compassion, as it takes us above the trees in a sky canoe and into the city, asking us to receive each kindness and press it close, while we journey across this earth we’ve inherited “with the tilt and skew of athletes.”
What will surprise you about Alison Smith’s poems is the tenaciousness that lies beneath their grace and wit, their unwillingness to concede the bittersweet complexity of human experience to either gross reduction or cowed silence. Exploring the domestic epics of relationships, childbirth, and parenting, as well as societal issues like patriarchy and justice, Smith discovers that often “we barely know how feelings think.” But if our stories sometimes elude uslike a skipping rope, where one end is “held slack / by skeptics, the other turned too fast”Smith’s poems jump in and find expression’s rhythm.
Lauder Jones and Mountcastle, two Halifax families both alike in dignity, linked by love and circumstance. Douglas Lauder Jones, obscure story writer, calls it “Life and No Escape.” His lovelorn son John thinks it’s the end of happiness. Neuroscientist Ursula Lauder Jones sees it as sink-or-swim parenting. Whatever it is, her daughter Merin, new owner of a movie house on Barrington Street, wants to sit through it twice. Her sister Anya, summer student working at Mountcastle Framing on Spring Garden Road, relishes life’s richly varied fabric.
And the youngest, Cary, budding writer, recognizes it as apt material for the many stories stitching this novel’s intriguing brocade.
Longlisted, 2018 International DUBLIN Literary Award
Long-shortlisted, 2017 ReLit Awards
1593. Queen Elizabeth reigns from the throne while two rival spymasters — Sir Robert Cecil and the Earl of Essex — plot from the shadows. Their goal? To control succession upon the aged queen’s death. The man on which their schemes depend? Christopher Marlowe, a cobbler’s son from Canterbury who has defied expectations and become an accomplished poet and playwright. Now that the plague has closed theatres, Marlowe must resume the work for which he was originally recruited: intelligence and espionage.
Fighting to stay one step ahead in a dizzying game that threatens the lives of those he holds most dear, Marlowe comes to question his allegiances and nearly everything he once believed. As tensions mount, he is tossed into an impossible bind. He must choose between paths that lead either to wretched guilt and miserable death or to love and honour.
An historical novel with a contemporary edge, This Marlowe measures the weight of the body politic, the torment of the flesh, and the state of the soul.
Longlisted, 2018 International DUBLIN Literary Award
Long-shortlisted, 2017 ReLit Awards
“Complex, lyrical, and with a profound sense of a world long passed and humanity’s eternal motivations.” — Quill & Quire
“In Butler Hallett’s hands, Kit comes off as a fascinating and contradictory figure, part martyred freethinker and part unscrupulous opportunist.” — Winnipeg Review
“Perfectly paced and gracefully wrought.” — Toronto Star
1593. Queen Elizabeth still reigns but grows old. Two rival spymasters — Sir Robert Cecil and the Earl of Essex — plot from the shadows. Their goal: to control succession upon the aged queen’s death. The man on which their schemes depend: Christopher Marlowe (“Kit” to his friends), a cobbler’s son from Canterbury who has defied expectations and become an accomplished poet and playwright.
And spy.
As the novel opens, Kit Marlowe, fresh from betraying the target of his espionage, is himself betrayed. Fighting to stay one step ahead in a dizzying game that threatens the lives of those he holds most dear, including his beloved Tom Kyd, he comes to question his allegiances and nearly everything he once believed.
In this psychological thriller, Michelle Butler Hallett fleshes out the historical record with insight and the rigor of authenticity. Her 16th-century England, surprising and fresh, offers historical figures both famous and obscure, casual descriptions of quotidian life, and vivid representations of cruelty and violence that reverberate with echoes of our own time.
But it’s Kit, the fascinating Marlowe, an endless source of brilliance, passion and defiance, that brings the novel to life. Writes playwright Robert Chafe, “History’s Marlowe becomes [Butler Hallet’s] own, offering us his wit and wisdom and seemingly new lessons about faith, ambition, loyalty, and yes, love.”
“Through the story of facing her fears, Abdou shows us that we are much stronger than we think.” — Jowita Bydlowska, author of Drunk Mom
This personal memoir of self-discovery tackles the problems of modern parenting in a digital age
Disillusioned with overly competitive organized sports and concerned about her lively daughter’s growing shyness, author Angie Abdou sets herself a challenge: to hike a peak a week over the summer holidays with Katie. They will bond in nature and discover the glories of outdoor activity. What could go wrong? Well, among other things, it turns out that Angie loves hiking but Katie doesn’t.
Hilarious, poignant, and deeply felt, This One Wild Life explores parenting and marriage in a summer of unexpected outcomes and growth for both mother and daughter.