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Cameron Dodds has just turned thirty. A writer, he get his ideas from the lives of others, often borrowing stories from the patients of his workplace, the Salvation Army Treatment Centre. When one of the patients, Darrel Greene, hangs himself, Cameron sees a great opportunity for a story — maybe even a novel. He begins to research Darrel’s past, and decides to visit his sister, June, a grown woman with Down’s Syndrome. As Cameron develops a relationship with June and delves further into Darrel’s past, he makes many discoveries, none of which is more surprising than the one he makes about himself.
First published in 2003, Still Life with June won the 2004 ReLit Award and was nominated for the 2003 Pearson Canada Readers’ Choice Book Award. It was also a finalist for the Ferro-Grumley Award for LGTB Fiction in 2005, and was named a 2003 Best Book of the Year by NOW Magazine.
Jerome lives alone. Twenty years ago, time stopped and reality slipped from his life. His days are differentiated only by the photos he takes—one for each day of the year—and puts up on his wall as his own personal calendar. But one day Jerome receives a letter from his daughter Lea from whom he was separated when she was an infant. Lea’s mother, Arlette, had come to Montreal to work in the French pavilion at Expo 67, where she met the young photographer Jerome. After the birth of their daughter, the relationship soured and Arlette returned to France with the child. Jerome’s desperate attempts to find them were unsuccessful. He left France in despair and has never known what became of them. When Jerome and Lea finally meet, it is in the midst of a thunderstorm that mirrors the turbulence awaiting in their own relationship.
Golf is the only way I know to control time. It happens in the millisecond of that focused backswing, right before the violence of intention.
When I escape time, I escape memory. In that way, golf is an alchemy. A magick. I am a practicing magician.
When James Khoury discovers that his prized golf memorabilia from some of Canada’s best golf courses has been destroyed, he journeys back through memories of being on the fairway, his struggles with gnawing ineptitude, and a troubled relationship with his wife and son.
Slowly, his memory precipitates to reveal something deeper at work, and James finds himself in the midst of a game where the stakes couldn’t be higher.
From celebrated storyteller Cary Fagan comes a quiet yet deeply moving portrait of a man and his troubled grandson.
Isaac Walker, a retired engineer and widower in his seventies, receives a call from his daughter one June morning: his sixteen-year-old grandson has been expelled from a private boy’s school after being involved in a hazing and sexual assault incident.
Charged with caring for Benjamin while his parents are in Europe, Isaac is uncertain about how to connect with the withdrawn teen. Desperate, Isaac consults his friend and occasional love interest, Veena, a children’s author struggling with her own issues. Veena’s advice is to give the boy a summer project.
Meanwhile, Isabel, the woman house-sitting next door, mourns the death of her fiancé, who was killed in a cycling accident, and nearby resident Arlene tries to manage her young son’s nightmares caused by the white ghost bike placed in memoriam at the scene.
Through a cast of complex, expertly drawn characters and an exquisitely written narrative, Still the World highlights the timeless necessity of understanding, forgiveness, and love.
Marigold has never felt like she truly belonged with her family. And neither has Frederick. When a phoenix feather brings the young teens together for the first time, they finally understand why: they are twins, separated as children.
The two soon learn they have other siblings, and that if they successfully reunite with their brother and sister before the feather bursts into flame, they will all fulfill otherworldly destinies. What they don’t know is that their mysterious sister is a villainous witch who has been trapped in the cover of a grimoire to keep the world safe from her murderous scorn.
Meanwhile, Teagan finds herself in a hopeless situation and faces losing her tail forever. Time’s running out, and it’s up to Asher and Ariana to save her… if only they knew she was in danger.
Will Asher and Ariana save Teagan in time?Will Marigold and Frederick risk releasing the witch to make their dreams come true? And if they do, will the land of Rhyme ever be the same?
Finalist, Giller Prize
Winner of 2 Saskatchewan Book Awards (Best First Book; City of Saskatoon Book Award)
Finalist, Saskatchewan Book Award (Book of the Year)
Winner, Canadian Authors’ Association-BookTV Emerging Writer Award
Finalist, Amazon/ Books in Canada First Novel Award
Rowan Friesen has made a career of drug-dealing and small-time thievery on the outer edges of Saskatoon. Shiftless and seemingly friendless, he is, at first glance, an unlikely protagonist. But as Stolen unfolds, we learn the details of Rowan’s life: his well meaning but self-absorbed mother, his mentally ill father, and a high-school friendship both lustful and incendiary. This intriguing back-story runs alongside a current-day murder mystery, complete with road trips, arson, drink and drugs, tech nerds and the?rcmp. Rowan Friesen may not be the world’s most likable character, but the complexity and honesty of his story is thrilling. Stolen’s lean, tight narrative tells a tale of theft, love, and madness on the Canadian prairie, and moves along like a half-ton pickup bouncing over dirt roads.
Praise for Stolen:
Globe and Mail Top 5 First Fiction
Kate Sutherland’s Top Ten Books of 2006
“Lapointe constructs the familiar world, the one inside each of us, in the lives of strangers. It’s what fiction does best.” (The Globe and Mail)
“It moves with the force of what’s right and true and must not be elided.” (Giller Prize Jury)
“One of the many achievements of Stolen is that it offers readers of Canadian literature [a] depiction of a Saskatchewan in transition from a predominantly rural agrarian society to an urban one dominated by global capitalism … This Saskatchewan might be fallen, but its residents persevere. Moreover, Stolen proposes that the province was never as pristine as it might have appeared. Lapointe’s novel, in its innovative, contemporary depiction of the province, heralds a brave new age of prairie writing. For this it should be celebrated.” (Canadian Literature)
Stolen Motherhood
The poems in Alice Turski’s ravenous and playful Stolen Plums explore the ways we consume and are consumed by those we love and the histories they embody. Poignantly navigating uncertainties of self, country, and family, Turski contemplates the precarities of immigration, belonging, matrilineage, and marriage in unsparing language that straddles the border between ode and elegy. She captures not only a world “ready to eat whatever / you can bear abandoning,” but also the desire animating “tines of light that make [a] tense face beautiful.” Stolen Plums is a singular and singularly voracious debut.
Stolen Sisters is a first-of-its-kind play that gives voice to the lives and legacies of three Beothuk women and girls whose names have survived in historical record.
These are stories that have been mis-told, misrepresented, and mythologized by colonial interference. By shifting the lens of history to reflect Indigenous perspective and experience, the women brought to life in Stolen Sisters set the record straight, telling their own stories with both humour and unflinching honestly. Based on the oral and written Indigenous histories of colonization locally and worldwide, the voices of Stolen Sisters shine a light on the global experience of Indigenous women and girls and, in particular, Newfoundland’s part in that legacy.
This feat represents the first and only shared prize of publication for the 3-Day Novel Contest. One, a nightmarish vision of a land in decline, the other, a finely crafted tale of family history and the effects of the past on the present, rich in mood and evocative in its language.
Joint winners of the 1993 3-Day Novel-Writing Contest
A powerful grief book–poems that are not so much elegiac as visionary.
Stomata, Genevieve Lehr’s second collection, asks that language shoulder loss, that it reach out centrifugally, at full metaphorical stretch, calling upon all its narrative and lyric resources to be adequate to human tragedy. These losses include immediate deaths, Alzheimer’s, abuse, cancer, and–in a remarkable poem–residential schools, and they activate a potent spirituality that calls on a full range of imagistic resources.
As a grief book, Stomata is remarkable for its energy and range. While it honours and remembers the lost, it is always charged with a sense of a mystic power deriving from them. “In a conversation between Homer and Hermes, loss was found to be a gift,” writes Lehr. The result is the poetic experience of a vitalistic universe in which “Metamorphosis is everywhere”: a grief-enhanced rather than a grief-stricken vision. In Lehr’s poems, one keeps being struck by a simultaneity of mundane and cosmic, as can be see in the first lines of her opening long poem: “In the latter half of the third quarter of the waning moon / I sit at the table drinking tea.”
This is a book that is constantly provocative, alive with spirit and a restless energy in the face of disaster.
Praise for Stomata‘s opening long poem:
“… One can return again and again … and still discover new insights. The range of reference is wide and surprising–Nâzim Hikmet, Bobbie Gentry, Milarepa, St. Francis–the language dissociative, the rhythms often raw and out of order. There’s something elevated, germinal, fascinating here.” –Jury Citation from The Malahat Review‘s 2015 Long Poem Prize
In Stone Boat, Kristen Wittman draws on both her rural upbringing and her experiences as a lawyer to create a deft poetic biography of a man who has lost all to the modern world.”Kristen Wittman gives us the haunting voice of Franklin, a prairie farmer who struggles with the memory of family tragedy, his failing health, and the death of the family farm, all in order to accept the inevitability of his own end. Stone Boat is a long poem evocative of poetry’s beginnings.”–Clarise Foster, author of The Flame Tree
In poet George Ellenbogen’s exquisitely-written memoir, the discoveries ripple outward. What surfaces–the markers of his parents’ navigation in a new world and his own childhood and adolescent experiences in the 1940s and 50s–extend to us all. They become part of the universal map in which we recognize our own quirky courses into childhood, adolescence, adulthood.
Stone in My Shoeis the author’s discovery of how Montreal’s immigrant neighborhood–a tight-knit community- with extended families that had its own shops, institutions, and daily Yiddish newspapers, sustained him and his family, and sustained thousands.