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Natalie Baron is a neglected teenager adrift in the world when she attaches herself to Barbara Hern and her family, followers of Envallism, an extreme Protestant sect. Their new relationship fulfills unmet needs for both women—and leads to a devastating series of events that forever changes the course of their lives. Years later, Natalie, now a well-respected academic, travels to Finland in an attempt to understand the origins of Envallism as well as her own past. The Story of My Face is both a gripping psychological thriller and the archaeology of an accident which shaped a life.
Winner: 2015 Lansdown Prize for Poetry, Manitoba Book Awards
IPPY Gold Medal (Independent Publisher Book Awards).
Domestic satire meets gripping suspense in Straight Circles, the final, explosive chapter of The Lizzy Trilogy. The original and eccentric cast of characters return in this genre-bending thriller, but not everyone’s getting out alive.
Newly pregnant Lizzy arrives to revisit old haunts in the bleak Scottish town that she escaped years ago as a teenage runaway. Along with a yearning to rediscover her roots, she wants to confront her harrowing past and learn what happened to her mother, whose disappearance has remained unsolved. Instead, she comes face to face with her estranged father, whose violent side soon emerges with devastating consequences.
But someone else is watching, and Lizzy’s father will pay.
Oliver is back, and this time there will be no waiting, no savouring, and no patience for the small-time victims and criminals in his way. He’s ready to claim his little bird’ – and to show her exactly what happened to her mother. What Oliver doesn’t know is that someone is tracking him, and will do anything to poach his most elusive prize.
In Straight Circles, Lizzy returns to the heart of the story, where the stakes are higher than ever. Where it all began is where it will all end, in a chilling confrontation with the man who has been tracking her for years. In a disturbing finale, we are left to watch as Lizzy walks straight into the path of two dark and dangerous killers – and makes the biggest mistake of her life.
 
Praise for Nondescript Rambunctious:
“… a thriller that succeeds by nodding politely to the formula, then turning it on its head.” (Quill & Quire)
?Straight from the Hart is the no-holds-barred book about the often surreal, physically and psychologically brutal and politically cutthroat world of professional wrestling that fans everywhere — from the most casual or skeptical observer to the most rabid, hardcore aficionado of the action from the squared circle — have truly been waiting for.
Bruce Hart is the son of legendary wrestler and promoter Stu Hart and a member of what may be wrestling’s true “first family” — a wrestling legacy that now spans three generations and includes icons like Bret “Hitman” Hart, Owen Hart, Davey Boy Smith, and Jim “The Anvil” Neidhardt, as well as current day stars like David Hart Smith, Tyson Kidd, and Natalya Neidhardt. For the first time ever, Hart steps from out of the shadows of Calgary’s fabled “Hart dungeon” to discuss it all: growing up as one of twelve children in a house where men like Andre the Giant and Killer Kowalski might be seated at the breakfast table; the rise, fall, rebirth, and ultimate demise of the popular and highly influential Stampede Wrestling promotion; what it was like to be trained by his father and fight both with and alongside his brothers; why his family’s business was destroyed by Vince McMahon’s WWF; how the tragic death of his brother Owen rocked the Hart family; and what really happened behind the scenes of the infamous “Montreal screwjob.”
Along the way, Hart gets to the heart of the wrestling business, taking you behind the scenes to discuss how wrestling should be booked, the toll steroids and other drugs have taken on his friends and family, and what it was like to write his brother Bret’s newspaper columns while the “Hitman” was on the road.
When Esther and Gilles decided to move from Montréal to Vancouver, they didn’t expect their lives to change so starkly. All they wanted was to start a new life for themselves, to find new artistic opportunities. But their new home proves to be a challenging culture shock as the young couple struggles to connect with others, navigate their language barrier, and cope with non-stop rain. These blocks become walls, cutting Gilles and Esther off from the world, and with cabin fever comes erratic behaviour. They find themselves being torn apart, divided by their yearning to go back to their old life and the desire to stay. But how long can two people be everything for each other before they lose themselves completely?
This beautiful story mixes whimsy and disturbance as a couple looks over their motivations for a fresh start, delivering a charming meditation on isolation.
Straight Razor and Other Poems brings together Salvatore Ala’s new poems and selections from his privately published broadsides. It is a beautiful and original collection. Both formal and lyrical, it is the work of a determined and committed craftsman.
Adopted by a family in Vancouver as a Vietnam War orphan, Dannie Cooper dreams of finding her biological parents. Days after 9/11, she receives an email from a Vietnam veteran in Port Angeles, Washington, who claims to be her father. With the lure of a genetic father overwhelming, Dannie drops everything to go in search of him in an America reeling from a terrorist attack and on the brink of a new, undefined war. There she finds Bruce Huckman, a stoic ex-logger dying from cancer caused by Agent Orange exposure in Vietnam. Dannie wants to believe Bruce is her father and stays to help nurse him, even if her family back home is unconvinced of Bruce’s legitimacy. When she falls in love with Ryan, a local man who wants to enlist for Afghanistan, Dannie finds herself caught between the legacy of the Vietnam War and the possibility of a new war destroying someone she loves. Straightforward, honest and intimate, The Strait of Anian is a compelling tale of personal discovery that reveals that being a daughter has nothing to do with one’s DNA.
Strange Comfort collects the best of Sherrill Grace’s many published essays on the novelist and writer Malcolm Lowry, along with new pieces that incorporate her contemporary approach to his work. There are essays on Under the Volcano, on some of the stories in Hear us O Lord from heaven thy dwelling place, and on Lowry’s most important themes: endless voyaging, the creative role and identity of the artist, the nightmare of history, the pressures of memory and the urgent need to protect the garden of our world. A visionary, Lowry prophetically addressed the dominant issues of our 21st century.
In her new essays, Dr. Grace explores his disturbing vision of the devastating impact of perpetual war, only one of many of Lowry’s preoccupations, and establishes that in many respects, Malcolm Lowry was an environmentalist avant la lettre, commenting on his vision of the natural world as an escape from the horror “of existence as sold to you.”
Lowry was an intensely autobiographical writer, a quality not appreciated during his lifetime. Today, critical perspectives have changed considerably, and Lowry’s anxiety about writing elements of his own life into fiction invites critical reassessment. Many of these essays offer a fresh look at Lowry’s attempts to apprehend and portray the writer, writing.
The title, Strange Comfort, comes from a Lowry short story called “Strange Comfort Afforded by the Profession.” These essays illustrate some of the ways in which Lowry found comfort in the world of art, of other writers and the landscape of his beloved Dollarton, British Columbia. Malcolm Lowry was in many ways a British writer, but his spiritual home—his creative comfort—surrounded him on the beach at Dollarton. 2009 marked the centenary of Lowry’s birth and this volume of essays, old and new, celebrates Lowry’s deep and enduring relevance for our times.
The 1920s were one of the wildest decades in Canada’s history, a time of frivolous fads, shocking crimes, and political and social changes that definitively yanked the country out of the 19th century and into the modern age. In Strange Days, Ted Ferguson revisits dozens of stories that could only have happened in the ’20s — tales of serial killers, athletes, con men, crackpots, prime ministers, bathing beauties, and more — all of them nearly too amazing to believe and too entertaining to be forgotten.
From baseball to Picasso, Oscar Wilde to Tennessee Williams, post-modernism to American foreign policy, these essays are an appealing mixture of polemic, politics, memoir, travelogue, and literary theory.
In a series of essays about the US, Greer relates how his mother’s obsession wih baseball is overshadowed by her distaste for the American invasion of Iraq, which ends a family tradition of watching the Toronto Blue Jays play their season opener with the New York Yankees in New York.
In another series of travel essays, he recounts being in India during the height of the Pakistan nuclear crisis, his conversations with monks in Cambodia, and his spiritual revelations in Venice.
Winner, Atlantic Independent Booksellers Choice Award, Canadian Authors Association Air Canada Award, Dartmouth Book Award, and Thomas Head Raddall Award
Shortlisted, Governor General’s Award for Fiction
She’s depressed, they say. Apathetic. Bridget Murphy, almost eighteen, has had it with her zany family. When she is transferred to the psych ward after giving birth and putting her baby up for adoption, it is a welcome relief — even with the manic ranting of a teen stripper and come-ons of another delusional inmate.
But this oasis of relative calm is short-lived. Christmas is coming, and Uncle Albert arrives to whisk her back to the bedlam of home and the booze-soaked social life that got her into trouble in the first place. Her grandmother raves from her bed, banging the wall with a bedpan through a litany of profanities. Her father curses while her mother tries to keep the lid on developmentally delayed Uncle Rollie. The baby’s father wants to sue her, and her friends don’t get that she’s changed.
“With this brilliant debut, Penner thoughtfully upends the tropes of postapocalyptic fiction” — Publishers Weekly
Strange Labour is a powerful meditation on the meaning of humanity in a universe that is indifferent to our extinction, and a provocative re-imagining of many of the tropes and clichés that have shaped the post-apocalyptic novel. Most people have deserted the cities and towns to work themselves to death in the construction of monumental earthworks. The only adults unaffected by this mysterious obsession are a dwindling population that live in the margins of a new society they cannot understand. Isolated, in an increasingly deserted landscape, living off the material remnants of the old order, trapped in antiquated habits and assumptions, they struggle to construct a meaningful life for themselves. Miranda, a young woman who travels across what had once been the West, meets Dave, who has peculiar theories about the apocalypse.
Now that Owen has successfully defeated the dragon Kalureth and rid the village of his terror, Owen and Uthgar face an even greater challenge. The Dwarves are reunited with their home in the mountains, but not everyone is open to sharing life with the Humans inhabiting the land. The evil King seeks to rule them all and knows he must get to Owen in order to gain complete dominance and control. When a mysterious figure is sent to capture Owen, he must fight for his life and form an alliance to vanquish the King. With the help of his new friend Kaia, can Owen abolish racial indifference and create peace or will the evil King destroy all that Owen and Uthgar have fought so hard to build?