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Stone Sightings, by Madeline Sonik, is a compilation of poetry that seeks to unearth a personal experience of the archetypal feminine and the way she manifests in a woman at mid-life. There are ancient patterns we can identify and traverse: loss, love, alienation; but ultimately, the significance of these and their ability to transform us comes about only through finding the way their meaning manifests in our own lives.
Stone Woman is a saga of Blossom’s unconventional family of five women, whose lives are bound by a Vietnam-War draft dodger David, immersed in the Yorkville subculture of the hippie daze of Toronto. The novel draws the reader into a web of liaisons — into David’s love affair with Blossom’s mother Liza, his covert dealings with her friend Anna, as well as the mysterious Helena. The story is brought to the present through the lives of the women’s daughters who discover that their family secrets have been sculpted — literally — into an art form that imparts a sense of homecoming and alludes to a more hopeful future.
Stephen Kakfwi was born in a bush camp on the edge of the Arctic Circle in 1950. In a family torn apart by tuberculosis, alcohol and the traumas endured by generations in residential school, he emerged as a respected Dene elder and eventually the Premier of the Northwest Territories.
Stephen belongs to a cohort of young northerners who survived the childhood abuses of residential school only to find themselves as teenagers in another residential school where one Oblate father saw them as the next generation of leaders, and gave them the skills they would need to succeed. Kakfwi, schooled on civil rights and 1960s protest songs, dedicated himself to supporting chiefs in their claim to land that had been taken away from them and in their determination to seize control of the colonial political system.
Kakfwi’s life has been a series of diverse endeavours, blending traditional Dene practices with the daily demands of political office—hunting moose one day and negotiating with European diamond merchants the next. Throughout his career, Kakfwi understood that he held the power to make change—sometimes he succeeded, sometimes he did not. But he also embraced the power of story-telling, and has helped change the story of the North.
Kakfwi combines his remarkable memory for detail with his compelling raconteur’s skill in taking us through the incredible story of his life and one of the most transformative times in Canadian history. In his candid description of the loneliness of leadership and his embrace of Dene spirituality, Kakfwi’s Stoneface transforms politics into philosophy and an intensely personal guide to reconciliation.
Stones to Harvest/Escarmouches de la Chair, a lyrical cycle of 47 poems, sets out the four seasons in remarkable and very concrete images drawn from the flora and fauna of Eastern Ontario and Southern Quebec, where Beissel lived and worked. He explores these landscapes with remarkable specificity, though his approach is universal in scope and embodied in a language that consistently aspires to song. A bilingual French/English edition.
Stones . . . hewn by nature and the hand of man. They shelter us, record our grief, provide hope, joy and provide a window into the past. Dennis Cooley’s latest collection of poetry brings his trademark playfulness and wit to the very foundations of the earth. He stretches his prairie eyes far across the ocean to the cathedrals and monuments of Europe and connects our curling rinks and skipping stones to places rich in history.
Stony Point tells the story of a woman who succeeds in doing things at a time when custom restricts her from doing anything. In 1903, shortly after the Frank slide, a newspaper reporter vanishes from a mining town in the Crowsnest Pass. Lucille travels to Stony Point in search of her sister’s husband. She finds a town under the heel of a ruthless mine owner who has the local Mounted Policeman and a corrupt businessman in his pocket. Determined to find Stanley Birch, Lucille turns Stony Point upside-down. She fights not only the mine owner and his lackeys, but a system that protects the interests of the rich over the working class and men over women. Her struggle brings her a new purpose in life and a bitter truth.
These stories about artists, lovers, brothers and strangers acutely probe love and loss, men and women together, and the family ties that bind. A father renews an old artistic rivalry with his dying son; a raucous family gathering ends in tragedy; a quick stop to pick up a hitchhiker begins a chain of events that changes a man’s life.
Griffin covers birth, death and all the big moments in between. Dark and yet uplifting, these stories take us to the heart of what matters in the tangled lives of people on the edge of crisis.
Shortlisted for the Lela Common Award for Canadian History
The legendary Canadian book editor presents this “remarkable, four-decade romp through the back rooms of publishing” (Toronto Sun) and is a “gossip of the first order, the kind who tells all, or at least enough” (The Walrus)
Scottish-born Douglas Gibson was drawn to Canada by the writing of Stephen Leacock — and eventually made his way across the Atlantic to find a job in book publishing, where he edited a biography of none other than Leacock. But over the decades, his stellar career would lead him to work with many more of the country’s leading literary lights. This memoir shares stories of working — and playing — alongside writers such as Robertson Davies, Mavis Gallant, Brian Mulroney, Val Ross, and W. O. Mitchell. Gibson reveals the projects he brainstormed for Barry Broadfoot, how he convinced future Nobel Prize winner Alice Munro to keep writing short stories, his early-morning phone call from a former prime minister, and his recollection of yanking a manuscript right out of Alistair MacLeod’s reluctant hands — which ultimately garnered the author one of the world’s most prestigious prizes for fiction.
Insightful and entertaining, this collection of tales goes behind the scenes and between the covers to divulge a treasure trove of literary adventures.
The work done by De-ba-jeh-mu-jig Theatre makes a significant contribution to Aboriginal theatre, culture, Canadian theatre and society as a whole. The six plays gathered here were chosen based on their relevancy and significance to the Aboriginal culture and identity, as well as the many milestones they provide in the history of the company and the artistic growth of several of the artists who are leading the artistic direction of the company today.
Among the plays in this collection are the first play to ever be professionally produced in Ojibway, the first play created using the Four Directions Creation Process, and other works that focus on the foundation teachings of Odawa Midewin, using traditional stories to create theatre and explore modern themes on time-honoured values.
Aurash by Bahram Beyza’ie, translated and adapted by Soheil Parsa with Brian Quirt, edited by Peter Farbridge
Based on a Persian myth dating back over one thousand years, in the 1970s the fable was adapted into a dramatic narrative by Bahram Beyza’ie. In Beyza’ie’s story, Aurash, a naïve and human stablehand, becomes an unwilling player in his country’s post-war border treaty. He must determine his people’s fate by firing an arrow from the top of a mountain.
The Death of the King by Bahram Beyza’ie, translated by Soheil Parsa with Peter Farbridge
A retelling of Persian history. At the end of the Sassanian Empire, during the onslaught of Muslim invasions into Persia, the last king of Persia, Yazdgird III, finds death in an impoverished flourmill. Discovered red-handed by the king’s army, the helpless miller, his wife, and his daughter must reenact their experience with the king to prove their innocence—or else face a horrible death.
Stories from the Rains of Love and Death by Abas Na’lbandian, translated by Soheil Parsa with Peter Farbridge
A quintet of interrelated one-act plays written in 1977. The play presents us with characters that are gripped by forces and events beyond their comprehension. Emotionally raw and psychologically unfathomable, they struggle to find reality and solve the riddles of life in environments that conspire against them.
Interrogation by Mohammad Rahmanian, translated by Soheil Parsa
Two youth, loyal to the anti-colonial struggle in Algeria, cannot stop their acts of violence even after the revolution has been won. Their stories tell a timeless truth: nothing enduring can be built on violence.
Stories of Krishna
This home-grown history of a Vancouver neighbourhood speaks to the need people still have, in a time of infinite possibilities, to connect deeply with the place they call home. The Story of Dunbar is a celebration of community roots and a sense of place. The documentation of Dunbar’s history, complete with archival photos from private collections, will resonate with those who live in neighbourhoods with stories waiting to be told.
The Story of Dunbar draws on interviews with more than 350 local residents, including both recent arrivals and descendants of pioneers. Their personal accounts are woven together with information from diaries and other records in the City of Vancouver Archives and carefully chosen published sources to form twelve chapters that explore different aspects of community life.
The Musqueam First Nation, the early settlers, the arts, churches and schools, how people shopped and how they got around, where they lived and relaxed are all described. Read about how this “streetcar suburb” developed from forest and farmland, how it was impacted by world events, and what made it both typical and unique.
This is a story of the past century – from the settlement of the West to the development of a modern world-class city – brought to life through the experiences of people living in the neighbourhood of Dunbar. It is a reminder that history occurs in the streets of quiet out-of-the-way neighbourhoods as surely as on battlefields and in corporate boardrooms.