A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
Showing 5665–5680 of 9267 results
Within the last generation, Canadian drama, like other literary forms, has seen the emergence of works by women that re-vision the role of women in history. However, in order to write themselves into theatre history, women have had to negotiate a complex journey through both pages and stages, a network of public production that is highly politically charged at every turn. This book examines the strategies employed by seven feminist productions that have managed to achieve a canonic place in the recorded history of Canadian theatre. All of the plays under consideration here exist (or have existed) in at least one published script form.
However, Dorothy Hadfield’s purpose here is not to analyze these scripts for the definitive meaning of the narratives in these plays, nor is she trying to suggest how a reader or audience should inevitably read them. Instead, Hadfield is trying to account for how and why these scripts came to exist in published form, given the strong implicit connection between publication and a public assumption of good” or successful” theatre. In a system where textual visibility leads to opportunities for study, reproduction and validation for both play and playwright, the permanence of script publication can have real economic and ideological advantages. By analyzing publicity materials, photos, programs, reviews, box office and theatre records, it is possible to trace the process of creating a theatrical success,” as well as to assess what effect that critical verdict has on the shape of the script publications of these works. In effect, by placing the textual artifacts left behind by these performances in the context of their production and reception, in part through a carefully constructed ideological compatibility throughout the production process, it is possible to investigate how the politics of the theatrical process influences what we perceive as good” playwriting.
In nature, rewilding restores biodiversity and ecosystems. In this new collection from award-winning poet Shannon Webb-Campbell, it is a form of Indigenous resurgence and pleasure.
Drawing upon ecology, traditional knowledge, and sexuality, Re: Wild Her is a personal and poetic awakening. In these poems, artistry and nature are intertwined, speaking to the sensual musings of lovers in Paris, driftwood and death cycles, and the rise of wild swimming and cold dipping. Throughout, reclaiming one’s divine femininity is celebrated as a powerful act of resistance and rejuvenation.
These “poem spells” each offer a different prism with which to rewild ourselves, answering the call: How does joy help us cope with the harsh realities and complexities of life? How does poetry help us move forward? Re: Wild Her is an invitation to catapult into the otherworldly, to dive with the muses, and to resubmerge ourselves in joy.
November 2, 1965. Norman Morrison drives to the Pentagon with his infant daughter, a jug of kerosene and a box of matches. With Secretary of Defense Robert McNamara looking on, the young Quaker carries out a final act of witness against the horrors of the Vietnam War. Thirty-six years later, in the wake of 9/11, his daughter returns to confront the aging McNamara, the memory of her father, and the costly legacy of sacrifice.
Re:union is an attempt to engage sincerely with a ridiculous world. It’s a bundle of lyrics, prose, and postcards. Addressing figures ranging from Ayn Rand to the Wu-Tang Clan, and mining political convictions, personal loss, loves (old-fashioned and brand new), the poems in this collection reach you in ways that are direct and affecting.
“An excellent set of nimble-witted poems.”—The Coast
Reaching V
This is not a diet book. This is the book to read before going on a diet. Read This Before You Diet doesn’t tie the reader up with notions of fad diets – no “how I lost weight eating my favourite foods” recipe here. It is a book that releases the reader from the strictures of any specific diet, and addresses nutrition and metabolism. It explains in basic terms how the body uses food as fuel, how the brain reacts to certain kinds of foods and patterns of eating, and not only the how but the why of weight gain and weight loss.
Nutritionist, personal trainer, and corporate speaker Kirsten Bédard combines clear language and delightful, humorous illustrations to give readers a step-by-step guide to attaining a healthy lifestyle, and to promote the idea that weight loss is better approached not as a radical undertaking, but as the happy by-product of simple but important changes that everyone can make in their daily habits.
Winner, Commonwealth Writers Prize, Canada and the Caribbean, Amazon.ca First Novel Award, and On the Same Page, Manitoba Reads
Shortlisted, Eileen McTavish Sykes Award for Best First Book, Margaret Laurence Award for Fiction, and McNally Robinson Book of the Year
Longlisted, IMPAC Dublin Literary Award
For Lily Piper, life on the prairie is spare, austere, and tucked in. She is restless — not the daughter she feels her mother wants. When puberty hits, an abrupt shift in fate has Lily on her way to England to care for her aging grandmother. There, she experiences life in all its ambiguity, until she is called home to face a future she thought she had escaped. Thomas’s prose is intimate, elegant and devastatingly funny; her engrossing story of Lily Piper tells us something about how we make sense of the future when the future is something we can hardly imagine.
Reading by Lightning, Joan Thomas’s long-awaited first novel, took readers by storm. A year after its publication, it had won numerous awards, found a large readership, and been selected by popular vote for On the Same Page, Manitoba’s one book reading experience. Goose Lane is pleased to reissue Reading by Lightning in this reader’s guide edition, complete with an afterword, an interview with the author, extended biographical notes, and more.
Reading Sveva is award-winning author Daphne Marlatt’s response to the life and paintings of Sveva Caetani, an Italian émigré who grew up in Vernon, B.C.
Daughter of an Italian prince, leftist, and scholar of Islam, Sveva grew up with the multilingual and highly cultured European traditions of her parents who moved to Vernon in 1921, when Fascism was on the rise in Italy. At age eighteen, after her father’s death in 1939, Sveva was forced into home-seclusion for twenty-five years with her grieving mother. When her mother died, she entered the community of Vernon and flourished as a high school teacher and respected painter. Her life experiences took the form of an extensive series of dry-brush paintings modelled on the structure of Dante’s Divine Comedy, as well as poems and philosophical commentary.
Marlatt’s lasting interest in the lives of immigrants to the West Coast continues in Reading Sveva, a thoughtful collection of ekphrastic and lyric poems that respond to Sveva’s insular life, the late beginnings of her artistic grown in 1960, and the meaning of home.
Bringing her own perspective as an immigrant and as a woman, Marlatt illuminates the life of this forgotten female artist whose work is a testament to the struggle of the female artist, and the search for a sense of belonging.
Reverse engineering the word, meme splicing, morpheme replacement therapy, phonetic modifications: these are some of the techniques in play throughout Reading the Bible Backwards, the lyrical thought experiments that make up this eagerly anticipated new collection of poems by Robert Priest. By throwing the Bible and other cultural narratives on the turntable and spinning them backwards, Priest unleashes surprisingly new but strangely familiar music and meaning. Whether the movements are sideways, inverted, or omni-directional, his satire has never been sharper — or darker. Ultimately, though, Priest’s lyric voice has never been more finely tuned or elegant, especially in the wonderfully groundbreaking “I Love You Forwards” poems that afford this book its remarkable balance.
“Reading the Riot Act” is a phrase that has entered the popular lexicon, meaning the action taken by authority figures when they perceive that their “charges” are getting out of hand. The act itself is a seldom-used piece of legislation actually designed to prevent a riot from taking place. Supposedly, the mere mention of the Riot Act is enough to bring hardened miscreants bent on destruction to their collective senses. But if a riot has started, it’s already too late to read the Riot Act. Every city has its distinct history of rioting-the Rocket Richard riots in Montreal, the Christie Pits riot in Toronto, the Winnipeg and Regina riots, even the Shakespeare riots in New York where rival factions rioted over which actor was the better interpreter of Shakespeare’s work. Reading the Riot Act is a popular history that rereads and rewrites the legacy of riots in Vancouver. The project was conceived following the city’s Stanley Cup riots in 1994, when official reports and media coverage differed significantly from eyewitness accounts. Later, media reports on the APEC riots downplayed and obscured certain facets of the conflict. Seeking out sources beyond the official reports, Barnholden has compiled a record of participants and observers, allowing the “vanquished” to have their say. Barnholden shuns the simplistic “bad apple” explanation, and explores the deeper economic causes and effects of riots.
Praise for Reading the Riot Act:
BC Books in BC Schools Pick
“This book contains some stirring narrative of conflicts that have defined the history of Vancouver.” (Prairie Fire)
“… demonstrates that even unexpected, apparently spontaneous flarings are about something deeper, from unemployment pressures, freedom of speech and inhumane conditions in prisons all the way to racism and the disappointing performances by our professional sports teams and Axl Rose, the frontman of the notorious GM Place no-show rock band Guns ‘n Roses.
“This tapestry is woven against a backdrop of class war, demonstrating that while the rowdies ground beneath the heels of the police are always the working poor, it’s suspiciously rare that they take their grievances to the neighbourhoods of their bosses. Challenging the popular conception that riots are just the result of ‘a few bad apples’ sowing discontent, Barnholden advances the competing thesis that the entire orchard may in fact be infested with parasites.” (The Columbia Journal)
“Until Reading the Riot Act was published, the book containing the most detailed information on riots in Vancouver was the local police department’s autobiography, A Century of Service (1986), which Michael Barnholden makes reference to in his own text. The difference with Reading the Riot Act is its focus and perspective, which presents riots as battles in the class war, as it aims to cut through the media distortion around such events and dispense with the ‘bad apple’ theory of their cause. It makes for a more engaging, accessible and believable read than the police department’s book.” (Max Sartin, The Rain Review of Books)
From one of Canada’s foremost poet/novelists and feminist critics—a collection of essays spanning over fifteen years.
From award-winning writer Bertrand Laverdure comes Readopolis, a novel translated by Oana Avasilichioaei.
It’s 2006 and down-and-out protagonist Ghislain works as a reader for a publishing house in Montreal. He’s bored with all the wannabe writers who are determined to leave a trace of their passage on earth with their feeble attempts at literary arts. Obsessed by literature and its future (or lack thereof), he reads everything he can in order to translate reality into the literary delirium that is Readopolis–a world imagined out of Chicago and Montreal, with few inhabitants, a convenience store, a parrot, and all kinds of dialogues running amok: cinematic, epistolary, theatrical, and Socratic.
In the pages of Readopolis, Laverdure playfully examines the idea that human beings are more connected by their reading abilities than by anything else. Funny and sardonic, whimsical and tragic, this postmodern novel with touches of David Foster Wallace and Raymond Queneau portrays the global village of readers that the Internet created, even before the 2.0 revolution.
Doug and the Slugs carved out a unique spot in the North American music scene after first appearing in Vancouver BC in 1977. Too polished to be punk and too irreverent to be slick radio rock and roll, they quickly became hometown favourites. Through a hard-won, rigorous touring schedule, a bar band suddenly found themselves Gold record holders, seemingly beloved from tot to pensioner – a career trajectory almost unheard of today. With a sense of humour never too far from their approach, it thrust lead singer Doug Bennett to become the clown prince of Canadian rock and roll. But there was a price to be paid, which ultimately questioned the very nature of success. Featuring never before published photos, posters, personal diaries, ticket stubs, and Slugs music ephemera, Real Enough is at its heart a celebration of Doug and the Slugs, their music, memories, the ups and downs of lifelong friends, who – as a group of musicians after a lifetime of playing together – still make for a good night out.
Enter Emma—an incredibly determined realtor—who decides that Joel is as much of a “fixer-upper” as the house he lives in. With the addition of Joel’s soon-to-be-ex looking to get divorce papers signed and her “man purse”-toting beauty entrepreneur boyfriend in tow, Emma focuses all her considerable energy into developing the curb appeal of the house—as well as its inhabitant. The comedy is sure, the characters well drawn, and the circumstances? Hilarious.
Real estate agents say that buying a house is about location, location, location, but for the agents themselves, real estate is about disclosure, disclosure, disclosure.
Agents face problems related to lack of disclosure, improper disclosure, or false disclosure. Now, real estate lecturer and lawyer Mark Weisleder shows agents how to structure their business in a manner that protects deals, increases success, and keeps agents liability-free. With real-life examples, Weisleder:
Follow Weisleder’s step-by-step guidance — to have a longer, happier, and more productive real estate career.