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A new edition of Bernice Morgan’s classic, best-selling family saga. Forced to flee England, the Andrews family books passage from Weymouth, England to unknown prospects, only to discover a barren, inhospitable land at the end of their crossing: a fresh start in a distant country, New Found Land. There, on the island of Cape Random, the Vincent family introduces them to their way of life. To the pensive, seventeen-year-old Lavinia Andrews, uprooted from everything familiar, it seems a fate worse than the one they left behind. Driven by loneliness she begins a journal. Random Passage satisfies the craving for those details that headstones and history books can never give: the real story of our Newfoundland ancestors, of how time and chance brought them to the forbidding shores of a new found land. It is a saga of families and of individuals; of acquisitive Mary Bundle; of charming Ned Andrews, whose thievery has turned his family into exiles; of mad Ida; of Thomas Hutchings, who might be an aristocrat, a holy man, or a murderer; and of Lavinia – who wrote down the truth and lies about them all. Random Passage has been adapted into a CBC miniseries and is now a national bestseller.
Leon Rooke’s Rank Songbirds delves into dramatic and intense relationships, politics and the quirks of society, celebrating humanity’s resilience in spite of-or perhaps because of-its flaws.
Several murders, a stolen and returned guitar, the hardscrabble street-life stories of his students, a complex father/son relationship, and some talk of love and death form the framework of Rat Romeo. Gerald Arthur Moore’s latest collection of high explosive poetry takes us on a motorcycle ride, with sleeves rolled up so you can see old scars.
The Toronto Research Group was an eighteen-year collaboration and friendship between the late bpNichol and Steve McCaffery.
In addition to reports on translation; the book-as-machine; and the search for non-narrative prose; this collection includes an informative introduction by McCaffery; a report on performance; ‘Reading and Writing: The Toronto Research Game’; and much hitherto unpublished material. From scholasticism to pop-up books, the Book of Nature to comic strips, these frequently witty, often irreverent and methodically mischievous reports document a vital era, not only in the intellectual growth of two individuals, but in the history of critical collaboration in North America.
With a revised format, additional bibliography and profuse illustrations, this book will prove to be of inestimable value to anyone tracing the poetic archeology of the seventies in Anglophone Canada.
Mysterious and sometimes hallucinogenic, RATS NEST is a collection of short stories builds a narrative out of the complexity and dialectical uncertainty that many people feel about being alive in the 21st century.
This first full-length book by Mat Laporte introduces readers to a protoplasmic, fantastical underworld, as navigated by a self-reproducing 3D Printed Kid made especially for this purpose.
As the Kid descends the layers of a seemingly never-ending pit, its nightmares and hallucinations–recorded in stunning detail–unfold in twelve chilling sci-fi stories of unreality that will make readers think twice about what it means to be a human (or humanoid) on the planet we call home.
Whether considering the simplicity of a butterfly in flight or the terror of a cancer diagnosis, Heidi Greco confronts the world head-on, yet always with the fresh eyes of the stranger in our midst. The issues she addresses belong to the world; the settings she employs are international. At times funny and irreverent, these are pieces that dissect relationships, poems that delve as easily into the mysteries of nature as they do into the intricacies of daily living-encounters we immediately recognize. But whether serious or fun in their approach, her penetrating and unsentimental eye is always there, steadfast on the goods.
“In the beauty of the language and the striking images, there is a pervasive sadness, a sub-text of depression. …’Rattlesnake Plantain’ is a collection of poems about loving, not being loved. Baudelaire understood.” – Prairie Fire
Jake Morgan loves Las Vegas. He’s a 33-year-old ex-cop from Boston who will wager on anything — as long as his money holds out. Having run into trouble in Beantown, for the past year he’s been eking out a living as a blackjack dealer at the posh Oasis Hotel & Casino. Christian Valentine, the star attraction of The Sultan’s Tent, tells Jake that he’s being blackmailed; because of his star status, he doesn’t want the police involved. He knows Jake’s history, and he wants his private help. Jake discovers an army of Valentine-haters out there. But when he goes to confront Valentine himself, the performer isn’t talking. He’s facedown in a Jacuzzi with an arrow stuck in his back. The media have a field day with the murder, and Jake quietly keeps up his investigation. Among the suspects are Valentine’s wife (who would benefit from the insurance policy), his stage manager, the showroom maitre d’, Big Julius Contini (the owner of the Oasis), and finally Johnny Ventura — the young singer who will replace Christian Valentine after years of waiting in the wings. Raw Deal is the first book in the Jake Morgan mystery series. Rick Gadziola writes with a light touch, spicing the crime quest with humour.
Ray Guy: The Final Columns, 2003-2013 is a collection of the columns Ray Guy wrote for The Northeast Avalon Times, a community newspaper based in Portugal Cove. Guy previously achieved fame and acclaim for his astute and humorous observations of Newfoundland politics and society in columns in The Telegram and The Sunday Express from the 1960s to 1990s. Guy began writing for The Northeast Avalon Times in 2003, the same year Danny Williams was elected premier of the province. During the ensuing decade, Guy exercised the wit and satire that made him so admired by Newfoundland readers. Ray Guy: The Final Columns, 2003-2013 aims to make the brilliant writing of his last decade available to a broader audience. The foibles and folly of premiers on Confederation Hill, the looming disaster of the Muskrat Falls hydroelectric project and the frustrating fickleness of “the great Newfoundland voter” were repeatedly addressed by Guy in his unequaled style. Guy was quick to recognize Danny Williams as “another Smallwood,” and had much to say and much to mock about the pomp, arrogance and authoritarian rule that largely led to the troubled times Newfoundland subsequently found itself in.
This volume explores the life and works of Raymond Knister. These studies of Canadian authors fulfill a real need in the study of Canadian literature. Each monograph is a separately bound study that contains a biography of the author, a description of the tradition and milieu that influenced the author, a survey of the criticism on the author, a comprehensive essay on all the author’s key works, and a detailed bibliography of primary and secondary works.
Touching, hilarious, and terrifying: the follow-up collection by 2000 Trillium Award Nominee. In his third major collection of poetry, Stuart Ross blazes surprising, new paths. Razovsky At Peace still showcases his trademark humour, surrealism, and absurd take on the banal, but also delves into darker, more raw territory. While once again challenging our perception of suburbia, capitalism, and hamburgers, his trembling characters now stumble awkwardly into litter-strewn rural landscapes, emotional rapture, and even terrified, unadvisable love.
Accessible, conversational, and dynamic, his work appeals even to people who hate poetry. There is no one in Canada writing quite like Stuart Ross.
“Stuart Ross is one of North America’s most active and fiercely independent literary populists.” — Richard Huttel, Another Chicago Magazine
“Stuart Ross’s preferred form of self-indulgence is clean, clever and thoroughly entertaining.… Ross is well-known in Toronto as a skillful performer of his work and as an irreverent, uncompromising writer.”— Kevin Connolly, Arts Editor, eye Weekly
“Ross (is) a master butcher in the delicatessen of humanity.” — Kathleen Hickey, NOW