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As the sickly boy dreams in bed, the shadows beneath his parlour curtain are stirring, taking shapes inexpressible even in a child’s dreams. “Real keeps us silent,” argues the taxidermied rabbit to the young air-rifle that shot it dead. “Real keeps us still. You must never ask anyone if they are Real.”
For exactly as long as history, a secret peace has bound the human and inanimate worlds. But the stories of the other world are pushing into our own, and that peace will be tested tonight…
In this collection of twenty-six poems and the unbelievably weird happenings that link them, Noah Wareness steals electricity from nihilistic horror fiction and shaggy late-night cartoons to create a landscape of profound loss, vertigo and wonder.
Realignment is an extended meditation on the human condition, shifting perspective from poem to poem to embody a variety of cultural milieus. A disruption in morning ritual realigns one?s day. A painter switching brushes realigns his style. A break in syntax corresponds with an abrupt change of pattern in an Afghan carpet. Like ?a gentle winding down,? the poems in Realignment address the self-understanding brought on by changing memories of the past and, ultimately, the realignment of removal, vanishing, and farewell consume the heart of the book.
A man of many talents, Reaney taught at the University of Manitoba and the University of Western Ontario for forty years, and received his doctorate with Northrop Frye. His plays have been produced across the country and his poetry and dramatic writing garnered him three Governor General’s Literary Awards. Includes:The KilldeerNames and NicknamesListen to the WindSt. Nicholas Hotel: The Donnellys, Part TwoGyroscopeAlice Through the Looking GlassZamorna! And the House by the Churchyard
Reasonable Ogre, The
Naomi Guttman’s first collection of poems marks the appearance of a deeply emotional, highly intelligent new voice. Its theme is intimacy-ours, especially women’s, experience of intimacy in many forms, how it marks us, how we long for it, the ways in which it is both our fulfilment and our undoing. The personae range from children to old men and women, jailbirds to schoolgirls; the language is chosen without ever becoming deliberate, precise but always musical. These are poems from and of the heart, chastened by experience, taut with craft.
Facing the monumental issues of our time.
In a 2012 performance piece, Rebecca Belmore transformed an oak tree surrounded by monuments to colonialism in Toronto’s Queens Park into a temporary “non-monument” to the Earth.
For more than 30 years, she has given voice in her art to social and political issues, making her one of the most important contemporary artists working today. Employing a language that is both poetic and provocative, Belmore’s art has tackled subjects such as water and land rights, women’s lives and dignity, and state violence against Indigenous people. Writes Wanda Nanibush, “by capturing the universal truths of empathy, hope and transformation, her work positions the viewer as a witness and encourages us all to face what is monumental.”
Rebecca Belmore: Facing the Monumental presents 28 of her most famous works, including Fountain, her entry to the 2005 Venice Biennale, and At Pelican Falls, her moving tribute to residential school survivors, as well as numerous new and in-progress works. The book also includes an essay by Wanda Nanibush, Curator of Indigenous Art at the AGO, that examines the intersection of art and politics. It will accompany an exhibition at the Art Gallery of Ontario scheduled from 12 July to 21 October 2018.
Rebecca Belmore is one of Canada’s most distinguished artists. She has won the Hnatyshyn Award (2009), the Governor General’s Award in Visual and Media Arts (2013), and the Gershon Iskowitz Prize (2016). A member of Lac Seul First Nation, she was the first Aboriginal woman to represent Canada at the Venice Biennale. She has also participated in more than 60 one-person and group exhibitions around the world.
Broadly adapted from George Orwell’s classic Animal Farm, this book narrates the transformation of fairly happy, functional farm, taken over by a bunch of farm animals led by some pigs, who succeed in driving away the ‘human’ masters who once ran the place. The rebellion, generally successful at the start, degenerated into a system dominated by the pigs, led by a pig named Napoleon and some of his loyal pig supporters who usurped all power even as they propagated their hatred of the “humans’.
Rebelion en la granja 2017 is a Spanish-language edition. An English-language edition, Animal Farm 2017, is also available.
Spirited young Eunice will not settle for a woman’s lot in 1800s Canada. She sees the inequitable use of power everywhere, from her abusive father to the elite-ruled government, and she cannot help but challenge it. This historical fiction follows her escape from trouble into more and more trouble, through which her ignorance gives way to a more sophisticated understanding of her society. Impatient to claim a place in it, Eunice dresses as a boy in order to join a rebellion against the government. She lands in jail for stealing a rich man’s horse, and there, the stories of her socially marginalized female cellmates – in particular a young black prisoner – forces her to confront anew the startling injustices of race and social class and the institutionalized cruelty of prison. Readers will fall in love with Eunice for her integrity and tenacity against all odds.
Sachiko Murakami approaches the urban centre through its inhabitants’ greatest passion: real estate. Rebuild engraves itself on the absence of Vancouver’s centre, with its cranes, excavation sites, and bulldozed public spaces. Its poems crumble as the page turns, words flaking from the line like rain-damaged stucco off a leaky condominium, exposing the absence life inside the “stanza” of a despised “Vancouver Special.”