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The Democratic Republic of Congo, the second-largest country in Africa by area, has a fractured and bloody history, variously undone by decades of colonialism, civil war, corruption, and totalitarian rule. The country has played a crucial role in the economic growth of the Global North, but in doing so, has suffered immensely. So many seminal advances in technology were possible only through the extraction of materials from Congo, from rubber to copper to uranium to coltan. In each case, the Congolese people paid a great price exacerbated by the weight of colonial exploitation and dictatorial rule.
In this comprehensive graphic history, author and illustrator Edmund Trueman explores the fractious story of Congo. Through deft illustrations and storytelling, Congo’s history – not widely known to Western readers – comes vividly alive. We see how Congolese musicians have spread their language across Africa by creating some of the most popular music on the continent, and how Congolese women have spent decades sidestepping sexist legislation to become leaders in local business. From resistance against colonialism to the fight for independence and the self-determination to make a life in an almost stateless place, Postcards from Congo depicts how the Congolese people have resisted and survived in order to take control of their lives and the country they call home.
Includes a foreword by historian Didier Gondola, Professor of African History at John Hopkins University.
From two-time winner of the Arthur Ellis Award comes a new mystery that will keep readers guessing along with Collins and Burke. From Halifax, Nova Scotia all the way to Berlin, Germany, Father Brennan Burke searches for answers in the murder of a parishioner and finds that she was a woman with many secrets in her past.
Father Brennan Burke is coming off a rough stint in Belfast and he’s been trying to obliterate those memories with drink ever since. His troubles intensify when the body of one of his parishioners washes up on the beach in Halifax. Meika Keller came to Canada after escaping through the Berlin Wall. Now a Canadian military officer is charged with her murder. Defence lawyer Monty Collins argues that her death was suicide. That’s the last thing Father Burke wants to hear. Guilty of neglecting his duties as a priest when Meika needed him most, Brennan feels compelled to uncover whatever prompted her cry for help and led to her death.
He suspects that the answer lies overseas. But nothing could have prepared him for the events that unfold when he flies to Germany to investigate the case. In the midst of all this, Brennan and Monty must deal with conflicts between the two of them, which arose out of their time in Belfast and have yet to be resolved.
About the Collins-Burke Mysteries
This multi-award-winning series is centred around two main characters who have been described as endearingly flawed: Monty Collins, a criminal defence lawyer who has seen and heard it all, and Father Brennan Burke, a worldly, hard-drinking Irish-born priest. The priest and the lawyer solve mysteries together, but sometimes find themselves at cross-purposes, with secrets they cannot share: secrets of the confessional, and matters covered by solicitor-client confidentiality. The books are notable for their wit and humour, and their depiction of the darker side of human nature ― characteristics that are sometimes combined in the same person, be it a lawyer, a witness on the stand, or an Irish ballad singer who doubles as a guerrilla fighter in the Troubles in war-torn Belfast. In addition to their memorable characters, the books have been credited with a strong sense of place and culture, meticulous research, crisp and authentic dialogue, and intriguing plots. The novels are set in Nova Scotia, Ireland, England, Italy, New York, and Germany. The series begins with Sign of the Cross (2006) and continues to the most recent installment, Postmark Berlin (2020).
Postmodernism and “deconstruction” have rapidly (and soberly) been defined, redefined, and thus assimilated by academics in the humanities whose operant muse seems for the most part to be the desire to progress from Assistant to Associate to Full Professor. Nonetheless, these two recently developed concepts still contain the potential to disrupt clichéd and reified ways of reading and teaching. In The Postmodern University: Essays on the Deconstruction of the Humanities, Stanley Fogel seeks to unearth and capitalize upon their destabilizing qualities. His targets are university structures and practices, the organization of the humanities, the language and style of literary criticism and literary critics, as well as propriety in the academy. Fogel also examines a number of texts which display a postmodern sensibility.
Pots and Other Living Beings is a literally and visually compelling first poetry collection by upcoming Indigenous artist annie ross. The text combines socially conscious poems with geographically grounded photographs, each describing an aspect of living in the postmodern, neoliberal age. All compositions emphasize in evocative ways our times’ disillusions and disenchantments, promised and failed utopias, material and cultural ruins, alienations and dispossessions. The work stems from the poet’s gathering of thousands of photographs and field notes during a research trip to the Southwestern United States, exploring the founding, making, dreaming, and proliferation of nuclear weapons since the 1940s. The poems in Pots and Other Living Beings hint at and reflect upon the food, arts, schools, hospitals, family farms, and alternate existences peoples could have enjoyed if our resources, imagination, time, and energy had been directed towards l i f e, in all of its forms.
Jeff Nichols — a man strong of conviction but weak of character — is fresh out of the Don Jail, looking for work — any kind of work — and a way back into Ann Ryan’s good graces. She waited for his return from prison but is quickly running short on patience. An ex-inmate and friend gets Jeff a job at Ted Bracey’s used car lot, selling cars for commission only. But it’s not enough to keep him and Ann afloat in mid-80s Toronto, and the lure of easy money soon gets Jeff involved in smuggling guns from upstate New York. With that sweet Poughkeepsie cash, now he can keep his promises to Ann; he even buys them a house, but conceals the source of the money. As Jeff gets in deeper and deeper, everyone around him learns how many rules he’s willing to bend and just how far he’ll go to get on the fast track to riches. That he’s a guy who doesn’t let lessons from past mistakes get in the way of a good score.
Throughout these poems is a meeting of obscene or politically charged material, as well as commentary on language usage under extreme circumstances of duress such as the Arab Spring. This is poetry written under conditions of wartime. The title implies an analogy between Ezra Pound, imprisoned at Pisa after World War II, and the inhabitants of the military and CIA prisons at Guantánamo Bay.
Poems cross the page or are more architectural, in tight columns, or curve like a cyberpunk office tower. Entire continents are leaped across in a line or two: “from Burquitlam Plaza to Redondo Beach metro stop/Bush with Burqas for the B.U.” but written in a city where bus drivers fix their trolley lines, and Squamish is a place you drive to, in your imagination, during a job interview conducted over the phone.
Place, in this poetry, is both a name (but whose name? the colonizer? first nation? mall developer?) and a root that grows in one’s popular culture as the only way to recognize the war machine (“why Cadence Weapon left Friendster / why the Flava Flav transformer twins’re buck-toothed”). A final word on style: Burnham’s language is compressed like an MP3 file (a format that uses lossy compression).
La bédéiste Lynn Johnston a construit jour après jour ce qui allait devenir une œuvre considérable : sa bande dessinée Pour le meilleur et pour le pire qui a paru dans les journaux tous les jours durant trente ans. Elle y racontait le quotidien des Patterson, une famille de la classe moyenne de la banlieue : Elly, John et leurs enfants Michael, Elizabeth et April. La bande dessinée de Johnston a innové par son réalisme sur les plans du récit et des émotions, et par son refus de verser dans le mélodrame ou de faire appel à des superhéros et à des animaux anthropomorphiques. Au fil de la publication de ces bandes dessinées dans les journaux au cours des décennies 1980, 1990 et 2000, ses personnages ont vieilli au rythme des lecteurs et vivaient les mêmes épreuves et aventures qu’eux au travail, en famille, à l’école et avec la bureaucratie.
La parution de Pour le meilleur et pour le pire : l’art de la bande dessinée selon Lynn Johnston — amusant et à la mise en page innovatrice — coïncide avec la présentation d’une exposition itinérante internationale des œuvres de Lynn Johnston organisée par la Galerie d’art de Sudbury. Le livre met en valeur les récits les plus aimés de Johnston intercalée d’un essai sur le développement de son art, sa vie, ses influences personnelles et artistiques, ainsi que l’histoire de sa très populaire bande dessinée. L’ouvrage réunit également une généreuse sélection d’extraits de Pour le meilleur et pour le pire parus dans les quotidiens et les journaux du dimanche.
Cet ouvrage plaira autant à ceux qui découvrent Pour le meilleur et pour le pire de Johnston qu’à ceux qui la suivent depuis longtemps.
Pouring Small Fire is a debut poetry collection that intricately regenerates a full life experience spanning from the baseball diamonds, pond-mist and summer grass of Upstate New York to hot and sour soup and middle-aged love on Toronto’s Spadina Street. Understandably, throughout this journey much is tragically and regretfully left behind, but Manchester’s poems form a powerful, life-affirming argument convincing us that it’s what is retained — not only from the past but at this very moment — that is enduringly important. Manchester possesses the uncanny ability to transport her readers to any specific time and place with her rich and precise memory and her refined command of the language. Hear the banter of the crowd, smell the hot-dog mustard, feel the mud in your fingernails, and “feel feather stroke feather, watch beak peck beak/ to know the instant when image is not image but real.” A genuine poet of the senses, Manchester explores the heartache of personal loss as well as the small joys found throughout life–from childhood to marriage.
Alex McKenzie is a promising young hockey player with hopes of making the Quebec City junior hockey team. Once Alex and his friend Tommy, who is also vying to make the team, arrive in Quebec City, things begin to change. Tommy becomes sullen and obnoxious, hanging out with a bunch of dubious types. As the boys grow apart, tragedy befalls Tommy and their friendship is sorely tested. A thrilling yet very human story, this novel demonstrates how an unassuming hero deals with powerful peer pressures, budding love, and misfortune while fulfilling the dream that others have for him.
This collection of essays focuses how dance and movement engage and enact political questions around agency, mobility, pedagogy, and resistance. Committed to crossing disciplinary boundaries, Power Moves looks to movement knowledge for its radical insights and critical forms of public intervention and pedagogy.
The writers of this collection examine cultural and social patterns in action in the studio, on the stage, and from the street, and in doing so give voice to fresh perspectives from Canadian dance and performance studies on social, political, and cultural values in the twenty-first century. Contributors include Natalie Alvarez, Serouj Aprahamian, Mique’l Dangeli, Camille Georgeson-Usher, Greg Hodge, Emily Johnson, Evadne Kelly, Jennifer Lavoie, Gabriel Levine, Joseph M. Pierce, Karyn Recollet, Ahalya Satkunaratnam, MJ Thompson, and Angélique Willkie, with an introduction from editors Seika Boye and MJ Thompson.
Power Through Presentations is a light-hearted but practical guide to overcome one of the most common challenges that faces millions of business professionals today: translating ideas into sleek presentations. Other books target presenters who are taking the stage to speak to a room full of people but most of us create a presentation deck that is then emailed or reviewed over the phone. There’s a massive underserved market of business professionals who need help to create effective PowerPoint® slides in their day-to-day work.
Some common challenges are addressed:
Winner, 2018 Best Atlantic Published Book Award
A National Bestseller
By the time the AIDS pandemic in Africa had reached its height in the early 2000s, millions of children had been orphaned. In the face of overwhelming loss, the grandmothers of Africa stepped in to hold families and communities together. Author Joanna Henry and photographer Alexis MacDonald visited eight African countries, interviewing and photographing hundreds of grandmothers (including Sarah Obama, Barack Obama’s grandmother) who are reclaiming hope and resurrecting lives. The extraordinary images and stories of resourceful women fighting for a better future make Powered by Love an inspiration for everyone.
Writes journalist-social activist Michele Landsberg, “We thought we knew what was happening in Africa when the AIDS pandemic raged across the continent, sweeping away 35 million lives. But we never knew it the way this book reveals it, in the shockingly intimate voices of the grandmothers who had to save the abandoned children when no one else was left alive. These voices will leap straight into your heart. Their unguarded faces, in portraits that glow with character, pain and humour, will captivate you.”
In 2006, the Stephen Lewis Foundation launched a campaign to engage Canadian grandmothers to support their African sisters. The Grandmothers Campaign, now a movement 10,000 strong, has raised over $25 million that has gone directly into the hands of African grandmothers and their grassroots organizations. Powered by Love joins this campaign by telling the story of these indomitable women and by directing all royalties from the sale of the book to African grandmothers raising children orphaned by AIDS.
pppeeeaaaccceee, is a vast, imaginative and mesmerizing glide through Life and Power. The play is set in Ephemeral; three people firmly floating chat – in O’Donnell’s inimitable rapid-fire style – about the revolution. Which revolution? Good question. A gently aggressive meditation, pppeeeaaaccceee examines our being, asks us what we’re doing and reminds us that there are monsters in here.
With numerous photos and with contributions by the actors, technical staff and producer, pppeeeaaaccceee is more than just a play script – it is a document of the process of creating such a remarkable piece of alternative drama. This edition also includes O’Donnell’s manifesto on theatre, ‘Even a Broken Clock Occasionally Tells the Correct Time.’
Peace. Say it slow, stretch it out, make it last forever.
‘The streets are full of admirable craftsmen, but so few practical dreamers.’ – Man Ray
Welcome to the world of fringe movies. Here, artists have been busy putting queer shoulders to the wheels, or bending light to talk about First Nations rights (and making it funny, to boot), or demonstrating how a personality can be taken apart and put back together, all during a ten-minute movie which might take years to make.
In Practical Dreamers, twenty-seven artists dish about how they get it done and why it matters. The conversations are personal, up close and jargon free, smart without smarting.
Mike Hoolboom talks footage recycling with Alessa Cohene (Supposed To) and Jubal Brown (Life Is Pornography); investigates the documentaries of Donigan Cumming (My Dinner With Weegee); looks at the Middle East with Jayce Salloum (This Is Not Beirut); discusses identity with queer Asian avatars Richard Fung (Dirty Laundry), Midi Onodera (The Displaced View) and Ho Tam (The Yellow Pages), and First Nations vets Kent Monkman (Blood River) and Shelley Niro (Honey Moccasin); and addresses the visions of Peter Mettler (Gambling, Gods and LSD).
What are the odds of winning at poker if you don’t know the odds in poker?
Practical Poker Math provides a complete and easy-to-understand explanation of the basic odds, probabilities and expectations in Hold’Em and Omaha. All the formulations are completely open and are demonstrated via easy-to-follow, colour-coded calculations.
Pat Dittmar has aimed this book at beginning through semi-pro players who want to improve their results and who know that there is not much chance of improvement without a fundamental understanding of poker odds, probabilities, and expectations.
Pat Dittmar is head of trading and development at TradePointTechnologies.com, an organization that develops and deploys state-of-the-art proprietary trading technologies. Pat feels that successful poker players possess the skills required to play in the one true fast action, around the world, around the clock “Big Game” — the world financials markets, and TradePointTechnologies recruits its traders exclusively from the poker world.