A note to US-based customers: All Lit Up is pausing print orders to the USA until further notice. Read more
Showing 5585–5600 of 9267 results
Lorelei Good has a gift: she can relay messages from the afterlife, helping the bereaved speak with their departed loved ones. Of course, Lorelei’s successful seances hinge on the talents of her little sister, Nixie “Nobody”, who has a gift for creative dirt digging on Lorelei’s desparate, and often wealthy, clientele.
The erotic awakening and mental disintegration of an intense young man who leaves home and enters the phantasm of Israel.
It’s just another boring summer for our teenaged narrator – until Barbra arrives. An Ethiopian Jew, Barbra was brought to Israel at age five, a part of Operation Solomon, and now our narrator’s well-intentioned father has brought her, as a teen, to their home for the summer. But Barbra isn’t the docile and grateful orphan they expect, and soon our narrator, terrified of her and drawn to her in equal measure, finds himself immersed in compulsive psychosexual games with her, as she binge-drinks and lies to his family. Things go terribly wrong, and Barbra flees. But seven years later, as our narrator is getting his life back on track, with a new girlfriend and a master’s degree in Holocaust Studies underway, Barbra shows up at our narrator’s house once again, her “spiritual teacher” in tow, and our narrator finds his politics, and his sanity, back in question.
Queer / Play includes plays, performances, interviews, and more, shining a light on important and radical voices in Canada’s performance community.
Through these works by both emerging and established Canadian queer artists, this diverse anthology finds itself at the intersection of queer life and art, delving into the resulting subcultures and always-changing concepts of identity and performance. In this book, queer is not just something someone is; it’s also something they do.
What does it mean to grow up trans in a rural town? To move from Toronto to a small community in Manitoba? To start a queer ice hockey tournament on the Sunshine Coast? To be the first out queer man that your new friend knows on a first-name basis?
Queer Country Crossroads is an anthology of nonfiction stories and poems written by and for rural 2SLGBTQIA+ folks. Fifty writers, poets, and artists from across Canada share personal stories that explore themes from coming of age and isolation to community and home. Each person’s story is unique: some reflect on growing up in rural settings while others describe their experiences of moving to the countryside later in life. Together, these voices offer diverse perspectives and insights into the strengths and hardships that come with living at the intersection of being rural and queer. Queer Country Crossroads serves as a beautiful reminder of people’s resilience, love and strength.
The fiction and poetry of Queer Little Nightmares reimagines monsters old and new through a queer lens, subverting the horror gaze to celebrate ideas and identities canonically feared in monster lit. Throughout history, monsters have appeared in popular culture as stand-ins for the non-conforming, the marginalized of society. Pushed into the shadows as objects of fear, revulsion, and hostility, these characters have long conjured fascination and self-identification in the LGBTQ+ community, and over time, monsters have become queer icons.
In Queer Little Nightmares, creatures of myth and folklore seek belonging and intimate connection, cryptids challenge their outcast status, and classic movie monsters explore the experience of coming into queerness. The characters in these stories and poems – the Minotaur camouflaged in a crowd of cosplayers, a pubescent werewolf, a Hindu revenant waiting to reunite with her lover, a tender-hearted kaiju, a lagoon creature aching for the swimmers above him, a ghost of Pride past – relish their new sparkle in the spotlight. Pushing against tropes that have historically been used to demonize, the queer creators of this collection instead ask: What does it mean to be (and to love) a monster?
Contributors include Amber Dawn, David Demchuk, Hiromi Goto, jaye simpson, Eddy Boudel Tan, Matthew J. Trafford, and Kai Cheng Thom.
Includes:Sexuality and Identity in Fortune and Men’s Eyes by Neil Carson (1972)Homo Creation: Towards a Poetics of Gay Male Theatre by Robert Wallace (1994)“That’s Why I Go to the Gym”: Sexual Identity and the Body of the Male Performer by Reid Gilbert (1994)Only in Alberta?: Angels in America and Canada by Susan Bennett (1996)Queer(y)ing the Canadian Stage: Brad Fraser’s Poor Superman by Marcia Blumberg (1996)Wrestling with a Double Standard by Darrin Hagen (1999)Hosanna! Michel Tremblay’s Queering of National Identity by Elaine Pigeon (2001)The Elephant, the Mouse, and the Lesbian National Park Rangers by B.J. Wray (2001)“Performing Femininity” On Stage and Off: Confronting Effeminaphobia Through Drag Performance by David Bateman (2002)The Configurations of Gender in Tomson Highway’s Dry Lips Oughta Move to Kapuskasing by Susan Billingham (2003)Brothers’ Keepers, or, The Performance of Mourning: Queer Rituals of Remembrance by Peter Dickinson (2004)Strange Sisters and Boy Kings: Post-Queer Tranz-gendered Bodies in Performance by J. Bobby Noble (2005)Get Your ‘Boy’ On! Politics of Parody and Embodiment in ‘Drag’ Performances in Toronto by Frances J. Latchford (2007)Making a Spectacle: The ‘Danger’ of Drag Performance in Two Canadian Pride Parades by Judith R. Anderson (2007)Passionate Performances: Pol Pelletier and Experimental Feminist Theatre Beyond Barriers of Language (1975–1985) by Louise Forsyth (2007)Staging Lesbian Sex and the City by Rosalind Kerr (2007)Potluck Feminism—Where’s the Meat?: Sonja Mills’ Comedy of Resistance by Ann Holloway (2007)Queer and Now: The Queer Signifier at Buddies in Bad Times Theatre by J. Paul Halferty (2007)“Writing Gay: Is it Still Possible?” by Sky Gilbert (2007)Cultivating Queer: The Invisibility of the Canadian Gay Play by David Allan King (2007) Cheep Queers by Mariko Tamaki (2007)Critical Perspectives on Canadian Theatre in English sets out to make the best critical and scholarly work in the field readily available. The series publishes the work of scholars and critics who have traced the coming-into-prominence of a vibrant theatrical community in English Canada.
Confessional and immersive, Michael V. Smith’s latest collection is a broad tapestry that explores growing up queer and working class, then growing into an urban queer life.
In these poems, we are immersed in the world of a young Smith as he shares the awkward dinners, the funerals, and the uncertainty of navigating fraught dynamics, bringing us into these most intimate moments of family life while outrunning deep grief. Smith moves from first home to first queer experiences: teenage crushes, video cameras, post-club hookups, fears and terrors, closeted lovers, and daydreams of confronting your childhood bully.
Queers Like Me is an enveloping book— a meditation on family complexity and a celebration of personal insight.
An engaging and authouritative biography of one a remarkable man who has left a lasting impression on art in the world
Questions for Wolf, Shannon Quinn’s debut poetry collection, explores desire and memory, examining the damaged lives of characters whose street smarts are their only defense against self-destruction and loss of hope. Quinn’s poems delve into a world of “inner city mortifications” as she contemplates lost innocence and how the longing to be great rather than merely good can drive people to pursue a life along society’s margins. From adolescent girls getting a taste of adulthood around a bonfire in “Bonfire” to the sex workers who hold their own on the dark streets of Quinn’s hazy, almost mythical universe, readers are transported through the “peculiar urban sprawl of being a girl” and presented with a celebratory defiance of the expectations projected onto women.
Questions for Wolfis a collection of dark yet delicate poems, celebrating the myth and magic associated with female sexuality and agency. Themes of lost innocence, damaged lives, addiction, and destitution intermingle with a celebration of life outside the margins, as Quinn weaves beautiful narratives out of the ugly bits of life. Images of childlike purity combine with tragedy as the collection follows a motley gang that includes “the morphined, the moon-shined,/the induced amnesiacs and the bicycle thieves” as they stage a revolution against polite society and “pulverize the idea of being good instead of great.”
Stark natural imagery combines with Quinn’s magic-infused metaphors as she describes liquid skies filled with stars and the simultaneously soothing and oppressive force of water as it alternates between the serene waves of a fresh hit and the sound-muffling burden placed on revolutionaries “chained to the ocean floor”. Bears, dogs, elephants, and other strange beasts including carnivorous sheep take shadowy shape throughout the collection as Quinn delves into our animal urges and confronts society’s tendency to enforce order but offer no guidance. “Where were our birders when we needed them?” she asks in “Animal Secrets”, but this probing discontent reveals fewer answers than questions.
Despite being a collection exploring wounds and sorrows, Questions for Wolfis also fundamentally about redemption as Quinn explores the strength it takes to reclaim a shattered life. Quinn dares herself to transform grief into something beautiful, and the result is an eloquent statement about hope against all odds.
questions I asked my mother is a seminal work of both Canadian and Mennonite literature.
Included in this new edition, poet and scholar Tanis MacDonald reflects on the the impact of Di Brandt’s poetry undercuts centuries of patriarchal culture. Powerful and lyrical, filled with humour and intelligence, [Brandt’s] language enfolds desire and hate, birth and death, mother and child.
“You can feel the warmth of the poets breath, sometimes gasping, sometimes singing, always affirming life itself. Read these poems. They will take your breath away.”
–Magdalene Redekop
Incisive and intensely felt, Stewart Cole’s striking debut collection reminds us that we too live in an age of anxiety, disoriented by doubt, and up late, compelled to confront the unanswerable. Sirens draw us to the inevitable fact of human suffering, black-winged redbirds perch aloof above our daily commutes, sex denies and drives our hunger for fidelity, and the comet speaks before it strikes.
In an unabashed celebration of intellect and a visceral engagement with our shadowy impulses, Cole’s voice veers between the playful and the grave, pillow-talk and eulogy. And despite the odds, love — private, public, and free of false sentiment — emerges cloaked in a wit and intelligence at once elusive and warm.
From the urbane and civil to the lustful and dark, the poems of Questions in Bed, in an impressive synthesis of content and contour, depict the heat-seeking of our driven days and insomniac nights.
The highly anticipated follow-up to the wildly popular Glimpse
Quick is George Murray’s second collection of aphorisms — a form that straddles the lines between poetry, philosophy, humour, and prose. He describes these pieces as “poetic essences” — sometimes even as “poems, without all the poetry getting in the way.” Some are deep, some clever, some funny, some all three. The best, he says, should read like common-sense statements that have never actually been expressed.
Built out of more than 450 short statements, Quick is a series of thoughts and ruminations, any one of which could be an entire poem but instead has been compressed into a single profundity. Following his bestselling Glimpse, Murray continues to explore a wide range of themes: from deep existential disquiet to the comforts of the meaning of belief; from what it means to be alive to how the world deals with hate, love, the sublime, and the ridiculous.
“Quiet Night Think is a stunning work.” — Madeleine Thien, author of Do Not Say We Have Nothing
“One function of the poet at any time is to discover by his own thought and feeling what seems to him to be poetry at that time,” writes Wallace Stevens. In Quiet Night Think, award-winning poet Gillian Sze expresses her own definition.
During the remarkable period of early parenthood, Sze’s new maternal role urges her to contemplate her own origins, both familial and artistic. Comprised of six personal essays, poems, and a concluding long poem, Quiet Night Think takes its title from a direct translation of an eighth-century Chinese poem by Li Bai, the subject of the opening essay. Sze’s memory of reading Li Bai’s poem as a child marks the beginning of an unshakable encounter with poetry. What follows is an intimate anatomization of her particular entanglement with languages and cultures.
In her most generically diverse book yet, Sze moves between poetry and prose, mother and writer, the lyrical and the autobiographical, all the while inviting readers to meditate with her on questions of emergence and transformation: What are you trying to be? Where does a word break off? What calls to us throughout the night?