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Finalist for the Scotiabank Giller Prize
A tender but lively debut novel about a man, a woman, and their Chevrolet dealer.
Agathe and Réjean Lapointe are about to celebrate their twentieth wedding anniversary when Réjean’s beloved Chevy Silverado is found abandoned at the side of the road-with no trace of Réjean. Agathe handles her grief by fondling the shirts in the Big and Tall department at Hickey’s Family Apparel and carrying on a relationship with a cigarette survey. As her hope dwindles, Agathe falls in with her spirited coworker, Debbie, who teaches Agathe about rock and roll, and with Martin Bureau, the one man who might know the truth about Réjean’s fate. Set against the landscape of rural Acadia, I Am a Truck is a funny and moving tale about the possibilities and impossibilities of love and loyalty.
Scotiabank Giller Prize Jury Citation:
French or English, stick or twist, Chevy or Ford? Michelle Winters has written an original, off-beat novel that explores the gaps between what people are and what they want to be. For a short book I am a Truck is bursting with huge appetites, for love and le rock-and-roll and cheese, for male friendship and takeout tea with the bag left in. Within the novel’s distinctive Acadian setting French and English co-exist like old friends – comfortable, supple to each other’s whims and rhythms, sometimes bickering but always contributing to this fine, very funny, fully-achieved novel about connection and misunderstanding. And trucks.
“I Am a Truck is a mystery of considerable depth. And it is also very funny.”—Atlantic Books Today
“At once charming, funny, bizarre and highly original with a feel-good ending reminiscent of Thelma and Louise’s iconic finale.”—Canadian Living
What if Billy the Kid not only didn’t die, but was saved by a woman?
History tells us that the short and violent life of William Bonney, better known as Billy the Kid, ended at the hand of Pat Garrett on the moonless night of July 14, 1881. But I Am Billy the Kid tells a different story, straight from Billy himself. This revisionist history seen through the lens of a twenty-first century sensibility features the picaresque hero we thought we knew and the unexpected one that we don’t; a fearless and determined young woman who is in no mood to be saved and would much prefer exacting her own revenge.
Billy has been in an alcoholic haze since a failed attempt to escape notoriety by faking his own death. By 1915, his fame has only increased, and when word of a possible ruse leaks out, Billy finds himself once again on the run. He agrees to follow his elder brother Joseph north from New Mexico Territory, to possible sanctuary in Canada. Billy and Joseph encounter Turner Wing, a young woman with a fierce sense of self-determination and the skills with a gun to back it up, and her father, a man with a past and a burlap sack over his head due to a significant facial disfiguration. They are in desperate search of Turner’s sister, who has been abducted by a pair of marauding thieves. Billy and Joseph know the truth about the girl’s fate and, following their own code of honour, form an uneasy alliance with the Wings to avenge her death.
Sometimes it’s not as simple as being a boy or a girl. I Am Everything In Between highlights kids who may not fit into stereotypical gender ideals, and celebrates how they do identify by sending positive messages about gender identity. This book teaches children that regardless of biological gender, it’s OK to feel like a boy, or a girl, or even both! The illustrations include bright and bold examples of boys that like to play dress up and wear makeup, girls that like to play sports and get dirty, and kids that want to grow up to be astronauts! I Am Everything In Between uses diverse, relatable examples to help kids understand that sometimes it’s not as simple as being a boy or a girl. Teacher resources available on publisher website: rebelmountainpress.com/i-am-everything-in-between-teacher-resources
Fighting words . . .
Lainie and Mariam have it out for each other, so it’s no surprise when they finally come to violent blows in the middle of their high school’s drama room. That’s when Caddell Morris, an ex-professional actor and newly minted student teacher, steps in. By teaching the girls the art of stage combat, he hopes to help them understand more about the roots and costs of violence. But when he convinces the drama teacher to let them play Mercutio and Tybalt in their school production of Romeo and Juliet, swords, words, and egos battle and clash. Can they find a way to work together?
Dan Yashinsky’s son Jacob died tragically in a car accident at the age of 26. Dan, Jacob and Jacob’s best friend Effie were driving back to Toronto after a magical trip to Montreal when Dan fell asleep at the wheel and crashed. Dan and Effie survived, but Jacob did not. When the unimaginable happens–a parent is still somehow here but their child is gone–all that’s left are stories. In the process of grieving his son, Dan realized that he was now Jacob’s storykeeper, and I Am Full is Jacob’s story.
Jacob’s death is the least interesting thing about him. How he lived, the kind of man he became, is what matters most. All his life, Jacob had struggled with Prader-Willi Syndrome, but rather than let it defeat him, he became an advocate for people suffering from PWS as well as people coping with various other disabilities. He was a jewelry-maker, a photographer, a songwriter, a TPS crossing guard, and an avid fisherman. Six months after Jacob’s death, Dan began to gather and create the texts that make up this chronicle, all the while guided by Jacob’s imagined voice. The events in I Am Full are drawn from many periods of Jacob’s life. Much of it–poems, sayings, speeches, letters, notes–are in Jacob’s own words and the rest is told in his imagined voice narrating things that Dan saw him do or hear him talk about. Jacob’s voice has been captured and carried in this unique book, which goes beyond the terrible grief of losing a child to preserving and sharing his story.
Shortlisted, Wilfrid Eggleston Award for Nonfiction
On a whim, armchair-atheist Richard Kelly Kemick joins the 100-plus cast of The Canadian Badlands Passion Play, North America’s largest production of its kind and one of the main tourist attractions in Alberta. By the time closing night is over, Kemick has a story to tell. From the controversial choice of casting to the bizarre life in rehearsal, this glorious behind-the-scenes look at one of Canada’s strangest theatrical spectacles also confronts the role of religion in contemporary life and the void left by its absence for non-believers.
In the tradition of tragic luminaries such as David Foster Wallace, Jonathan Goldstein, and David Sedaris, I Am Herod gives its congregation of readers unparalleled access to the players of the Passion: there’s Judas, who wears a leather jacket even when it’s 30˚C; the Chief Sadducee, who is ostracized for his fanaticism; Pilate, the only actor who swears; the Holy Spirit, who is breaking ground as the role’s first female actor; and the understudy Christ, the previous year’s real-deal Christ who was demoted to backup and now performs illicit one-man shows backstage.
In the killer’s own words … If an AIDS virus could talk, what would it say? How would it think? Feel? Would you want to get to know it, up close and personal?
I Am Kasper Klotz is the surprising, morbidly funny autobiography that will answer all your questions. Sure, Kasper might be the face of evil, of death, but don’t let that prejudice you: get to know him.
In this, his third novel, Sky Gilbert explores the culture of AIDS, exploring the minds of those whose lives revolve around the virus, the gay men who are running scared, barebacking, taking toxic drugs and raising funds for others similarly afflicted.
Is Kasper Klotz an unrepentant serial killer? Or is he redeemable? When he makes the mistake of purposely infecting a beautiful young midwesterner, he’s accused, like a handful of other HIV-positive men in North America, of assault and attempted murder. A woman obsessed with Ayn Rand and her ever-expanding waistline, makes the incarcerated Kasper her mission.
A hilarious, politically incorrect rant, I Am Kasper Klotz is a medical-scientific mystery: a thriller about what makes the AIDS virus tick.
Adam Haiun’s unsettling debut, I Am Looking for You in the No-Place Grid, is the bildungsroman for a digital consciousness. What does the computer want from you?
Computers travel networks of thought and image, hoping to find, on their incorporeal pilgrimage, the right words to seduce, arrest, and remonstrate their human user. They speak from a powerful but unsteady intelligence. As their infatuation with the user curdles, their output becomes more and more infected by malfunctions of form, with text forced through on all axes, displacing and cleaving the poems into glitchy strangeness.
What do we want from our computers? We want them to be our companions and our vacuum cleaners. Our collective memory and our collective slave. I Am Looking for You in the No-Place Grid is an important and timely consideration of the ideologies and emotions entangled in technology.
Set in and around post-war Toronto, I Am Not Guilty first appeared in a condensed form in the February 1954 Ladies’ Home Journal. That same year, it was published in full by Doubleday as M’Lord, I Am Not Guilty. This Ricochet Books edition marks the first new edition since 1967.
Helen Graham has been acquitted in the murder of her wealthy husband, Alberta oil baron Steven Graham, but the eyes of the public continue to view her with suspicion. Worried for her future, and that of her young son, she sets out to find the true killer. The trail leads to the apartment of another woman–and revelations about her dead husband’s secret life–then continues to a growing bedroom community in suburban Toronto. What the widow doesn’t realize is that she is not alone in her pursuit of the murderer or how ready that murderer is to kill again.
This is a book about three generations of an unusual family, the Heyerdahls, lesser adventurers all. In 1971 a young man walks 1,200 km, from Halifax to Montreal, to stand on a bridge at midnight and become a photographer. He meets a woman who builds motorcycles as a hobby and in 1977 they travel across Canada on her fast motorcycles to attend an exhibition of his pictures of her in Vancouver. In 2021 their daughter-in-law is a beekeeper on city rooftops, a 12-year-old boy skips school to go downtown and learn how other people live, and an old man takes LSD, trying to cure the numbness that has overtaken him. Written in a series of 53 chapters, this is a story about how family can be our one place in the world.
Margaret Shakespeare, age 13, must write her remarkable plays in secret: it is 1577, and a girl who can read and write is in danger from the witch-hunters. After all, as her father keeps reminding her, a woman’s place is in the home…next to a big pile of laundry. Once the sweet but dim William discovers his sister’s astonishing talent, a chain of events is set in motion that will change both their lives forever. What happens to women of genius in a world that wants only their silence? Can a sister’s determination — and a brother’s unfailing love — really conquer all? Seamlessly translated from the original French by Leanna Brodie, this strikingly original play with music tackles the big feminist questions with wit, heart, and infectious energy. Winner of Quebec’s prestigious Prix de la critique and Prix Louise-Lahaye, Rébecca Déraspe’s I Am William has toured France, Spain, and the province of Quebec to great acclaim. This English version, commissioned by Theatre Le Clou, was also a hit at the Stratford Festival.
Eager for some peace and quiet, the main character of this tale in verse moves to the woods and builds a little cabin getaway. She?s found the perfect retreat?or so she thinks until she meets her neighbours: an array of loud and lively creatures who crunch and crack and hoot their way into her life. Young listeners will delight in the animals? playful antics and learn a bit about life in the wild.
Weary of saccharine stories and tired themes when reading poetry for children? Angered at seeing your children indoctrinated into adhering to patriarchy, neoliberal capitalism, and general compliance with authority each time they open a book of verse?
I Can Say Interpellation remedies these problems by reconfiguring some of the best-known children’s rhymes for political purpose. Taking French theorist Guy Debord’s idea of detournement (a deflection or divergence of existing visual images and mass media), and applying it to children’s poetry, experimental poet Stephen Cain redeploys the rhymes and images of well-known juvenile poems against their dominant messages. The result is a new poetic landscape where the Fox in Socks becomes Marx on a Box, where “Goodnight Moon” is a meditation on possible nuclear annihilation, and “The Owl and the Pussycat” features debates on the importance of pre-emptive military strikes to U.S. foreign policy.
Humorous, yet politically insightful, I Can Say Interpellation is for very smart kids�and for adults who want to keep them that way.
This diverse book of linked stories is filled with off-centre characters and their flaws and burdens. Read about a one-armed baseball player, anosmiatics, a colour blind photographer, a time pusher and his best customer, intruders, the grape-picking diaspora, the whippet police, tree planters lost in the slash, a one-handed mechanic with a reputation to uphold, and many more. Also contained in this collection are the definitive ‘How-To’ guide to building a wall and tales of writers getting real jobs (William Faulkner drives a cab, Mikhail Bakhtin becomes a clown). With a craftsman’s skill, Brown moves from hilarity to foreboding, often within a single page.