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Winner of the 2008 Trillium Book Award for Poetry
Write for buyers. Write for bosses. Think hyper. Think branding. Tell your visitor where to go. Poetry and ‘plain language’ collide in the writing machine that is Human Resources. Here at the intersection of creation and repackaging, we experience the visceral and psychic cost of selling things with depleted words. Pilfered rhetorics fed into themachine are spit out as bungled associations among money, shit, culture, work and communication. With the help of online engines that numericize language, Human Resources explores writing as a process of encryption.
Deeply inflected by the polyvocality and encoded rhetorics of the screen, Human Resources is perched at the limits of language, irreverently making and breaking meaning. Navigating the crumbling boundaries among page, screen,reader, engine, writer and database, Human Resources investigates wasting words and words as waste – and the creative potential of salvage.
‘In this bad-mouthing and incandescent burlesque, Rachel Zolf transforms a necessary social anger into the pure fuel that takes us to “the beautiful excess of the unshackled referent.�* We learn something new about guts, and about how dictions slip across one another, entwining, shimmering, wisecracking. For Zolf,political invention takes precedent, works the search engine.’ – Lisa Robertson
Whether investigating a gruesome triple-murder, a fairy tale marriage gone horribly wrong, or a brilliant con artist, Michael Lista has proven himself one of the most gifted storytellers of his generation. In his belief that crime reporting thrives the closer it moves to “the human scale”—where every uncovered secret reveals the truth of our obligations to each other—Lista builds his compulsively readable narratives from details (fake flowers, a little girl’s necklace) others might pass over, details that provide a doorway into the extreme situations he is drawn to. The Human Scale not only includes Lista’s most celebrated magazine stories to date, but comes with postscripts that describe his process in writing each piece, and the fallout from publication. Here is long-form journalism in its most hallowed form: brilliant and bingeable.
Weyman Chan’s fifth collection takes poetry to the laboratory, splicing a layered, tactile network that is Human Tissue.
Short lyric poems navigate personal experience and memory, then weave into serial poems such as “Parables for Frankenstein,” diving into the material conditions of hybridity to construct the symbiotic self of a prototype misfit. “Panic Room,” another serial poem probes the loner whose isolation at a house party takes a sinister turn, and “Unboxing the Clone” explores the causality of creation, where “trace beings” are felt in flesh and voiced in colloquial speech.
Human Tissue creates a language that is intimate while acknowledging relations to the social environment. Accompanied by the tones of an erhu, archaic Anglo-Saxon language jostles with Chinese, and self-censure meets Faust and Judith Butler to ask the vital questions of origin. Chan shows us how we come to settle with histories of uncertain origin, the presence of science and technology in the mediated body, and how we forge “not-knowing” as a vibrant way of being.
David Huebert?s Humanimus presents a world of soiled nature, of compromised ecology, of toxic transcendence. Raising environmental precarity to the level of mythos, this book implicates readers in what Dominic Pettman calls the ?humanimalchine,? where modern cyborg bodies are rewired and remixed with mechanical membranes and animal prostheses. Revelling in corporeal excess and industrial abjection, Humanimus fans the ash of the human experiment to see what strange beauty might wilt and whimper there.
A compelling, haunting novel about a man experiencing gaps in time, and the pain of living inside an anxious mind.
Felix wakes up one day to find he has a girlfriend he doesn’t recognize. He finds a novel, with his name on the cover, that he doesn’t remember writing. He’s been losing time since university. Sometimes these gaps are minutes, sometimes months. But now he begins experiencing flashbacks and moments where he gets a glimpse of an unsettling future. He will do anything necessary to keep the people he loves safe . . .
Hummingbird is a haunting, powerful novel, told in unadorned language that expresses with clarity the pain of living inside a disturbed mind. Like Anakana Schofield’s ground-breaking Martin John, Hummingbird is at times uncomfortable, but written with deep compassion and a sense of urgency.
Finalist: 2013 Raymond Souster Award
Winner: 2011 Lansdown Prize for Poetry, Manitoba Book Awards
When Gabriel Rivages recounts the life of Olympic gold medalist and silver-screen heart-throb Johnny Weissmuller (1904-1984), he brings to life a vibrant patchwork of America’s 20th century, from its athletic exploits to its literary underground, from its cinematic glory to its obscure failures. Burroughs sells pencil sharpeners, Einstein crosses paths with squirrel hunters, we play golf in Cuba, JFK becomes an airport, the world record for the 100m freestyle swim is broken, Tarzan saves Jane, a corrupt accountant runs away with the savings, the Second World War makes waves in Lake Michigan, and a living legend wraps up a storied career as a host in a Las Vegas restaurant.
Hungary-Hollywood Express is the first novel in Éric Plamondon’s 1984 trilogy. The second and third volumes, Mayonnaise and Apple S, turn their lens on the poet Richard Brautigan and Apple founder Steve Jobs respectively. Esplanade Books will publish them in 2017 and 2018 translated by novelist Dimitri Nasrallah.
***2022 BMO WINTERSET AWARD – FINALIST***
A play about currency during wartime, survival, and the power dynamic between protectors and the protected.
In an isolated farmhouse during a period of ethnic cleansing, Johanna and Max attempt to perform an act of selflessness by hiding two persecuted individuals, a musician and a scholar, in an alcove behind their walls. When the money runs out, they are forced to take in a third refugee, a little girl whose father is willing to pay handsomely for her safety. But the alcove isn’t big enough for three, and as the war outside reaches a deafening climax, hunger reduces the protectors and the protected alike to a surreal state of desperation.
A few days ago, Karen was a writer and translator immersed in Copenhagen’s creative scene, madly in love with her partner. Now she’s a patient in a psychiatric facility.
Hunger Heart is a sensual, profound work of autofiction about love, relationships, mental illness, and recovery by one of Denmark’s most celebrated literary writers. Fastrup immerses us in the alienations of her breakdown and hospitalization: what it’s like to apologize for threatening your loved one with a knife; how an eating disorder can begin with the discomfort of family and adolescence; and how to make the long journey back to one’s creative life.
But this is not primarily a book of heartache and damage. We are reminded of the electricity of love and the power of language to support our identities and our lives. Deeply courageous, captivating and affecting, Hunger Heart is as much a balm as it is a firework.
Written in his unique phonetic language, bill bissett’s second novel-poem, hungree throat, recounts the relationship of two men – one bold and unafraid, the other burdened by terrible memories and unable to trust. We witness ten years of a shared life marked by hunger “4 breething being singing eeting digesting speeking saying food kissing watr love.”
An engaging novel about body image, eating disorders, diet myths and the big fat fabrications and lies that the media forces us to swallow. A compelling, entertaining story infused with fascinating little-known facts about ancient goddesses, curious New Age remedies, the foibles of modern-day celebrities and the truth about retouched images in the world of fashion magazines, from which so much self-body-hatred comes. A story of compassionate vulnerability and determined empowerment. The Hungry Mirror is the fictional tale of a young woman overwhelmed. Lured by false promise and seeking fickle social acceptability, she starves herself and fast becomes trapped when seeming-sanctuary proves a cage of addictions walled by self-hatred and filled with doubt. Within the context of fashion magazines, the young woman is both participant and observer in the perpetuation of the myth of beauty; the retouched images, the impossible standards that ordinary women are expected to follow and achieve. A firsthand account of the role of the media in the war with body image, this is the story of everywoman and the relentless ghosts that pursue her. Increasingly ill, her marriage cold, her family well-intentioned enablers of mistaken social belief, the young woman realizes the choice is hers; to live or die. The work encompasses the complex friendships between women, the unspoken truths about marriage and sexuality as well as various religious and spiritual messages, ancient philosophies, fairytales and legends. In the end, the young woman learns the true value of size zero is indeed nothing.
A fast-paced thriller set in the vast and rugged Yukon wilderness, The Hunt follows an unlikely duo on an exhilarating journey as they battle the terrain and race against the clock to solve a murder—before they become victims themselves.
Ben Matthews is less than thrilled when he is posted to Canada from Washington, but he doesn’t have time to sit in his disappointment. His diplomatic credentials are still fresh when he is drawn into an urgent assignment: locating an American VIP who vanished on a Yukon hunting trip. Seeking help from the local Mounties, he finds himself paired with Lee Sawchuk; an RCMP sergeant, she is at ease in the challenging terrain of the Yukon environment. Battling nature and their considerable differences, the impromptu team’s search takes them to Kluane National Park and beyond—but the missing person is no ordinary VIP, and this is no ordinary search. Faced with a cryptic warning found in the remote Yukon mountains, all Matthews and Sawchuk know for sure is that the clock is ticking—and they only have four days left.
The year is 1684. Twelve-year-old Eustache Bréman leaves behind a life of misery begging on the streets of France for a second chance in the New World with his mom, his sweetheart Marie-Élisabeth, and Marie-Élisabeth’s family. But life is tough, with plenty more tragedy and disappointment to come on De La Salle’s ill-fated expedition to the Mississippi. Join Eustache as he comes of age in Louisiana, all in a sparkling English translation that’s every bit as modern and playful as Camille Bouchard’s original French. Squabbling leaders, bloodthirsty freebooters, and a hostile Karankawa nation make for heartbreaking adventure–and occasional proof that “all sorrows end up diluted in the concerns of everyday life.” This action-packed young adult novel weaves real historical events and important themes into the day-to-day concerns of a young boy. It is written simply and well, posing some troubling questions along the way. Will God answer Eustache’s prayers or punish him for his actions? Will young love conquer all? Or will the men’s true nature be revealed and bring about their downfall?