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It was cold; bitterly paralysingly cold. There was a dampness in the air that bit into the marrow of your bones and stayed there. The red in the thermometer was below zero and still dropping steadily, and the weather forecasts offered no immediate hope of a let up. The city lay rigid under the stiffening blanket of snow. The air as you breathed it felt solid.
A raw novel of sex and drugs in the years just before rock ‘n’ roll, Hot Freeze moves from the highest Westmount mansion to the lowest Montreal gambling joint and nightclubs. Its hero is Mike Garfin, a man who got kicked out of the RCMP for sleeping with the wife of a suspect. Recreating himself as an “inquiry agent”, Mike takes on what looks to be an easy job, shadowing a bisexual, teenaged son of privilege who is throwing around more money than his allowance allows. But the boy disappears. Others soon follow, and Garfin’s world becomes a lonelier place.
First published in February 1954 as a Dodd, Mead Red Detective Mystery title, Hot Freeze enjoyed second and third lives as a Reinhardt hardcover and a Popular Library paperback. In 1955, a French translation, Mon cadavre au Canada, became part of Gallimard’s Serie noir. This Ricochet Books edition is the first in sixty years.
Bringing the best of professional wrestling into focus, from the glare of the spotlights to rare, behind-the-scenes candid photos, George Napolitano has created the most far-reaching and beautiful visual history of its kind. For five decades he has been ringside, documenting wrestling’s biggest main events, photographing its most famous — and infamous — stars. His images have captured the blood, sweat, and tears spilled in the squared circle. In the process, they have become as iconic as the men and women in them.
Covering those who have made professional wrestling one of America’s great passions and pastimes — Bruno Sammartino and Claddy Freddie Blassie, Gorilla Monsoon battling Muhammad Ali, Andre the Giant and Mil Mascaras thrilling crowds all over North America, and Cyndi Lauper and Captain Lou Albano bringing wrestling to MTV — this chronicle shows it all.
For the fans of the nWo or ECW’s hardcore revolution, those who love the attitudes of DX, The Rock, and Stone Cold Steve Austin, and those who still tune in every Monday night for Cena, Triple H, and Orton, this compilation is the ultimate pictorial of the glories and humiliations of the wrestling world.
Since 1975, Ken Norris has produced some of Canada’s most intriguing poetry. Whether detailing the amorous lives of produce (Vegetables), documenting travels to the South Seas (The Better Part of Heaven and Islands), engaging contentious social and political issues (In the Spirit of the Times and In the House of No), or taking the measure of the successes and failures of contemporary love (The Music and Limbo Road), Norris has always given us quirky, edgy poetry that has continually revealed unanticipated possibilities and explored new horizons. His work has been widely anthologized in the English-speaking world, as well as in translation in France, Belgium and Israel. His latest book of poems, Limbo Road, is to be published this fall in translation in Quebec by Ecrits des Forges.
Hotel Montreal offers the literary traveller a haven for clandestine encounters with the intimate and the exotic. It includes selections from nineteen ground-breaking books of poetry (a number of them now out of print or hard to find), as well as a healthy selection of accomplished new poems. It draws together the very best of Norris’s lyric poetry from a 25-year period, while offering the reader an indispensable panoramic view of the work of a poet at the height of his creative power.
On October 15, 1967, bass player Steve Boone took the Ed Sullivan Show stage for the final time, with his band The Lovin’ Spoonful. Since forming in a Greenwich Village hotel in early 1965, Boone and his bandmates had released an astounding nine Top 20 singles, the first seven of which hit the Billboard Top 10, including the iconic Boone co-writes “Summer in the City” and “You Didn’t Have to Be So Nice.”
Little did Steve Boone know that the path of his life and career would soon take a turn for the bizarre, one that would eventually find him looking at the world through the bars of a jail cell. From captaining a seaworthy enterprise to smuggle marijuana into the U.S. from Colombia, to a period of addiction, to the successful reformation of the band he’d helped made famous, Hotter Than a Match Head tells the story of Boone’s personal journey along with that of one of the most important and enduring groups of the 1960s.
Set amid the underworlds of Montreal and New Orleans in the 1920’s and 30’s, Houdini’s Shadow is a dark and poetic tale of desire and decadence, obsession and betrayal.
Co-Winner, Margaret Laurence Award for Fiction
Patricia Robertson’s new collection of short fiction, Hour of the Crab, is a work of insight and mastery, each story demonstrating an original vision, intriguing characters, and sophisticated skill.
Readers will travel with Robertson’s vivid characters, sharing their journeys, their challenges, their complicated choices. They will also discover other worlds — from an eleventh-century monastery in France to a near-future British Columbia where apocalyptic wildfires seem to be never-ending.
A young woman discovers the corpse of a Moroccan teenager washed up on the beach in southern Spain and sets out to find his family in a gesture that destabilizes her own. An international aid worker shares her house with the very real ghost of a gardener’s boy. The last speaker of a dying Norse-like language carves the words he remembers into the stones of his house.
Urgent and evocative, immersed in issues of our time, the stories of Hour of the Crab reveal Robertson’s ability to draw in her readers with the heightened realism of her imagined worlds.
A citizen’s guide to making the big city a place where we can afford to live.
Housing is increasingly unattainable in successful global cities, and Toronto is no exception – in part because of zoning that protects “stable” residential neighborhoods with high property values. House Divided is a citizen’s guide for changing the way housing can work in big cities. Using Toronto as a case study, this anthology unpacks the affordability crisis and offers innovative ideas for creating housing for all ages and demographic groups. With charts, maps, data, and policy prescriptions, House Divided poses tough questions about the issue that will make or break the global city of the future.
Built by the Boulton family between 1817 and 1820, the Grange is Toronto’s oldest remaining brick house. During the nineteenth century, the Grange was at the centre of the city’s social and political activity. Today, with its collection of furniture, artifacts, and art, it is an historic house museum and part of the Art Gallery of Ontario.
In her fascinating essay, award-winning Canadian historian Charlotte Gray brings to life the saga of the Grange, the home of the Boultons and of Goldwin Smith in the 19th century. Devoting as much attention to the formidable women who ran the household as to the men who were key figures in the development of the city, she offers a fascinating portrait of a place and a time. Complementing Gray’s essay are shorter essays and reproductions of works commissioned from artists Rebecca Belmore, Luis Jacob, Elizabeth LeMoine, Josiah McElheny, Elaine Reichek, and Christy Thompson that offer inventive responses to a complicated past.
Levi Hayes is out for gold — and blood — in this high-magnitude historical tear through the mean streets of San Francisco
In the days before the great earthquake and fire of 1906, Levi Hayes returns from San Quentin Prison with a plan. After serving five years for the theft of $30,000 in gold coins from the San Francisco Mint, he’s ready to take back what’s his and exact revenge on the now-powerful Healey brothers who set him up and had his barroom, House of Blazes, seized by court order.
To get back his bar Levi recruits his nephew, Mack Lewis, telling him the gold coins wait hidden behind one of its cellar walls. Their wild scheme propels them through saloon halls, gambling dens, back alleys, and brothels before it backfires. In lock-up as the earthquake hits, Levi and Mack must escape the collapsing building and burning city to get to the gold coins, with Quinn Healey determined to get his own revenge on them.
During the Six Day War, an Israeli general found an abandoned house and made it his home. Forty years later, the general, along with his imaginative and distant son Alex, live in peaceful solitude. When a Palestinian writer shows up with is daughter and lays claim to the house he left decades ago, an internal house war ensues. The bathroom is seized, a fig tree is destroyed, and the basement becomes a shrine in the resulting chaos. Relenting, both men strike a deal to share the house. Somehow these two families are going to have to live together—if they don’t kill each other first.
Robert Pepper-Smith’s graceful follow-up to The Wheel Keeper follows the friendship between teenagers Rose and Lacey and their search for self-confidence, acceptance, and love in a small village in south-eastern British Columbia.When Rose becomes pregnant, the childless Giacomo family, whose wealth is well-known in the community, offers to adopt the child. As Rose wrestles with the decision to give up her baby, Lacey recounts her efforts to help her friend. With gentle humour and righteous anger, she faces the destructive forces of greed and realizes her own capacity for courage and love.
Embedded in Canadian and world history, and set in downtown Toronto between 1947 and the turn of the century, The House on Lippincott is a Jewish family saga which weaves together family caring, Holocaust trauma, abuse, aging, betrayal, anti-Semitism, resistance, and celebration, while introducing vital new characters to the Canadian landscape. There is brilliant feminist scholar and thinker, Miriam Himmelfarb, from whose perspective the story unfolds, her parents–Rachael and Daniel–both Holocaust survivors and activists, mysterious Uncle Yacov, and sisters Sondra and Esther. As children of survivors, early on, Miriam and her sisters make a decision which is to haunt them. A woman with heart, the aging Rachael presents her family with yet another harrowing choice. As children of survivors, early on, Miriam and her sisters make a decision that is to haunt them. A woman with heart, the aging Rachael presents her family with yet another harrowing choice.
2023 Governor General’s Literary Award for Literary Translation Finalist * 2023 VMI Betsy Warland Between Genres Award Winner * 2023 Winner John Glassco Prize for Literary Translation
A meditation on the wiles of depression, illuminated by queer and diasporic experience.
“We, nosotros, nosotras: somos sobrevivientes.” Weaving prose poetry, essay, autobiography and photography in mutual contamination, Nicholas Dawson relates his own deep depression, a state never fully gone, always cohabitant. Amidst this persistence, “the body and the pen bring a plural syntax of alternative knowledges into being, one which allows us to know the world better, to know ourselves better, to better love daybreak and this sun obstinately piercing the curtain with its brazen rays.”
House Within a House, in a luminous translation by D.M. Bradford, tells the story of what walls the depressed person in, what keeps them wandering inside, and what finally gets them, somehow, out of the house. The original book, Désormais, ma demeure, received the 2021 Grand Prix du livre de Montréal.