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Upon learning his great-uncle Alfred has suffered a stroke, Richard sets out for Ste. Anne, in southeastern Manitoba, to find his father and tell him the news. Waylaid by memories of his stalled romance, tales of run-ins with local Mennonites, his job working a honey wagon, and struck by visions of Métis history and secrets of his family’s past, Richard confronts his desires to leave town, even as he learns to embrace his heritage.
Evoking an oral storytelling epic that weaves together one family’s complex history, Hold Your Tongueasks what it means to be Métis and francophone. Recalling the work of Katherena Vermette and Joshua Whitehead, Matthew Tétreault’s debut novel shines with a poignant, but playful character-driven meditation on the struggles of holding onto “la langue,” and marks the emergence of an important new voice.
Holden After and Before is a moving meditation on grief: a stunning book that traces Tara McGuire’s excavation and documentation of the life path of her son Holden, a graffiti artist who died of an accidental opioid overdose at the age of twenty-one. Beginning with Holden’s death and leaping through time and space, McGuire employs fact, investigation, memory, fantasy, and even fabrication in her search for understanding not only of her son’s tragic death, but also of his beautiful life. She navigates and writes across the many blank spaces to form a story of discovery and humanity, examining themes of grief, pain, mental illness, trauma, creative expression, identity, and deep, unending love inside just one of the thousands of deaths that have occurred as a result of the opioid crisis.
With poignant honesty and a heart laid bare, Holden After and Before is a beautiful and moving elegy to a son lost to overdose.
In her follow-up to 2008’s Flutter, former big-city-dweller Alice Burdick explores nature and the small town, taking a cue from children learning their voices: ‘All I see are trucks, / trucks and ducks.’ With a blend of playful narrative and an Ashberyesque collage approach, Burdick paints a portrait of our world as one of continuous wonder, and full of relationshipsÑbetween people, and between people and thingsÑthat never die but continually transform, even in death.
Hollow Water is a follow-up to Sarsfield’s popular Running with the Caribou and is told in the same intimate style that made his first book a popular seller.
Our feet barely touched the earth, and memory
erased at birth, but gradually reassembling
coalesced and formed a whole, as single birds
gathering for migration form a flock.
—P.K. Page, “Presences”
In Hologram: Homage to P.K. Page, Canadian poets honour the legacy of the internationally-acclaimed and influential poet, P.K. Page. Page, born Patricia Kathleen, earned numerous awards and accolades in her lifetime for her work as a poet and visual artist—she received the Governor General’s Award in 1954 for The Metal and the Flower, and the Canadian Authors Association Award in 1985 for The Glass Air; she was made both an Officer of the Order of Canada (1977) and a member of the Order of British Columbia (2003); in 2004, she was presented with the inaugural Lieutenant Governor’s Award for Literary Excellence. Today, her impact upon the Canadian poetic landscape is recognized throughout the country, and honoured by the annual P. K. Page Founders’ Award for Poetry offered by The University of Victoria with The Malahat Review.
Edited by Yvonne Blomer and DC Reid, and featuring pieces from renowned poets including John Barton, Marilyn Bowering, Lorna Crozier, Eve Joseph, Patrick Lane, Alice Major, kjmunro, Patricia Young, and many others, Hologram is testament to the mentoring that P.K. Page offered through community and conversation, as a living writer and through her poetry. As Solveig Adair writes in her brief story about P.K. Page, “I want to have a conversation with P.K. Page, but I’ve gradually realized that I’ve been having that conversation, year over year…” Hologram: Homage to P.K. Page is an insightful poetic conversation that honours one of Canada’s most influential poets. It promises to inspire past and future generations of writers, thinkers, and poetry-lovers.
In the novella, Holy Fools, a man on the verge of suicide answers the doorbell and is arrested for a crime he did not commit. His luck changes when he meets Tolstoy, a Lord and author of long books who is doing time for crimes against shareholders. A dark comedy about the game of life. Two stories complete the collection: Nobody Writes to the Professor and Albert Fine.
Holy Rule takes place during three weeks in October, 1958, focusing on the lives of a group of nuns who teach at St. Monica’s Girls’ School. During this time of high autumn, the pope lies dying in Rome– and then finally dies– while thousands of miles away life carries on among the students and teaching nuns in St. Monica’s Girls’ School. The girls– Gwen, J.J., Sally– are living in the adolescent space between childhood and adulthood and are testing their limits with their nun-teachers. Meanwhile, those same nun-teachers– Sisters Zélie, Martha, Beatrice– are living under a rule that to the outside world is regarded as “holy,” but is more ambiguous to those on the inside. As the Reverend Mother grieves the loss of the pope, she makes impossible demands upon her charges. For the nuns teaching in the school, there is the added struggle of rebellious teenagers. For those who remain in the convent all day– Sisters Kate, Clementia, Antonetta and the housemaid Lizzie– various forms of subterfuge are used to cope with their lack of freedom. Some are able to choose their own inner path, others succumb to injustice and meanness. All of them are plod their way through cultural and spiritual terrain that is both familiar and alien. They harbor regrets for the past as they negotiate their way through a present that is shifting under their feet. Unknown to all of them, their lives are spilling into a world on the cusp of change.
Winner of the 2019 Governor General’s Literary Award for Poetry
Finalist for the 2019 Trillium Book Award for Poetry
Finalist for the 2019 Lambda Literary Awards – Transgender Poetry Category
Finalist for the 2019 Publishing Triangle Awards – Trans and Gender-Variant Literature Category
Longlisted for the 2019 Pat Lowther Memorial Award
In her third collection of poetry, Holy Wild, Gwen Benaway explores the complexities of being an Indigenous trans women in expansive lyric poems. She holds up the Indigenous trans body as a site of struggle, liberation, and beauty. A confessional poet, Benaway narrates her sexual and romantic intimacies with partners as well as her work to navigate the daily burden of transphobia and violence. She examines the intersections of Indigenous and trans experience through autobiographical poems and continues to speak to the legacy of abuse, violence, and colonial erasure that defines Canada. Her sparse lines, interwoven with English and Anishinaabemowin (Ojibwe), illustrate the wonder and power of Indigenous trans womanhood in motion. Holy Wild is not an easy book, as Benaway refuses to give any simple answers, but it is a profoundly vibrant and beautiful work filled with a transcendent grace.
A profoundly moving book-length poem from “Russia’s greatest living poet” (Poetry) and the acclaimed author of In Memory of Memory.
Maria Stepanova was a highly influential figure in Moscow’s cosmopolitan literary scene for many years until Putin strangled it, along with civil liberties and dissent. Written in a frenzy of poetic inspiration, Holy Winter speaks of winter and war, banishment and exile, social isolation and existential abandonment. Here, she masterfully interweaves confusing signals from the media and social networks, love letters, travelogues, and fairy tales, creating a polyphonic evocation of frozen time and its slow thawing.
Like Joseph Brodsky before her, Stepanova has mastered modern poetry’s rich repertoire of forms, moving effortlessly between the traditions of Russian, European, and transatlantic literature. With echoes of Ovid, Pushkin and Lermontov, Mandelstam and Tsvetaeva, and kindred poets like Sylvia Plath, Inger Christensen, and Anne Carson, Stepanova’s is a potent and vital voice like no other.
With an afterword by the author.
Homage to Henri Alline and Other Poems marks a new stage in the long career of this renowned poet. The book consists of two long poems flanking a collection of related short poems. At once austere and rich, this book is a vintage offering from a poet at the height of his powers.
Two families, four languages, one house. Home puts its characters into a unique and challenging conflict across language and history and asks difficult questions about the illusion of ownership and the definition of “home”. Home is the story of an aging man, Toomas, exiled from his homeland, who through repatriation efforts, can now return and reclaim his home and property. However, fifty-five years have passed and the home has been inhabited by three women, who, caught in the shifting tides of a new world of globalization, find themselves threatened with expulsion when Toomas and his son, Wendall, return to reclaim the land and house. The women who have lived in this adopted country and in this house for so long, feel suddenly rootless. Home explores our deep connection to home, not just as place, but memory and language, our sense of identity
A car skids off a fog-covered road and rolls over. A woman emerges and helps her badly wounded husband out of the wrecked vehicle. Together they make their way down a narrow path which leads them to a large house near the sea, where are playing and friendly people welcome them inside. But things are not as they seem. Something evil, deadly lurks behind the door. Once you find yourself inside these walls, there may be no way to ever get out. Beware.
The final volume in the Willow Island trilogy, which includes Figures on a Wharf and The Canasta Players, and follows the 25-year marriage of Michael Saunders and Mary Mitchell.”Tefs has an unashamed honesty in his writing, a masterful storytelling ability and an intelligent way of exposing, but not explaining, all the paradoxical motives of the human heart.”–Garth Bucholz