West of West Indian constructs the Queer Caribbean experience as a simultaneously individual and collective one, embracing the language that continues to unsettle queer life. The collection is, at once, a summons and a love letter to familiar figures like the Bullerman, the Chichiman, the Funny man, and the Anty man. The poetry collects a distinctly queer Vincentian Canadian account of love and autonomy, and while it represents a written journey that demarcates queer pain, it is also an exhibition of pleasure flowing from the bodies and minds of the collection’s many subjects.