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Showing 1–16 of 61 results
(Un)spoken takes the reader on a journey through negative affects, sexuality, and responses to violence and trauma. Constructed as dialogues that engage directly with the reader, the poems explore the impact of repressed grief and highlight how trauma lodges in the body as eating disorders and self-inflicted wounds. Anchored in Jewish cultural identity and written in a resolute feminist voice, this collection offers a contribution to current feminist and queer conversations about sexual and psychological violence, how we survive in chilly domestic atmospheres, and what it means to obey and resist our training as ‘nice girls’ within heterosexist systems.
These poems speak with a fierce tenderness of many aspects of the poet?s life: a childhood spent on the banks of the Churchill River, the death of a beloved one, the struggle to try to find forgiveness for wrongs done to her people and the weariness of trying to redress those wrongs. a beautiful rebellion reaches one hand back to Louis Riel and one hand ahead to future Métis generations.
There is a quiet power?riverine, deep, unstoppable?that flows through these words
Alongside the dramatic views of the Rocky Mountains lies a precarious ecosystem impacted by the pressures of industries such as mining, forestry, ranching, and oil and gas extraction. Alberta’s wild horse herds can be found roaming these Eastern Slopes, existing in a liminal space as both wild animal and the domesticated companion we have shared so much of our history with.
A Road Map for Finding Wild Horses is written as a response to the intersections of human, animal, and land that occur while exploring this landscape as a woman alone. The horses offer a reflection on our relationship with nature, particularly now as we witness the impending effects of a climate crisis. We are reminded of the ways in which opening ourselves up to listening, whether to others or to ourselves, makes us tenderly aware of both beauty and loss.
wild horses ask: why are you a stranger to your body?
i reply, the earth hurts.
Absence of Wings depicts the extraordinary and tragically foreshortened life of A.—Paré’s niece, Brazilian, adopted, racialized, and living with multiple mental health diagnoses. In her deft and clear poetics, accompanied by documentary pieces in the tradition of C.D. Wright’s One with Others, Paré is both witness to and emotionally engaged in the life and death of A. The result is deep and heart-felt, both factional and fictional, poetry and prose, holding its subject, A., heart-close and 3,000 miles away. Absence of Wings unfolds on many levels; it embraces the private and public spheres; it is as intimate as family, as worldly as the public and personal politics that surround each life. It both observes and embraces, always with the important question of the world’s unprotected children in mind.
Award-winning poet Chris Pannell’s latest collection, Adventurize Your Summer!, is a wide-ranging look at travel, art and life. The author writes poems about the “Eastern Migrating Tourist,” and the indifference of the waters of the Nile, with many stops in between. Pannell gives equal time to great paintings and to the retired cab driver on dialysis; he is as adept writing about the Beach Boys as describing the cafés of Lisbon. Hopscotching through time and space, the poems in Adventurize Your Summer! are a study in humanity, filled with keen observation, touched with both sorrow and the wry observation that life is never what is promised in the marketing copy.
Anatomical Venus is a visceral collection of poems that invoke anatomical models, feminine monsters, and little-known historical figures. It’s a journey through car accidents and physio appointments, 18th century morgues and modern funeral homes. Grappling with the cyclical nature of chronic pain, these poems ask how to live with and love the self in pain. Magic seeps through, in the form of fairy tales, in the stories of powerful monsters, in the introspection of the tarot, and the transcendence of queer love.
In Burn Diary, Joshua Chris Bouchard’s debut collection, the reader is immersed in a dark and visceral world, which is both natural and deeply unnatural. Violence walks beside the reader, but so do moments of grace, whether it’s in the echo of a loon call in the evening, or the sight of a friend’s cancer scar and the gift of ice cream. These are unapologetic, gritty poems, which explore the impact of physical and emotional trauma in tightly stretched lines and propel the reader ever forward. There is courage here, and honesty, and energy, and a new, unforgettable, poetic voice.
On the day that Lytton, BC, burned to the ground, Meghan Fandrich ran from the flames. She saw the village turn into a black pillar of smoke, and went home after a month-long evacuation to its ashes. Her house, on the edge of the fire, was saved; her community and her small business were not. Life as she knew it was gone, and somehow, in spite of the trauma and the ongoing onslaught of natural disasters, she had to keep going. Living. Surviving.
Burning Sage shares Meghan’s deeply personal story of the fire, the ensuing trauma, and the path out of it. But it is also a human story, a universal story, of loneliness, fragility and beauty. The poems follow the arc of shock, fear, and anger, and the impossibility of single parenting in a burned-up town. They tell of a connection, a love, and the way that feeling understood can help us understand ourselves. The poems in Burning Sage share a vivid portrait of grief and heartbreak and, ultimately, of healing.
Celebrate Pride with Lockheed Martin is a swirl of energy, emotion and observation that takes the reader across the world on a Carmen Sandiego–like journey as well as deep into the complexities of modern queer life. Unabashedly sexual, and embracing a wide range of styles and tones, Byrne’s poems move easily from lines of love and desire to sharp critiques of capitalism and war, and the co-opting of queer culture by them both. These are destabilizing poems, poems filled with glittering imagery and ideas and questions and truths, poems that share the poet’s longing to live in a time that is not “as cruel and unjust / As every other time has been before it.”
Crazy/Mad is the latest modern poetry of resistance, against the norms and standards of a moment and against the idea of the confessional poem as a tool only for the poet themselves. Written around the poet?s lifelong fears of how their mental health, gender and orientation could be perceived and potentially punished, the poems whimper, rail and spin against continued psychological, personal and political oppressions at the human and institutional levels, including heteronormativity, monosexism and ableism; and rally for embracing all our forms of diversity, within and without.
Disorder, the newest collection of poetry from Concetta Principe, explores the metaphorical relationship between the home and the mind, where a home should be place of sanctuary but can have its safe borders destabilized by mental illness. The poems work through these questions with Principe’s characteristic subtlety, intelligence ? a nuanced and compassionate meditation on what it means to be at home.
Emily & Elspeth follows two women and their unique paths to love… and each other. Catherine McNeil’s latest collection is a delightful romp through Mexico, the imagined inner-workings of Frida Kahlo’s relationship(s), and Vancouver bedrooms. Through poems that flirt with the intersections of desire, art, and commitment, she pieces together Emily and Elspeth’s relationship as playfully as she takes it apart.
Along the way, Emily & Elspeth brings you to places both intimate and unexpected: a belly where a uterus used to be; a girl matador facing off against a bull; and “fat, honeyed days, swollen with desire” that risk being destroyed by the nefarious aims of a government spy.
Weird, wonderful, and slightly dangerous, this is a queer love story that’s anything but typical.
A drive to drug rehab, at least two murders, one escaped prisoner, a complex father/son relationship, and several highly unusual classroom experiences form the backbone of Flak Jacket, Gerald Arthur Moore’s latest collection of his signature explosive poetry. Step inside to become entranced, but be prepared to be blown away, because we’re going for a ride.