Vox Humana (Latin for “human voice”) is driven by a sense of political urgency to probe the ethics of agency in a world that actively resists the participation of some voices over others.

In and through literary experiments with word and sound, utterance and song, Vox Humana considers the different ways a body can assert, recount, proclaim, thus underscoring the urgency of doing so against the de-voicing effects of racism and institutional violence.

As the title also represents an organ reed that sounds like the human voice, so DeRango-Adem shares her reclaiming of the instrument traditionally accessed by the white establishment.

These poems are born from the polyphonic phenomenon of the author’s multilingual upbringing. They are autobiographical and alchemical, singular and plural, but, above all, a celebration of the (breath) work required for transformation of society and self.