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Shortlisted, 2018 Taste Canada Awards and 2018 Writers’ Federation of New Brunswick Book Award for Non-Fiction
Longlisted, 2018 RBC Taylor Prize
Jan Wong knows food is better when shared, so when she set out to write a book about home cooking in France, Italy, and China, she asked her 22-year-old son, Sam, to join her. While he wasn’t keen on spending excessive time with his mom, he dreamed of becoming a chef. Ultimately, it was an opportunity he couldn’t pass up.
On their journey, Jan and Sam live and cook with locals, seeing first-hand how globalization is changing food, families, and cultures. In southeast France, they move in with a family sheltering undocumented migrants. From Bernadette, the housekeeper, they learn classic French family fare such as blanquette de veau. In a hamlet in the heart of Italy’s Slow Food country, the villagers teach them without fuss or fanfare how to make authentic spaghetti alle vongole and a proper risotto with leeks. In Shanghai, they home-cook firecracker chicken and scallion pancakes with the nouveaux riches and their migrant maids, who comprise one of the biggest demographic shift in world history. Along the way, mother and son explore their sometimes-fraught relationship, uniting — and occasionally clashing — over their mutual love of cooking.
A memoir about family, an exploration of the globalization of food cultures, and a meditation on the complicated relationships between mothers and sons, Apron Strings is complex, unpredictable, and unexpectedly hilarious.
Longlisted, First Nation Communities READ Award
Honourable Mention, Alcuin Society Book Design Awards (Prose Illustrated)
Arctic/Amazon: Networks of Global Indigeneity offers a conversation between Indigenous Peoples of two regions in this time of political and environmental upheaval. Both regions are environmentally sensitive areas that have become hot spots in the debates circling around climate change and have long been contact zones between Indigenous Peoples and outsiders — zones of meeting and clashing, of contradictions and entanglement.
Opening with an Epistolary Exchange between the editors, Arctic/Amazon then widens to include essays by 12 Indigenous artists, curators, and knowledge-keepers about the integration of spirituality, ancestral respect, traditional knowledges, and political critique in artistic practice and more than 100 image reproductions and installation shots. The result is an extraordinary conversation about life, artistic practise, and geopolitical realities faced by Indigenous peoples in regions at risk.
Are You Ready to Be Lucky? If so, meet Roslyn, a spirited divorcée eager for new beginnings. Meet Duncan, a British conman with a penchant for collecting ex-wives. Meet Floyd, a hard-living contractor who can fix anyone’s house but his own. Irritating, vulnerable, hopeful, they ricochet off one another, trailing a mess of family and friends, all of them trying to beat the odds and find happiness. With razor-sharp wit, Rosemary Nixon takes on the chaos and absurdity of friendship, marriage, divorce, and betrayal—and the heart-pounding, breathtaking, always astonishing complexities of luck and love.
Translated from French by Howard Scott
Assi Manifesto is a celebration of the Innu land in the tradition of Joséphine Bacon. This telluric power is reminiscent of Paul Chamberland’s Terre Québec. Natasha Kanapé’s challenge is to name her land, but also to reconcile opposites.
In this collection of poetry, the author engages with the environment, colonialism, anxiety, anger, healing, solitude, and love. “Assi” in Innu means Land. Assi Manifesto is primarily a land of women. If the manifesto is a public space, Assi is a forum of life, a song for those who open their spirit to its mystery.
I am a gender criminal. I am Unmale, yet I write as though I am a person.
Driven by a Machiavellian mind and ego, Tiresius has risen through the ranks of the Autokracy to become Imperial Treasurer, has won over the trust of the Autokrator himself, and yet, has broken the society’s most scared rules: She has posed as a male for many years. In the eyes of the Autokracy, this gender crime is one of the most heinous a person can commit, and punishable by death.
In this deeply etched speculative world, women — Unmales — have been relegated to non-person status with their reproduction strictly controlled. Their only role is to serve men, and to do so from the shadows.
Tiresius’s rebellion against the Autokracy coincides with that of a Domestic — a female labourer — named Cera. Cera’s son, who was taken from her at birth as demanded by tradition, is the successor to the Autokracy. She is desperate to be part of his life and takes dangerous steps toward revealing herself to him, becoming a gender criminal herself.
The fates of both women become intertwined as they are driven to discover what cost gender and power exact.
2022 Gerald Lampert Memorial Award Longlist * 2022 ReLit Awards Longlist
A visceral, vital, unblinking debut collection of poems exploring kinesthetic memory and longing, inherited violence, and the body as a geographical site.
We’re often told that we are given only what we can bear. For some of us our first lessons are in how much pain we’re made to think we deserve — and the resulting scars are always meant to be kept secret. Assiyah Jamilla Touré’s debut collection is a record of those scars — not those inflicted on us by the thousands of little wars we live in everyday, but those that come afterwards, those we inflict upon ourselves to mark the path.
Each and every poem in Autowar was written on a cell phone, transcribing an urgent revisiting of old sites of pain, and also a revisiting of one young person’s power and ability — to hurt themself, or others. These poems are powerful evocations of how even our scars have worlds and lives.
here in the dark, me-space
i am insatiable for my flesh
i just can’t get enough
of tiny after-wounds
that’s me giving, still too soft
for my own teeth
The definitive survey of an essential feminist poet.
In June 2019, Nicole Brossard was awarded the Lifetime Recognition Award from the Griffin Poetry Trust. Rarely has a prize been so richly deserved. For five decades she has been writing ground-breaking poetry, fiction, and criticism in French that has always been steadfastly and unashamedly feminist and lesbian.
Avant Desire moves through Brossard’s body of work with a playful attentiveness to its ongoing lines of inquiry. Like her work, this reader moves beyond conventional textual material to include ephemera, interviews, marginalia, lectures, and more. Just as Brossard foregrounds collaboration, this book includes new translations alongside canonical ones and intertextual and responsive work from a variety of artist translators at various stages of their careers.
Through their selections, the editors trace Brossard’s fusion of lesbian feminist desire with innovation, experimentation, and activism, emphasizing the more overtly political nature of her early work and its transition into performative thinking.
Devotees of Brossard will be invigorated by the range of previously unavailable materials included here, while new readings will find a thread of inquiry that is more than a mere introduction to her complex body of work. Avant Desire situates Brossard’s thinking across her oeuvre as that of a writer whose sights are always cast toward the horizon.
Longlisted, Scotiabank Giller Prize
Violence is the domain of both the rich and poor. Or so it seems in early 20th-century Ukraine during the tumult of the Russian Revolution.
As anarchists, Bolsheviks, and the White Army all come and go, each claiming freedom and justice, David Bergen embeds his readers into the lives of characters connected through love, family, and loyalty. Lehn, a bookseller south of Kiev, deserts the army and writes poetry to his love back home; Sablin, an adopted Mennonite-Ukrainian stableboy, runs with the anarchists only to discover that love and the planting of crops is preferable to killing; Inna, a beautiful young peasant, tries to stop a Mennonite landowner from stealing her child. In a world of violence, Sablin, Lehn, and Inna learn to love and hate and love again, hoping, against all odds, that one can turn away from the dead.
In this beautifully crafted novel, David Bergen takes us to a place where chaos reigns, where answers come from everywhere and nowhere, and where both the beauty and horror of humanity are on full display.
Awesome Wildlife Defenders, a junior novel, is the story of eleven-year-old Rebecca, who tries to cope with her panic attacks. Life becomes complicated when she is teamed up with Weird Cedar, on her endangered species project. Her friendship with Frieda is tested when Frieda has to work with Bossy Brianna, the class bully. When Brianna calls Rebecca and Cedar lovebirds, Rebecca is devastated. And, Rebecca and her mom are told their little rental home is being sold. While working on the project of the endangered northern spotted owl, Rebecca discovers that Cedar is kind and a talented artist who carries an enormous burden. When Cedar’s father is released from jail, Rebecca wonders what’s worse, a father who is in jail or not knowing who and where her father is? Cedar’s grandfather takes them to the Raptors to watch a flying demonstration. Rebecca feels the magic when the great horned owl lands on her arm. Is it possible that this unforgettable moment will help her cope with future panic attacks? While staying with his father, Cedar disappears. Rebecca is determined to find him. The endangered species project brings all students together when they sew and sell felt owlets. Will her class raise enough money to adopt twelve endangered species? Will Rebecca and Mom find a place to live or will she be forced to change schools and lose Frieda and her other friends forever?
The world of professional wrestling is paradoxical. Storylines are intricately plotted by creative writers, refined by the agents and the wrestlers the day of the match, and performed live in front of worldwide audiences to evoke drama and emotion. It’s scripted: it’s “fake.” Yet, more often than not, it is the real-life backstage machinations, the behind-the-scenes tales of drama and deceit, of pettiness between allies and adversaries, that feel as though they were actually penned by Hollywood’s finest scriptwriters.
David Sahadi’s Backstage Pass is a firsthand account of what occurs beyond the squared circle — stories that are often more compelling and dramatic than anything that occurs on TV or inside a ring. These never-before-told stories are glorious, nefarious, and at times truly unbelievable: five-star mega-bouts between the powers that rule, the leaders and decision-makers who are often in agreement (but mostly at odds), and the superstars themselves.
This book is a tale of defiance, decadence, and denial — and you do not have to be a wrestling fan to enjoy it.
The perfect antidote to the toxicity of the current productivity narrative, this collection of essays on creativity features 21 Canadian and international writers, providing warmth, support, camaraderie, and empathy.
In a world that worships productivity, creating for art’s sake is seen as romantic and nearly indefensible. For anyone who has ever struggled to honour their artistic impulses, Bad Artist offers an antidote to this toxic productivity narrative. This collection of essays features 21 Canadian and international writers from a breadth of backgrounds and experiences whose lives are not always proscribed by predictable work schedules or reliable support systems. They fit creating into the cracks of their lives, and through their stories show us all how to keep creating—not producing.
As artists, many of whom have faced systemic barriers, the collection’s contributors offer pragmatic reflections on resisting the culture of productivity, reminding us that creativity can take many forms. Taken together, the essays present a comprehensive rumination on creativity in late capitalism, providing warmth, support, comradery, and empathy. It’s The Paris Review meets the Billfold’s “Doing Money” with a generous dash of the friend who knows you’re an artist even on the days when you’re not so sure.
From the author of Double Teenage and Talking Animals comes an intimate portrait of a woman losing and finding her identity through the business and art of moviemaking.
Barbara is born just before World War II to a tragically beautiful mother and a father who becomes an engineer in the famous Manhattan Project. When Barbara is thirteen, her mother dies by suicide. These realities of war and personal loss shape her consciousness going forward.
She grows up to become an actress, restlessly travelling the world between film sets and love affairs, from the Bronx to Athens, the Alps to the Rocky Mountains. Navigating decades and genres, Barbara moves from austere 1950s kitchen sink dramas to countercultural 1970s gothics. She takes on and sheds many roles, temporarily becoming a vampire’s victim and a stylish mistress, a martyred saint and a bored housewife. She enjoys clandestine sexual encounters and endures an illegal abortion; she marries, divorces, and remarries, the second time to a visionary director who proves to be her great love.
An intense, layered distillation of a zeitgeist, Murphy’s latest novel whispers tales of independent cinema and grimy show business, militarism and physics, bomb making and image consumption. It is a study of the mirroring and splitting between old and new worlds, inner sensations, and outward performance. Ultimately, Barbara unspools a delicate yet propulsive tale of a woman grasping for a meaningful life amid the reflective, broken shards of the long 20th century.
Helen is a fine hand with a slingshot, and more than at home in the woods. After all, she was raised by bears. When she stumbles upon three evil giants, she hatches the perfect plan to rid the land of them. Well, almost perfect…
Bulleybummus, the fiercest giant, catches her and insists she help kidnap the princess Antoinette. Instead, Helen manages to save the sleeping princess and finish off the giant before heading quietly back home. No one knows who the giant killer is, but Antoinette is determined to find out and comes up with a plan of her own.
Imbued with passion, creativity and insight, Brandon Reid’s debut novel is a wonderfully creative coming-of-age story exploring indigeneity, masculinity and cultural tradition.
Twelve-year-old Derik Mormin travels with his father and a family friend to Bella Bella for his grandfather’s funeral. Along the way, he uncovers the traumatic history of his ancestors, considers his relationship to masculinity and explores the contrast between rural and urban lifestyles in hopes of reconciling the seemingly unreconcilable, the beauty of each the Indigenous and “Western” way of life—hence beautiful beautiful.
He travails a storm, meets long-lost relatives, discovers his ancestral homeland; he suffers through catching fish, gains and loses companions, learns to heal trauma. In Beautiful Beautiful we delve into the mind of a gifted boy who struggles to find his role and persona through elusive circumstance, and—
All right, that’s quite enough third-person pandering; you’re not fooling anyone. Redbird here, Derik’s babysitter, and narrator of this here story. Make sure to smash that like button. We’re here to bring light to an otherwise grave subject, friends. It’s only natural to laugh while crying. I bring story to life. One minute I’m a songbird singing from a bough, the next, I’m rapture. I connect you to the realm of spirit… Well, as best I can, given your mundane allocation.
Follow us through primordial visions, dance with a cannibal (don’t worry, they’re friendly once tamed) and discover what it takes to be united. Together, we’ll have fun. Together, we are one. So tuck in, and believe what you’ll believe, for who knows what yesterday brings. Amen and all my relations, all my relations and amen.
Bebakhshid revolves around intimate identity intersections of being Iranian, an immigrant, and a woman. Mosall touches everyday banalities as well as challenges, exploring familial relationships, as well as chosen social environments. Her work is social commentary on the treatment and experience of Middle Easterners, as well as a focussed view of realities of its youth?not just challenges, but the romantic and mundane experiences of the everyday. Instead of being separated into parts, Bebakhshid transverses more intimate accounts, storylines, and snippets, weaving narrative poetry throughout, to foreground the importance of community and relationships.
An engrossing punk-rock novel about teenage daydreams and sibling dynamicsTeenaged brothers Hombre and Transformer spend their days locked up in their suburban bedroom, writing songs and dreaming of stardom on their own terms. The music of the early 80s is brimming with post-punk ethos and a disdain for classic rock, but closer to home the pair can’t find anyone else to join their band, Because, and frankly they don’t really want another member to enter the fray of their complicated sibling dynamic. Hombre, the younger one, is quiet, contemplative, and talented, a poet in the making. His older brother Transformer is stubborn, domineering, and secretly struggling with mental health issues. Their sequestered world is broken open one summer when their mother hires Spit, a girl from the local guitar shop, to help the boys improve their modest skills. But these good intentions set off a chain reaction with tragic consequences.