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Showing 721–740 of 803 results
Simultaneously heartbreaking and heartwarming, This is How We Got Here follows a close-knit family as they deal with an unexpected loss. A mother, father, aunt, and uncle must learn how to move forward after the trauma and re-learn how to interact with one another with forgiveness, humour, and love.
It’s been a year since Paul and Lucille’s son Craig died by suicide, and their once-solid family bonds are starting to break down. While the now-separated couple tries to honour their son, Lucille’s sister Liset and her husband Jim refuse to discuss their nephew. The ties that keep the four together as sisters, best friends, and spouses are strained by grief and guilt… until a visit from a fox changes everything.
Master Corporal Tanya Young, Captain Stephen Hughes, Private Jonny Henderson, and Sergeant Chris Anders have lived through an atrocity while holding one of the most volatile regions in Afghanistan. As each of them is interviewed by an unseen broadcasting organization, they recount their version of events leading up to the horrific incident with painful, relenting replies. What begins to form is a picture of the effects of guilt and the psychological toll of violence in a war where the enemy is sometimes indiscernible.
Steve Dangle’s incredible odyssey, from self-starting Leafs lover to sports-media star
How do you turn ranting about hockey into a career? Steve “Dangle” Glynn is a YouTuber, podcaster, and sports personality from Toronto, who managed to turn a 16-second online rant about the Maple Leafs into a career in sports media. From video blogging in his parents’ house at 19 to yelling on televisions across Canada at 28, Dangle has been involved with some of the most important sports companies in the country.
In between tales of Steve’s adventures, both online and off, This Team Is Ruining My Life is also a kind of how-to (or how-not-to) guide: in an ever-evolving media landscape, sometimes you have to get creative to find the job you want. This is Steve Dangle and his accidentally on purpose journey through sports media so far.
The elders in Those Who Know have devoted their lives to preserving the wisdom and spirituality of their ancestors. Despite insult and oppression, they have maintained sometimes forbidden practices for the betterment of not just their people, but all humankind.First published in 1991, Dianne Meili’s book remains an essential portrait of men and women who have lived on the trapline, in the army, in a camp on the move, in jail, in residential schools, and on the reserve, all the while counselling, praying, fasting, healing, and helping to birth further generations.In this 20th anniversary edition of Those Who Know, Meili supplements her original text with new profiles and interviews that further the collective story of these elders as they guide us to a necessary future, one that values Mother Earth and the importance of community above all else.
It’s 1994 and Pete Curtis is pretty much done with Thunder Bay, Ontario. He’s graduating high school and playing drums in a band that’s ready to hit the road. Even though his parents, teachers, and new girlfriend seem a little underwhelmed, Pete knows he’s on the verge of indie rock greatness.
Fast-forward ten years, Pete finds himself stuck teaching high school in the hometown he longed to escape, while his best friend and former bandmate is a bona fide rock star.
Greg Rhyno’s debut novel is full of catchy hooks, compelling voices, and duelling time signatures. Told in two alternating decades, To Me You Seem Giant is a raucous and evocative story about trying to live in the present when you can’t escape your past.
Heartbreaking and wicked: a memoir of stunning beauty and remarkable grace. Improbable friendships and brushes with death. A schoolgirl affecting the course of aboriginal politics. Elvis and cocktails and Catholicism and the secrets buried deep beneath a place that may be another, undiscovered Love Canal — Lewiston, New York. Too Close to the Falls is an exquisite, haunting return, through time and memory, to the heart of Catherine Gildiner’s childhood.
And what a childhood it was …
Brexit. Trump. Ford Nation. In this timely book, David Moscrop asks why we make irrational political decisions and whether our stone-age brains can process democracy in the information age.
In an era overshadowed by income inequality, environmental catastrophes, terrorism at home and abroad, and the decline of democracy, Moscrop argues that the political decision-making process has never been more important. In fact, our survival may depend on it.
Drawing on both political science and psychology, Moscrop examines how our brains, our environment, the media, and institutions influence decision-making. Making good decisions is not impossible, Moscrop argues, but the psychological and political odds are sometimes stacked against us. In this readable and provocative investigation of our often-flawed decisions, Moscrop explains what’s going wrong in today’s political landscape and how individuals, societies, and institutions can work together to set things right.
A raw, beautifully-composed collection exploring addiction, trauma, poverty, and the journey toward recovery and spirituality through the vernacular and iconography of the popular roleplaying game Dungeons & Dragons.
Total Party Kill (TPK): tabletop roleplaying slang for the situation of all characters dying in the same in-game encounter.
At turns nightmarish, hilarious, brutally honest, and heart-breaking, TPK maps an unforgettable course into the fantastic dark of back-alley dive-bars, demonic underworlds, various rock bottom floors, and a whole host of monsters, both imagined and frighteningly real.
TPK is a strange and deadly beast combining the imagery of Dungeons & Dragons with a real, life-or-death struggle for sobriety. Entirely unique in perspective and voice, the autobiographical speaker within changes fluidly between the poet, a variety of D&D characters, and combinations of both. The text within comprises a genre-bending quest where nothing—especially continued sobriety—is for certain. Operating less like traditional poetry and more like brief monologues or confessions—but still concentrating on metaphor, meter, and sound—TPK will appeal not only to lovers of the world’s bestselling roleplaying game, nor just to lovers of poetry, but for anyone whose life has been touched by addiction.
A novel in linked episodes, told in unaffected direct prose, about the life of an Indian man called Sharad, who becomes a Canadian–of sorts. The story begins in childhood with the suicide of Sharad’s father, who killed himself by cutting his throat. Sharad, brought up by his grandmother, grows up to become a nonconforming open-minded journalist involved in Bombay’s union and communal (Hindu-Muslim) politics. He marries an Indo-Canadian woman, Gunjun, from Toronto whom he meets via a photo and emails. The story of his struggles with jobs, marriage, identity, and weather comes alive through the vivid experiences of this uncomfortable uncompromising new Canadian.
Nenaboozhoo, the creator spirit-being of Ojibway legend, gave the people many gifts. This collection of oral stories presents legends of Nenaboozhoo along with other creation stories that tell of the adventures of numerous beloved animal spirits. The Trail of Nenaboozhoo is a book of art and storytelling that preserve the legends of the Anishinaabe people. Each story is accompanied by strikingly beautiful illustrations by revered Indigenous artists Isaac Murdoch and Christi Belcourt.
Neil Peart decided to drive his BMW Z-8 automobile from L.A. to Big Bend National Park, in Southwest Texas. As he sped along “between the gas-gulping SUVs and asthmatic Japanese compacts clumping in the left lane, and the roaring, straining semis in the right,” he acted as his own DJ, lining up the CDs chronologically and according to his possible moods.
“Not only did the music I listened to accompany my journey, but it also took me on sidetrips, through memory and fractals of associations, threads reaching back through my whole life in ways I had forgotten, or had never suspected…. Sifting through those decades and those memories, I realized that I wasn’t interested in recounting the facts of my life in purely autobiographical terms, but rather … in trying to unweave the fabric of my life and times. As one who was never much interested in looking back, because always too busy moving forward, I found that once I opened those doors to the past, I became fascinated with the times and their effect on me. The songs and the stories I had taken for granted suddenly had a resonance that had clearly echoed down the corridors of my entire life, and I felt a thrill of recognition, and the sense of a kind of adventure. A travel story, but not so much about places, but about music and memories.”
Neil Peart decided to drive his BMW Z-8 automobile from L.A. to Big Bend National Park, in Southwest Texas. As he sped along “between the gas-gulping SUVs and asthmatic Japanese compacts clumping in the left lane, and the roaring, straining semis in the right,” he acted as his own DJ, lining up the CDs chronologically and according to his possible moods.
“Not only did the music I listened to accompany my journey, but it also took me on sidetrips, through memory and fractals of associations, threads reaching back through my whole life in ways I had forgotten, or had never suspected…. Sifting through those decades and those memories, I realized that I wasn’t interested in recounting the facts of my life in purely autobiographical terms, but rather … in trying to unweave the fabric of my life and times. As one who was never much interested in looking back, because always too busy moving forward, I found that once I opened those doors to the past, I became fascinated with the times and their effect on me. The songs and the stories I had taken for granted suddenly had a resonance that had clearly echoed down the corridors of my entire life, and I felt a thrill of recognition, and the sense of a kind of adventure. A travel story, but not so much about places, but about music and memories.”
This riveting account of the links between the Red River Resistance and the numbered treaties explores a largely unknown part of Canadian history.
An engaging, informative and essential account of how the Red River Resistance and the making of the numbered treaties are intrinsically linked. Through evocative details, journalist Tom Brodbeck brings to life pivotal events such as an armed insurrection; outdoor meetings held -29 C weather; a three-person delegation of negotiators from a remote community in Rupert’s Land going toe-to-toe with Canada’s most powerful politicians and First Nations chiefs negotiating their place in Canada under a dark cloud of presumed white, European superiority.
In his clear and easy-to-read prose, Tom describes the impact of these events on the development of Canada. In the span of just a few years, they laid the groundwork for the settlement of Western Canada, a period heavily influenced by Indigenous people: the Metis (French and English-speaking) and First Nations (including Anishinaabe and Swampy Cree). Together, they negotiated both the Manitoba Act and the first of the numbered treaties but the book reveals the challenges Indigenous people faced when confronting the colonial mindset of a federal government eager to populate the west, but less interested in preserving the dignity and long-term welfare of its original inhabitants.
With intimacy and humour award-winning poet Ariel Gordon walks us through the streets of Winnipeg and into the urban forest that is, to her, the city’s heart. Along the way she shares with us the lives of these urban trees, from the grackles and cankerworms of the spring, to the flush of mushrooms on stumps in the summer and through to the red-stemmed dogwood of the winter. After grounding us in native elms and ashes, Gordon travels to BC’s northern Rockies, to Banff National Park and a cattle farm in rural Manitoba, and helps us to consider what we expect of nature. Whether it is the effects of climate change on the urban forest or foraging in the city, Dutch elm disease in the trees or squirrels in the living room, Gordon delves into our relationships with the natural world with heart and style. In the end, the essays circle back to the forest, where the weather is always better and where the reader can see how to remake even the trees that are lost.
In this final installation of the Overhead Series, Lucy Hemphill once again transports the reader with intimate revelations on identity by exploring both her personal and ancestral relationship to the forest and the quiet sentinels that root together everything. Hemphill’s prose is extraordinary in its combination of self awareness yet unselfconscious honesty and skillful restraint, creating a sense of connection under the tangle of foliage and limb that ever-reach skyward. Masterfully illustrated by artist Michael Joyal, his evocative dendrological drawings contribute to the overall sensory and transcendent experience.
When Gellhorn, a notable poet, begins a university residency in a “dynamic metropolis” and stays at the illustrious Máximo College, he finds himself scandalized, and for little known reason. Scrutiny by his new academic neighbours is the least of his worries, as he learns of the existence of Aaron Schnell, his physical pseudo-twin, and an actor and film “double.”The Chair shares fragments from the oeuvre of Thomas Claque, a recently deceased author who contrived the tale of the pseudo-twins. The Chair’s scholarship leads him to the real Máximo College, where he revives those characters and scenarios, before travelling to a smaller prairie town where he reimagines one of Claque’s risqué getaways. There he meets a young woman doing her creative thesis on the double in literature.Petra, a police clerk in an entirely different prairie city, receives a photograph of a missing person and recognizes a passenger from her weekday commute. Non-routine surveillance draws her deeper into his world until a global pandemic abruptly stalls her progress. Her romantic prospect soon leads to a greater mystery punctuated by the words, TULPA MEA CULPA, although its uncanny truth will be ultimately less provocative than serial coverage in the Prairie Pulse.Tulpa Mea Culpa is a literary tour-de-force and solidifies Morse as one of Canada’s most exciting writers today and proves why he is a two-time Governor General Award nominee.