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Inheriting the Skipper’s House from her late aunt Deirdre MacPhail, a famed Scottish writer, looks like the solution to all Elspeth Laird’s financial problems — but this inheritance comes with a dark legacy.
New to Sulla Island’s wild beauty and fierce weather, Elspeth soon discovers a community divided by her aunt’s memory. Some cherish the tourism Deirdre brought, while others blame her for ruining their traditional way of life. Practical jokes escalate to sinister threats, and a murder confirms Elspeth’s worst fears: a killer is among them. With tensions rising and allies scarce, Elspeth must navigate a web of secrets and old grudges.
As legend says, the Skipper’s House brings doom to its owners. Elspeth must unravel the truth before she becomes the next victim of Sulla Island’s deadly legacy.
Finalist, Hamilton Literary Award (Non-Fiction)
Longlisted, SWCC Book Award (General Category)
A Globe and Mail Best Book
Five oceans cover approximately seventy per cent of the earth, yet we know little of what lies beneath them. Now, the race is on to completely map the oceans’ floor. Scientists, investors, militaries, and private explorers are competing in this epic venture to obtain an accurate reading of this vast terrain and understand its contours and environment.
In The Deepest Map, Laura Trethewey chronicles this race to the bottom. Following global efforts around the world, she documents Inuit-led crowdsourced mapping in the Arctic as climate change alters the landscape, a Texas millionaire’s efforts to become the first man to dive to the deepest point in each ocean, and the increasingly fraught question of whether and how to mine the deep sea.
A true tale of science, nature, technology, and extreme outdoor adventure, The Deepest Map both illuminates why we love — and fear — the earth’s final frontier and contributes to increasingly urgent conversations about climate change.
Life has been hard for sixteen-year-old Barley Lick lately: he split with his girlfriend, his father died, and now his mother has a boyfriend, a cop named Fred Newton. Not even Barley?s new Great Dane, Stanley, can make things right.
Then Newton wants Barley to use his geocaching skills to help him solve a mystery; helping would mean losing a huge geocaching competition and, even worse, letting his ex-girlfriend Phyllis win. But Barley soon realizes that a young boy?s life may be in danger and time to rescue him is running out.
On a warm spring day in June of 1914, two hundred and thirty-five men went down into the depths of the Hillcrest mine found in Alberta’s Crowsnest Pass. Only forty-six would make it out alive. The largest coal-mining disaster in Canadian history, the fateful tale of the Hillcrest Mine is finally captured in startling detail by Stephen Hanon.
A deft examination of the coal mining industry in an Alberta just on the cusp of the Great War, The Devil’s Breath is a startling recollection of heroism and human courage in the face of overwhelming calamity. Hanon examines the history of the mine itself, its owners and workers, possible causes for the disaster and the lasting effects that it had on those who lived, while educating readers on the techniques used to wrench coal from the bowels of the earth.
The Dialysis Project is the first-person story of agency and resilience.
The Dialysis Project is a one-woman play about the experience of a home dialysis patient administering her own medical treatments every other day. The play explores what it’s like to live with a lifelong chronic condition requiring regular medical procedures for survival, and touches on themes of identity and resilience.
The Drowning Girls
Bessie, Alice, and Margaret have two things in common: they are married to George Joseph Smith, and they are dead. Surfacing from the bathtubs they were drowned in, the three breathless brides gather evidence against their womanizing, murderous husband by reliving the shocking events leading up to their deaths. Reflecting on the misconceptions of love, married life, and the not-so-happily ever after, The Drowning Girls is both a breathtaking fantasia and a social critique, full of rich images, a myriad of characters, and lyrical language.
Comrades
Bartolomeo Vanzetti and Nicola Sacco dreamt of the land of the free. Leaving their small Italian villages, they embarked on a long voyage to the United States, only to encounter a world they never could have imagined. Controversially imprisoned for murder, both men must fight for their lives amidst discrimination and public humiliation. Based on actual events, Comrades bring to life Sacco and Vanzetti’s seven-year imprisonment and explores the struggles and agonies of two men, tried not for what they did, but for who they were.
Retired Detective Kevin Beldon has left Ottawa and gone into retreat at a Buddhist monastery in California following his successful treatment for lung cancer. He’s trying to make sense of his life, but death is very much on his mind. And not just his own; he’s still trying to come to terms with the loss ten years earlier of his wife and son, victims of Dr. Ewan Randome, an evil mastermind whom Beldon had been forced to let escape. Aside from providing the occasional consultation for the California police, Beldon has happily gone into retirement, but when Global Patrol, the international police force, comes looking for his help on the Malachai case, a serial killer investigation that has them stymied, his interest is piqued. Beldon quickly deduces that the killings are related to his last unsolved case before his retirement two years earlier, a triple murder in his nation’s capital, and he suspects the involvement of his old nemesis Dr. Randome in this new round of assassinations. As events unfold, Beldon comes to realize how inevitable it was that Malachai’s killing spree would end in New York, and how inevitable his own final showdown with Randome has always been.
Compiling more than fifty years of the best poetic insights from the renowned series, a selection of the E.J. Pratt Lectures are collected together for the first time in this commemorative edition.
For more than fifty years, Memorial University’s E. J. Pratt Lecture Series has invited eminent critics and artists to St. John’s, Newfoundland, to speak on the topics that lie at the heart of their work. This special edition, published to coincide with Memorial’s 100th anniversary, gathers a selection of the Lectures, beginning with the one that inaugurated the series in 1968, Northrop Frye’s “Silence in the Sea.” George Elliott Clarke, Stan Dragland, Seamus Heaney, and Ursula K. Le Guin are among the E. J. Pratt Laureates represented in the volume, which culminates with Madeleine Thien’s 2025 Lecture. An album reflecting a changing discipline, the volume is filled with a half-century of luminous writing and trenchant insights into poetry and poetics.
***2018 RELIT AWARD: LONG SHORTLIST***
In The End of Music, Jamie Fitzpatrick’s two mesmerizing, interwoven narratives circle the lives of Joyce, a modern young woman navigating the fraught social mores of a small town in its post-war heyday, and her son, Carter, more than fifty years later, whose days as an aspiring rock star are over. As Joyce’s memories of the past begin to escape her, her son’s past returns to haunt him. Brilliantly and unflinchingly revealing the inner lives of his characters, Fitzpatrick offers an extraordinary novel, with two startling twists, about women, men, and reckoning with the past.
Finalist for the 2020 International Book Award for Multicultural Fiction.
In 1858, the British took over the city of Lucknow, paving the way for Queen Victoria’s reign over India. But what happened to Begam Hazrat Mahal, the woman of African-Indian descent who had valiantly organized a final key resistance to British rule, and to her ex-husband, Wajid ‘Ali Shah, the last King in India, who remained imprisoned by the British? The Envy of Paradise tells their stories.
Jocelyn Cullity’s English family lived in India for five generations. A sequel to the award-winning Amah & the Silk-Winged Pigeons, her second novel about the takeover of India by Britain is an exquisitely told tale of 19th-century India — a deep rendering of the moment that India as a country was colonized; a brilliant illustration of Hazrat Mahal’s fearless character and the depths of betrayal the last King in India faced.
RCMP Inspector Coswell is back. A university professor is murdered and his corpse is revealed to a first year anatomy class in spectacular fashion–nude on a slab alongside shrouded medical cadavers. He begins his investigation with Corporal James, his long time assistant, but is abruptly assigned a new partner, a female officer who arrives under a political cloud. Already depressed by his perceived plunge into senility, Coswell struggles to stifle his own gender biases and work effectively with this woman.
Their list of suspects grows: failed students, a jealous colleague, an intriguing ex-wife and a criminal cartel. Clues emerge that send them all over the city of Vancouver from UBC campus to downtown and its plethora of gourmet restaurants.
In Greater America, with sleep under siege, this lucid and prophetic novel of ideas depicts the end of human reverie.
An unnamed, unemployed, dream-prone narrator finds himself following Chevauchet, diplomat of Onirica, a foreign republic of dreams, to resist a prohibition on sleep in near-future Greater America. On a mission to combat the state-sponsored drugging of citizens with uppers for greater productivity, they traverse an eerie landscape in an everlasting autumn, able to see inside other people’s nightmares and dreams. As Comprehensive Illusion – a social media-like entity that hijacks creativity – overtakes the masses, Chevauchet, the old radical, weakens and disappears, leaving our narrator to take up Chevauchet’s dictum that “daydreaming is directly subversive” and forge ahead on his own.
In slippery, exhilarating, and erudite prose, The Eyelid revels in the camaraderie of free thinking that can only happen on the lam, aiming to rescue a species that can no longer dream.
“A slight but quick-witted and thoughtful philosophical parable that falls somewhere between Camus and Gaiman’s Sandman universe.” —Kirkus Reviews
“S. D. Chrostowska’s The Eyelid is a brilliant, visionary satire on the digital mindscape of twenty-first-century late capitalism embodied in the new global state of Greater America. Insomnia is in; dreams are seditious; sleep is outlawed. Lulled by false fantasies projected by Artificial Intelligence (CI in the book), video games, and media collaborators, humans drug themselves to stay awake so they can slave through the now standard twenty-hour work days. Witty, oracular, Surreal, trenchant, politically astute, and often hilarious, The Eyelid is a throwback to the classics of the genre, Jonathan Swift’s Gulliver’s Travels and Samuel Butler’s Erewhon. We are turning into a race of sleep-deprived automatons, Chrostowska warns, increasingly unable to mount political opposition or even dream a different future.” —Douglas Glover
Marcus Sinclair is a history teacher whose life is stuck in neutral when he inherits a papyrus scroll from his antiquarian uncle. The mysterious scroll might contain a lost masterpiece from ancient Rome or perhaps an ancient recipe for personal tranquility, but it’s unreadable unless Marcus can figure out a way to unroll the scroll without destroying it. His quest takes him to Naples, where he befriends a Google software engineer days before the man is found dead. Marcus is interviewed by an investigative journalist, Kristi Grainger, and they find themselves on parallel paths leading to a Neapolitan trafficker in antiquities, a tech mogul obsessed with the distant past, and a clutch of academics searching for the lost library of Herculaneum. In a seaside city that is by turns lush and lethal, Marcus must confront the unraveling of more than a scroll.
2025 CIBA Booksellers’ List Selection
“One of the most unique and engaging voices in genre fiction.” — Booklist
The final instalment in The Annual Migration of Clouds trilogy
Henryk Mandrusiak, finding nothing left for him in his community following his best friend Reid’s departure, travels through the devastated land in search of a new place to call home.
After making a grievous mistake that ended in death, Henryk Mandrusiak feels increasingly ostracized within his own community, and after the passing on of his parents and the departure of his best friend, Reid, there is little left to tie him to the place he calls home. Henryk does something he never expected: He sets out into the harsh wilds alone, in search of far-flung family. He finds his uncle’s village, but making a life for himself in this unfriendly new place — rougher and more impoverished than the campus where he grew up — isn’t easy. Henryk strives to carve out a place of his own but learns that some corners of his broken world are darker than he could have imagined.
This stunning novella concludes the story Mohamed started in The Annual Migration of Clouds and continued in We Speak Through the Mountain, bleaker than ever but still in search of a spark of hope in the climate apocalypse.