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Watch How We Walk

By: Jennifer LoveGrove

$18.95

Captivating and heart-wrenching from start to finish

When Emily was a little girl, all she wanted to be when she grew up was a Full-Time Pioneer; in her Jehovah’s Witness family, the only imaginable future is a life of knocking on doors and handing out Watchtower magazines. But Emily starts to challenge her upbringing. She becomes closer to her closeted uncle, Tyler, as her older sister, Lenora, hangs out with boys, wears makeup, and gets a startling new haircut. After Lenora disappears, everything changes for Emily, and as she deals with her mental devastation she is forced to consider a different future.

Alternating between Emily’s life as a child and her adult life in the city, Watch How We Walk offers a haunting, cutting exploration of “disfellowshipping,” proselytization, and cultural abstinence, as well as the Jehovah’s Witness attitude towards the “worldlings” outside of their faith. Sparse, vivid, suspenseful, and darkly humorous, Jennifer LoveGrove’s debut novel is an emotional and visceral look inside an isolationist religion through the eyes of the unforgettable Emily.
Watch Your Head

$23.95

A warning, a movement, a collection borne of protest.

In Watch Your Head, poems, stories, essays, and artwork sound the alarm on the present and future consequences of the climate emergency. Ice caps are melting, wildfires are raging, and species extinction is accelerating. Dire predictions about the climate emergency from scientists, Indigenous land and water defenders, and striking school children have mostly been ignored by the very institutions – government, education, industry, and media – with the power to do something about it.

Writers and artists confront colonization, racism, and the social inequalities that are endemic to the climate crisis. Here the imagination amplifies and humanizes the science. These works are impassioned, desperate, hopeful, healing, transformative, and radical.

This is a call to climate-justice action.

Edited by Madhur Anand, Stephen Collis, Jennifer Dorner, Catherine Graham, Elena Johnson, Canisia Lubrin, Kim Mannix, Kathryn Mockler, June Pak, Sina Queyras, Shazia Hafiz Ramji, Rasiqra Revulva, Yusuf Saadi, Sanchari Sur, and Jacqueline Valencia

Proceeds will be donated to RAVEN and Climate Justice Toronto.
Waterfalls of Nova Scotia

By: Benoit Lalonde

$27.95

An Atlantic Bestseller

Nova Scotia is blessed with numerous must-see waterfalls, and this volume from self-described “waterfall addict” Benoit Lalonde brings together 100 of the province’s best.

Conveniently categorized by the government of Nova Scotia scenic route system, this rich compendium includes famous waterfalls such as Garden of Eden Fall, Wentworth Falls, Cuties Hollow, Annandale Falls and Butcher Hill Falls, as well as lesser-known but easy to locate gems. In addition to providing useful information on the height, type, and hiking distance of each waterfall, their degree of difficulty to reach is also assessed for the convenience of both novice and advanced hikers alike.

Featuring gorgeous colour photographs and individual maps of each location, Waterfalls of Nova Scotia offers an invaluable reference as well as a tribute to the beauty of the falls and the natural splendour waiting to be discovered.
Watershed

By: Doreen Vanderstoop

$22.95

It is 2058, and the glaciers are gone. A catastrophic drought has hit the prairies. Willa Van Bruggen is desperately trying to keep her family goat farm afloat, hoping against hope that the new water pipeline arrives before the bill collectors do.

Willa’s son, Daniel, goes to work for the pipeline corporation instead of returning to help the family business. When Daniel reveals long-concealed secrets about his grandfather’s death, Willa’s world truly shatters. She’s losing everything she values most: her farm, her son, her understanding of the past — and even her grip on reality itself. Vividly illustrating the human cost of climate change, Watershed is a page-turner of a novel about forgiveness, adaptation, and family bonds.
We All Will Be Received

By: Leslie Vryenhoek

$21.95

**CANADA BOOK AWARD WINNER**

**NEXT GENERATION INDIE BOOK AWARDS WINNER, SUSPENSE**

**NEWFOUNDLAND AND LABRADOR BOOK AWARDS FICTION LONGLIST**

***2020 RELIT AWARDS: LONG SHORTLIST***

In 1977, a young woman swipes a duffel bag of drug money and flees her bad-news boyfriend, hitching a ride with a long-haul trucker who points out satellites and enthuses about the future of space cargo. Building a life disconnected from her past, she assumes a new identity as Dawn Taylor, but thirty years later, running a roadside motel on a remote highway, Dawn will host a group of disparate individuals—all desperate to rewrite their own stories.

Brody seeks escape from those intent on repeating the narrative of his childhood trauma. Cheryl, whose career as a filmmaker is being dismantled on social media, rushes to rescue her daughter from a vicious cycle. And Spencer, an ex-con with easy access to his criminal past, chases an elusive redemption after seeing a picture of Dawn on a tourism website.

In We All Will Be Received, Leslie Vryenhoek offers a range of unforgettable characters—all hoping to reconstruct a truth that’s been shattered by perspective—and asks whether anyone can find peace or atonement in a contemporary world where technology makes the past ever present.
We Speak Through the Mountain

By: Premee Mohamed

$19.95

The enlivening follow-up to the award-winning sensation The Annual Migration of CloudsTraveling alone through the climate-crisis-ravaged wilds of Alberta’s Rocky Mountains, 19-year-old Reid Graham battles the elements and her lifelong chronic illness to reach the utopia of Howse University. But life in one of the storied “domes” — the last remnants of pre-collapse society — isn’t what she expected. Reid tries to excel in her classes and make connections with other students, but still grapples with guilt over what happened just before she left her community. And as she learns more about life at Howse, she begins to realize she can’t stand idly by as the people of the dome purposely withhold needed resources from the rest of humanity. When the worst of news comes from back home, Reid must make a choice between herself, her family, and the broken new world.In this powerful follow-up to her award-winning novella The Annual Migration of Clouds, Premee Mohamed is at the top of her game as she explores the conflicts and complexities of this post-apocalyptic society and asks whether humanity is doomed to forever recreate its worst mistakes.
Weasel Tail

By: Michael Ross

$32.95

The generation to which Joe and Josephine Crowshoe belonged spanned more than the length of their lifetimes. That generation fought heroically in world wars and at the same time raised children under a paternalistic federal regime that denied both a culture and a heritage. The Crowshoes regained their heritage and shared it with the larger community, gaining respect from all the people with whom they were in contact and becoming articulate representatives and the holders of stories, legends, and customs. The interviews in Weasel Tail track not just their personal stories but the stories of a people who insisted on being recognized and a culture born out of the land of southern Alberta. Paralleling the interviews, Mike Ross has included historical photographs and documentation of a world and people who are a rich part of Alberta’s history.
Weather Diviner

By: Elizabeth Murphy

$24.95

Set in a tragic, transformative year in an extraordinary place with larger-than-life characters, The Weather Diviner is a story of self-discovery—not just for one young woman, but for Newfoundland itself.

It’s 1942. With polished boots and bulging wallets, the Americans have come to defend a highly strategic location—Newfoundland: the Allies’ new transatlantic transportation hub. Like thousands of others chasing new opportunities, Violet Morgen abandons her remote outport home and heads to St. John’s. An amateur forecaster with a powerful sixth sense for the island’s tempestuous winds and weather, Violet is determined to help the Americans fight the enemy. But determination, it turns out, is not enough.

Carefully-researched and -crafted, entertaining, and informative, The Weather Diviner is a heart-felt tale in which friends make a difference, weather makes for interesting conversation, and opportunity comes to those who dare to dream.
Welcome to the Circus

By: Rhonda Douglas

$19.95

Rhonda Douglas’s debut collection dazzles with its daring and dangerous prose. Welcome to the Circus, where every moment is a tight-rope act, precariously balancing on the edge of destruction.

In these stories, a choir processes its collective grief at the loss of one of its members to cancer; a teenage boy marks himself with the poetry of John Donne; God explains the collapse of the cod fishery; Mata Hari stands trial; and two sisters try to reconcile their respective places in the family porn emporium business before everything blows up.

These ten strikingly original stories explore love and escape—how we escape to love, escape through love, and escape ourselves and hold on to love. Together, the stories of Welcome to the Circus highlight the acrobatic, courageous circus acts we all learn to perform.
West End Murders

By: Roy Innes

$12.95

When a series of murders threatens the lives of an entire community in Vancouver, RCMP Corporal Paul Blakemore and Inspector Coswell team up once again to solve the case. What begins as an array of hate crimes suddenly culminates into a conspiracy against an American politician, and the lines between Canada and the United States are blurred as suspicions rise from both sides. To solve this case, both detectives must look beyond the powers of one culprit and instead focus on the ventures of an entire underground organization, all while protecting members of their own city. An intense thriller that will keep you guessing until the very end, West End Murders is a great bedside read that threatens to keep you up well into the night.
What Fills Your House Like Smoke

By: E. McGregor

$19.95

In these poems, E. McGregor combines the lore of family history with personal memory, vividly parsing patterns of inheritance, particularly through the maternal line.

What Fills Your House Like Smoke begins and ends at the deathbed of the writer’s Metis grandmother. In between, McGregor composes an incomplete and wildly imaginative biography of the grandmother, interrogated by family photographs, stories, and the scant paper trail she left behind.

McGregor sifts through the complexities of motherhood, daughterhood, anxiety, intimate relationships and addiction, weaving family history with memory to make sense of what is carried on. Especially affecting are poems about childhood, and the people who disappear from a child’s life, and the struggle to live as a societal outsider, finding strength in self-definition and the power of narrative.

As these poems unfold, they move us toward an understanding of maternal inheritance, shifting identities, forgiveness, and finally love.
What is Going to Happen Next

By: Karen Hofmann

$19.95

Winner of the Book Design Award at the 2018 Alberta Book Publishing Awards!

Karen Hofmann’s empathetic and cathartic novel, What is Going to Happen Next, pieces together the lives of five members of the Lund family following their enforced dispersal after the death of the father and the hospitalization of the mother in the remote West Coast community of Butterfly Lake. It explores their self-doubts and aspirations in the ways they cope with their separation and reunion through their work and personal relationships, and reveals the ways in which their past is filtered through memory and desire. It also skillfully exposes a Vancouver class system from the perspectives of diverse socio-economic conditions and lifestyles.

What is Going to Happen Next is character-driven and well-wrought, with a tenderness that propels the reader forward alongside the Lunds who are learning to fuse together as a chosen family.
What’s Not Mine

By: Nora Decter

“Nora Decter has written a wrenching, knowing, and wry novel about coming of age into a rough world.” — Meg Wolitzer, author of The Female PersuasionFor fans of Miriam Toews, an absorbing, darkly funny story of family, addiction, and survivalThe summer Bria Powers turns 16 is sinister. Waves of insects plague her hometown of Beauchamp, where fentanyl has recently infiltrated the drug stream. Forest fires muddy the normally wide-open skies, and everything smells like a barbecue all the time. It’s also the summer Bria goes from having saved a life to ruining her own.Since her drug-dealing father disappeared and his girlfriend overdosed, Bria has lived with her aunt Tash and best friend/cousin Ains. By day, Bria and Ains babysit Ains’s younger siblings and sling fast food at Burger Shack. But at night, Bria has her own secret world, sneaking out to see Someboy, an older guy who captivates her sometimes. Other times, he angers-insults-upends her, and that has a certain charm too.But trouble comes for Beauchamp and for Bria in the form of bears that wander into town, dick pics texted from a mystery number, and a creeping dependence on what Bria should hate most of all.Steeped in tragicomedy and written in starkly observed prose, What’s Not Mine explores inheritance, addiction, and survival when the odds are against you.
While Supplies Last

By: Anita Lahey

$19.95

Anita Lahey writes the kind of rigorously observed, emotionally charged poetry few can match. In While Supplies Last, her first collection in eleven years, Lahey throws herself on the mercy of a changing climate, takes refuge in art and revels in everyday wonders. In the final section, about a forest fire that devastated the Cape Breton village of Main-à-dieu in 1976, she becomes a custodian of local histories. No matter the subject, whether traffic reports during the pandemic, a fossilized baby mammoth, or Toronto’s iconic Don River, Lahey extends the sense of what language can do and say. This is tour de force writing: mischievous, unpredictable, urgent, never boring. In While Supplies Last, Lahey comes fully into her own.
Who Killed Spalding Gray?

By: Daniel MacIvor

$17.95

Sit down, Daniel’s going to tell you a story.

On the weekend of January 10, 2004, American monologist Spalding Gray killed himself by jumping off the Staten Island Ferry in New York City. That same weekend, Daniel MacIvor was in California, visiting a psychic surgeon who offered to save his life by removing a spiritual entity that had attached to him. But what if Spalding’s death had something to do with Daniel’s entity? Linking these two true parallel stories is fiction derived from Gray’s obsessions and MacIvor’s inventions about a man named Howard who had forgotten how to live.
Wild Madder

By: Brenda Leifso

$20.00

Poems that stride bravely into the day-to-day, recovering the misdirected intensity at its core.

Brenda Leifso’s Wild Madder is about way-finding–through those moments in which you no longer recognize where you are. It’s about not knowing–who you are anymore, how to be in the world, how to love. It’s about what’s unspoken and about what speaks–conversation with the wild and animate world. It’s about marriage, family, motherhood–the drudgery in them and the quiet beauty.

This is lyric poetry wracked with pain, rage, and longing. In the beginning, the collection may read as though it’s been steeped in bitterness. Family can ask everything of a partner and parent and then turn around and take even more; Wild Madder feels like a note in a bottle washed up on the shores of a rough sea. But Leifso is not one to stand still or cling to darkness; in fact, we end up so far into the darkness that when she breaks through into light, it’s a conflagration of all the things that make us human.

These frank, bracingly recognizable poems will be irresistible–and cathartic–for anyone who has ever felt their life chewing them into little pieces.

“Brenda Leifso writes fearless poetry. Wild Madder turns the domestic inside out, revealing the ‘promise of thunder’ in the familiar. Hers is a generous voice, yet at the same time it is a charged one, calling us into the ‘long-toothed sun’. This is a book of fierce delights.” –Anne Simpson
Withered

By: A.G.A. Wilmot

A queer paranormal horror novel in the style of showrunner Mike Flannagan, showing the complex real-life terror inherent in grief and mental illnessAfter the tragic death of their father and surviving a life-threatening eating disorder, 18-year-old Ellis moves with their mother to the small town of Black Stone, seeking a simpler life and some space to recover. But Black Stone feels off; it’s a disquieting place surrounded by towns with some of the highest death rates in the country. It doesn’t help that everyone says Ellis’s new house is haunted — everyone including Quinn, a local girl who has quickly captured Ellis’s attention. And Ellis has started to believe what people are saying: they see pulsing veins in their bedroom walls and specters in dark corners of the cellar. Together, Ellis and Quinn dig deep into Black Stone’s past and soon discover that their town, and Ellis’s house in particular, is the battleground in a decades-long spectral war, one that will claim their family — and the town — if it’s allowed to continue.Withered is queer psychological horror, a compelling tale of heartache, loss, and revenge that tackles important issues of mental health in the way that only horror can: by delving deep into them, cracking them open, and exposing their gruesome entrails.
Wittgenstein Elegies

By: Jan Zwicky

$20.00

New and revised edition of an early work by the Governor General’s Award-winning poet.

On the occasion of the press’s 40th anniversary, Brick Books is proud to present the last of our six new editions of classic books from our back catalogue. This edition of Wittgenstein Elegies features an expansive Introduction by Sue Sinclair, a new Afterword by the author and a new cover and design by the renowned typographer Robert Bringhurst.

First published in 1986, Wittgenstein Elegies is a polyphonic poem in five parts. It establishes the parameters of a long conversation between logic and the lyre that has continued over multiple books and in multiple genres. Long out of print, this revised edition is both a must-have for Zwicky’s readers and a perfect introduction to her work.

“Here was the one guy in recent history who appeared to have got it right and he was being taught all wrong. I wroteWittgenstein Elegies in an attempt to respond to this state of affairs. I wanted to draw attention to the unity of Wittgenstein’s life and work. I hoped to show how profoundly he experienced the moral dimensions of language’s relation to the world.” –Jan Zwicky, from the Afterword

“Zwicky shows us that there is a way of speaking that leaves room for what cannot be spoken.” –Sue Sinclair, from the Introduction
Wolf Sonnets

By: R. LaRose

$19.95

In his commanding poetry debut, Wolf Sonnets, R. P. LaRose undoes the sonnet’s classical constraints, retooling the form for current political circumstances. Packed with family lore, these poems reflect on how deeply we can trust the terms we use to construct our identity. A proud citizen of the Métis Nation, LaRose even questions his right to identify as such: “I was made in someone else’s home,” he writes. Wolf Sonnets is verse obsessed with names, infinity, numbers, categories, and interconnectedness. Depicting his ancestors as wolves—symbols of survival and protection—LaRose brings fresh insight to his wider poetic project: castigating the inequality, greed, and racism inherent to colonialism.
Workbook

By: Steven Heighton

$16.95

Since selections first appeared in the New Quarterly and the National Post as part of “The Afterword,” Steven Heighton’s memos and dispatches to himself — a writer’s pointed, cutting take on his own work and the work of writing — have been tweeted and retweeted, discussed and tacked to bulletin boards everywhere. Coalesced, completed, and collected here for the first time, a wholly new kind of book has emerged, one that’s as much about creative process as it is about created product, at once about living life and the writing life.

“I stick to a form that bluntly admits its own limitation and partiality and makes a virtue of both things,” Heighton writes in his foreword, “a form that lodges no claim to encyclopedic completeness, balance, or conclusive truth. At times, this form (I’m going to call it the memo) is a hybrid of the epigram and the précis, or of the aphorism and the abstract, the maxim and the debater’s initial be-it-resolved. At other times it’s a meditation in the Aurelian sense, a dispatch-to-self that aspires to address other selves — readers — as well.”

It’s in these very aspirations, reaching both back into and forward in time — and, ultimately, outside of the pages of the book itself — that Heighton offers perhaps the freshest, most provocative picture of what it means to create the literature of the modern world.