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When Gellhorn, a notable poet, begins a university residency in a “dynamic metropolis” and stays at the illustrious Máximo College, he finds himself scandalized, and for little known reason. Scrutiny by his new academic neighbours is the least of his worries, as he learns of the existence of Aaron Schnell, his physical pseudo-twin, and an actor and film “double.”The Chair shares fragments from the oeuvre of Thomas Claque, a recently deceased author who contrived the tale of the pseudo-twins. The Chair’s scholarship leads him to the real Máximo College, where he revives those characters and scenarios, before travelling to a smaller prairie town where he reimagines one of Claque’s risqué getaways. There he meets a young woman doing her creative thesis on the double in literature.Petra, a police clerk in an entirely different prairie city, receives a photograph of a missing person and recognizes a passenger from her weekday commute. Non-routine surveillance draws her deeper into his world until a global pandemic abruptly stalls her progress. Her romantic prospect soon leads to a greater mystery punctuated by the words, TULPA MEA CULPA, although its uncanny truth will be ultimately less provocative than serial coverage in the Prairie Pulse.Tulpa Mea Culpa is a literary tour-de-force and solidifies Morse as one of Canada’s most exciting writers today and proves why he is a two-time Governor General Award nominee.
“I’d rather laugh in bad taste than cry in good taste.”
That’s how Josie Marshall deals with the deathCelebrated Canadian artist Robert Pasternak has created the entire world of Echelon. But what do we know about Echelon? Nothing and neither do the four exceptional authors who are writing about Robert’s gorgeous silver-toned illustrations. Each author has been challenged with the magnificent task of writing about Echelon without knowing a single thing about it. All they have are Robert’s illustrations to go by. To make things even more interesting none of the authors know what the other is writing about. The end result is a world told from four unique perspectives with four distinct narratives. A singular work in scope, design, narrative, layout, and execution. By far one of the most exciting and groundbooking graphic novels ever released.
Edit of her detective husband, Gabe, found naked outside their home on the beach with a bullet in his brain. Everyone calls it suicide. Josie knows it isn’t . . . but fears it could be. After all, she had provided Gabe with a motive. The clues are so strong that even Josie begins to believe Gabe shot himself. But when a horrific slaying occurs literally at her feet, she knows Gabe was murdered, and her determination to prove it carries her toward dark corners of the beach strip and exposes the darker sides of its residents. Fending off her fears with humour and outrage, she encounters a drug-crazed drifter, an organized-crime boss with romance on his mind, a woman with a murderous past and a pervert who’s been frequenting her garden shed. When a chance remark leads Josie to the astonishing truth of Gabe’s death, her story takes a shocking turn that no one could have seen coming.
***THE HOWARD ENGEL AWARD FOR BEST CRIME NOVEL SET IN CANADA – SHORTLIST***
Sebastian Synard is back. It’s the off-season, and the Newfoundland tour guide introduced in One for the Rock has crossed the island with his spirited teenage son for a weekend exploring the wonders of Gros Morne National Park. But on a hike across the spectacular rockscape of The Tablelands, they discover the half-buried body of a murder victim. Life as a tour guide had its twists and turns, but now Sebastian—with his offhand, Scotch-enriched nature—is crossing a more dangerous landscape, on a path that will leave him face-to-face with a killer.
Imagining the lives of nineteenth-century women asylum patients, Nadine McInnis charts her descent into, and recovery from, depression.
In the afterword to Two Hemispheres, McInnis describes her first encounter with the remarkable photographs that illustrate this moving volume. Patients of the Surrey County Lunatic Asylum, these women’s names and stories are lost to history. McInnis imagines their experiences of mental illness as she explores her own journey through clinical depression, and finds in these haunting photographs solace and community.
“In the medical world, the body is often described metaphorically as a machine. Physician-poet William Carlos Williams invoked a similar metaphor when he noted that a poem is a machine made of words. What intrigues me about Nadine McInnis’s insightful collection of poems is how the mechanics of poetry serve to explore what can happen when we as human machines break down. Equally captivating in these evocative and sometimes disturbing poems is the historical impetus for their creationVictorian medical photographs. Two Hemispheres truly acts as a causeway between past and present, health and illness, and the supposed vastly different worlds of arts and biomedicine.” — Dr. J.T.H. Connor, John Clinch Professor of Medical Humanities and History of Medicine, Faculty of Medicine, Memorial University, St. John’s, Newfoundland
A fast-paced literary eco-thriller about the power of resistance, the fine line between activism and terrorism, and what happens when things go too far.
It is 1993 on Vancouver Island. A group of idealistic young activists, determined to do whatever it takes to protect the environment, turn to sabotage. But in a single moment everything they’ve worked for goes terribly wrong: a night watchman at a logging company warehouse is killed in an explosion that they set.
Two Roads Home follows these activists as their lives – and their cause – spiral out of control. Pete, who set the bomb, heads off the grid, where he discovers a vibrant community of squatters who have been affected by the explosion in unexpected ways. Meanwhile, Pete’s mother is determined to track him down and clear his name.
In Two Roads Home, Daniel Griffin deftly reimagines history: what if, instead of the legendarily peaceful Clayoquot Sound protests of the 1990s, things had gone too far? How far is too far, when it comes to protesting what one sees as injustice? And what happens when that line is crossed?
Theodor Adorno once remarked that, “…every work of art is an uncommitted crime.” This book is a tribute to political artists who deviate from the mainstream and create art that engages with questions of societal oppression, survival, and resistance. It draws on interviews with transnational artists whose work is representative of emerging trends in art, visual culture, and political aesthetics. Uncommitted Crimes reflects on a new generation of artists whose creative praxis, sensibilities, influences, and frames of reference derive from multiple national, religious, and cultural genealogies, and an ambivalent relationship to Western and European nationalisms. Courageously, these racialized, Indigenous, and migrant artists straddle the divides of many categories of identity in regards to gender, sexuality, and ‘race.’ Their art challenges the silently imbibed worship of whiteness, heteronormative patriarchies, and colonial settler ideologies of “home.” These exceptional cultural producers enter into uncomfortable dialogues, creatively. Inspired by their visionary praxis, this book is an uncommitted crime, attempting to smuggle arresting artistic ideas into a site of intellectual imagi/nation. Artists whose works are explored in this book include: Andil Gosine, Syrus Marcus Ware, Elisha Lim; Amita Zamaan and Helen Lee; Shirin Fathi; Kara Springer; Rajni Perera; Joshua Vettivelu; Brendan Fernandes; Kerry Potts and Rebecca Belmore; The Mass Arrival Collective (Farrah Miranda, Graciela Flores Mendez, Tings Chak, Vino Shanmuganathan, and Nadia Saad). The book contains 65 pages of artwork.
A novel about Charlie, neurodivergent, preoccupied with numbers, and desperately trying to solve for love.
Growing up on an isolated farm, Charlie is clearly different. He can never make sense of what anyone else is thinking or feeling, and finds solace in the infinitely fascinating world of numbers.
Many years later Charlie sees a phone number pop up on his call display for the first time in ten years, belonging to a woman he assumed dead. On the verge of another breakdown, he searches the streets of Montreal for a lost love—forced to face a past that he had desperately tried to forget.
With magnetic prose that positively vibrates with energy, Bernice Friesen brilliantly takes us into the mind of a captivating, unforgettable character. Universal Disorder is an extraordinary novel about the human psyche and the imperfect, disordered ways that we love each other.
A collection of fascinating stories of the extraordinary and astonishing in BC’s history. Daniel Marshall uncovers the stories of BC you’ve never heard.
The award-winning Marshall captivates readers with intriguing and unknown stories, everything from Indigenous rights to Native gold; political intrigue to daring feats; the remarkable, mysterious traveller Harry (Harriet) Collins; the forgotten origin of Canada’s oldest Chinatown; mysterious artifacts and confounding tales of the obscure and mysterious.
Rigorously researched with interpretations that offer inclusive narratives while exploring surprising tales of great adventure.
Unwashed is a deeply personal collection of poetry, centering on themes of growing up, loss of innocence, love, the immigrant experience, and alienation. The title of the collection is a reference to the urgency of the work. These are not romantic or quiet poems; they are loud and in-your-face. They speak directly to the collective anxieties of urban life and reflect the author’s experience as an immigrant in Canada and a family man in the diverse setting of Toronto. What we are given here is a tapestry of intense, image-rich poetry.
From the author of Cast Iron comes two plays that feature young black women who suddenly find themselves navigating unfamiliar territory on their own. As they embark on journeys from the only homes they’ve ever known, they’re challenged to think for themselves and to fight for what they want and believe in.
In Up the Garden Path, Rosa, a young Barbadian seamstress, offers to pose as her brother to go to the Niagara Region in Ontario to work. There, she meets an aspiring actress obsessed with Joan of Arc, the ghost of a black Loyalist soldier who wants to die and a boss who can’t keep the starlings away from his failing vineyard. Finding it impossible to ignore their demands, but not wanting to be found out and sent home, Rosa has to stop and figure out what she really wants instead of what everyone around her needs.
Based on Bernard Shaw’s short story, The Adventures of the Black Girl in Her Search for God follows a black girl who is abandoned by a white missionary for asking too many questions. Taking matters into her own hands, the Black Girl sets off to find out who or what God really is. Along the way she meets a number of characters who have very different views on God, but the Black Girl’s unrelenting questions create conflict, and in the end she’s forced to make her own decisions on God and her search.
They say Dor?s family is cursed. The house her great-great grandfather built on the south side of St. John?s has never been at peace; the old people think it lies on a fairy path. Ever since electricity came to the island, things have worsened, and experiments in the brand-new technology of radio put her family in real peril. In December 1901, Marconi arrives in Newfoundland with a secret mission: to receive the first wireless trans-Atlantic radio signal. Disguised as a boy, Dor joins his team. Then the Little Strangers kidnap her mother. Must Dor sabotage Marconi’s experiments to save her?
Us, Now roves from Indonesia to the Middle East, Taiwan, Mexico, China, Africa, Jamaica, Barbados, India, Pakistan, and points in between, converging in Newfoundland. These stories by racialized Newfoundlanders are by turns joyous, tender, hilarious, and heart-wrenching. They confront racism and celebrate the act of enduring. They are about settling and getting unsettled, about parents and their children, about language, about facing down the horrors of homophobia, about the joy of love, about lifelong relationships or the glee of a magnificent crush. Here social and domestic violence are countered with tenderness and the penetrating power of narrative. This is a book about distance and coming together, about what it means to be seen and understood, or—devastatingly—to be seen and judged, or to be invisible and misunderstood. What it means to belong. These are new writers and new visions of an in-the-present-moment Newfoundland, stories shaped by powerful voices, stories urgent, radical, and sparking with beauty.
The bestselling, vivid and energetic history of Van Halen’s legendary early years featuring 230 original interviews — including with former Van Halen bassist Michael Anthony and power players like Pete Angelus, Marshall Berle, Donn Landee, Ted Templeman, and Neil Zlozower
“Fascinating (even for non-VH fans) … A book almost anthropological in its level of detail.” — Vulture
“It’s the tale of hardworking kids with nothing in common learning to fuse pop and heavy metal into a new sound that completely changed the music world. It also vividly shows that the personality clashes that would later destroy the band were there from Day One.” — Rolling Stone
“A fascinating read.” — Pasadena Star News
“The book is fantastic.” — Ted Templeman, Grammy-winning music producer for Van Halen and David Lee Roth
“If you’ve got it bad, got it bad, got it bad for Van Halen, get Van Halen Rising.” — Martha Quinn, original MTV VJ, Sirius XM host
After years of playing gigs everywhere from suburban backyards to dive bars, Van Halen — led by frontman extraordinaire David Lee Roth and guitar virtuoso Eddie Van Halen — had the songs, the swagger, and the talent to turn the rock world on its ear. The quartet’s classic 1978 debut, Van Halen, sold more than a million copies within months of release and rocketed the band to the stratosphere of rock success. On tour, Van Halen’s high-energy show wowed audiences and prompted headlining acts like Black Sabbath to concede that they’d been blown off the stage. By the year’s end, Van Halen had established themselves as superstars and reinvigorated heavy metal in the process.
Combining exhaustive research and original interviews, Van Halen Rising reveals the untold story of how these rock legends made the unlikely journey from Pasadena, California, to the worldwide stage.
In this memoir, Lamees Al Ethari traces her transition from an idyllic childhood in a large extended Iraqi family to the relative stability of an exilic family life in Canada. Through memory fragments, flights of poetry, diary entries, and her own art, the author reveals the trauma suffered by Iraqis, caused by three senseless wars, dehumanizing sanctions, a brutal dictatorship, and a foreign occupation. Finely observed, highly personal, and intensely moving, this account also gives testimony to the Iraqi people’s resilience and the humanity they manage to preserve in the face of adversity. It is the other voice, behind the news flashes.
The award-winning sequel to Random Passage. Waiting for Time, the sequel to the best-selling Random Passage, completes the epic saga of the inhabitants of Cape Random. Here, Bernice Morgan tells the story of the strong-willed and enigmatic Mary Bundle, one of the most beloved characters in Newfoundland fiction, and introduces us to Lav Andrews, a descendant of the Andrews family living in contemporary Newfoundland—a place where the past shapes the future. In this beautifully imagined historical narrative, Morgan weaves a story of loss and of courage—a story of how we discover where we are by understanding where we’ve been.