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Felicia Mihali writes: “I would like this novel to be read as a universal story about little girls born in small and poor villages around the world who are not as lucky as those born in big cities and in good families. These are girls who have to struggle to succeed, to fight their own complexes and their shame over not being more fortunate. For many of them their only escape is through the imagination.”
Deluxe redesign of the Gerald Lampert Award-winning classic.
On the occasion of the press’s 40th anniversary, Brick Books is proud to present the fourth of six new editions of classic books from our back catalogue. This edition of A Really Good Brown Girl features a new Introduction by Lee Maracle, a new Afterword by the author and a new cover and design by the renowned typographer Robert Bringhurst.
First published in 1996, A Really Good Brown Girl is a fierce, honest and courageous account of what it takes to grow into one’s self and one’s Métis heritage in the face of myriad institutional and cultural obstacles. It is an indispensable contribution to Canadian literature.
I am looking at a school picture, grade five, I am smiling easily … I look poised, settled, like I belong. I won an award that year for most improved student. I learned to follow really well. –from “Memoirs of a Really Good Brown Girl”
“No other book so exonerates us, elevates us and at the same time indicts Canada in language so eloquent it almost hurts to hear it.” –Lee Maracle, from the Introduction
Frida, and her husband Blake have chosen not to have children. Concentrating on her artistic career instead, Frida has mostly managed to accept this difficult decision while putting her own traumatic childhood behind her. That is, until a stranger knocks on their door with a child she insists is Blake’s daughter. From that moment on their fragile marriage, their lives are devastatingly changed forever.
Steeped in Newfoundland’s unique folklore and superstitions, A Seal of Salvage is a coming-of-age novel about unrequited love between adolescent boys that slips between history and mythology.
Set in 1950s rural outport Newfoundland and blending historical fiction with magic realism, A Seal of Salvage follows orphan Oliver Brown’s coming of age as a queer outsider. Oliver’s life in the small community of Salvage is overshadowed by lingering rumours about his mother, her mysterious past, and her untimely death.
But as Oliver grows up, he experiences a remarkable series of events of mythic proportions. Stories of Oliver’s mother become entangled with the folklore of the Selkie: people of the sea who live in the water as seals and come to land to find love as humans. While mostly unspoken, the speculations about Oliver’s bloodline become another excuse the town uses to marginalize him.
A Seal of Salvage explores the space where the natural and supernatural meet, as well as how the stories people tell can be fashioned to justify their own prejudice.
A Short History of Night charts the strange origins of contemporary science through two of the Renaissance’s most unusual figures—mercurial, ambitious Danish astronomer Tycho Brahe and meticulous, idealistic geometrician and Christian mystic Johannes Kepler.
As religious wars and witch hunts rage outside the castle walls, an unlikely band of alchemists and astrologers vie to unlock the secrets of the cosmos. Based loosely on the life of sixteenth-century astronomer, astrologer, and mathematician Johannes Kepler, the play draws disturbing parallels between medieval and modern thought.
In this touching, often humorous remembrance, Diana Daly introduces young readers to her smart, funny, and caring great aunties and uncles?six remarkable people who lived with skeletal dysplasia at a time when the condition was not well understood. Daly intertwines older family stories with her own memories to create fond portraits of little people who embraced life with joy, faith, and wit. Daly focuses on ability, rather than disability, and and reminds readers that a family is always richer when a place can be made for all of its members. Based on the play ?If a Place Could Be Made,? which Daly co-wrote with Anne Troake and Louise Moyes, A Wonderful Bigness is a celebration of family, inclusion, and great heartedness. The book features artwork by NL-born multimedia artist and animator Bruce Alcock.
Extra, Extra! Dr. Thomas Barnardo has opened a home on Copperfield Road to provide free shelter, meals, and education for the poor and orphaned children of London.
Vowing to never turn away a child in need, Dr. Barnardo’s Home trains them in carpentry, metalwork, and shoemaking, shaping them into hardworking, independent citizens. But as demand grows and funding dwindles, Dr. Barnardo looks toward a different future for his charges. Under the Child Migration Plan, the children of Dr. Barnardo’s Home, along with those from other homes and orphan refugees of the Armenian Genocide, are dispersed throughout rural Canada and placed in the employ of family farms. Some thrive in their new lives. Some simply survive. Some, however, do not.
In this gripping novel that draws on the real history of the home children who migrated to Canada between 1869 to 1932, Caroline Fernandez delivers a tale of friendship, survival, and resilience.
About Face: Essays on Addictions, Recovery, Therapies, and Controversies seeks to broaden the conversation around addiction in Canada. Featuring essays by a diverse group of writers, About Face delves into the major categories of addiction: drugs, alcohol, sex, pornography, video games, gambling, body dysmorphia, and eating disorders. With stories by those suffering from addictions, experts in the field, and service providers, this anthology is a far-reaching intervention into one of our country’s most rapidly expanding social problems.
For readers of Leonard Cohen, Sharon Olds, Gwendolyn MacEwen, Jacques Prévert, George Elliott Clarke, Sylvia Plath, Warsan Shire, and Natalie Diaz.
The accidents of Priest’s collection are definitely not all “happy.” They move through a full range of human emotions: dread, grief, anger, ecstasy, lust, and empathy. Plus some magic levity. This is poetry you will want to recite aloud: lyrical love poems, sonnets, satires, ghazals, curses, and bitter invective. These are not snobby poems — they want and welcome readers who love euphony, who enjoy tasteful eroticism, who rage at injustice. People who grieve and gush — smart people who think critically and form their own opinions. And for those with a taste for “brevity forever.” Accidents After Happening also contains a whole new catalog of Priest’s aphorisms, proverbs, maxims, and sayings — the kind of work that recently prompted Canadian literary icon Margaret Atwood to take to Twitter and praise Priest’s “snappy, funny, spot-on micro poems — plus much more.”
Priest is a people’s poet who believes that humanity harbors a deep and ancient biological need for the spirit and time-binding experiences of the incantatory and shamanistic and that these can only be acquired through the poetic outlook. His words have been quoted in the Farmers’ Almanac, posted in the Toronto transit system, sung in churches, denounced in the legislature, embedded in pavement, and turned into two hit songs. “Sometimes,” as one of Priest’s micro poems has it, “it is the book that opens you.”
Plagued by the success of his first book and haunted by his past, Sin Hwang arrives in Hong Kong with some unusual cargo and a lot of emotional baggage. Featuring a surreal cast of characters, from a foul-mouthed Paddington Bear to a wisecracking Buddhist monk, this sharply comedic and heartbreakingly poignant tale of self, familial, and spiritual discovery reflects the cycles from which we must all break free as we find our way.
John arrives in a Montreal airport with a suitcase in hand. We do not know where he is from, or who he is. The novel sets out to explore his identity by following his daily movements and intimate thoughts, as well as his connections to those coming into contact with him. He writes his own reflections and impressions in a notebook which he carries with him at all times.
The story unfolds through non-linear narrative connections that flow across city blocks, continents and oceans, and meander in and out of characters’ minds, dealing with questions of displacement, identity and meaning.
After retiring from the heady world of academia, Sidonie von Täler has returned to the small Okanagan Valley town she escaped in her youth for the lights of the big city. The family orchard has since gone to seed, and ever decades later Sidonie still finds herself living in the shadow of her deceased older sister Alice.
As she gets down to work sifting through the detritus of her family’s legacy, Sidonie is haunted by memories of trauma and triumph in equal measure, and must reconcile past and present while reconnecting with the family members she has left.
Karen Hofmann’s debut novel blends a poetic sensibility with issues of land stewardship, social stratification and colonialism, painting the geological and historical landscape of the Okanagan in vivid and varied colours.
After Light spans four generations of the Garrison family, over the course of the twentieth century. Irish Deirdre, forced into marriage at sixteen, never stops trying to regain her freedom, though her ruthless escape attempts threaten to destroy her family. Her son, Frank, raised in Brooklyn, is a talented young artist, until he’s blinded in WW2. With fierce determination, Frank forges a new life for himself, but the war has shaken him deeply. His two daughters, rebellious Von and sensitive Rosheen, grow up as isolated as the hothouse roses their mother breeds on the frozen Canadian prairie, and like the roses, they have scant protection against the violent elements that imperil them. Rosheen’s son, Kyle, raised without his mother, knows nothing of the family’s history until 1999, when he and Von gather Rosheen’s art works for an exhibit at a Brooklyn gallery. The story of the Garrisons is shaped by powerful forces – -a rogue north wind, a vengeful orphan, a sugar-dust explosion, an airborne jar of peaches, a scar that refuses to heal, a terrible lie, an unexpected baby, and a desperate drive across treacherous ice. Despite all the their tragedies, the creative fire that drives the Garrisons survives, burning more and more brightly as it’s passed from one generation to the next, into the twenty-first century.
After Realism: 24 Stories for the 21st Century is the first anthology to represent the generation of millennial writers now making their mark. Diverse, sophisticated, and ambitious in scope, the short stories in this ground-breaking book are an essential starting point for anyone interested in daring alternatives to the realist tradition that dominated 20th century English-language fiction. After Realism offers twenty-five distinctive talents who are pushing against the boundaries of the “real” in aesthetically and politically charged ways–forging their styles from influences that range from myth to autofiction, sci-fi to fairy tale, documentary to surrealism. Even those who continue to work in the realist tradition are doing so critically, with an eye to renovation. The selection is accompanied by comprehensive and provocative essay by editor André Forget that explains the themes, tendencies and concerns of this group. In bearing witness to an extraordinary flowering of contemporary fiction, After Realism will supply a new standard for Canadian writing.
Contributors include: Jean-Marc Ah Sen, Carleigh Baker, Paige Cooper, David Huebert, Jessica Johns, Cody Klippenstein, Julie Mannell, Sofia Mostaghimi, Téa Mutonji, Fawn Parker, Casey Plett, Rudrapriya Rathore, Naben Ruthnum, John Elizabeth Stintzi, and Gavin Thomson.
Seeing beyond Winston’s disfiguring scars and foreseeing a future with him, Lise falls in love and the couple soon marry. Years later, having inherited Lise’s gift, two of their children, Theresa and Jerome, must struggle to find their place within the community. But for Leo, their middle child, that is just the start of his worries. As he grows older and the chasm between himself and his family grows, Leo realizes that he doesn’t belong to his family. While familial tensions mount and secrets are revealed, the Evans family come to see the monumental effect even the smallest spark can create. Based on the short story by Michael Crummey, Afterimage explores the connections built within both family and community, of finding a place to belong.
Winner of the 2014 Governor General’s Literary Award
Based on a true story, Get Yourself Home Skyler James follows the harrowing journey of a young lesbian who defects from the army when she is outed by fellow soldiers. The award-winning rihannaboi95 centres around a Toronto teen whose world comes crashing in when YouTube videos of him dancing to songs by his favourite pop heroine go viral. Finally, Peter Fechter: 59 Minutes chronicles the last hour of Peter Fechter’s life, a teenager in East Berlin shot while attempting to cross the Berlin Wall in 1962 with his companion. Together these solo plays explore the lives of three queer youth and their resilience in the face of violence and intolerance.