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Immigrant Blues, an extension and deepening of the famous poems of the siege of Sarajevo translated in Simic’s Sprinting from the Graveyard (Oxford, 1997), explores the personal and the public devastations of war, especially its effects on the emotions, thoughts and memories of exiled survivors. Simic’s genius is to present this disturbing reality in terms so vigorous and humane that pain is mixed with the solace and pleasure of great art.
Open the doors, the guests are coming
some of them burned by the sun, some of them pale
but every one with suitcases made of human skin.
If you look carefully at the handles, fragile as birds’ spines,
you will find your own fingerprints, your mother’s tears,
your grandpa’s sweat.
The rain just started. The world is grey.
from “Open the Door”
“The brilliance of these poems lies in their detail, their lack of rhetoric, and their passion.” — Helen Dunmore, reviewing Sprinting from the Graveyard in The Observer
“Goran Simic has written with tact and restraint in daunting and provocative conditions. The fact that his terrifying testimony seems more whispered than screamed is part of its power.” — Denis O’Driscoll, on Sprinting from the Graveyard in The Times Literary Supplement
Twelve-year-old Molly was riding her new bicycle on a deserted road when a man in a truck pulled up next to her, saying he was lost. He asked if she could get in and help him back to the highway, and said he could bring her back to her bike after. Molly declined, out of interest for her own safety. The next things Molly remembers are dirt, branches, trees, pain, and darkness.
Molly is now a spirit.
Mustering up some courage, she pieces together her short life for herself and her family while she reassembles her bicycle—the same one that was found thrown into the trees on the side of the road. Juxtaposed with flashes of news, sounds, and videos, Molly’s chilling tale becomes more and more vivid, challenging humanity not to forget her presence and importance.
In an intimate, loving approach to the tragic subject of missing and murdered Indigenous women and girls, the acclaimed author of Dreary and Izzy shines a light on the haunting tale of a preteen’s last moments.
Triangulated against the backdrop of a deteriorating world, In the Key of Decay pushes past borders both real and imagined to attend to those failed by history. Attuned to scientific racism, systemic medical failures, and climate change, Em Dial’s poems incisively carve out space for interrogation. Their place-finding and place-making is often surprising, centring care and desire, where Dial’s speaker “calls for someone to call me what I am and for that someone to be a lover, bare on silk sheets, inside walls of confidential lilac.” In the Key of Decay doesn’t just hum along, it sings.
Tracing through Indigenous institutional development in Winnipeg, and providing a unique perspective on the history of Indigenous housing development, education, and economic development, Indigenous Resistance and Development in Winnipeg 1960-2000 explores Indigenous resistance in Winnipeg through the work of various Winnipeg institutions, including The Indian and Métis Friendship Centre, Children of the Earth and Niji Mahkwa schools, The Indigenous Women?s Collective of Manitoba: Dibenimisowin (We Own Ourselves), the Ma Maw Wi Chi Itata Centre, The Native Women?s Transition Centre, and Two Spirited People of Manitoba, among others. Taking on a rich historical grounding and encompassing a new generation of Indigenous organizing, this is the first book that explores Winnipeg history exclusively through the impactful development and resistance work of Indigenous organizations. Contributors include Nicole Lamy, Shauna MacKinnon, Kathy Mallett, Lawrie Deane, Lynne Fernandez, Doris Young, Annetta Armstrong, Josie Hill, John Loxley, Chantal Fiola, and Albert McLeod.
Winner of the 2014 Margaret Laurence Award for Fiction at the Manitoba Book Prizes!
Finalist for Best Book Cover / Jacket Design at the 2014 Alberta Book Design Awards!
Edith Stoker’s father is building a wall in their backyard. A very, very high wall–a brick bulwark in his obsessive war against their hated neighbour Edward Black.
It is 1969, and far away, preparations are being made for man to walk upon the moon. Meanwhile, in the Stokers’ shabby home in the East Midlands, Edith remains a virtual prisoner, with occasional visits from her grotesque and demanding Aunt Vivian serving as the only break in the routine.
But when shy, sheltered Edith begins to quietly cultivate a garden in the shadow of her father’s wall, she sets in motion events that might gain her independence… and bring her face to face with the mysterious Edward Black.
Rosie Chard’s followup to her award-winning debut Seal Intestine Raincoat is an engrossing, often mordantly funny portrait of a young woman who miraculously finds her own pathway to freedom within the most stifling of environs.
IsThisAnOlogy? is a journey of discovery! Andie interviews different “ologists” and learns all about different types of science.
IsThisAnOlogy? explores big jobs, big science, and the biggest questions. Learn about fossils, bird migration, beekeeping, the science behind making food delicious, and the chemistry involved in cheese making. IsThisAnOlogy? features illustrations, interviews, comics, photographs, charts, recipes, and experiments you can try at home. Science can be a fun hands-on activity!
When Margaret learns of the death of her former husband, she recalls their earliest days together as Ph.D. candidates, beginning a journey through her past. Told through the sensations of Wallace Stevens’s poem “Thirteen Ways of Looking at a Blackbird,” the subject of her uncompleted thesis, Margaret evokes beautiful, ordinary and painful sexual memories from before, after and during their marriage. Stevens, a guiding voice in her head for twenty-five years, cajoles Margaret into unearthing the reasons she never became the poet, scholar, wife or mother she thought she would be. Bold and poetic, It is Solved by Walking is an intimate portrait of a writer making her way back to poetry one step at a time.
When singer, musician, and broadcast journalist Malka Marom had the opportunity to interview Joni Mitchell in 1973, she was eager to reconnect with the performer she’d first met late one night in 1966 at a Yorkville coffeehouse. More conversations followed over the next four decades of friendship, and it was only after Joni and Malka completed their most recent recorded interview, in 2012, that Malka discovered the heart of their discussions: the creative process.
In Joni Mitchell: In Her Own Words, Joni and Malka follow this thread through seven decades of life and art, discussing the influence of Joni’s childhood, love and loss, playing dives and huge festivals, acclaim and criticism, poverty and affluence, glamorous triumphs and tragic mistakes . . .
This riveting narrative, told in interviews, lyrics, paintings, and photographs, is shared in the hope of illuminating a timeless body of work and inspiring others.
Journal
When Joey enters puberty, his father Jake finds himself in a morally ambiguous position. Joey is severely disabled, but he still has the same sexual desires as any seventeen-year-old boy, only he can’t do anything to relieve the tension. Jake is a widower whose life is devoted to his son, but when he suddenly develops a serious medical condition, he becomes the one to rely on the people around him, including his sister Twyla, his friend Robyn, and Joey’s best friend Rowdy. As Jake’s condition worsens, an ethical dilemma troubles the household as everyone is forced to consider the possibility of saying goodbye.
Stories are carried like cargo on trains from the Rocky Mountains to the East Coast in this cautionary tale of what happens when we’re haunted by the hunger for the ever-greater development and exploitation of natural resources.
A nineteenth-century fur trader and his Métis guide are harrowingly pursued by an unseen monster on the Athabasca River. Two freshwater biologists in present-day Fort McMurray investigate pollution downstream from the oil sands, until one becomes obsessed with his discovery of a centuries-old skeleton. A young man comes to work in the Alberta oil sands, but is driven home after discovering the body of a missing co-worker. The residents of a small town unite in grief after an entirely preventable disaster. Stories intersect and echo, connecting the dots between voraciousness and victimhood, beasts without and beasts within, and ravaged landscapes and ruined souls.
The turmoil in Max’s life was set in motion by Sylvia, an elusive figure who enters his life and charges Max with the task of finding Tommy Jade, a Chinese immigrant from the 1920s. Dragged further into the history of the Chinese-Canadian struggle for redress and into the lives of those involved, Max discovers that not only is his life in danger, but also his son’s. A modern-day noir that draws from both Haruki Murakami and Frank Miller, lady in the red dress is a darkly comic story about the skeletons in our closets and the consequences of our inactions told by one of Canada’s most-promising young playwrights.