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When Tarah Schwartz miscarried for the first time at almost 5 months, she assumed this would be just a blip on the way to motherhood. But more miscarriages would follow, threatening her stability, her relationships, and changing her profoundly. In this memoir, Tarah puts words to excruciating loss as she recounts her unexpected and deeply inspiring journey to motherhood. As a longtime news reporter, she spent years working in front of a television camera, telling stories that reflected the power of the human spirit to survive. This time she tells her own.
Winner of the 2023 Crime Writers of Canada Award for Best Crime First Novel
“Sam Shelstad has a funny, lively, engaging, peculiar mind—charming and surprising.” —Sheila Heti, bestselling author of Motherhood and Pure Colour
This debut novel set in southern Ontario captures call-centre life, faded tourist attractions, and suburbia with oddball wit and sharp realism.
Colleen Weagle works in a call centre and lives in a bungalow with her mother in a quiet Toronto suburb. In her spare time she writes spec scripts for a CBC riding-school drama (her mother’s favourite) and plays an online game set in a resort populated by reindeer. It’s a typical life. Except three months ago Colleen’s husband Leonard—who led a similarly monotonous life—was found in a bog in the middle of the night, a two hours’ drive from home. Dead.
With a flatly optimistic belief in the power of routine, Colleen has been soldiering on, trying not to think too hard about all the unknowns surrounding the death. But when a local news photo twigs Colleen’s memory of a mystery attendee at Leonard’s funeral she snaps into action.
In the maddening company of her ornery co-worker Patti, she heads to Niagara Falls on a quest to find the truth behind the death. Amid the slot machines and grubby hotels, the pair stumble into the darker underworld of a faded tourist trap. What they find will lead straight to an episode from Colleen’s adolescence she thought she’d put firmly behind her.
Bleakly madcap, with deadpan dialogue, Shelstad’s debut novel is a noir anti-thriller reminiscent of Twin Peaks and the work of Ottessa Moshfegh and early Kate Atkinson. He captures call-centre life, ramshackle tourist attractions, and suburbia with wit and sharp realism, and reveals the undercurrents of melancholy and the truly bizarre that can run beneath even the most seemingly mild-mannered lives.
Summer 1936, Wilkes County, North Carolina during the great depression. The Flagg family resides in the middle of the Appalachia – one of the hardest hit areas in the country. As the depression drags on the Flagg family watch their molasses business decimated. Jedediah, the family patriarch and his sons Morgan and Ezra struggle to produce a few meager gallons a week. That is until their sister Ava arrives home and takes control of the family business and starts running moonshine. Ava bails out ex-con Bobby Barlow and tells him he is working for the Flagg family now. With threats mounting from rival clans and the local cops breathing down Bobby’s neck, he and Ava devise a plan to play them all, one against the other. They don’t necessarily do it by legal means but that doesn’t bother them. To live outside the law, you must be honest.
From Leacock finalist Ali Bryan, a witty and immensely fun dramedy about a family’s memorial trip to the City of Love, where chaos ensues at every turn.
It’s been ten years since Claudia’s mother died after a tragic collision with a banana boat. Her kids are now teenagers, her brother’s wife has left him, and her ex has had a spiritual awakening that has him hinting at reconciliation—all things she can handle.
But when her septuagenarian father decides to remarry after a brief courtship with a woman who is decidedly different than their mother, the entire family is thrown off course, and plans a long overdue memorial trip to the only place their mother ever dreamed of going: Paris. However, minutes after take-off, the trip takes an unpredictable turn and sets off a chain of events that threatens to derail the closure the family desperately seeks.
Chance meetings, poolside confessions, run-ins with mimes, climate protests, and a man with a death wish force Claudia to reconsider everything she thought she knew about love, both the familial and the romantic, the tragic and the sublime. How well do we really know those closest to us? And how well do we really know ourselves?
In this follow-up to her award-winning novel Roost, Ali Bryan explores thorny family dynamics with her trademark offbeat humour and insight. Coq is a darkly comedic contemporary family drama that explores grief, identity, and second chances in the one-and-only City of Love.
Country of Poxes is the story of land theft in North America through three diseases: syphilis, smallpox and tuberculosis. These infectious diseases reveal that medical care, widely considered a magnanimous cornerstone of the Canadian state, developed in lockstep with colonial control over Indigenous land and life.
Pathogens are storytellers of their time. The 500-year-old debate over the origins of syphilis reflects colonial judgments of morality and sexuality that became formally entwined in medicine. Smallpox is notoriously linked with the project of land theft, as colonizers destroyed Indigenous land, economies and life in the name of disease eradication. And tuberculosis, considered the “Indian disease,” aroused intense fear of contagion that launched separate systems of care for Indigenous Peoples in a de facto medical apartheid, while white settlers retreated to sanatoria in the Laurentians and Georgian Bay to be cured. In this immersive and deeply reflective book, physician and activist Dr. Baijayanta Mukhopadhyay provides riveting insights into the biological and social relationships of disease and empire. Country of Poxes considers a future of health in Canada that heeds redress and healing for Nations brutalized by the Canadian state.
Shortlisted for the 2024 Lambda Literary Award for Bisexual Nonfiction
It’s a tale as old as time. Girl meets boy. Boy wants girl. Girl says no. Boy takes what he wants anyway.
After a violent sexual assault, Eden Boudreau was faced with a choice: call the police and explain that a man who wasn’t her husband, who she had agreed to go on a date with, had just raped her. Or go home and pray that, in the morning, it would be only a nightmare.
In the years that followed, Eden was met with disbelief by strangers, friends, and the authorities, often as a result of stigma towards her non-monogamy, sex positivity, and bisexuality. Societal conditioning of acceptable female sexuality silenced her to a point of despair, leading to addiction and even attempted suicide. It was through the act of writing that she began to heal.
Crying Wolf is a gripping memoir that shares the raw path to recovery after violence and spotlights the ways survivors are too often demonized or ignored when they belong to marginalized communities. Boudreau heralds a new era for others dismissed for “crying wolf.” After all, women prevailing to change society for others is also a tale as old as time.
An unstintingly honest and surprisingly humorous memoir that charts a couple’s parallel diagnoses of Parkinson’s and Lewy body dementia.
In 2011, Leslie Davidson and her husband Lincoln Ford were enjoying retired life to the fullest as ardent outdoor enthusiasts, energetic travellers, and soon-to-be grandparents. But when Lincoln’s confusion became a concern and Leslie began to experience a hesitant leg and uncontrollable tremors in one arm, a devastating double diagnosis completely changed their life.
In this personal and unstintingly honest memoir, Leslie recounts the years that follow the diagnoses—her Parkinson’s and Lincoln’s Lewy body dementia—charting physical changes, mastering medications (and sometimes flubbing it), the logistical puzzles of caregiving, and the steady support of their close-knit community in the small town of Grand Forks in south central British Columbia.
She describes her struggle to maintain perspective while questioning what having perspective even means, and the work of being an advocate while needing an advocate. And she explains how, amid all the challenges and tears, shared laughter remained all-important to their survival, especially in times when Lincoln saw her as an imposter. She shares powerful lessons in love, courage, and grace from the man who had always led the way and who, despite the ravages of his illness, in many ways, still did.
At once poignant and unflinchingly frank Dancing in Small Spaces is the story of a long and adventurous marriage, of deep gratitude, and, ultimately, of writing one’s way toward understanding and acceptance.
Growing up in a small, riverside town, Little Bright is thrusted into the political whirlwinds along with his family during China’s Cultural Revolution. When a reversal of the winds of reform blows through the land, however, he learns the once-forbidden tongue—English—which lends wings to his sense and sensibility. At college, he adopts a new English name, Victor. With the deepening of his knowledge of the English language, he begins to place himself under the tutelage of Pavlov, Sherlock Holmes, and Shakespeare.
When the story unravels, however, Victor’s un-Chinese passion and tension threaten to topple his moral world and mental universe. Now, he must wade into an uncharted journey to unlock the dilemma and to unearth his destiny.
Drawing on his own life experiences, George Lee has fashioned an unforgettable coming-of-age story about fate and faith, good and evil, power of imagination and storytelling, and, above all, wonder of English literature.
The Earth is changing fast. Polar Bear’s ice is melting. Gazelle’s savanna is turning into a desert. Sea Turtle’s waters are poisoned. How bad is it? The animals gather to talk. When they realize that humans are behind the destruction, they must act quickly. Could they send them to another planet? Maybe the humans need their help? The animals write a letter to remind humans how they were meant to live on this Earth. And how to turn things around before it’s too late.
A collection of letter and prayer poems in which an Indigenous speaker engages with non-Indigenous famous Canadians.
D.A. Lockhart’s stunning and subversive fourth collection gives us the words, thoughts, and experiences of an Anishinaabe guy from Central Ontario and the manner in which he interacts with central aspects and icons of settler Canadian culture. Riffing off Richard Hugo’s 31 Letters and 13 Dreams, the work utilizes contemporary Indigenous poetics to carve out space for often ignored voices in dominant Canadian discourse (and in particular for a response to this dominance through the cultural background of an Indigenous person living on land that has been fundamentally changed by settler culture).
The letter poems comprise a large portion of this collection and are each addressed to specific key public figures–from Sarah Polley to Pierre Berton, k.d. lang to Robertson Davies, Don Cherry to Emily Carr. The second portion of the pieces are prayer poems, which tenderly illustrate hybrid notions of faith that have developed in contemporary Indigenous societies in response to modern and historical realities of life in Canada. Together, these poems act as a lyric whole to push back against the dominant view of Canadian political and pop-culture history and offer a view of a decolonized nation.
Because free double-doubles…
tease us like bureaucratic promises
of medical coverage and housing
not given to black mold and torn-
off siding. Oh Lord, let us sing anew,
in this pre-dawn light, a chorus
that shall not repeat Please Play Again. (from “Roll Up the Rim Prayer”)
After a dangerous incident, Sergeant Roxanne Calloway left the RCMP’s Major Crimes Unit and is now working as the Team Commander of the Fiskar Bay detachment. Roxanne is adjusting to her new job when the body of retired Sergeant Bill Gilchrist, her predecessor, is discovered in a ditch at the side of the road.
Spring in Fiskar Bay often means flooding, as the normally peaceful stream–home to ducks and teals and the occasional blue heron during the warmer months–fills to the top of its banks with fast-moving, murky brown water, sweeping chunks of ice and broken tree branches along with it. The locals from the close-knit community show up in droves to help sandbag and Roxanne organizes the local RCMP to help with the effort.
Then another RCMP officer is found dead, and tensions begin to rise as quickly as the water levels. Roxanne moved to Fiskar Bay to keep herself out of harm’s way, but with a cop killer on the loose, she isn’t sure who she can trust. Can Roxanne find the killer before it’s too late?
Would you return to the landscape you watched burn as a child, especially if you and everyone else believed that the manic, wind-fuelled, merciless fire was your fault?
Set in a fictional version of the real Main-à-Dieu, Nova Scotia, where a 1976 wildfire caused catastrophic devastation, The Fire Monster, tells the tale of a skilled oil sands worker who returns to the Cape Breton fishing village where, as a child, he was blamed for causing the fire that tore through the local community, consuming bush, trees, houses, boats, cars, animals and the century-old gothic church. At once a poetry collection, a story inspired by true events, and a visually stunning comic-book adventure, The Fire Monster is a mixed genre story for the ages that explores the aftermath of tragedy, the frayed bonds of friendship and family, and s redemptive power.
Mitsue Sakamoto and Ralph MacLean both suffered tremendous loss during WWII: Mitsue as a survivor of a Japanese Canadian internment camp, and Ralph as a prisoner in a Japanese POW camp. In order to rebuild their lives and their families after the war, Ralph and Mitsue must find the grace and generosity necessary to forgive those who have wronged them. Their paths eventually cross in 1968 when Mitsue’s son and Ralph’s daughter begin dating, and Ralph is invited to Mitsue’s home for dinner.
This soaring adaptation of Mark Sakamoto’s award-winning memoir affirms the power of forgiveness and shows us that in our challenging times characterized by political divisiveness, xenophobia, and race hatred, the story of Mitsue and Ralph’s personal triumphs over hatred, injustice, violence, and bigotry remains vitally relevant and urgently necessary.
It is 1997 and Noah Lamarck’s life is a mess. Laid off work as a librarian, with his estranged wife and child in need of money, and the trauma of his father’s mysterious suicide unresolved, he struggles to find a way forward. A persevering man, but running out of options, Noah is thrown an unexpected lifeline: when long lost evidence of Shakespeare’s life is uncovered, an eccentric bibliophile hires Noah and his friend, graduate student Cecelia Lines, to investigate.
But the more they delve into the playwright’s life, the more they are drawn into each other’s; and despite their growing feelings for one another, their divided loyalties leave them increasingly at odds, and vulnerable to the manipulations of their employer. So unfolds a drama of love, sex, family tensions, financial burdens, obsessions, and devious manipulations which Noah and Cecelia, like players in a Shakespearean romance of star-crossed lovers, must navigate to save not only themselves, but Noah’s family from ruin.
Set in places as varied as the seacoast of Cape Breton, the streets of Toronto, and Shakespeare’s London, in Full Fadom Five the past is always present, and the characters always at the mercy of their legacies: those they carry forward, and those they try to leave behind.
In Ojibwe cosmology there are thirteen moons, and in these pages are thirteen offerings from Ghost Lake, an interrelated cast of characters and their brushes with the mysterious. Issa lives in fear of having her secret discovered, Aanzheyaawin haunts the roads seeking vengeance, Zaude searches for clues to her brother’s death, Fanon struggles against an unexpected winter storm, Eadie and Mushkeg share a magical night, Tyner faces brutal violence, and Tyler, Clay, and Dare must make amends to the spirits before it’s too late. Here the precolonial past is not so distant, and nothing is ever truly lost or destroyed because the land remembers. Ghost Lake is a companion volume to Adler’s Indigenous horror novel, Wrist (2016, Kegedonce Press). It was the winner of the 2021 Indigenous Voices Award in Published English Fiction, and was shortlisted for the 2021 Eric Hoffer da Vinci Eye Award in Book Design.