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May is Asian Heritage Month, and the perfect chance to check out new and new-to-you books by Asian-Canadian writers.
Showing 49–64 of 138 results
In this lyrical memoir, Lily Hoy Price writes with moving detail about her childhood and adolescence in a large Chinese Canadian family in the Cariboo country of northern British Columbia. The ninth daughter in a family of 12 children, Lily is an observant child who tucks away every image of life in rugged Quesnel during the 1930s for one unforgettable tale after another. She has carefully selected many of her father’s early photographs to illustrate her stories. The celebrated pioneer photographer Chow Dong Hoy left a legacy of more the 1,500 photographs taken after 1909, and created an invaluable record of the cultural diversity of the Cariboo region. With similar sensitivity and the same eye for detail, Lily Hoy Price seamlessly weaves both the innocence and expectations of a young child and the struggles of her parents, who came to Canada during the racially charged days of the imposed $100 head tax.
Filled with love, confusion, family celebrations and family tragedies, these stories open a window on an era long past. Rich with the author’s own insight, the stories are at times sad and humourous, but always thoughtful and interesting. I Am Full Moon creates an intimate portrait of life in an unusual, gifted family and is a significant addition to the historical literature of British Columbia.
Longlisted Pat Lowther Award
A revolutionary call to arms wherein the arms are love, art, self-definition, and community care as an alternative to so-called care under carceral capitalism.
Borrowing and disrupting the forms of patient records, psychiatric assessments, and court documents, Jody Chan’s impact statement traces a history of psychiatric institutions within a settler colonial state. These poems bring the reader into the present moment of the Diagnostic and Statistical Manual, capitalism and “money models of madness,” and “wellness” checks. Forming a ghost chorus, they sing an impact statement on migration and intergenerational trauma, gentrification, and police neglect of racialized violence against queer communities in Toronto–and how the “wrong” kinds of desire, be it across class, race, or gender lines, or towards other worlds, are often punished or disappeared. And yet, these poems also make space for what can take root, despite the impacts–care teams, collective grief rituals, dinners around a table with too many friends to fit. impact statement imagines, and re-imagines, and re-imagines again, a queer, disabled, abolitionist revolution towards our communal flourishing.
Triangulated against the backdrop of a deteriorating world, In the Key of Decay pushes past borders both real and imagined to attend to those failed by history. Attuned to scientific racism, systemic medical failures, and climate change, Em Dial’s poems incisively carve out space for interrogation. Their place-finding and place-making is often surprising, centring care and desire, where Dial’s speaker “calls for someone to call me what I am and for that someone to be a lover, bare on silk sheets, inside walls of confidential lilac.” In the Key of Decay doesn’t just hum along, it sings.
Introduction to the Introduction to the Introduction by André Alexis
For me, reading the Introduction was like being caught in a spring shower while waiting for the 41, and running into a library to get out of the rain and, because the rain lasts, wandering the aisles on the fifth floor, taking books from the shelves (Waley’s translations from the Chinese, a work by Roland Barthes, an oversized book about eastern birds…), draping my winter coat on a chair and sitting down to read.
My coat smells of wet coconut matting, and the library is warm, and I fall asleep, my head on the desk, and dream about a strange library filled with impossibly rare and impossibly beautiful works: Waley on birds, Barthes’ translations from the Chinese, an oversized book about rain…
And when I wake, moments later, after what seems like hours, I have the momentary and vivid conviction that, if I listened properly, I could translate water into any language at all.
Pain Not Bread is a collaborative writing group formed in 1990 by Roo Borson, Kim Maltman and Andy Patton. In Introduction to the Introduction to Wang Wei, they occupy the border created by translation, allusion and echo, and make it into habitable space, a place where the subtle sensitivities of poets from the troubled late Tang Dynasty (Wang Wei, Li Bai, Du Fu, …) blend with our own millennial anxieties. What do poets do in a difficult time? It’s as though Pain Not Bread were talking and drinking with their Tang contemporaries on some old rickety ferry making its way back and forth between English and Chinese, Chinese and English, in the process weaving together a music of supreme nuance and tonal registration, a mode of speaking and feeling which is “undisfigured by sentiment” and yet riddled with its own mortality.
Eighteen-year-old Johnny Wong’s dead-end life consists of delivering Chinese food and holding his chaotic family together in Toronto. When his sweet but treacherous Auntie, the mahjong queen, calls in their family debt, he fears the family will lose the Red Pagoda restaurant and break apart.
Invoking the spirit of Bruce Lee and in cahoots with his stoner friend Barry, Johnny tries to save his family by taking up a life of crime delivering weed with a side of egg rolls. He chases his first love, but his hands are already full with his emotionally distant mother, his dream-crushing father, and his reckless, sardonic little sister.
As he fights to stay ahead of his Auntie, sordid family secrets unfold. With lives on the line, the only way out is an epic mahjong battle. While Johnny is on a mission to figure out who he is and what he wants, he must learn that help can come from within and that our heroes are closer than we think.
Dripping with 1970s nostalgia, Johnny Delivers is a gritty and humorous standalone sequel to the much-loved and award-winning Letters From Johnny.
An endearing and beautifully illustrated children’s book about learning to embrace our heritage and celebrating what makes us unique.
Multicultural Day is coming up at school, and Kai is nervous about sharing her family’s Chinese food with her classmates. Kai’s mother is excited about making some special dishes, but Kai doesn’t like feeling different from everyone else.
Upset, she runs off on her own and meets Ming the dragon, who takes her on a magical journey to explore different parts of Chinese culture – especially all the delicious food! With Ming’s help, Kai learns about her family roots and how to celebrate all that makes her unique.
Kai’s Tea Eggs is a charming story for anyone who, like Kai, has felt the frustration of trying to fit in before finally learning to appreciate who they are.
Ages 3 to 7.
Born in Hong Kong to unwed parents, Stephanie Chitpin was transported illegally to the Island of Mauritius by Ah Pak, the head nun of a Buddhist temple with the help of Mr. Chui, a benevolent Chinese businessman. Ah Pak raised her as an orphan ward of the temple, Fook Soo Am, known as the Pagoda. Encouraged by Mr. Chui and in spite of Ah Pak’s opposition, she did very well at school. The scars incurred by classmates’ name calling (bastard, and more) the shame of being an orphan raised in a temple, tragic deaths, and other obstacles did not prevent her from pursuing her education and finishing high school at the age of 16. Although Ah Pak had other plans for her, Mr. Chui stood by her with diplomacy and tact throughout her school years and onto university in Canada on a scholarship.
Keep My Memory Safe poetically chronicles life in the temple and in Mauritius, and the move to Canada. This immigration story is totally unique as no other orphaned temple nuns are known to have gone on to acquire a topnotch education and become academics.
If you could travel to any place and time in history, what would you do? For Isabel, Suresh, and Nathan, three teenagers in Ms Sullivan’s high school English class, the answer is: 1613 when Shakespeare’s Globe Theatre burned down. Nathan intends to ensure that all of Shakespeare’s plays burn down with it, so students will never have to study Shakespeare again. When they land in 1592, losing their time travel device during the journey, they are stranded in Elizabethan London with no return in sight. Now they must grow and adapt to survive, or die. In the process, they reckon with historical figures such as Francis Drake, John Dee, Walter Raleigh, and a young up-and-coming Shakespeare. Filled with intrigue and the volatile history of its time, Killing Shakespeare is a fantasy that examines life, love, literacy, and their importance to us.
Winner of BEST CRIME NOVELLA at The Crime Writers of Canada Awards of Excellence 2022
Set in Toronto 1970, just as the FLQ crisis emerges to shake an innocent country, eleven year old Johnny Wong uncovers an underbelly to his tight, downtown neighbourhood. He shares a room with his Chinese immigrant mother in an enclave with American draft dodgers and new Canadians. He is befriended by Rollie, one of the draft dodgers who takes on a fatherly and writing mentor role. Johnny’s mother is threatened by the “children’s warfare society.” A neighbour is found murdered. He suspects the feline loving Catwoman next door and tries to break into her house. Ultimately he is betrayed but he must act to save his family. He discovers a distant kinship with Jean, the son of one of the hostages kidnapped by the FLQ who have sent Canada into a crisis. As his world spins out of control, his only solace are letters to Dave Keon, who “as Captain of the Toronto Maple Leafs, can be trusted.”
Winner of the Lambda Literary Award, Lesbian Poetry, 2012
Honourable Mention, San Francisco Book Festival, Poetry, 2012
In Love Cake, Leah Lakshmi Piepzna-Samarasinha explores how queer people of colour resist and transform violence through love and desire. Refusing to forget the traumas of post 9/11 Islamophobia, and Sri Lanka’s civil war, Love Cake documents the persistence of survival and beauty. It maps the complicated, luscious joy of reclaiming the body and sexuality after abuse, examines a family history of violence with compassion, and celebrates the beautiful resistance of queer people of colour in love and home-making.
Shortlisted for the Guyana Prize, Best Book of Poetry, 2014
Whether in the heart of downtown Toronto, a bookstore in Boston, the courtyard of the Taj Mahal–through the portals of cyberspace–on the banks of a Tampa river, or a journey through time to Georgetown, an old colonial capital, love circumscribes everything. But this book is no wide-eyed outpouring; it probes and questions concepts and beliefs, pokes fun at age, companions taken for granted, and the realization that, like a mannequin in a Manhattan storefront, love is “faceless and, almost, raceless.” If love circumscribes everything, these poems show that everything–economics, politics, ambitions and exiles–also circumscribes love.