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May is Asian Heritage Month, and the perfect chance to check out new and new-to-you books by Asian-Canadian writers.
Showing 17–32 of 128 results
Moving beyond the themes of race, identity, and personhood navigated in Mythical Man, David Ly?s second book of poetry, Dream of Me as Water, explores ways of being that are not beholden to the expectations of others. Using water as his central metaphor, Ly meditates on how identity is never a stagnant concept, but instead something that is intangible, fluid, and ever-evolving. Dream of Me as Water revels in the nuances of the self, flouting outside perceptions for deeper, more personal realities. .
Shortlisted Raymond Souster Award
Interviewed on CBC Books
CBC Best Poetry Book 2024
Relentlessly inventive poetry that proclaims a diasporic, queer, and disabled self-hood.
In Jane Shi’s echolalia echolalia, commitment and comedy work together to critique ongoing inequities, dehumanizing ideologies, and the body politic. Here are playful and transformative narratives of friendship and estrangement, survival and self-forgiveness. Writing against inherited violence and scarcity-producing colonial projects, Shi expresses a deep belief in one’s chosen family, love and justice.
“Shi extends her poetics in all directions with silky skill. Language flourishes in the realm of a poet like this.”
– T. Liem, author of Slows: Twice and Obits.
Award-winning author Darcy Tamayose returns with Ezra’s Ghosts, a collection of fantastical stories linked by a complex mingling of language and culture, as well as a deep understanding of grief and what it makes of us. Within these pages a scholar writes home from the Ryukyu islands, not knowing that his hometown will soon face a deadly calamity of its own. Another seeker of truth is trapped in Ezra after her violent death, and must watch how her family—and her killer—alter in her absence. The oldest man in town, an immigrant who came to Canada to escape imperial hardships, sprouts wings, and a wounded journalist bears witness to his transformation. Finally, past and present collide as a researcher reflects on the recent skinwars that have completely altered the world’s topography. Binding the stories together is an intersection of arrival and departure—in a quiet prairie town called Ezra.
Poems that reckon with identity, race, and fractured relationships through the lens of food.
Bittersweet, numbingly spicy, herbal and milky, Familial Hungers is a lyric feast. Ginger scallion fish, Sichuan peppercorns, ginseng tea, Chinese school and white chefs – the reader’s appetite is satiated with these poems’ complex palate. There are the bubbling expectations for immigrant daughters, the chewy strands of colonial critique, and dissolving crystals of language loss. Wu relentlessly searches the grocery shelves for the hard-to-digest ingredients of identity and belonging, offering us her nourishing honesty and courage pulled from the marrow.
In this brilliant and provocative first collection, Yaya Yao confronts her inherited fragmented self and her hunger for a home, using scraps of personal and communal memory to bridge languages, worldviews, and physical distance from her ancestral homeland. Bits of Cantonese, Mandarin, Hokkien, and Shanghainese are translated and altered to explore the dynamics between language and identity. In this collection, Yaya Yao has created a unique and authentic voice.
Mitsue Sakamoto and Ralph MacLean both suffered tremendous loss during WWII: Mitsue as a survivor of a Japanese Canadian internment camp, and Ralph as a prisoner in a Japanese POW camp. In order to rebuild their lives and their families after the war, Ralph and Mitsue must find the grace and generosity necessary to forgive those who have wronged them. Their paths eventually cross in 1968 when Mitsue’s son and Ralph’s daughter begin dating, and Ralph is invited to Mitsue’s home for dinner.
This soaring adaptation of Mark Sakamoto’s award-winning memoir affirms the power of forgiveness and shows us that in our challenging times characterized by political divisiveness, xenophobia, and race hatred, the story of Mitsue and Ralph’s personal triumphs over hatred, injustice, violence, and bigotry remains vitally relevant and urgently necessary.
Shiku hakku in Japanese means to endure, an expression that originates in Buddhism. This collection links Terry Watada’s past and present while acknowledging the fundamental suffering of human existence–in birth, aging, illness, and death–and the suffering endured in daily living–common frustrations, desire, separation. But at the same time it celebrates love, and in the end seeks an enlightened state of acceptance. Rise above life’s hardships and rejoice in the state of life is the overall theme of this collection.
Steffi Tad-y’s debut collection brings forward diasporic experience as it intersects with mental illness. Family history and work lyrics occur against a tonal backdrop of the carceral. Yet Tad-y brings a tenderness to these fraught circumstances, finding beauty in detail and repetitive acts of love, in part due to the use of a multiplicity of forms that render a surplus of affect into beautiful images. Though danger properly exists in Tad-y’s world, her poetry takes its own advice in “Writer’s Archive”: “Look. Enough. Each full stop unspooling / the cardinal & bluebird privacy of things.”
“I did not know there was a sound / silence made as it laps at the body’s shore,” observes Bridget Huh in her debut collection, Fugue Body—a book in which the body becomes a site of inquiry: a compositional space of melody, counterpoint, and theme. In surprising and intricately orchestrated poems that range from the lyric to the essayistic, Huh meditates on linguistic and racial identity, considers generational differences in an immigrant context, and recounts the life of the Finnish composer Jean Sibelius. In doing so, she renders the music of a restless, relentless mind with remarkable candour and beauty. “I want all the violins to shimmer,” writes Huh, “I want them to stand for impermanence.”
Inspired by an old Japanese parlour game of the Edo period (1603-1868), The Game of 100 Ghosts is a lyrical tribute to the poet’s friends and relations who recently departed their lives. In the game, participants gather in the dark at night and sit around 100 lit candles. Each player tells a ghost story, after which a candle is snuffed out. The last candle ends the spiritual evocation, which the participants hope will summon a supernatural being. This wonderful collection then evokes the spirits of lost friends and relations while paying tribute to a tradition.
Following the success of Straight Outta Busan, Stefano returns with more cartoons from his hit web comic series Modern Asian Family. This second collection of short cartoons from Stefano Jun chronicles his experiences as a Korean immigrant in Western Canada. Having moved to Canada as an 8 year old with no knowledge of English, Stefano encounters culture shock, family love, friendship, and ultimately finding a place for himself in the vast country he has called home for 20 years now.
These slice of life stories are a keenly observed insight into the experience of growing up in an unfamiliar place. Full of emotion, humour and surprise, Modern Asian Family: Grande Prairie with an E is a delight to read.