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The title Calabria: Warrior and Rebel came naturally after having selected the stories and characters that appear in it. It seems that Calabria has attracted warriors and rebels like a magnet and has been influenced by them. Hannibal, one of Rome’s greatest enemies, chose the temple of Hera Lacinia to deposit his memories just as Spartacus had done when going to the city of Thurii. Julia – the woman who dared to defy two emperors, her father Augustus and her husband Tiberius – was exiled to Reggio Calabria where the Torre Julia has become a pilgrimage destination.
Calgary’s Electric Transit is the story of electric street railway, trolleybus and light rail vehicle transit in Canada’s western city of Calgary, Alberta. Calgary was founded in 1875, when the North West Mounted Police established a new fort – Fort Calgary. A big boost for Calgary came eight years later, when the Canadian Pacific Railway – building westward to the Pacific – reached the Bow River in 1883. Calgary became an important centre for Canadian Pacific operations and has since become the railway’s headquarters location. By 1909, Calgary boasted a population of 30, 000 people. In July of that year the Calgary Electric Railway began operations with two cars, sixteen employees and three miles of track. The system quickly grew and the following year became known as the Calgary Municipal Railway. Through its forty years of street railway service, Calgary acquired passenger cars from such well-known Canadian builders as Ottawa Car Manufacturing Company, Preston Car & Coach Company and the Canadian Car & Foundry. In addition, the system’s roster included used cars from several sources in the United States. Totalling 113 cars in all – plus a scenic car – it has been a daunting task to secure photos for this book. Many superb images have been discovered, illustrating the operation of streetcars in different sections of the city. There are over 150 streetcar photos. Finding trolleybus photographs has been a challenge as well, but the authors have succeeded in gathering a fine selection representing all classes of ‘trackless trolley’ coaches purchased new and acquired used from other US systems. You’ll see streetcars and trolleybuses operating in the city centre, in the rural suburbs, and in residential neighbourhoods. Coverage of today’s modern rail transit cars is outstanding. Now called ‘light rail vehicles’, all classes of these LRVs are represented, operating in all seasons, and over most portions of the system, illustrating the many varied and unique Calgary urban environments. Rich, carefully composed black and white photos are rounded out with a fine showing of subjects in colour. There’s a variety of photos to interest everyone with an interest in the development of Calgary as a city: the construction of ‘The Bay’, early scenes in Bowness Park, and some views of the streetcars serving seemingly unpopulated fields that today are thriving subdivisions.Whether you’re a railway enthusiast or simply interested in Calgary’s history, you’ll find Colin Hatcher and Tom Schwarzkopf’s 200-page account of Calgary’s Electric Transit a fascinating, informative and enjoyable reading experience.
Calgary’s Infantry Regiment is a comprehensive history of the Calgary Highlanders on the occasion of the regiment’s 100 years of service under that name. This richly illustrated volume surveys the regiment’s history dating back to the creation of the 103rd Regiment, Calgary Rifles in 1910 and includes glimpses of Calgary’s infantry units in the First World War (including the 10th, 56th and 82nd Battalions); the creation of Calgary’s own kilted regiment in 1924; and the service of the Calgary Highlanders in the Second World War, peacekeeping and NATO missions around the world, and the war in Afghanistan.
Michael Dorosh provides a unique study of the regiment’s culture — combining text, photos, maps, original works of art, song lyrics and poetry. He highlights the regiment’s reputation for valour and endurance, as well as the exceptional service in wartime for which the Highlanders have been rewarded with the honorary distinction of the oak leaf shoulder badge and the Canadian Forces Unit Commendation.
Long-listed for the 2022 Leacock Medal for Humour
When King Priam’s pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there – one cross over. Stan has been a Hittite warrior, a Roman legionnaire, a mercenary for the caravans of the Silk Road and a Great War German grunt. He’s been a toymaker in a time of plague, a reluctant rebel in the Peasants’ Revolt of 1381, and an information peddler in the cabarets of post-war Berlin. Stan doesn’t die, and he doesn’t know why. And now he’s being investigated for a horrific crime. As Stan tells his story, from his origins as an Anatolian sheep farmer to his custody in a Toronto police interview room, he brings a wry, anachronistic perspective to three thousand years of Eurasian history. Call Me Stan is the story of a man endlessly struggling to adjust as the world keeps changing around him. It is a Biblical epic from the bleachers, a gender fluid operatic love quadrangle, and a touching exploration of what it is to outlive everyone you love. Or almost everyone.
Now a fully-fledged private investigator, Sloane Donovan is bored by her latest task of keeping a debauched starlet alive and out of the headlines as she films a movie in Vancouver. When she and her partner Wayne Capson are contacted by a grieving mother looking to resurrect the cold case of her missing daughter, Sloane finds herself inexorably drawn into a clandestine world of disappearing girls, illegal narcotics and loose ends dating back forty years.
Careening from the hardest edges of the city to creepy rural backroads where cries go unheard, Sloane’s relentless quest places the people closest to her at risk, while her own personal demons threaten to devour her. Lightning-paced and unputdownable, Call of the Void cements Sloane Donovan’s position amid the new generation of hard-boiled sleuths.
“… after reading [the] first-person accounts in this book I feel as if someone has opened a door and let me in, helped me see ‘what it was really like.’ This book magically allows me to feel I was there for all of it. It will do the same for you.” — Catherine Ryan Hyde, author, Pay It Forward
“A delightfully inspirational book about the power of a small band of people to make a big difference. Read it and help our world become a better place.” — Robin Sharma, author, The Monk Who Sold His Ferrari and The Saint, The Surfer and The CEO
“Virtual angels.”—Elle
This candid and inspirational account of the numerous acts of kindness performed by the Kindness Crew provides readers with ways to start their own kindness movement by showing them how to put the kindness philosophy into action. The crew explores cross-cultural, cross-generational, and corporate kindness as well as the power of one, kindness on the street, and extreme acts of kindness. The Extreme Kindness Tour shares heartwarming stories, testimonials, and photographs. An extensive resources section contains lists of recommended books, websites, and activities for people looking to start or join a kindness movement in their own community.
Fleeing the Cultural Revolution, a young Nina Huang says goodbye to her family and friends, and steals across the bay to Hong Kong, afterward immigrating to the U.S. and later to Canada. Twice she returns to China to reunite with her mother as well as friends, and to see how Chinese society and politics are evolving. However, as an escaped citizen who has returned with an American passport, Nina puts herself in dangerous situations and finds herself needing to flee from the red terror once again.
The term still life did not come into being until 1650. The French adopted the term nature morte, dead nature, around 1750. The painter de Chirico was said to have preferred the Italian term vita silente. The Japanese, however, call still life, calm things. Calm Things is the title essay of this collection of meditations on what it is like to live with still life, and to live poetically. Both an insider?s glimpse into the precarious world of artist and poet, and a long gaze at objects and the calm and silence they hold, these essays prize the ordinary, radiant gift of common things.
This is the untold story of what went on behind the scenes when the UN tried to manage free elections in Cambodia in the early 90s. Told with insight, humor, and a dash of romance, Cambodia and the Year of UNTAC staggers from adventure to adventure as the UN seeks to bring hope to a country reeling from war. With deep feelings for the Cambodian people, this true-life tale – now in a new edition with additional photos and a special afterword – brings to life what it was like to be part of the team that ended Cambodia’s civil war and helped bring stability to that beautiful country.
Camera Always Lies, The
Photographs have played a crucial role in shaping perceptions of nuclear weapons and nuclear energy. In Camera Atomica, art historian John O’Brian explores the intimate relationship between photography and nuclear events to uncover how the camera lens has shaped public perceptions of the atomic age and its anxieties.
Bringing together both vintage and contemporary photographs that have recorded and, in certain instances, provided motivation for the production of nuclear events, O’Brian travels through history — from the bombings of Hiroshima and Nagasaki in 1945 to the triple meltdown at Fukushima Daiichi in 2011.
In this vivid volume, readers will encounter more than 200 images that simultaneously document and raise questions about the contradictory roles of photography during this period. Included are Hiromitso Toyosaki and Shomei Tomatsu’s photographs of hibakusha (individuals exposed to radiation from atomic bombs), David McMillan’s photographs at Chernobyl Nuclear Power Plant, and Sandy Skoglund’s darkly humorous Radioactive Cats, along with photographs by Nancy Burson, Edward Burtynsky, Carol Condé and Karl Beveridge, Kenji Higuchi, Richard Misrach, Weegee, and many others.
There are no lost women, only women who’ve forgotten their scripts.’ RM Vaughan’s play about Hollywood director Dorothy Arzner comes off the stage and onto the page in this handsome edition from Coach House Books. An insightful look at the gender politics behind the cameras and studios of the golden age of cinema.
Caminos tells the story of Mercedes González Conde and her daughter, granddaughter and great-grandson. Each of them live and love, cope with and compound their inner troubles as issues of abandonment, attachment, identity and rootlessness circle around and through them. The novel is set in the northwest Spanish province of Asturias and the eastern United States — primarily West Virginia and Ohio — with scenes in Mexico, Canada, Prague and Berlin.